Tag Archives: photographer

Ready or not

Well, tomorrow I’ll be hitting the road for the show in Edmonton, ready or not. Despite having known for a while (not as long as I’d have liked, given how late they were in getting back to me that I had made the cut for this show) exactly when I needed to be ready, I’ve been doing my usual frantic last minute preparations to get out of here tomorrow morning.

The van is mostly packed, I’ve *almost* stopped creating new versions of my images in Photoshop and printing and matting them, and yet more business cards are coming out of the printer as I type this. Thank goodness for all these details that can be handled “in house” now. I remember the days when such things as business cards had to be ordered well in advance from the printer’s, and if at the last minute you decided you needed more, too bad, you’d be going to the show with your pathetic few and would have to ration them.
I have no idea how many photos I *should* have for this show. It lasts five days and according to my Alberta artist friends who are regulars, it does have enthusiastic shoppers, so I’m going with what I feel is quite a bit of work. Since this is the launch of my show/sale season, if I don’t move a lot at this venue, I’ll have a good head start on stock for the rest of my sales. If I do sell well, I’ve still got time enough to generate lots more, doubtless at the last minute yet again! Can’t say I’m not consistent.
Part of my problem with all the above has been the ongoing lovely fall weather we’ve been experiencing. If it had been dark, cool and wet (as it is today) in the past month, I’d have been logging a lot of studio time, but since the weather has been so outstandingly lovely, I’ve just carried on with outdoor activities and with getting yet more of those “fall light” shots. We don’t always get into November with such lovely browns and golds and no snow, and I have really been grateful to work with this type of light in my photos. Once the snow has come it will be a whole different ball game as far as the visuals and the light are concerned. I love winter shots, but they pose a lot of technical challenges with the brightness of the snow. Now that I’m shooting manual all the time, I’ll have to puzzle out the best way to handle it when the time comes.
The first three shots today demonstrate the kind of light I am talking about. It is very warm and contrasty–what is referred to as “chiaroscuro” in the world of painting, although come to think of it that’s likely the photography term as well, unless there’s a specific technical one that I don’t know about. My background is in art for the most part so that’s where my terms tend to originate, for better or worse.
Shot number one is the yearlings at a friend’s place, spooking off into the distance in a cloud of dust and golden light. I got a whole series of images of this event, but this is the only one I’ve had time to work with. Actually I did very little–had to adjust the levels a tad but that was all. This reminds me of the feel of Renaissance paintings with the strong contrast and warm antiqued colours. Shot number two is of part of the mare and foal herd at the same place, standing by the hay piles and backlit.
Shot three is a close crop of my friend Darby, sitting on a bale at doorway of the barn where our retired horses live. The vets were out to do herd health for the old boys, and Darby’s job is always to hold Mogo, the mini-Dachshund who belongs to my horse vet and friend, Sue. Mogo has Darby very well trained to cater to his every wish. He tries hard to train the rest of us as well, but some of us have a bit more resistance than Darby exhibits. Again, we’ve got that strong contrasty light, although some of the highlights are a bit blown out.
Shot four is of the little pup I wanted to photograph in my last post, before I got blown off track by Alpac’s herd health experience. I did make it out later in the week to get a whole whack of shots of this lovely little guy. Most of them were taken out of doors, but I liked this one of him cozying up under a chair in the kitchen while we were enjoying a coffee break. His dad is a Boxer, and Mother is a Mastiff (one of the South American mastiff breeds, can’t remember the name) and Bloodhound cross. To me he looks pretty strongly to the Mastiff side of things. Even with my Boxer experience and obsession, I’m hard pressed to see much Boxer in there. That holds true for temperament and energy level as well. This is one calm and deliberate little(ish) guy, not a fast mover or one who is going to get very excited about anything. Definitely not a Boxer, of the sort I have come to know and love, anyway.
Today’s final shot is one of the wolf series I got in the past year. I have a lot of shots of various wolves from Wolf Echo Valley, but as is so often the case, have had limited time to play with them. I did want at least one new wolf image to take to the upcoming show, so I produced this one earlier this week. This is Eco, and you can see Paradox, another of the resident wolves, faintly laid into the background. You can learn more about her and the other wolves I have photographed by checking out the Wolf Echo Valley website.
Guess it’s time to do the final bits of wrapping of the bigger framed pieces and start to sort out my personal packing. Jim and the dogs will have to fend for themselves while I’m gone, as Scout the cat is the only female that will be left in the house, and she’s not much given to catering to others. Usually various family members take pity on Jim and feed him a bit when I’m away, so he does not too badly for himself. He’s kindly taken it upon himself just now to run out and buy me a map of Edmonton, as I tend just to point in the direction and go, then when it’s too late, I realized that I am lost and don’t really have a clue how to get where I need to be. Not that I read maps well either, but at least if I have a map there might be some hope for me.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Virtual Postcard

©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.

Cattle call

It’s been some week for my camera and for me! Every second day (literally) I had a wonderful chance to gather images of various sorts. I figure I’d better not flit about for this post, will stick to just one of the events I attended, and the other subject matter and photo outings I did will have to wait their turn.

I’d been waiting and hoping for a while to get a promised phone call from my working cowhorse contacts south of the city, letting me know that a cattle sorting was going to be happening and that I would be welcome to attend with my camera. Wednesday of last week was the designated day, and only snow or driving rain (heck, maybe even not the snow) would have prevented me from being there. Rain, yes. My camera is too valuable to me to be abused that way! In any event, it was a spectacularly beautiful fall day, with temperatures just right, so no concerns on that front.

I drove down to my contact’s ranch (Dale and Teri Clearwater) to meet up with Teri and their little son Caleb. Dale had already been at the community pasture down the road for several hours at that point. Teri kindly offered to drive me to the pasture since the road was a bit challenging for city cars, and a few minutes later we were at the scene of the sorting, where all the cattle that had summered together in large herds now had to be identified by their brands, sorted out, and eventually sent off to their owner’s places for the winter months. Since the cows have been running on this range according to their own set of rules for quite a while, they don’t take kindly to men on horses disturbing their established way of doing things, so it’s a bit of a process to get this chore done.

The cattle had been herded into a large fenced area by the time I arrived, and the slow and tedious work of figuring out which cow and calf went together, and whose brand they wore, was well underway. All of this was being done by a cadre of about six or eight mounted cowboys/girls, with a few more arriving from other parts of the property as the day went on.

The noise of the cattle is really quite astonishing. It’s loud and continuous, ranging from plaintive mooing to aggressive bellowing, with everything imaginable in between. They tend to bunch up in a huge seething mass, which slowly but continuously moves and shifts. Some horses and riders work their way quietly and slowly into the midst of the herd to do brand spotting and to work out which cattle belong together, while others form a loose line a distance away from of the herd, to keep an eye on the big picture and to turn back any cattle that try to make a run for it. They seemed to rotate positions, taking turns going in or hanging back.

Once I settled down from the excitement of just being there, I was able to observe that cattle sorting seems to involve a lot of staying in one spot and watching and waiting, moving slowly and carefully within the herd, and the occasional adrenaline rush (for rider and horse) of the fast-paced pursuit of a cow or calf that is bound and determined to break through the lines and get the heck out of there. Both horses and riders need a huge amount of stamina (this is a *long* process when there are a lot of cows to be dealt with) and patience, as despite relentless efforts on everyone’s part, nothing much seemed very different after several hours of sorting and removing cattle from the main herd, although I knew there had to be a lot less cattle in the bunch than when they started out. The cattle just seem to expand to fill the available space so it was pretty hard to tell (from my vantage point, anyway) that anything was being accomplished at all.

My first shot of today shows a scene that was replayed a few times over by several of the cowboys, which is what I think of as “the connected cowboy” taking a cell phone call in the field. How they could actually communicate over the din of the herd is more than I can understand, and many of the calls were taken by riders who were sticking up above a sea of cattle like ships on the ocean, chatting away, just another day at the office.
In shot number two, Peter, the manager of the community pasture and head man of this sorting, is working at his end of a cow that needed to be roped and laid down for some badly needed assistance. She had poked her nose into a porcupine and had a fair number of quills ringing her tender nose. Unimpressed though she was with being roped and laid out on the ground, I’m sure she was greatly relieved to have the quills removed.

Shot number three shows Dale Clearwater and his horse who were responsible for the head end of the cow. The neat thing for me in all this (in addition to getting to photograph it!) was that Peter was one of the instructors at the summer working cowboy camp (see my post “When Worlds Collide”, June 23) held at Dale’s place. I was down to do photos one of the afternoons when Peter was teaching and doing demos of how to do this exact thing–rope a cow head and heels, get it laid out on the ground so it could be doctored, and how to do it in the quickest, safest and least stressful way possible for all concerned. I’d have to say this operation went exactly by the book from what I remember of Peter’s teaching and it was satisfying to see his lessons applied in a real-life situation.

Shot number four is a cute one of young Caleb Clearwater, who seems to be able to settle in with his construction equipment just about anywhere, and one of the cowboys (whose name I didn’t get) on their lunch break just before saddling up for the afternoon’s session.

The final shot for today’s post shows Peter working the kinks out of his fresh horse before the afternoon’s work began. This horse seems to need to have a little buck before settling down to work, and indeed I seem to recall getting a few shots like this of Peter and the same horse during working cowboy camp as well. The amusing thing with these shots was they started out bucking directly away from me which wasn’t the angle I wanted, so I yelled out “Can you turn around and buck parallel to me?”and by gosh they did!! Too funny.

So all in all, I had an absolutely wonderful time and have way too many shots to prove it. Also spotted a really nice herd of black Belgians in the field across the road from the community pasture that belong to the Clearwater’s neighbours, so you’ve got to know that I’ll be making at least one trip back there before too long, I hope.

You can check out another shot of one of the young woman riders in the sea of cattle here , post of September 26 .

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Horse photos from a week at the ranch.

Photo of a horse's butt copyright Donna Ridgway, all rights reserved.

Photograph of horses in Montana crossing a ridge with clouds in background copyright Donna Ridgway, all rights reserved.

Photograph of a horse's head against the sky, copyright Donna Ridgway, all rights reserved.

Close-up photo of a horse's eye, copyright Donna Ridgway, all rights reserved.

Close-up photo of a horse, copyright Donna Ridgway, all rights reserved.

When I lived on the ranch, and worked everyday, I barely noticed the way the light plays over the form of a horse. If you need your horse in a hurry, and you see scenes like this, they’re so fleeting. You don’t have time to really see the beauty around you.

So I’ve posted these horse photos so we can take a moment to reflect on how wonderful our equines are. I hope you experience a feeling of peace and harmony when you see these photos, the same as I did when I took them.

You can purchase these horse photos as prints on my Red Bubble site below. There are many options in pricing and size, canvas and paper. Something for every budget! Place your order today.
Donna Ridgway

Buy my art

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Art Horse Magazine

Oops. Did I ever forget something BIG!!! There is a feature article about my work in Art Horse Magazine’s Summer 2008 issue. It was very exciting to see my work published in this beautiful magazine, that is a must for all equine enthusiasts. You can purchase a copy…or better yet….get a subscription at www.arthorsemagazine.com

©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.

Summer shoots

Photo portrait of a teen girl in a long dress and a horse copyright Judy Wood, all rights reserved.

Photograph of grain elevators and rising moon in Canada copyright Judy Wood, all rights reserved.

Photograph of a Canadian sunset copyright Judy Wood, all rights reserved.

Photograph of a bear in a zoo copyright Judy Wood, all rights reserved.

Photograph of a canola (rape, rapeseed) field in Canada copyright Judy Wood, all rights reserved.

Well, the revolving door has whizzed around a few more times, leaving me feeling a bit spinny in the head and wondering where the week (the summer, the year to date!!) has gone. It continues hot and sticky, making everyday functioning a tad challenging, although I know there are a lot of parts of this continent that would be glad to have our summer weather–both in the areas where they aren’t getting enough summer, and those that have too much.

We’ve gone into hot and dry classic prairie mode here, and the fields and crops are all ripening almost visibly as you watch. No more nice yellow canola fields. They’ve dulled right down as they head into their next stage before harvest. I’m not enough of a field person that I can even tell which ones *are* canola any more now that they’re not bright yellow. And it has been years, perhaps decades, since I’ve seen endless miles of golden wheat in the fall as used to be the norm when I was younger. Not a lot of wheat being grown in this area at any rate.

I’ve done a fair few photo outings this past week, starting Monday with a visit to the local zoo with grandson Mark to check out what was happening. We saw the “new” bears that are recent arrivals, two young (as in teenage if they were human, I’d guess) grizzlies in a new display area that has just opened. One of them was making the best of his situation when we were there, interacting with the environment and generally seeming pretty relaxed. The other one, sadly, doesn’t appear to be adjusting well and spent its time pacing in repetitive patterns that I fear don’t bode well for its mental health.

I appreciate the chance to photograph animals like these and the other zoo species, but on the other hand if I let myself think about it at all I find zoos quite depressing and sad places to visit, for a variety of reasons. One “good” thing about the camera is it lets you focus (literally and figuratively) with a different mindset, and is definitely a tool that removes the photographer emotionally from the situation they are photographing. Works that way for me, anyway. This isn’t always a good thing, but it does help in these circumstances. And yes, I do realize that most zoos do the best they can for their animals and are in some cases the main hope for the survival of some species.

I decided this would be a good week to work on my sunset collection, so made a couple of trips out to the country in pursuit of good skies. One of the forays took me past the site of one of my favourite horse herds from last summer, who I hadn’t yet seen this year in their pasture. I was greatly heartened to see them back again when I went by on one of my sunset excursions, so I’ll be going to and from Ebon the long way from now on when I ride in the evenings in hopes of getting some shots of this herd.

An unlooked for but very welcome addition to the sunset shots were some moonrise shots I got the same evening. I was heading south from Ebon to the horse herd road when I glanced to the east and was astonished at the huge pinkish moon just rising beyond the inland terminal buildings by the train tracks. It was enormous and virtually full.  Moonrise and moon shots are another on-going fascination for me, and I got some good ones that night. You have to be in the right spot at the right time for these, as with my lens and the fact that I shoot hand-held only (no tripod or long exposures), they are pretty hard shots to capture. Another small victory for my photography this past week has been going manual, where I am setting the parameters for the shots, rather than going with having my very smart camera set the exposure etc for me. It’s taken me a long time to get to this point, but it really paid off with some of the sunset shots where I was able to optimize the images in a way I couldn’t achieve in the past. I’m basically a person with a good eye and art training who doesn’t know the mechanics of photography, so it’s an on-going learning process, and it’s nice to feel that I’m actually making some small progress in my understanding. Well, in truth I don’t *understand* it as such, but I know (sometimes) what to do to get the results I want, which is really all I care about.

No horse events on the week-end, unusually, to be made up for by two happening simultaneously next weekend at different stables. I had a booked shoot at Ebon on Saturday morning that was quite entertaining, with one of the young women riders wanting shots of herself in her graduation dress with her horse. We had planned to do this at the actual time of her graduation (from high school) in June, but the time got away from us then. We beat the worst of the heat and got a bunch of nice shots of the pair of them. I was going to feature one of them here but I have my limit plus I’m having technical problems, so I think I’ll quit while I’m ahead on this one!

Shots (not in the order I had planned, but since the system refused to load them at all the first two times I tried, I’m not going to be fussy about this for fear of it going rogue on me again) are of the big moon rising (no Photoshopping of the moon’s size here!!), sunset over the trees out in the country, the “well adjusted” young grizzly making a quick exit from his pool, and a field of canola taken a few weeks ago when it was in bloom. I love the total minimalism of this kind of landscape shot. That’s pretty flat, even for around here!

Re. technical problems–this is my first blog post from the new computer system, which considering how totally at sea I was a couple of weeks ago represents a major triumph for me. I’m still really struggling to make sense of things (mostly Bridge and iPhoto for downloads and photo organizing) and there’s a discouraging amount of things I still don’t even know how to look up, never mind actually execute, but I am making progress.

Ha!! Decided to give the shot of Kat and her boy a try and I got it to load as well. Maybe by next time I’ll be able to put them in the order I want. Or not.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Doing the Dog Paddle

This has been, for lack of a better term, a very “interesting” summer. The spring was too wet and we survived flooding all over the state. The crops were late getting in and we had ankle high corn by the fourth of July instead of the intended knee high. Usually, these days with the hybrids, we have head high plus corn by July. Not this year.

I have been getting gobs done though, even if part of the gob is not keeping up with the blogging. Gob Blogging. Wonder if there is a market for that?

I have been taking photos almost everyday and I have a great backlog of things to use to illustrate the blog clear through to the autumn months and beyond.

For today’s subject, we took the puppies to the pond a few weeks ago, and Bella, the swim master, part otter dog, taught everyone the fine art of swimming. The “beaglador” Lab/Beagle mix was the only one who sat the first session out and refused to get her feet wet.

Bella shows her glide swim to the group. Copyright Bethany Caskey, all rights reserved.Bella shows her glide swim to the group.
Radar jumps right in without hesitation. A large bass would see him as bait right now.Radar jumps right in without hesitation. A large bass would see him as bait right now.
Gracie studies carefully the form and style of the swimmersGracie studies carefully the form and style of the swimmers
She's off!She’s off!
Oh, no! My butt is sinking!“Oh, no! My butt is sinking!”

"What am I doing wrong, mom?"

“What am I doing wrong, mom?”

"Teach me, wise dog of the water."

“Teach me, oh Bella, wise dog of the water.”

"First you focus outside yourself and your fears. Use a focus point to become one with the water."

“First you must focus outside of your fears. Find a goal. Like that stick. Become one with the water.”

"Sucess, grasshopper!"

“Success, grasshopper!”

A new champion swimmerA new champion swimmer

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Oh good grief

Photograph of a horse's mane copyright Judy Wood, all rights reserved.
Photograph of a cello copyright Judy Wood, all rights reserved.
Photo of a cattle drive copyright Judy Wood, all rights reserved.

Well, this wasn’t how I was planning on spending my summer hours. I finally got my new computer (moving from a PC to a Mac isn’t as easy as everyone claims!!), then it seemed silly to move my old Photoshop 7 program onto it, so we upgraded Photoshop as well, from a fairly old to a very new (CS3) and quite unfamiliar version. Now I’m at the point where I can do virtually nothing on either computer, and am feeling very stupid and very frustrated.
Consequently, I’ve spent way too many hours this past week trying to understand the most basic concepts on both the computer and the PS program, with no discernable success. I’ve also spent a fair amount of money on books that are supposed to help with my problems, but don’t, and will doubtless be off to the bookstore for more. Actually I’m first going to head off to the main library downtown tomorrow to see if they have something that will assist me before I lay out any more cash.
This sort of anguish isn’t something I am happy about enduring at any time, but it seems even more cruel during the fleeting summer months. One part of me wants to say forget it, and just keep on with the old system for now which, while very flawed, I know how to use. The other part of me is the grim determination part that I employed to learn whatever skills I have achieved, and it wants to darn well put the time in and get on with the process. In case you are wondering, I’m doing this post on the old system since I can’t wrangle the images on the new one for love or money at present. Maybe next week. Or the week after that.
To make the situation more stressful, I’m hitting the peak of my summer horse photo busy time, with client shoots, horse events most weekends, and just a ton of photo ops in general. With every download I have to agonize whether to put the images in the new system where they will sit for who knows how long before I figure out how to handle them, or in the old computer where I can get them whipped into shape, but with a lot fewer options to play with than I could theoretically use with the new Photoshop. I’ve almost decided to double download for the next while, same shots in each computer, until I have this resolved. Sigh.
OK, enough whining. Summer is in full swing here and we are starting to reap the garden harvest. Had our family Sunday dinner this evening, which will add to confusing the attending family and friends since today is Monday. Long weekends will do that anyway so I thought I’d reinforce it by having the weekly Sunday get-together a day late. What the heck. We had beets from our garden, and also tomatoes. I can’t get over that–some years we still haven’t seen a ripe tomato in mid-September, and given the early frosts we can get, some years we don’t *ever* see one. Not sure what I did this year to be so nicely rewarded, but it’s much appreciated.
We had a nice treat yesterday on the food front. A couple of middle Eastern ladies appeared on our doorstep a couple of weeks ago asking if they could harvest some of the grape leaves from the trellis on the west side of our yard. The grapevines are pretty well out of control and goodness knows there are leaves to spare, so we said to go right ahead and take as much as they wanted. Yesterday they returned bearing some wonderful homemade dolmas that they had produced from our leaves, plus a sampling of stuffed zucchini, onions and leeks. We enjoyed them for supper last night and they were wonderful. I’m very fond of this sort of food but am far too lazy to actually make my own, so this worked out well on all fronts. They harvested a bunch more leaves so I’m hopeful we’ll get another dinner treat in due course. Win-win all round.
Photos today are a grab-bag of ones from this computer’s files. I have a beautiful new landscape shot of a canola field in bloom from the weekend, but it’s in the other system and I’ve already explained that problem. Trust me, it’s a very nice shot!! Also some very good hawk images from the same outing, but alas, you won’t be seeing them either this week.
Shot number one is an abstracted horse neck and mane from a shoot I did in late winter. I love the simplicity and patterning on this one.
Shot number two is one I did of my husband’s cello. It doesn’t usually leave the music room upstairs (formerly a daughter’s bedroom) but for some reason he had it in the living room one day in the low and mellow light, and my eye was struck by the warmth of the wood. This one has a “bark” texture filter laid over it.
Shot number three is from a cattle round-up shoot I did in late fall, again, considerably transformed in Photoshop.
How’s that for eclectic? One more thing to mention. I am the featured artist this month in an online equine magazine. Click on this link to see the article and quite a few visuals http://www.equestmagazine.com/article-artist-08.php Hope that will get you there. See you next Monday, maybe?? from the new computer!

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Why do you come to this blog?

The other day, we decided to go out to lunch, to celebrate the sale of King Carousel. We like to go down the road to a place called Mary’s Midway. It’s a little pub with a great restaurant attached, and they have a huge platter of Nacho Supreme’s for about $7.00. You just can’t get a better meal at that price for two people!

As we sat waiting for our food to arrive, a logging truck pulled up in the parking lot and two people got out, a man and his wife. I told Robert, “Oh Look! Someone who will talk to us!” We were so excited.

The couple came in, and ordered, then the husband walked by us. Robert isn’t afraid to begin a conversation with people, so he asked the guy, “How do you like those old Fruehoff trip stakes?” Of course the guy started talking and they had quite a conversation. Since I was sitting there feeling kind of left out, I walked over to the lady and started talking to her.

Ends up they were from Lincoln, Mt and they were putting on a car show on the next Sunday, they invited us to attend.

Since we were at loose ends on Sunday, we went to the car show. The man-Stu, saw us when we arrived, and came and shook hands with Robert and acted so happy we were there. He was talking to another friend of his, and he told that friend, “Christa and I pulled into Midway Mary’s and I told her, good, there are no loggers in there today, we won’t have to talk logging!” (He could tell that from the vehicles in the parking lot, you can always spot a logger’s pickup or truck)

He continued, “I no sooner got inside than this old codger grabbed me and asked me how I liked using the old trip stakes and I ended up talking logging!” Stu thought it was hilarious he’d hoped to avoid loggers, and ended up running into one he enjoyed…

Now that I’ve told that little story, I’m going to switch gears.

When I go to someone’s blog, I go for different reasons. I go to James Gurney’s blog
to learn about art. He’s better than college! He offers lessons in art that are vital to an artist and he offers his knowledge for no cost. What he gives freely, is astounding.

I go to Maggie’s blog to learn, and to be entertained. I also love seeing her new paintings, drawings and writings.

There are blogs I visit to learn SEO techniques, blogs about blogging, and blogs about camping and dutch oven cooking. Blogs are entertaining!

This has also lead me to wonder what I want to accomplish with my blog. First off, I hope I entertain you. I hope it’s not a boring experience to come here. Let me know if I fail.

Another purpose of this blog, is to let people know what I do. I create and sell paintings and photos of animals and Montana.

This blog also serves the purpose of keeping my website in the limelight so to speak, where google is concerned. This is a kind of hidden purpose of the blog for you’ll find a lot of links pointing to my websites on this blog.

My hope is this, that you and I are not on cross purposes when it comes to the reasons you visit here. I don’t want you to be disappointed when you come here, thinking you’ll see one thing- and getting another. Take for instance, my example from above, where Robert and I are sitting in the pub, hoping to talk to someone in the logging industry, and Stu and Christa have come in, hoping to avoid the topic all together!

My hope is that I entertain you with my stories of Montana, the photos and paintings of animals. I also hope you remember me when you need a gift for a family member or a friend, and perhaps stop by the website to make a purchase.

If you click round the topics on this blog, you’ll see links to free art lessons, horse stories, paintings of your favorite animals, tidbits about my life.

Hopefully, you’re contented with what you find while you’re here. I’ll be interested to know.
Donna

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Bird rescue

Digital art of a grain elevator in Canada copyright Judy Wood, all rights reserved.
Digital art from the War Pony series by Judy Wood. Copyright the artist, all rights reserved.
Digital art from the War Pony series by Judy Wood. Copyright the artist, all rights reserved.

One of the interesting events the past week, for me, occured (as is often the case) at the barn when I went out to ride on Thursday afternoon. Things were pretty quiet last week as the instructors and a number of horses and riders had gone to an out of province horse show, so there were only a few of us around most days.
One of the young Pony Club girls was tacking up in the alleyway, and I had Alpac just about ready to go when the other rider that was there gave us a heads up about the barn cats being in the riding ring. Generally speaking they aren’t encouraged to be in the ring for safety concerns (their safety for obvious reasons of potential trampling underfoot by a horse, ours due to the spook factor when a cat suddenly shoots out from under a jump at mach speed and the horse reacts accordingly) but they seemed to be on a hunting mission of some sort from the description given. By the time Alpac and I hit the ring, the cats had both left, so I figured they had finished off some poor little rodent and that was it. I’ve had to retreat to the indoor ring of late, much against my wishes, since the outdoors is often very slippery and muddy due to the many downpours we have had, and (even more of a consideration) due to the appalling number of tormenting biting flies that plague the horses unless we are in a gale force wind. All in all, it’s been easier just to stay in for the last week, although the flies are bad there as well.
I was just tightening the girth when I heard a strange whacking noise in the southwest corner. It seemed a little odd and unaccountable, but I carried on with what I was doing until I heard it again, quite distinctly. I thought I saw some movement in that corner as well, so left Alpac to his own devices while I went to investigate. There in the dirt of the riding ring was a bird, which as I watched rose up and flew blindly at the wall, whacking into it and bouncing back to the ground. This was what the cats had been after, but since there was a triangular jump piece stored in that corner, the bird had been able to evade the cats until they gave up and left. Now it was in a blind panic and was surely going to finish itself off if I didn’t intervene. I got an ice cream pail and was able to capture it in the pail, meanwhile calling for help in the form of a sturdy box, which Oliver the barn man supplied. I got the bird into the box which I duct taped shut and stowed safely in my locker so that the cats couldn’t finish the job while I rode.
Mark (grandson) was with me and I had him check for signs of life after my ride while I was putting Alpac away. He said he was pretty sure he could hear fluttering, so I took the box along and we headed back to the city. Luckily I have contacts in the local wildlife rescue world (see the post of a couple of weeks ago, July 14) so I left a message with Jan that I had an injured bird that would need some help. Her husband Stan appeared at my door a while later, and off the bird went.
After a couple of days, I phoned Jan to see how the bird was doing, and was amazed to hear from her that I had rescued a Northern Shrike, which is an endangered species. When she opened the box and realized what it was, she rushed it up to the vet collage where their bird person was equally amazed and thrilled. At last report (earlier today) the shrike is still with us, undergoing antibiotic treatment to head off potential infection which is common when birds have been assaulted by cats. When it is ready to be released, I’ll pick it up and take it back to Ebon where I will set it free, in an area well away from the cats. I did see another shrike at the barn yesterday, and now realize that they are the birds I have seen fairly regularly all summer, I just didn’t know what they were. Here’s a link to some information on shrikes http://www.birds.cornell.edu/AllAboutBirds/BirdGuide/Northern_Shrike.html#sound
No shrike photos because I haven’t seen them when I’ve had the camera at the barn, although now that I know what to look for maybe I’ll get lucky later this summer.
I have been working on prairie heritage images this past week, since the gift shop at the local Western Development Museum is going to be carrying a selection of my photos. I did up a couple of new images for them, and have printed a number of others that are on theme.
First shot is of a grain elevator that I have set in front of a Saskatchewan sunset sky.
Second is a new war pony piece, and the third is another war pony one, featuring Homer, who belongs to the Ebon barn man, Oliver. Homer is a favourite subject of mine and appears fairly regularly in my work, especially in his war pony incarnation. I did a photo shoot this afternoon of Oliver riding Homer bareback, which I will work with to make some “historic” looking war pony and rider works, when I get the time (which is to say, don’t hold your breath). Oliver is pretty good about humoring me and my odd requests for photo shoots of him and his horse, which is a real bonus for someone with my interests. And of course I have to add a crow or so on all possible occasions, so there they are with the war ponies.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

LOCAL SHOW venues

Horse photograph by Juliet Harris

To All of my Local Hudson Valley FriendsAs of this weekend, you will now be able to find images from my EQUISCAPES series at the CARRIE HADDAD GALLERY in Hudson, New York. The Gallery represents local Artists and Photographers of the Hudson Valley, the first Art Gallery in Hudson NY. established in 1991. http://www.carriehaddadgallery.com/ . I am very excited about having my work represented in such wonderful company. If you get a chance, spend the day in Hudson exploring the galleries, antique stores and wonderful eateries. it make for a great day-trip from New York City and the surrounds.

In addition, I have several pieces at the 2nd ANNUAL EQUINE ART GALA preview on the H.I.T.S. showground’s in Saugerties, NY through next weekend. Following that will be the 2nd Annual Equine Art Gala and Exhibitor Mixer on the evening of July 24th. Check to website http://www.hitsshows.com/ under the Saugerties Special Events section for more details.

Hope you are all surviving the intro to Summer that we have been having here in the Hudson Valley. It is cool in my darkroom, so I expect to spend a bit of time down there this week! I have some wonderful new Equiscapes to work on. I have posted a sneak peak at one on the top here.

©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.

New Email….

A good Spring morning to all,

Just a note…..I have a new email address julietharrison@earthlink.net . Make a note of the change as the webjogger address will not work after this month.

Click on this link to the Equine Photographer’s Network website and see the two images I have that made it into the final selections for their Equine Ideal Competition. http://www.equinephotocontest.com/peopleschoice.asp
There is an opportunity for a People’s Choice voting. My images are in the professional category under the B&W heading. They are titled “Braids” and “Rhapsody in White”. Check out as well all of the other beautiful photographs.

One more reminder…..The Cow Palace Grand National Art Show and Sale opened last night and will be there for the next 9 days. The Equine Art show at the Windsor Whip Works Gallery, in Windsor NY will be up until the first weekend in May. I will be back there on May 3rd for a gallery talk.

And for all my local friends…..the Photowork ’08 show opens tonight with a reception from 4-6pm at the Barrett Art Center in Poughkeepsie. I have two pieces that were juried into the show.

I hope your weather is as beautiful as ours today.
Juliet
www.lechevalthehorse.com

©Copyright 2008 by Juliet Harrison. See original post here.

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