Tag Archives: Michigan

Ups and Downs


“Scruffy” my horse, Scottie, losing his winter coat

Last week was quite an exciting one for me. First off, I finished up the taxes and delivered all the papers to the accountant. That’s always a source of great relief!

Then the following day I met with a local artist whom I hope to work with for a while to help me with my artistic skills. I’ve been feeling rather lost for quite a while now with my art, knowing that I could be doing much better but not knowing where to start or what to do to move forward. It occured to me that working with a more advanced artist might be just the thing I needed; someone to point the way and help guide me along.

I brought several paintings to this first meeting, including the one hour ones, and he critiqued each one of them, pointing out how I could have improved them and what was done well. I was grateful to hear him say, “You obviously have a lot of talent” and “You don’t need ‘remedial’ lessons” and finally “I’m certain that I can help you to improve the quality of your work”. I left floating on Cloud Nine and look forward to meeting with him again. He studied in Florence as a young man and also spent several months at that time sketching horses at a nearby equestrian center. So, he “knows” horses probably better than the average artist who is not an equine artist.

This week didn’t start out so well. On Monday the vet came to adjust my horse, Scottie, and one of the other horses. I quickly discovered that my horse was very lame in the left front leg and was very reluctant to walk. Remembering how good he was with me when I hurt my knee two years ago, I let him take his time walking from the pasture to the barn and figuring out how to turn around in the barn aisle with the least amount of pain.

The vet couldn’t find anything obviously wrong, like a soul bruise or injured muscle, but he was very tight in the neck and shoulders. She concluded that most likely he was stiff from the icy footing outside and/or from the arthritis in his neck causing pain down his leg. We gave him some bute and put him back outside. On the good side, his back and pelvis were still in good alignment, so we’ve definitely made progress on that front at least.

Yesterday I went out to the barn to check on Scott and was very glad to see that he was in less pain but still limping. I led him around the indoor for a while to see if he would walk out of the limp. It got less but didn’t go away completely. Then I turned him loose to see what he would do. Instead of just standing still not wanting to move or standing by the door wanting to go out, he followed me around as I shot some photos. After some massage and stretches, I put him back out and headed home, my mind a little more at ease.

I haven’t made arrangements to meet with the artist again but will do that soon. I need to figure out what I want from these sessions and he needs to let me know how much he’s going to charge. I’ll keep you posted.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Lady’s Colt


“Lady’s Colt” 8×10 inch oil on canvas board

The subject of this painting is an eight day old Morgan colt. I don’t remember his name, but his dam is Lady who belongs to a friend of mine. This is the third in a series of one hour paintings I’ve been assigned to do by my mentor.

This time I deviated from the assignment by using smaller brushes. As a result, it took me longer to complete this one than the others; more like two hours, fifteen minutes. Still, that’s very fast for me, and it’s very rewarding to finish a painting in a few hours versus the weeks and months it usually takes me to complete an oil painting.

I’m very much enjoying this new style even though I haven’t gotten the hang of it yet. It’s been a boost to my ego to find that I can paint something fast and loose and have it look like what it’s supposed to look like and not a big mess. Below is a close up of the little feller so that you can see the looseness of the brush strokes. The legs are shorter than they should be because I ran out of room at the bottom of the canvas. Clearly, I should have placed him higher or made him a little smaller. That’s one of the hazards of drawing directly on the canvas without a preliminary drawing for perfect placement.

I have no idea if these little paintings are marketable or not. I just know I’m having a whole lot of fun doing them!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Celebrations


Remembering Willie – oil on canvas board

Twenty years ago tomorrow, September 21, 1989, I bought my horse, Scottie. This date represents not only my return to horse ownership, but also to the world of horses in general and to horse art in particular.

I bought my first horse when I was 12 but had a bad riding accident a few months later which completely destroyed what little confidence I’d managed to build up. The following summer I sold Willie when it became clear that she was just too much horse for me, and I didn’t ride much after that. That decision haunted me for decades to come until the summer of 1989 when I decided that it was time to face my fear of riding and find out once and for all if I could overcome it.

I found a sympathetic riding instructor and began riding lessons on a wonderful sorrel horse named Scottie. The first day at that barn I had an overwhelming feeling of coming home to something that I had lost many years ago, and I vowed never to give it up again. Six weeks later I bought Scottie, and we began our journey together. He was only four years old at the time and was still very green, but he was very laid back and safe for anyone to ride. Even so, the first two years were difficult ones as Scottie tested me constantly to see how much he could get away with. I learned that if I persisted with him, he quickly gave up and did as I asked. That alone helped to build my confidence, even after a few inevitable spills. Eventually, he quit testing me and Scottie turned out to be the perfect horse for me.

Through my new horse ownership status, I met other horse people, and it wasn’t long before I began to do horse portraits and attend horse shows and events. My childhood dream of becoming an equine artist was realized, and I haven’t looked back since, no matter how bumpy the road.

I confess, however, that the past two years were a bit of a bumpy road, and I found it difficult to get myself to the barn. This summer my enthusiasm for riding has returned, and I’m once again going on trail rides and having a ball.

Yesterday was our first annual group birthday celebration at the barn. It began with a beautiful fall trail ride through the woods and fields and ended with a delicious potluck lunch back at the barn. I think it’s safe to say that all of us “mature” ladies enjoy each other’s company and look forward to our next outing together when the fall colors will be at their peak. There is no better trail riding than at this time of year when the woods are ablaze with color, the temperatures are comfortable and the bugs are few.

On this ride I took along a small digital camera and share a few of those shots with you below. This camera has definite limits, but you can get an idea of what our rides are like here, minus the uphill and downhill parts. It’s really hard to get shots going downhill when your horse is pitching back and forth or going uphill at a full gallop.


Here we are leaving the barn on a beautiful Fall day.





Here we stopped to let the horses pick apples right off the tree.


The driveway looks mighty long and steep at the end of a ride.


Our group photo. Scottie and I are on the far right.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

“GOOD Happens”

On the way home from Traverse City yesterday, I saw this bumper sticker on a car ahead of me. It read, “GOOD Happens”. Now, we’re all familiar with the other version, and I thought, “What a refreshing turn around on this well known saying!” It got me to thinking about how our point of view can color our lives and that we can find good that “happens” if we just look for it.

In the past couple of days, some small good things have happened for me. On Thursday I finally made it out on another trail ride with my riding partners from the barn, and I had a fabulous time! The weather was perfect, there were no bugs, and no monsters jumped out at us. You could hear the tree frogs as we rode along, going in and out of the woods on trails so familiar. We walked, trotted and cantered for over an hour and arrived back at the barn just as dark was falling. It is such a cool feeling to ride up the driveway to the welcoming lights in the barn and then to look out at the twilight sky from atop the farm hill. That night it was a spectacular red.

This afternoon I ran up to Central Lake to take in an art fair (a rather sad little affair with very few vendors and only one painter), but I did have the opportunity to chat with one of the arts council members who invited me to display one of my paintings in a local bank. I also voiced my regret that there weren’t more opportunities for art shows for the artist members and a desire to have a meet and greet event for artists to get to know one another. She agreed and said she would bring both matters up at a future board meeting.

Both coming and going from the art fair, I took some side roads I’ve never been on and did a photo shoot. I was particularly looking for cows; dairy cows; and did find one herd although they turned out to be steers. Oh, well; with some artistic license, they can easily be morphed into cows.

Here are just a few of the photos I took today.

There was a long row of these sunflowers on both sides of the road at one spot where there is a very neat and prosperous looking farm.

Here are my Holstein “cows”. I had the iso speed way too high so the photo is washed out, but I corrected that later.

At the very top of a hill on this road, I spotted this spectacular view. The nearest blue patch is Torch Lake, and beyond it is East Grand Traverse Bay and beyond it is Old Mission Peninsula (for those of you who are familiar with this area).

This horse lives on a farm on my way to Bellaire. I’ve long wanted to stop and shoot some photos of him. He looks to be an aged Thoroughbred, but I’m not sure.

Around the corner from this horse, on a new road, I found this wonderful stone house. I’m sure it’s being lived in because it is so well kept.

These two horses live around the corner and up the road from me. They are two older Arabs.

When I stopped to take a photo of the bull below, I noticed how much color is in this maple tree. It won’t be long before there’s a lot more showing in all the trees.


This bull lives on my road. As I went by him, he reminded me of Ferdinand, the bull who preferred to smell the flowers in the field rather than fight in the bull ring. He looks so peaceful and content with a wave of his tail every now and then. Take it from me, this bull is HUGE though! One of these days I’ll capture him when he’s standing up.

Well, not literally of course!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Conquering the Hummingbird Syndrome


I’ve given up being frustrated about not doing any artwork and have given in to the notion of just concentrating on catching up with five, ten or more years of a backlog of record keeping and unfinished projects. Along with reorganizing my art files, I’ve sorted through over ten years of time cards and thrown away a good portion of them. After spending days looking for lost art sales records and reconstructing sales records that were lost when my hard drive died three years ago, I’ve sorted through piles of insurance policies and yearly updates to keep only the most current.

And, the list goes on.

We’re also getting our finances in order for my husband’s impending retirement, and the main burden of that falls on my shoulders. In this economy and financial market, worry about whether or not we will have to live like paupers in retirement has been upper most on my mind for the past several years. Thankfully, we’ve found a new financial advisor who is steering us in the right direction now and helping us to make the difficult decisions. Things are beginning to look up.

I can’t help but comment on the emotional toll my mother’s lingering decline had on me over the past three to four years. Being so far away was frustrating and guilt inducing since I didn’t visit her as often as I THOUGHT I should and wasn’t able to be there on a daily or weekly basis to make sure she had adequate care. Fortunately, she was in a very good facility, but like all of them, they were understaffed. Now that she’s gone, I feel great sadness at her loss but also great relief that I can now get on with my life without holding my breath for the next crisis phone call.

This morning as I was doing my usual Monday morning ritual of filling in the planner schedule for the day and my task list for the week, I decided to try something different. There are so many things to be done around here that I tend to flit from one to another from day to day as each calls out to me. An acquaintance of mine calls this the Hummingbird Syndrome, a common malady for women.

So, this morning I made out a rough schedule for each day of the week and pencilled in to do some art on Tuesday and Saturday. My hope is that by scheduling certain tasks on certain days, I’ll avoid flitting from one thing to another like a hummingbird, never making much progress with anything. And, I’ll finally get back to some artwork!

Last week I hung this painting on the wall in my daughter’s room. I painted it for my mother a few years ago. It was done from a sixty year old black and white photograph of me when I was five and a flower girl in my uncle’s wedding. The medium is oil and the size is 18×14 inches. I’m quite proud of this painting since it was a departure from my usual equine subjects and because I managed to design the background from very little reference materials. It is not for sale.

Well, by tomorrow night or Wednesday I promise to show you what I’ve accomplished in the studio even if it’s just a drawing update. It’s very exciting to feel that I’ve finally made enough progress with everything else that I can set aside some time for art, however small.

Talk to you soon!

PS. I would love to have more followers to my blog. It really helps to know that people actually read this blog and enjoy seeing my art. You can sign up in the column to the right.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

I Just LOVE This Show!

The highlight of my summers has become visiting Horse Shows By The Bay near Traverse City, Michigan every July and August. This year the show has expanded to four weeks of hunters, jumpers, ponies, dressage and a polo match on the final weekend. Top riders from around the country now come here to compete including Peter Pletcher, Tammy Provost, Patricia Griffith and Scott Lenkart, along with junior riders Caitlin Ziegler and Victoria Birdsall. HSBB is now considered one of the best shows in the midwest under the exceptional management of Dean and Alexandra Rheinheimer.

Last weekend I spent the afternoon at the show and enjoyed every minute of it! Every year more improvements are made to the grounds, and this year was no exception. A new pathway for visitors from the parking lot all the way to the Grand Prix ring at the far end has shortened walks and given better access to all four of the rings for those of us who like to wander around and catch whatever action is going on in the various rings.

For a change, I was not disappointed in my photos. I don’t know if my expectations have been lowered or if I’m shooting better; whichever it is, I see many good paintings amongst them.

This year I remembered to put the long lens on the camera which greatly increased my chances of getting good jump shots. That was a good thing when I got to the Grand Prix ring which is the largest of all and has limited access for spectators.

Last year I posted the photos on my website, but I found that very few people bothered to follow the link to them, so this year I’m posting them right in the blog. Here are just a few of the photos for your enjoyment.

The first photo shows a lovely iron gray hunter horse in a warmup ring. I couldn’t resist him.

This photo shows a groom holding a pony and is very typical of this level of showing. Unlike most of us who do our own grooming, saddling, bathing, etc., the show barns have grooms to do this work. When the horse is ready, the rider hops on and is off to the rings. When the class is done, the rider hops off and hands the reins to the groom. I even saw one groom picking out the feet of a hunter while the mounted rider was waiting for her class! These unsung heroes of the horse show circuit make it possible for riders to compete in several classes in a day without wearing themselves out caring for their horses. Some riders ride more than one horse which makes the grooms doubly indispensible.

I took this shot while the show photographer was shooting this winner and his rider. The proud mom and groom are standing by, but no amount of coaxing could get this pony to look at the camera and perk his ears. He was totally bored by the whole thing.

This next shot I caught in a warmup ring. The two older riders seemed to be mentoring this little girl on her cute white pony, and giving her encouragement. It’s a great idea for a painting and just goes to show that the best action is not always in the rings during a class. You can catch many good candid photos in the warmup rings if you’re alert for them.

Since not much was going on in the pony ring, I wandered off from there to the Grand Prix ring. More in the next post.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

And, That’s A Wrap!


What a whirlwind of a day I had today!

Not to bore you with a long list of what I accomplished, let me simply say that I wrapped up and mailed off an assortment of business and personal tax forms, got money transferred to pay the taxes, created and mailed my entry for the AAEA Mackinac Island show, made arrangements for an ad in Horses In Art magazine and last but far from least, I finished the Belgian draft horse painting. Whew! I never expected to accomplish so many important and stressful tasks in one day.

As they say in the movie industry, “That’s a wrap”. Now, on to new art and long neglected projects.

I think I’ll just leave it at that for tonight. Thanks for visiting, and please come visit again. Bring a friend if you care to!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Quite A Scare!



The night before my mother died, I got a cell phone call from my horse’s caretaker letting me know that he was colicking. Talk about stress! There I was 250 miles away, and suddenly faced with the very real prospect of losing both my mother and my horse within 24 hours. I was already worried that the doctors wouldn’t be able to keep my mother alive long enough for my sisters to arrive the next morning and worried that neither would be able to come at all due to snow storms in their respective home areas. That was on top of the certain fact that I was about to lose my mother.

For the next 4-5 hours I was kept in suspense until the call came that Scottie’s gas colic had resolved and he was recovering after a visit from the vet. Still, I worried until the next morning when a second call came to report that he was just fine but would be watched closely for a day or two. Shortly thereafter, my two sisters arrived at the hospital, and we gathered around my mother’s bed to say our goodbyes.

So, when I arrived at the barn yesterday to deliver the board check and found that Scottie was not with the other horses in the arena and was nowhere it sight, a feeling of dread and deja vue swept over me. There I was in street clothes; no boots and no knee brace. Fortunately, it was cold enough that the ground was only semi-soft and not mud, so off I went into the turn out, calling Scottie’s name. No response. I checked both of the run in sheds, but no Scottie. Now I was REALLY worried and anticipated finding his prostrate body lying somewhere in one of the pastures. Since the gate to the pastures was open, I went a little further and looked into the distance. There was Scottie happily munching on the leftovers of breakfast in the second pasture. This time when I called his name, he looked up and then went back to eating. I felt a wave of tremendous relief, and since he seemed to be just fine, I didn’t bother to risk wrenching my bad knee to go visit with him.

After heading home, I worked on the Belgian team painting a little more and repainted the railings on the trailer to make some corrections. I’ve also repainted the vertical supports. Today’s image is a close up of this area, and you can see that the horses are still in a rough stage, with pencil marks still visible.

In today’s painting session, I’m trying to decide whether to finish painting the rest of the trailer first or whether to start painting the left hand horse. I don’t want to waste the big gob of blue paint left over from yesterday, but if I paint the trailer first, I risk smearing that wet paint as I work on the horse. It probably makes the most sense to keep the momentum going and paint the trailer side and take my chances with wet paint. Since I’m on a tight deadline now, I don’t have time to wait for paint to dry before tackling the horse.

Today’s first photo is a close up of the painting showing yesterday’s progress where I evened out the widths of the corrugations. I’m quite happy with the way it turned out although the bottom rail still needs to be straightened.

The second photo shows our beach full of ice bergs as the lake ice broke up on Monday. Yesterday the ice was all gone, and we had snow flurries all day. But today is sunny, and three swans glided by this morning, enjoying the new open water and expanded feeding grounds. It won’t be long before some brave water skier in a wet suit skims the waves to be the first of another summer season of lake activities.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

The Phantom Blog Award

About six weeks ago there was a flurry of blog awards being passed out amongst a group of bloggers that I read regularly. Some lucky bloggers received two or three awards while I received none. I have to admit that I was pretty bummed about this and grumbled to myself about how such things were nothing more than popularity contests between friends and SO middle schoolish. I was definitely indulging in some sour grapes.

So, when I received a comment on my blog last weekend that I’d been given a blog award, I couldn’t help but feel a bit elated and redeemed. The award was given by someone I don’t know, but she failed to attach the actual award image. Having never received one before, I didn’t know what the protocol is and whether or not I had to name the seven things about myself first or what. I managed to track her down on the internet and politely sent her an email to enquire whether it was an oversight on her part that I hadn’t received the award image or if there was something I was supposed to do first.

It’s been a week now, and I never heard back from her. Now I have to assume that this was some kind of cruel hoax or perhaps she had notified the wrong artist and was too embarrassed to admit it. I’ve removed her comment from my blog to protect the innocent (or is that the guilty?) and am putting the whole incident behind me.

Something positive did come out of this whole blog award thing, though. It made me stop to think about why my blog is not more popular, and I realized that I’ve posted a lot of negative, woe-is-me thoughts over the past two years. Instead of posting new artwork, I’ve posted a lot of why-I-haven’t-done-any-artwork posts. I resolved immediately to make my posts more upbeat and try to inject some humor into them. That’s a tall order for someone whose sense of humor tends to be quite dry, but I’ll do my best from now on.

Today’s photo is a view from my studio window. It shows the ice in the lake receding as the wind-blown waves chip away at its edges and as the sun has melted its thickness. This can be an anxious time for us lake dwellers for a day or two when we worry whether or not the ice is going to demolish docks and boat houses as the wind drives it relentlessly eastward. So far we’ve been lucky, but I did watch helplessly one year as the ice wiped out our neighbors dock and boat house supports. It was a good lesson in the powers of Nature.

Normally, as soon as the ice goes out of the lake, the ducks and swans appear in our beach and the fishermen return in their boats. I’m already seeing large flocks of flight ducks making their way back toward Canada. Perhaps a crane will stop by one of these days, too. They are so shy that I haven’t managed to get a good photo of one yet, and they only visit for a day or two each season. But, I keep hoping that THIS season will bring better luck.

There is no sun today because we’re expecting yet another winter storm tonight and tomorrow. Will THIS be the last gasps of the winter of 2008-2009, or does Mother Nature have more surprises in store for us? Don’t put away those snow shovels just yet!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Sentimental Journey


Since the hospitalization and death of my mother early last month, I’ve been on a real sentimental journey. Going through her photos, address books, and precious mementos has brought back many memories long buried to add to those which have surfaced naturally as I think back on my relationship with my mother and what in her own life molded her into the person that she was.

So, when this little clay sculpture turned up in my dresser drawer this week, it took me back again to one summer when I was fifteen. A friend and I took a summer art class for high school students at Eastern Michigan University, and this 4 inch high sculpture was the result. It’s a shame that the ears were lost long ago which makes him look a bit odd but not at all like an angry horse with its ears pinned back. It’s painted with left over model car enamel since I was into model car and boat building at the time.

What’s remarkable about it is how good it is for my young age and how it shows that I already had a firm grasp of the anatomy of the equine head. It isn’t perfect but it’s good, and that’s why I kept it for over 50 years. I’ve even put in that facial vein that is so prominent on the face of just about every horse. I didn’t grow up around horses nor was I involved with them much at the time. But, I had already developed a keen eye for observing details and form that has contributed greatly to my development and success as an artist over the years.

If you want to be a realist artist, learning to see the details in your subject and then combining them into a cohesive form are essential. I’m grateful to my parents for giving me the opportunity to take this summer class, paying for riding lessons, horse day camps and for allowing me to have my first horse. If it weren’t for these gifts, my life might have taken a different path.

If you want to read about my journey as an artist from childhood on, visit my biography page, and from there you will find a link to more of my early art. I promise that you’ll find it entertaining.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Going Blue With The Green Team


Yesterday was the official start of Spring, so what did we get during the night?! You guessed it; snow! The weather warmed up during the day, and by night fall the new snow is almost gone. There’s still plenty of the old snow, but it’s receding little by little. Alas, the crocus are still buried under piled up snow along the driveway. When they pop their heads up, we know that Spring is really here!

Today I worked on the Belgian painting again and got a little further on the trailer. Not much, but a little. It was fussy, time-consuming work to paint all those lines and try to blend them and keep them straight, and I’m glad that part is done with. It will need another layer of paint, but the next layer should be easier.

It’s amazing what you DON’T see when you’re working up close on a painting, as I was today. It wasn’t obvious until I shot the photo that the rails on the trailer are off on the right side. I’ll have to fix them on the next go round.

When I paint the rest of the trailer; which I hope to do tomorrow; it will make a big difference in how the painting looks.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

One Fine Day


Yesterday was just a glorious day all the way around! Our temperatures hit a balmy 70 degrees fehrenheit which is most unusual in these parts for mid March.

I spent most of the day painting in the studio on this painting after dusting it off. It’s been almost a year since I last worked on it; hard as that is to believe; so the first step was to wipe it down with turpentine to soften the paint slightly for better adherence of this fresh layer. Next, I oiled out the part that I was going to be working on and began the paint application. You can see that I’ve painted the upper part of the trailer and will finish it before moving back to the horses.

My mentor had suggested using a straight edge for getting edges nice and straight in paint, and I happened to think of my old plastic triangles from my old graphic design days. They proved perfect for this task! They were designed for using with ink pens and, unlike a straight edge, there is a slight recessed area underneath the edge of the triangle. This prevents the ink or paint from bleeding under the edge and then smearing. I used a large triangle and a small one to make the edges straighter as I painted. A bristle brush worked well and probably better than a sable or blend for this purpose, and there were no smears. The chrome strip on the roof still looks messy from the underpainting, but I’ll clean that up once this layer is dry and the chrome strip can be painted.

Due to the tediousness of painting all those edges, I can see that the trailer will be a time consuming project. It’s obvious already, though, that it will improve the appearance of the painting tremendously.

The second half of my day went equally well. I headed to the barn in a short sleeved t shirt and had a lovely ride inside where it was actually colder than outside. There’s still far too much snow outside for Scottie and I to go on a trail ride, but we hope to soon. He is still sore, and we are both very out of shape.

When I turned Scott loose after our ride, instead of eagerly heading off to join his buddies, he stayed by my side nuzzling and licking me as if to say how much he’s missed me or perhaps to comfort me. I swear sometimes that he reads my mind!

I headed home from the barn with a very full heart and a feeling of deep satisfaction. It had been one mighty fine day.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Ginny Baker – March 1914-March 2009


I didn’t really want to write a downer of a blog post, but how can one let the passing of the last parent, particularly a mother, go by without some acknowledgment?

As I mentioned in my last post, my 94 year old mother survived her surgery. Unfortunately, she developed pneumonia and went downhill fast from there. The wonderful doctors and nurses at University Hospitals in Ann Arbor managed to keep her alive until my two sisters arrived from out of state, and then we said our goodbyes and let her go.

I won’t dwell on any of the sad stuff, partly because the reality of our loss has yet to really sink in. Instead, wonderful memories are resurfacing as I go through her photos and think back to my childhood and young adulthood. The strained relationship I had with my parents is now ancient history and best forgotten for there is much good to remember and celebrate about my parents.

My mother kept me in endless drawing paper as a kid by bringing home scrap paper from her office job. When I began to explore oil paints, she cut up old window shades for me to paint on and as I got older, I was allowed to buy some real art supplies: pastels, colored inks, real drawing paper, drawing pencils and pens and brushes and watercolors.

My dad took me for my first pony ride when I was about eight, and sometime after that, my mother took me to the old fairgrounds for my first ride on a real horse. The horse was black, and her name was Patsy, and she was VERY TALL! I was both terrified and thrilled at the same time!

When I was about ten, my parents paid for riding lessons every Saturday and did so for the next three years. My mother was even brave enough to go riding with me once although she really had no interest in horses.

When I was twelve, I was allowed to buy my first horse with my own money, and my parents paid the board bills and other expenses for the brief time that I owned Willie. Years later, when I bought my second horse, my parents offered to help with his expenses if I wasn’t able to manage them myself. They knew just how much horses meant to me and how important it was to have them in my life again after a thirty year absence.

Without doubt, the most generous, loving thing they ever did for me came after the death of my first husband when I was just 23 years old. They were on sabbatical in Seoul Korea at the time and paid for me to join them during their final months abroad. On the way home, we travelled to many exotic countries, and although I was deep in mourning, it was a trip of a lifetime and one that probably changed my whole outlook on the world.

I’ll never know how much it cost my parents for those riding lessons, the board bills and that trip around the world because they never brought it up. But, it had to be considerable.

Having raised two young daughters alone during the Depression, my mother had the very strong opinion that any young girl must prepare herself to earn a living if need be at some time in the future. Art school was discouraged when I graduated from high school as too impractical, so I studied English Literature in college instead. I’m not sure it was any more practical, but at least it met with parental approval.

When I went back to school to study art twenty years later, my parents couldn’t have been more supportive or proud. My mother was proud to show off her daughter’s paintings to every visitor after she moved into the retirement home, even after she lost her sight and could no longer see them herself.

Among the many gifts my mother gave me, the most important of them were strength of character, consideration for others, self sacrifice, silly humor and how to give parental love.

Thanks for Everything, Mom.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Thankful Things


We’re having another sunny day after several days of snow and wind, and it is much, much appreciated!

Speaking of things to be thankful for, our family has a lot to be thankful for on this joyful Monday morning. Last week my almost 95 year old mother was rushed to Emergency with an obstructed bowel. Since I’m the designated family member with medical powers of attorney, I spent much of two days on the phone with other family members, particularly my two sisters, and in consultation with her doctors. Together we elected to go ahead with the risky surgery despite Mother’s frail condition and hope for the best. It really was her only option.

To our immense relief, she came through the surgery with flying colors and continues to do well in the ICU. Of course, she’s not in the clear yet, but for now we are grateful for her progress.

Since I have nothing new to share (I’ve been working on tax reports when I haven’t been on the phone), today’s painting is an older one that I revised a year or so ago. It’s very different from my usual artwork but is a technique that I learned in art school as an exercise in composition, lost and found edges, color use and you-name-it. I’ve done several of these over the years, and this is the latest. Whether I continue to explore this technique remains to be seen.

This is one of those paintings that needs to be seen in person to be appreciated. It just doesn’t photograph all that well because the background is composed of multiple layers of color in pastel, and the camera tends to emphasize one color over others. Attempts to do color correction in Photoshop have had limited success. It really has that soft, subtle color and feeling of well-worn jeans and is just a fun piece with lots to look at. One day soon I need to frame it and take it to the gallery/shop that has some of my artwork.

So I thought I would tout “Dressage Clinic II” in my blog today and give it some well deserved attention. It is a mixed media (pastel, colored pencil) on paper, 16×20 inches and is for sale on my website . The reference photos were taken at a dressage clinic at Bay Harbor Equestrian Center about ten years ago, and the clinician was olympic medal winner Steffen Peters.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Winter Storm Musings


Good morning, everyone! At least it’s morning for the next two minutes.

We’re under a winter storm watch today with roaring winds and snow going sideways and bitter cold temperatures. Just the kind of day when you’re glad if you can stay inside where it’s cozy and warm.

Today’s image is a cloud study I did for my hunter pace painting a couple of years ago. It will have to do because I don’t have anything new to show you. Besides, it turned out really well, and I really like it.

I’ve just about come to the inevitable conclusion that the dead of winter (January and February) are just not ever going to be productive months for artwork. Every year I think I’ll get a lot done during this period, but it rarely happens. What with all the year end business stuff to take care of which is swiftly followed by preparing stuff to send to the accountants for income taxes, there’s little time left. Between my husband’s business, my art business and my mother’s tax stuff, there is just a LOT to do during this time.

Yesterday I spent journaling about this and other issues which brought me to this realization. Frankly, it’s a relief to admit this to myself and stop stressing over not creating and not having anything new to post to my blog and website. Besides, it saves me from wracking my brain trying to think of clever, witty things to say on the blog.

Another outcome of the journaling was that I reaffirmed in my mind what I’ve been feeling in my gut for months now. I need to become a hermit and just concentrate on rediscovering the joy of painting and drawing without the stresses of any kind of marketing or peer pressures. So, that’s what I’m going to do and not worry about not entering any AAEA shows for yet another year or not placing any print ads for the third year in a row.

I’m now working with a long distance mentor, and I hope to begin working soon with a local mentor with classical training. That is a pretty exciting prospect! I have ideas for studies to do and for quick, one day works of art that I will share with you if they aren’t too awful.

All that will probably have to wait until the tax stuff is taken care of, but I will allow some time each week for artwork regardless. After all, one has to address the spiritual side of oneself as well as the mundane and practical.

And, finally, a big congratulations to those equine artist bloggers who were awarded blog awards by their peers. Sadly, I wasn’t among them which probably is an indication that I need to make some changes in what and how I post.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Will It Sell, and Should I Care?


Up until now I’ve been subject to an affliction that plagues many an artist; the notion that each work of art we begin must be marketable in some way. This notion has its down side because it can severely limit what we choose to paint or draw and how we go about the whole creation process. It can also paralyze us with fear that we’re going to ruin whatever piece of artwork we’re currently working on.

Many of us aspiring artists fall into this trap in the early stages of our careers; at the point when we decide that we’ve become good enough to actually be able to sell our art. Then the pressure is on to make every piece good enough to sell. That pressure becomes stifling of our spontaneity and creativity. Sometimes we paint what we think will sell and not what we’re passionate about or what truly inspires us. Our growth as artists can come to a standstill.

That’s the point I’ve found myself at, and now I’m struggling to free myself of those market-driven decisions. It’s hard to eliminate them altogether, so I’ve come to a compromise of sorts. For instance, I know that Friesians are a very popular breed right now and that I only have one image to offer for sale. With that in mind, I decided to do a Friesian for my next art project. Going through Friesian images in my reference photos, a couple of photos caught my eye, and I chose one to work from and began a sketch. You can see it above.

But, another photo also spoke to me, and I kept coming back to it. It may not be something that will appeal to the average horse lover, but it has lots of Art Appeal for an artist. I took that photo out of the box as well and have even toned a canvas for it. I’m even excited at the prospect of beginning the painting and trying a new technique! Just to be sure that I don’t put too much pressure on myself, I chose a cheap canvas board. This one will also be a study, and if it turns out well, I would like to do a larger version.

Do I have you in suspense yet to see what I’m so enthused about? Well, you’ll just have to wait.

In the meantime, I’ll develop this drawing to the point where it can go onto canvas. Because the head angle is tricky, I decided to do a drawing first rather than draw directly on the canvas as I did for “Winter Scotch”. It needs a lot of work yet. The proportions are a little cock eyed, and I’m still debating whether or not to add a foal to the image or leave it as is. I’ll decide that once the drawing is refined.

“Untitled” above depicts the Friesian mare, Alpie, that I photographed for a portrait several years ago. That portrait became the print, “Forever Friesian”.

Will this image be marketable? I don’t know, and I’m working hard not to care. For now, it’s about enjoying the process of creation and letting the muse take me where ever it will.

©Copyright 2009 by EquineArtist Admin. See original post here.
To learn more about this artist, visit her website.

Winter Scotch – Finishing The Horse

I’m not a fan of getting older, but my body has other ideas. Since the beginning of the year, I’ve been exercising regularly which is something I haven’t done for a long time. One day I do leg exercises and the next I do shoulder and neck exercises. These were all prescribed by the physical therapist for various injuries and the arthritis I have in my neck and shoulders. Unfortunately, this week I suffered a setback when my shoulders and neck pretty much seized up, and I could barely lift hand to mouth to feed myself. (that might be a good thing if it weren’t so painful!) Lifting my saddle around to clean it was just too painful to even contemplate, so it still sits in the laundry room in pieces as does the bridle.

Clearly, a change in strategy is in order.

My horse is advancing in years also and has been lame in the hind end for over a month now. He had his second chiropractic adjustment on Friday and will soon be going on a joint supplement. I ordered a quarter sheet from Dover last week which I hope will help him to warm up safely when we ride which I should be doing more often, for his benefit and mine. He’s now wearing his winter blanket since we’ve had so much sub and near zero weather of late, and I’m sure he appreciates that immensely, even though he gets it dirty by taking his morning roll in the arena after his breakfast grain. He’ll be 24 on April 15.

Several years ago I decided that when Scottie can no longer be ridden, I will quit riding. At this point, I’m not sure which of us will give out first!

Yesterday, I was recovered enough to work on this painting again and managed to pretty much finish the horse last night. Although he could use some adjustments, I’m so happy with how he turned out that I’m debating whether or not to just finish up the background and call the painting finished. The horse looks just like Scottie, and this painting will remain in my collection no matter what.

It’s time to start thinking of what to work on next.

©Copyright 2009 by EquineArtist Admin. See original post here.
To learn more about this artist, visit her website.

Winter Scotch – The Horse

In today’s painting session I tackled the horse and almost finished him.

You know how horses look like plush toys in winter with their long coats, especially when the fur stands on end on a cold day? Well, that’s the look I’m aiming for with this horse. One problem I encountered was that in the reference the horse is dirty from rolling in the indoor arena, so that confuses his form, making it hard to tell what is highlight on the coat and what is dirt. So, I had to go with what I know.

There isn’t much left to do on this painting, but I may not be able to paint tomorrow. That’s frustrating. But, my saddle and bridle need cleaning before I go riding in the afternoon.

©Copyright 2009 by EquineArtist Admin. See original post here.
To learn more about this artist, visit her website.

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