Tag Archives: mare

Repose


Remember this one? This is the painting I started last November for the demo I did at the Royal Winter Fair – finally completed! It went through some serious uglies, but I’m happy enough with how it turned out. Don’t you just love that? Far be it from me to be ecstatic about anything!

This is 14 x 18 oil on Raphael linen panel. My working title for this was “The Crabby Mares,” because this is Monster and the two mares she was turned out with at the time. They were put together because they were the ones that would pick on those lower on the totem pole! All is quiet in the scene I painted, and I thought of calling it “Cease-Fire” but went for “Repose” instead. Just the girls taking a little break from the action, and pretending they get along!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

New Beginnings


New Beginnings
Just framed this piece up ready for the Arabian show tomorrow. New Beginnings is a 14″ x 21″ pastel its amazing the different colours that are in a foals coat, you dont really see them until you start laying in colour.
New Beginning is for sale email me to purchase.
Thank you floridaskip for the use of your amazing photo.
Catherin http://www.animalarthouse.com/

©Copyright 2009 by Catherin McMillan. See original post here.
To learn more about this artist, visit her website.

You Win Some, You Lose Some…


Some days paintings just seem to fall off the brushes…and others, well, are a hard-fought battle from start to finish (or abandonment, as the case may be!). Today was a bad case of the latter. I’ve wanted to do this painting for a long time – such a sweet moment between Twine and her first foal, baby Gracie. Gracie got her name because at only two and a half days, she was referred to the Ontario Veterinary College large animal clinic with colitis. She spent five days there, and fortunately recovered, though the reason for her illness was never determined. Out of that experience came her name, Therebutforgrace.

This painting is just a 5 x 7 sketch, oil on masonite, and I think part of the issue was the panel – I just felt as if I was fighting it the whole way. I think this is one I’d like to do larger, and it could be a partner piece to the 11 x 14 I did of Toula and her baby last year.


I could easily do a series of paintings of these mare and foal moments. I have some really cute photos of Clever and Billy. I think Leo and Spider were both tough love babies, though, because I don’t remember too many touching moments with those two!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

January pARTy Paintings – Mares and Foals


Well, here are the paintings from the latest pARTy! We had good participation, and some great work. I always like to see what different artists come up with.

Though are pursuits as artists are often solitary, a recent comment by friend and fine art photographer Juliet Harrison was a good reminder that we don’t, however, create in a vacuum. We can’t help but be influenced by each other, and that’s not a bad thing, as long as we continue to develop and maintain our own style and individuality. These pARTies are a good example of that – even though some of us went with a very similar crop of the reference photo, our styles remain unique.

In the same vein, these pARTies began as a fun challenge of sorts, between myself and Kim Santini, last year. When other artists began to show interest and we opened it up, what developed was not a novel concept. My first exposure to this sort of exercise was on Wet Canvas, with the weekly Weekend Drawing Events. As a result of that, our own Equine Art Guild has done similar projects. And a great blog with a weekly drawing/painting challenge is Karen Jurik’s Different Strokes From Different Folks.

Okay – enough yaking! Here are the paintings.

First, from your pARTy hosts:

Kim Santini, 4 x 16 acrylic on Raymar panel (above, top of post)


Linda Shantz, 6 x 8 oil on Raymar panel

Now, our participants, below. If I have any latecomers, I will edit the post and add them later! Thanks to all who played.


Delia Pacheo, “The Foal” 4 x 6 acrylic


Judy Johnson, 8 x 8 watercolour


Lisa Ward-Guarino, pastel


Linda Snider-Ward, prismacolor on Stonehenge


Linda Massey, “Playground Encounter” 11 x 14 oil on board


Kathy Roeth, 5 x 7 watercolour and gouache on 140lb watercolour paper

©Copyright 2009 by The Virtual pARTy and participating artists. See original post here.
To learn more about this artist challenge, visit The Virtual pARTy Blog.

August

It is already well into the month of August and I can’t believe how quickly this year has moved along! I haven’t had much time or energy to any art work lately. I am surrounded by work that needs to ship to New Hampshire, Texas, Minnesota and locally from the shows I have been at but I took a little time to do some much needed work (for me!). This piece turned out to be a challenge and it took a bit of perseverance to get it to where I wanted it.

This is a portrait of August, a Canadian mare. I had never heard of the breed before I met Ingrid – the caretaker of my two boys. The Canadian Horse is a little known national treasure of Canada. This hardy breed descended from horses originally sent to the “New World” by King Louis XIV of France in the late 1600’s. These Norman and Breton horses were felt to be of Arab, Andalusian and Barb ancestry – traits of which can still be recognized in the Canadian Horse today.

There is quite an unusual lot at Ingrid’s with this Canadian and her colt Echo plus the Peruvian Pasos and then my Friesian/colt crosses.

August is the alpha of the group and has quite a mind of her own! She is often standing near the gate gazing towards the house door or towards the forest. She is a horse who demands and commands respect.

I am glad to be home now for a while with no shows until mid-September! I have become enamored with a buckskin Friesian/paint filly in San Antonio. She is half sister to one of my boys and I can’t seem to get her out of my mind……….Perhaps more on that later!

Have a super weekend!
Susan
windhorseOne Studios

©Copyright 2009 by Susan Williams. See original post here.
To learn more about this artist, visit her website.

I Think, Maybe…


I know this is a shock, after the last few weeks of *nothing* but I may have actually finished a painting tonight. I’d actually hoped to have it done a couple of days ago so that I could take it to the photographer, but that didn’t happen. I’ll be going back there soon enough, I’m sure, so this one will wait till the next trip.

This is the painting from the image that got the most votes on the poll I posted many months. All the babies around here are a lot bigger than this now. I do have more recent pics of this foal, but…well, they’re on that hard drive from which I’m still hoping files will be recovered! The painting is 11 x 14 oil on Raphael linen panel. It may get a few touches here and there, but I’m posting it now anyway!

A week from now I’ll be in Saratoga, so these next days will be packed. Meanwhile, my friendly neighbourhood peacock is still around. I think the horses are almost used to him now. I’ve grown a bit tired of him, personally! I want him to go home!! Stray dogs I know what to do with…stray peacocks, on the other hand, I don’t!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Show Me The Baby!

8 X 6 Oil on masonite $115
Includes shipping and insurance
Another image from my visit with Tessa’s Arabians. This brood mare was quite suspicious of my camera and me standing in the middle of her pasture. She circled back and forth always keeping her body between me and the filly. This foal was quite young and not as brave as the older, colt baby in the pasture with them. I expect on my next visit that she’ll be braver and momma will be less cautious.
My friend Rick has stated that he likes to see the WIP’s (works in progress), so I have included it. Rick likes to use a crimson ground on his paintings, and he has convinced me to do it occasionally, and I have liked the effect. (See his paintings HERE). This warm ocher is my favorite, though.
I have 2 shows scheduled in October (one in Dallas, one in Stephenville) and I will have to start planning for them soon, if not yesterday!
Matthew 25:36
I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me.

Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Mother and Child

New Jersey is home to many breeding farms. This painting titled”Mother and Child” was done from a photo of a Standardbred breeding farm. A friend and collector of my art supplied the photo. The finished painting is sized 13 1/2 x 18″ on 300lb watercolor paper.

I miss having foals on our small farm. Our last foal was born six years ago. Our “Maggie” cold be bred and the thought has crossed our minds. Then reality sets in and we go on with our lives!

©Copyright 2009 by Kathi Peters. See original post here.
To learn more about this artist, visit her website.

Jul 4 – Virtual pARTy Challenge, and a Demo

In the workshop this morning, I had to demonstrate morning light, so I picked up on an image from Linda Shantz, who organized a virtual pARTy for artists to do an image from the same source.

This is a 16 x 20 acrylic done for a morning light painting in the Color System, and depicts a very pregnant mare in a pasture. I modified the source material quite a lot and am quite pleased with this painting. Redesigning source material and making it one’s own is the mark of a confident artist, with an arsenal of ability to make source material just the “jumping off point” for the art. I love doing this! And in front of the eleven participants, I finished this up for them in record time.

You can see the source material and some of the other entries here. Mine won’t be there for a while until my registration is cleared.

Congratulations to new collector Louise Sackett from Santee, California, on her purchase of yesterday’s painting of the California Coast in moonlight!

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Mare and Foal Magic; Universal Motherhood




She’s gentle and strong, generous and forgiving, a perfect mom and drop dead beautiful. Was this your mom? Maybe or maybe not. I am willing to bet that for many, the answer is probably not. I bring this up because of a recent workshop I attended where there was an amazing group of women who were brave and shared truths honestly about themselves in order that they could grow, learn, and provide a higher quality of service to their clients.

Did I forget to tell you this mother has long flowing hair, four legs and can run like the wind…….

I just love the energy of spring and all it bring; new growth and new foals! Like little children, foals grow and change so quickly. There is something about babies that brings a smile to everyone’s face and animal babies are no exception.

With that I thought I would share a few new mare and foal pics. and share some joy! If we animals all share one thing in common I would have to say it is universal motherhood.

Yours in the dance,
Susan
windhorseOne Studios
www.windhorseone.com

©Copyright 2009 by Susan Williams. See original post here.
To learn more about this artist, visit her website.

…And Hope For The Best


That’s the last part of that saying I mentioned the other day – breed the best to the best. It’s a relief when you make it this far – foal safely on the ground, already struggling towards mom’s head, and mom nickering softly to her new baby. Hey, only three and a half years to Plate Day!


I used a couple of photos to put together this painting. I’ve always wanted to do a just-foaled painting, and last year was fortunate enough to have a friend take some photos when I was foaling the mares. This is Twine, and Gracie when she was just minutes old.


After yesterday’s struggle…today’s painting went about the same way! I was happy with how I was able to map out the drawing fairly quickly (and I did draw today, lines instead of shapes). Then I started, again with the new palette…and it just wasn’t happening! I did deviate a bit to get the colour I wanted, and finally admitted the whole wet on wet thing just wasn’t happening the way it should. This is 8 x 10 oil on panel, and I did feel like I was fighting the surface a lot, the paint just not staying put. Oh well. Just like surviving breeding season and eleven months of equine gestation….some days it’s about the small victories!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

And So It Begins (Again)!


Since yesterday’s post, I’ve laid out a gameplan for this month’s paintings. I’ve already said I’m going to be painting the Plate hopefuls, and what I’ve decided to do is a bit of a pictoral play-by-play of getting a horse to the Queen’s Plate, from where it all starts, in my mind, to the big race itself.

We start somewhere that’s quite familiar to me these days: on the farm. The key to any successful breeding program is the broodmares. There’s an old racetrack saying: “Breed the best to the best” and all the hype in the world doesn’t usually help a stallion if he doesn’t get good mares. Today’s painting is of a Thoroughbred broodmare. I joke every year, with each foal…”This one’s the Plate winner!” Model for the day is Set Destiny, or Dez, owned by a friend of mine. Dez and one of her foals have been featured in a few of my oil pastel paintings, “Fresh Outlook” being the most famous of those.

freshoutlookW

Today’s painting is 8 x 10 oil on panel. As my paints are still in transit from Saskatchewan, I had to improvise for my palette! This is a bit of mishmash of ideas, too. I laid out my palettle like we learned at the Val Hinz workshop, but had to substitute a few colours, and completely go without others. I also used a little tidbit Michelle Grant shared with me in our airport visit, using Transparent Iron Oxide to tone my panel…then I used it extensively in the painting, I liked it so much. This photo falls seriously short of capturing the original – I’m in love with Transparent Iron Oxide now, and disappointed that you can’t really see the effect of it in the image above! Ah well…

Day one is complete….can you guess what I’m going to paint tomorrow?

This painting is available for sale in my online Etsy store for $250.00 plus shipping (and applicable taxes for Canadians).

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

New Horse Piece

Unconditional

18 x 24 original acrylic

Here’s the latest horse piece. I just love spring and the arival of new foals. This one was born locally and I was lucky enough to get permission to paint them. The painting to me represents the first tender greeting between mother and baby, that silent promise to love unconditionally, and to always be there to protect and nuture. Must be a woman thing . . .

And for more news, we finally have the Cadeau du Cheval books. I am officially a published artist! YAY!! Yup, me! Of course family members are going to get a complimentary copy from me, but I also have an idea for a fundraiser and have already got the wheels in motion on this one and am awaiting for final word.

The book is a small one, containing a page of each artist’s individual painted panel for the gigantic mural, with the artist’s information behind their painting. Each painting is numbered, just like the grid at the Mural Mosaic site. By following the numbers, one can easily recreate the mural which becomes the size of a horse. It can also be a fun activity for families and schools, as well as for fundraisers. If anyone is interested in purchasing one from me, they retail for $25.00 CND, and now that’s a pretty good deal! I might post pictures of the book soon when I can find a little more time. Got more paintings to start yanno . . .

In closing, I’d like to post this link for a YouTube video my best friend Louise sent me tonight. It’s just too hilarious and had me in tears. It’s a great way to end the day, especially if you need to put a smile on your face. So, here’s the link, and enjoy!
http://www.youtube.com/watch?v=7gHvATmUsSg

©Copyright 2009 by Carole Rodrigue. See original post here.
To learn more about this artist, visit her website.

Progress, As Promised


I should probably put a warning on this post – I’m not quite in foal watch mode, just starting to disrupt my sleep patterns again, so I’m kind of tired, and possibly not making complete sense! If I run off on a tangent, feel free to ignore!

This is where I stopped on the painting on Toula and her baby last night. While I’m happy with the progress, I need to put it aside for a few days now, because the next session should finish it…or could completely ruin it, if I’m not careful! I have to paint in the white markings, of course, but the most important thing will be the final details and highlights. I’ve noticed an adjustment I need to make as well, which might get some attention during the ‘rest’ period in order to build up a bit of paint where I make the fix.

I’m not sure what I’ll work on tonight – I may bypass work altogether, because I’m going to have the time during the day tomorrow to get some painting done. Maybe this evening I’ll just clean up my palette so it’s all ready to go tomorrow, so I can’t use that excuse to deter me!

Just had to add another photo. This is something you don’t see too often – both Monster (on the right) and Gladys down for a nap! Right before I snapped this, Gladys was flat out. Lest I think either of them was sick, about two minutes after this both were up and launched a grand romp, racing through the mud, bucking, rearing…where was I with the camera for that? I know. If I’d had my 40D I would have been snapping away, but the little Nikon D80 can’t keep up with these girls in crazy horse mode!

Okay…I mostly stayed on topic! Before I lapse into any ramblings…I’ll bring this to a close!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Has It Been Six Weeks Already?


Well, I got the Nikon to cooperate enough with me to show some pics of baby Leo, who is already six weeks old! His aunt Clever hasn’t given him a buddy to play with, but it won’t be much longer now.


It’s sunny but cool today, with a cold wind, and to horses that usually means some action! I didn’t catch Monster and Gladys when they were putting on their show, but Leo had a bit of a romp…and then a good long nap in the sun. I always lies right up against the barn like this – I assume because it’s the warmest place to be!


Still haven’t got a decent photo of my latest work on Toula and her baby, so for now you’ll just have to trust me that it’s coming along great. I’ll try and get something before the end of the day, unless I work on it some more, in which case I’ll just wait! In the meantime, I hope the baby pics keep you happy!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Some Days Are Never Long Enough…


Another busy day on the farm and in the studio – sometimes days when there seems so much to do, I end up getting more done than on a less demanding day. I didn’t actually start painting until after 7pm, when I began working on the painting of Toula and her foal again, but once again this piece came along really well. Naturally I ran out of time – and energy – and ended up stopping much sooner than I would have liked. It’s hard to stop when things are going well, probably because of the irrational fear that I may never have things go so smoothly again!

I decided to go ahead with the colour, and make the necessary corrections as I went. I went with my favourite limited palette on this one – it just works so well for dark bay horses, so it was an easy choice. Once again I was reminded how much I love these Raphael linen panels, which was just another part of the equation that made tonight’s work successful. I’m really hoping I can work on it again tomorrow. I should have time, so hopefully nothing with change that!

I intentionally stopped at this point in the painting to show a bit how I work at this stage. All of the work on the foal is wet into went, starting with the darkest darks, then the midtones. You can see this on the mare, which I’ve just started: just some darks and a little of the midtones. And to back up a step…I did the background first. It’s just very loose, and will likely stay that way, with some minor adjustments.

I’ve also done more work on the Sealy Hill painting since I last posted. Still working on the underpainting on this one, but as you can see, I’m steadily working up the detail. I’ll post the finished underpainting when it’s done and ready for colour!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Welcome Spring!

And Spring arose on the garden fair,
Like the Spirit of Love felt everywhere;
And each flower and herb on Earth’s dark breast
rose from the dreams of its wintry rest.

~Percy Bysshe Shelley

Only a few more hours and it will officially be SPRING! I can’t wait, I had to make a quick blog post with some photos that remind me of one of the most wonderful times of the year. Can’t wait to get out there and play in my garden. I have to get some onions, peas, lettuce and spinach seeds to plant this weekend. There are all sorts of veggies that don’t mind growing in cool weather.

Still haven’t been able to paint. I’m feeling much better but still have a horrible cough. Worked on a commission some today but since I haven’t painted in 2 weeks it’s taking me a bit longer than usual. That and my 3 year old is in the me, me, me phase and really doesn’t like me getting anything done. How much longer is it until she’s in kindergarten?

Well, onto the photos and then a few blog awards I’ve been given recently.

Pictures of my last horse when he was just 5 days old. Boy, I miss him. He was all head and legs then!


Longwood Gardens, one of the most beautiful places on earth!



I want to thanks the following wonderful bloggers for my most recent awards:
Gems by Jerri
Little Studio Photography and Jewellery
Sand & Sea Designs


©Copyright 2009 by Jennifer MacNeill-Traylor. See original post here.
To learn more about this artist, visit her website.

Hey, it’s getting better!





I’m sure regular readers of this blog will be very happy to hear that I can’t in all good conscience whine this week about not riding, since my saddle has come back to me in its new and improved form (air panels put in to replace the previous wool flocking, and so far it’s a big hit on the comfort and function front, especially with Alpac), and I’m not even going to bang on (much) about the weather, because while it isn’t exactly spring-like, it’s far from brutal, therefore doesn’t merit any attempt on my part to extract sympathy. All in all, things are perking along quite nicely.
There have been some quite warm days in the past week (by which I mean approaching or even getting a little above the freezing level) and I noticed on the way to the barn a couple of days ago that the level of the snow in the ditches has actually fallen a bit so that it is mostly lower than the road itself, rather than the reverse as it has been for the last months.
Grandson Mark had Friday off school (again!!I think they should just declare four school days a week to be the norm with five being the exception, since this seems to be the modus operandi of late) so we took the opportunity to head off to the zoo for a photo shoot. This wasn’t on the agenda originally, but there was an article in the Friday paper noting that the zoo was hosting two newly arrived juvenile lions, so Mark and I had to go check them out. We had a very jolly time trekking around to our various favourites for photo ops, and spent quite a bit of time being entertained by the young lions. The male is one year old, and the female is eight months. They are “on loan” from other zoos, one from Alberta and one from Ontario, and if I understand correctly, they will be here for the next year or two. We’ll be seeing big physical changes in them as they mature and put on size, so it’s kind of neat to have the “before” shots of their early days here.
This morning we awoke to falling snow which lasted until early afternoon and was quite heavy intermittently, with a bit of a wind to move it around but nothing much in the way of cold. I had to head downtown to pick up the “camera armor” that I had ordered a while back, with protection from the dust and rain (not usually simultaneous) of the upcoming summer horseshow season in mind. It will be handy in the snow as well, I’m sure, but by the time I got it picked up, the snow had stopped.
My ultimate destination after the shopping outing was to visit my favourite herd south of the city, so I carried on and got some shots there. By the time I arrived at the photo site, the sun was shining strongly and it was really quite pleasant. The mares were all standing in clusters out of the wind and just vegging out and soaking up the sun. I always think of these mares as being in “waiting” mode, certainly during the winter months. They are waiting for the weather to moderate, and most of them are waiting for the birth of their foals as well. Patience is the name of the game for them, but with time it will be rewarded with the dual benefits of the warmth of spring and with the new foal crop that will be appearing. I’m ready for both any time, and I think these mares are as well.
First shot today is of a very relaxed lynx in the new “hammock” that has appeared in its’ cage since the last time I was at the zoo. Seems like a popular item that will be well used and appreciated.
Shot number two is the young male lion. You can still see the remnants of his baby spots on his legs, but as a young “teen” he is also starting to generate his adult mane. I love his big clunky feet. He spent a fair amount of time indulging in fantasies of his heritage by stalking, crouching, and doing fierce attack rushes. This shot catches him in the midst of one of his charges across the enclosure.
Shot number three is the young female with her “scratching post”. She is quite small, weighing in at present at seventy pounds, which is about ten pounds less than either of my dogs, but while they have topped out for size and weight, this girl is just getting underway. I was happy to see how relaxed and settled both of these big cats were in their environment. The tigers that preceded them never really “played” (despite being much the same age when they arrived as the lions are now) and spent most of their time in somewhat tense motion. I think that tigers as a species are just generally more tightly-wound than lions. These youngsters spent a lot of time interacting with each other and with their “toys” and the entertainment options in the pen, and seem pretty content, all things considered.
Shot four is what it looked like out my front window this morning, and shot five is one of the mares relaxing and enjoying the sun and relative warmth of the afternoon.
Towards the end of the afternoon I was poking around in the studio when the doorbell rang. Once I beat the pack of dogs back (my own two and a small one we are tending while his owner is away) and got to the door, I discovered two youngsters with snow shovels on the front step. They were very cute boys, maybe nine or ten, and wanted to know if I would like my walk shovelled. My son-in-law usually does this job with the snow-blower, but we’ve been slacking off on that front lately, hoping it will just melt before we need to deal with it. In truth, it did need some attention, so I asked how much they were charging. They very earnestly said they didn’t have a set fee but would be happy with anything I wanted to pay for the job. Then they went on to say how glad they were that I was willing to employ them, as they had been to *thirteen* other homes in the neighbourhood and had been “rejected”(their word) at all of them.
Honestly, is there something wrong with this picture? Here are two enterprising (and very personable and cute) youngsters, who are out in the fresh air, willing to work and do a good job for whatever money might come their way, and everybody says “no”.  Doubtless some of these are the very same people that crab about kids these days having no sense of a work ethic or of individual enterprise. Sometimes I just shake my head. They were very conscientious about doing their job well, and rang the bell at the end to explain with some concern that there were a couple of areas that were solid ice (I knew this, having almost gone down a few times) that they were unable to clear, but I assured them that this was just fine. They were thrilled and happy when they headed off, and I hope they are able to find other customers who will be as pleased with them as I was. We live on a corner lot, let it be noted, so there is a *lot* of sidewalk to clear. Have to give them high marks for persistence as well. I’m not sure I’d have it in me to keep on knocking on strangers’ doors after the first half dozen refusals!
One final thing–I can’t remember if I’ve posted the link for the second in my series of articles “Riding Lessons for the Artist“.  If there is a somewhat odd image above the article, don’t panic, the article is mine, that image isn’t!

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

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