I mentioned in a previous post that the model for the painting Victory Gallop was a horse that I used to have named Henry. I recieved several emails from you readers asking to know more about him. SO here goes.
Henry was 1/2 Irish Draft and 1/2 Selle Francais. He was imported from Ireland when he was just turning 4. He did not show much talent as a jumper so he was brought here as a Dressage prospect because he had 3 really nice gaits. It was love at first sight. I adored this horse. He was tempermental, funny, sensitive, smart and so willing to try anything that I asked him to do.
For the first few weeks after he got there he was uncatchable when turned out. He had been rushed as a youngster and was overfaced with big jumps so beibg ridden was not something he enjoyed at first.
I would bring him lots of treats and just sit with him in his paddock. He got to the point eventually he would come galloping flat out to me when I called and come to a sliding stop just inches in front me. He would follow me around like a puppy. I let him just be a horse for the first few months and developed a really good relationship with him on the ground before I even attempted to ride him.
The first few rides were rocky at best, He had not been started well and instead of being taught what was expected of im he had been forced. So he just didn’t understand basic aids. When he didn’t understand something he would stop toss him head up and down several times and stomp his right front foot. A lot of trainers might want to smack him forward and get on with it. But this horse and been frightened before with that kind of riding. I would let him get over his little tantrum drop the reins and just ask him to walk on. Then I would back up a step and ask him to something really simple that I knew he could do well. By using this approach he learned to trust me. When he “got” something you could see how pleased he would be with himself when he got praised.
When he progressed through the levels in dressage if something was a little challenging he still would do his little head toss and foot stomp. I used to joke that the tempermental side of him was his French side coming out and at those times he was known as Henri (pronounced with a French accent).:)
He eventually showed great talent as a jumper but he made a lovely Dressage horse. He was a BIG boy 17.1 hands and was just a late bloomer. One day he started having trouble getting his 3 tempes. For you non-Dresaage folks ..three tempes are multiple lying changes of lead every three strides at collected canter.It requires a lot of strength and precision from the horse to do them. Henry started have trouble with them one day. He had spectacular flyng changes and would really jump through them. But now he felt funny like he couldn’t organize his hind end to even do one. Over the next few days he started to resist work and he seemed afraid to even go forward under saddle. He, also, got very clingy to me on the ground.

It was eventually determined that he had EPM which is a protozoa that attacks the nervous system. I miss him terribly…. He was such a great horse.

I think one of the reasons I got out of riding was that I went through a string of loosing my own personal horses to a variety of illnesses and freak accidents. I get too emotionally attached and it just got too hard having to make the decisions to put the horses down or give them up. I needed a break. I continued teaching for a while but then moved on to painting them.

This is photo of Henry right after he arrived from quarantine. He is just shy of 4 years old (he had tiny little M & M teeth!), already 16.3 hands. I always seemed to end up with BIG horses. He has the big head that so many Irish horses have. Once he developed a good topline everything came into proportion. He was not over in the knee..he is just standing funny in this photo.

Henry

Last evening I worked on Victory Gallop for a few hours. I think that I have just about completed this painting. I need to let this sit for a bit in a spot where I can see it for a few days so I can decide what needs a bit of tweaking. The area to the left of the eye appears be a little flat and dead to me so I may do a little something there.I tried to get a better photo but this still has some glare on it. Victory Gallop is 24 x 20, acrylic on gallery wrapped canvas. That means the canvas wraps around the sides of the wooden stretcher bars and the staples are on the back. I paint the sides so framing is not necessary but it would look gorgeous in a wide barn board or gold Plein air style frame. This is available for purchase. Email me if you are interested in giving it a home.

Deborah O’Sullivan Art
Website
Facebook

©Copyright 2010 by Deborah O’Sullivan. See original post here.
To learn more about this artist, visit her website.

Victory Gallop-

It is back to the acrylics and going large again. After painting so many small pieces last year I am feeling the need to break free and paint bigger. I love doing these very close-up compositions on large canvases. Victory Gallop is an acrylic and is a 24 x 20 canvas. I used a reference photo of a horse that I used to have named Henry. I lost him to EPM.

The first photo is the initial sketch done with a Sharpie marker. When working in acrylic I have pretty much unlimited freedom to move things around and experiment because I can go over things. If this was a watercolor this would be a pretty detailed pencil sketch. Watercolor is not very forgiving, you pretty much have the one go to get it right. With acrylics I really enjoy “drawing” with the paint.

Next image I have layed down mostly medium values. The main idea being to cover the white of the canvas. There is nothing worse than I white canvas staring you down. *shiver* This is the stage now where I get to make decisions on where I am going with this.

This piece is tightening up pretty quickly. I put a long night into this and needed to wait for the glazes to dry. I defined the musculature and found most of my darks here. I am thinking the markings on the horse’s face are competing with some of the elements of the composition. You can see in the next image how I have changed some things around. The joy of acrylics!

The glare is awful here but you can get a good idea. I created a blaze instead of the star and snip that Henry had. I think it works better. I will be mixing my whites to warm up his face as right now the blaze appears to stark to my eye. The rider is pretty much completed. I need to loosen up the color on the lapel. I left things very painterly with energetic brush strokes to convey the motion.

Writing about my art while I am creating it is an odd process for me because I don’t really think when I paint. I tend to just throw color here and there and then all of a sudden the painting is just done! I should have this completed this evening and will post the final.
Til next time, Deborah

Deborah O’Sullivan Art
Website
Facebook

©Copyright 2010 by Deborah O’Sullivan. See original post here.
To learn more about this artist, visit her website.