Tag Archives: landscape

Mar 3 – More Details on the Polo Ponies OIl, 16 x 20

The “Color Punch” begins to show up now! The difference between this stage and the earlier one may be minor in square inches, but it is major in pulling the color design toward the finished state. These few brush marks on the backs of the horses bring out the message of light and value difference (also color temperature difference) that need to happen to make this painting work. There is still much more to do, however seeing these few brush marks may help to show how the Color System works. There is no lighter value than the sunlight on the gray horse. There is no stronger edge (or will be) than the topline near that horse’s tail.

If there is a strong edge elsewhere, it will be compromised by little value change, no temperature change, or act as a subordinate “supporting” edge in the design, and not be as important.

I’ve put a smaller image of the prior stage to show you how much those marks change the dynamics of the design of the painting. Suddenly there is “punch” whereas before it was just a nicely coming along painting.

When we as artists want to control where the viewer’s eye goes, our tools are straight from the design box. Here I’m using value change, edge hardness and temperature difference to force your eye to go to that horse, even thought the rest of the painting may be visually interesting. While I continue to paint from this important step, I will be ever mindful that the gray’s back as my focal point. No edge or contrast will be as strong as that area. Now on to finish this beastie!

There are still spaces in the Florida five-day workshop in May (first week–GORGEOUS time to be in Florida!). Please contact Kathie Camara if you’d like a spot in the Color Boot Camp, where you’ll paint along with me for five fun and full days of learning in Central Florida!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Another Snow Painting in Progress…

plein air winter tree painting in progress

Good morning!  At least it is morning here in the Shenandoah Valley as I write this.  The snow outside is still here, although they are calling for rain today, and that means we will be moving into the muddy season, instead of the snow season.  I love snow.  It brightens the landscape, makes it clean and fresh.  I know it makes getting around and working outside a bit more of a challenge, but I still love it.

I started another snow painting.  Actually a plein air painting, in pastel.  Where I sit at my pastel easel, I look right out onto a Chinese Dogwood tree.  I decided to paint the tree, with all it’s bare starkness of winter leaf-less-ness.  I generally paint in oil for plein air paintings.  This however is the easy way of painting en plein air….while I sit indoors, at my easel!  Warmer too.

I have old sanded pastel papers and boards that I want to re-paint over.  This is one of those pieces.  The old painting was not something I wanted to keep, and I think recycling is good in all forms.  I am recycling a painting.  It is in progress.  I will post more later.  Enjoy!

©Copyright 2009 by Elaine Hurst. See original post here.
To learn more about this artist, visit her website.

SOMETHING NEW – The Winter Path

With a new year starting, I feel both the need to do something new, as well as a need to do the same things in new ways. For several years now, I have worked with Coloured Pencil more than anything else. I love the vibrancy of Coloured Pencils and the detail that is possible, and it has been great fun exploring this great medium. But as many Coloured Pencil artists have found, it has taken a toll on my hands. I’ve started to have some serious hand pain while I’m working on a large piece, so it’s time to be gentle with myself for a while. This means limiting the Coloured Pencil work and returning (for the most part) to watercolours, something that will be a joy, as watercolour has always been the medium I love best.
Much as I love painting dogs, cats, and horses, (and always will), I am at a place where I need to refresh my mind, and that means painting something completely different every now and then. I dearly love the beautiful valley where I live, and everywhere I look, in every season, I see lovely things, sometimes large panoramas, and sometimes little things that could be easily missed if one is not looking for them. I find at this time, that I want to paint some of these things and places once in a while so I can share them with you.
THE WINTER PATH is a place near home that I see whenever we drive into the city. Half hidden, it is easy to miss this path as we zip past it in the car, but now I know to look for it, and I find beauty there in every season. This 5 x 7 watercolour is the first in what will be a “now and then” series called “The West Carleton Paintings”.

©Copyright 2009 by Heather Andserson. See original post here.
To learn more about this artist, visit her website.

Dec 31 – Landscape in Acrylics Continue, New Year’s Eve

The end of the year, and I’m still working on this 12 x 9 acrylic landscape of the Saddle River. From yesterday’s image, you can see that I’ve moved into the phase of making larger shapes more interesting with variations of hue and value across them. Going from big to little makes for an interesting transition, and one that many masters practice in executing their work.

The feeling of the sun’s light on the left is coming through, done by reducing the value of the other areas with washes of burnt umber mixes over the right sides. Again the dominate hues are ultramarine blue and burnt umber, yet I’ve used some of the warms in the lighter areas–mixed well to disguise them!

Other news:
On this New Year’s Eve, I sit here at home having a party of one (not counting the dogs and cats) with a wood fire going, a glass (or more) of Menage a Trois wine, some black-eyed peas cooking on the stove, and the fixin’s for S’mores at the ready over on the mantle. There’s a container of peppermint stick ice cream in the freezer (holiday tradition), to offset the heat of those marshmallows. Rolling Stones’ Shine a Light CD playing, and I plan to enjoy a decadent, delicious exit to this year in a “thumb my nose” gesture to my successful dieting. And the black-eyed peas at 12:01 a.m. in my stomach for good luck all through the next–another family tradition. So here’s to you as I raise my glass; I wish each and every one of you a joyous evening, a morning without hangovers, and a brush in your hand to memorialize those special moments in your lives. That’s my plan anyway!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Farm landscape painting.


Here is a painting of a local farm, Acrylic on canvas (9″x12″). Available for sale for $275.00. I really enjoyed painting the light on the silver roof and white walls of the barn. Every painting I paint I learn a little more. I find painting is a great way to relax and let the stress of work just melt into the background. This piece is available for purchase along with the Boot Still Life painting, Acrylic on canvas, $250.00 (14″x11″).

If you are interested in purchasing a piece please contact me at
equineartist21@yahoo.com and list art in the subject line.

©Copyright 2008 by Jenifer S. Trottier. See original post here.
To learn more about this artist, visit Jenifer S. Trottier’s website.

Dec 30 – Day Off to Recooperate…

The canvas (12 x 9 acrylic) is covered now with the basic hues that will dominate the finished painting, and I’m stepping back to let it dry so I can continue to lay in the layers of detail to follow. If this were done in oils, I’d continue to proceed, yet handle my brush at a different angle to keep from lifting up the under layer into the new hues and values going on top. With acrylics, that’s not an issue (more non-thinking painting!). This painting is going to hold to the complementary blue/orange grays in the final stages, so no surprises coming there. Where you will find surprises, is in edges, value changes and shapes!

I’m back in California now, over my jet lag, and it is cloudy and cool. Much warmer than New Jersey, but I still have had a fire going for most of the day while sorting out mail, shipping DVD orders and planning my work on the finish of the “Misty, Overcast and Difficult Light Subjects” DVD. Not much more to go, and then the final editing on that one. Good thing I didn’t have “real” deadline for it–I’d never have made it. Deadlines only control those who need them.

The New Year is approaching, and I have several ways I can celebrate it, one of which is to stay centered in my path and gather strength from my friends while staying home by the fire. Or I could go get a tattoo and go out and make a fool of myself in several social situations….Hmmmm, well I am an artist!

Interesting, though… I don’t have any resolutions to make and break, because I am greeting each day with my own honest living, in the choices I make (didn’t gain any pounds over the holiday!), and in where I want to spend my money and time. I value my family and friends over all, and will continue to let them know how important they are–YOU are–to me. Let’s hope for a bright 2010 full of opportunities and good choices. Even if we have to realign our paths, I hope that the new path will be just as exciting.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Dec 28 – Starting the Saddle River View in Acrylics

After yesterday’s dog walk along the edge of the Saddle River (in Bergen County, New Jersey), I came back with a need to paint the “feel” of what I experienced. So here’s the start of a 12 x 9 acrylic (I will take larger canvases in the future!) and the complementary colors of blue and orange are already in place. “Orange?” you ask. Yes, burnt umber is a dark orange, and that’s why the autumn and winter woods are so delightful in color when combined with any water that reflects the sky. The grayed oranges of the leaves and forest floor is a complement to the blues.

The day was gorgeous and sunny, and the light was coming through the leafless woods creating traceries of shadow, so I went off the path into the browns and grays to take this source material of the river in the afternoon light (below). I chose the vertical format for the painting, because as with pastoral views being so calming, I wanted the longer plane of the canvas’ vertical to offset and balance that tranquility with some strength and power. (Besides, these verticals have more opportunities for placement on the walls of collectors’ homes.)

Here’s the source material:
Tomorrow the painting continues! But first, this afternoon I get on a plane with my sister and Sparky, and we fly for over six hours back to California, where instead of the high 30s, it is in the high 60s. I do enjoy this cold weather, though, having been raised on the East Coast. Yet my garden is calling to me, and coming back as a first class passenger for this long flight will be a nice cap to a wonderful vacation.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Christmas Eve 2009

Iowa fog

Posted in Uncategorized

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Dec 22 – The Snow Scene Finished (Acrylic) and the MET

What a day… I finished up the 12 x 9 acrylic (shown here) of the snow scene on the dog walk day. It didn’t take too much to bring it to a finished state from yesterday’s phase–just more layers of filmy color and caligraphic lines.

I then went to the most magnificent museum I have ever experienced! The Metropolitan Musuem of Art in New York City rocked my socks off–with hundreds of paintings and sculptures, it was as if I were visiting some very old friends from my art history courses.

First I headed straight for Rosa Bonheur’s “The Horse Fair”, because seeing it in the flesh is an incomparable experience. This painting is huge, and one of the unsung main attractions of the museum in my opinion. And I saw four Vermeers, one I hadn’t known about, several Van Gogh’s, and Monet’s paintings of Rouen cathedral, haystacks and water lilies. I was overwhelmed after three hours, and had to leave… I wonder if I can return before I depart and see more of the other exhibits? I don’t know. I’m just reeling from the visual input.

There were two more exhibits, one on Samurai weaponry, and the second one on American genre paintings, which included several Winslow Homer pieces. I was in Heaven!

I encourage anyone who has time to visit their local museums and see real art “up close and personal”. It can change your life! Here’s a closeup of Monet’s haystack–check out the subtle colors in the entire area, especially the shadows! Wow!

Speaking of that, my workshop schedule is updated with the FOUR new workshops scheduled for 2010. Please check THAT out!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Dec 20 – Snow Scene in Acrylics, Part I

My “neighborhood” here in New Jersey got up to a foot of snow yesterday, so this morning I took the dogs out for a snowy walk. I realize as an artist it is essential for us to have sensory input to put the “real” in our work. (Unless of course, you are not a realistic painter!) So after the walk, I set up my traveling “light” supplies (see below) and began this 12 x 9 acrylic. I’m using the traditional acrylics, and did NOT tone the canvas. With acrylics, especially the traditionals, one of the great features is the luminosity that is possible with glazing and layering the colors.

This is the stream that runs through Ridgewood, New Jersey, and is near the swimming pond–now covered in a sheet of ice and snow!

My supplies… on the dining room table, as the rest of the relatives went into the city for storefronts and Rockefeller trees. Me, I loved my walk and afternoon painting. The wind is up now, and I imagine the chill factor is HUGE. Glad to be indoors with the doggies!

When we went for a walk, here’s the scenery that greeted my snow-starved eyes. That’s Sparky on the left and Hiroo (“hero”) on the right, the family dog, also a Teddy Roosevelt Terrier. He’s just five months and quite a bundle of energy!

My supplies for the painting are a Bob Ross easel (packs flat, holds all sizes of canvases), about seven brushes, a glass pie plate on which is folded a wet paper towel, on which I have placed a limited palette of burnt sienna, cad red light, cad yellow, titanium white, thalo green, ultramarine blue and burnt umber. Perfect for snow scenes, except I think I might miss my cool red, and a spray bottle of water…. hmmm, holiday shopping anyone? I brought gloss medium/varnish for glazing. Newspapers and the plastic drink cup for water finish out the scene. Yup, it can be done!

You can see my entire blog HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

‘Happy Hour’ Large Equine Horse Western Cowboys Art Oil Daily Painting by Texas Artist Laurie Pace

‘Happy Hour’

18 x 24″ Oil on Canvas

SOLD and the paint is not even dry! Thank you.

Contact me to purchase by check or paypal. Laurie

© Laurie Justus Pace   Graphics One Design 2009

The Painting: In the beginning there was color… and I began many years ago with impressionism edging on realism. This was painted with only five colors on my palette and I was amazed by the poetry that emerged as it came together. I just finished it last night. Holbein Duo Oils on Linen Canvas. Contact me for more impressionism!
www.ellepace.com
www.lauriepace.blogspot.com
www.thepaintedpony.net

©Copyright 2009 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

Rainy Day Splendor


Fall is always a very busy time, and this year has been no exception. However, I did work on this little oil painting study again, and it’s pretty much finished. I’m calling it “Rainy Day Splendor”. By the time I got back to it, more leaves had fallen and the colors had changed, so I had to go partly by memory. But, it was still overcast and rainy, so the light was pretty much the same. And now, all the leaves are down and there’s nothing to be seen except bare branches.

We’ve had beautiful sunny and unusually warm weather for the past week, so I’ve been busy washing windows and other such things and dealing with a health issue which really threw me for a loop for a couple of weeks. But, the situation has turned around, and I’m back to being much more productive and much more relaxed.

Last night I finished revising the line drawing for “Easy Rider” and traced the new set of legs on the drawing. I plan to get back to work on it in the next few days and will post my progress as I go.

That’s all for now.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Oct 13 – Riverside National Cemetery, Evening

Last weekend I painted on location at the Riverside National Cemetery near my studio. A 12 x 12 evening light oil came off my brushes, and I left the site both satisfied and sad. Satisfied, because the painting was done to this stage so easily, with my brushes flying across the surface. The nuances of color reflecting the evening light of the Color System are readily apparent as one gazes across the hundreds of grave stones.

And sad, because just before my Dad died in 1998, I asked him, when I needed some love and support, if he could come to me in this specific place. He replied, “If there is any way possible, I will be there for you,” and I am sure he was. Before I painted, I walked through the grave stones, and was stopped short on one with part of his name inscribed. I knelt down and cried, so much so that just remembering it brings me to tears again. He was there with and for me, in so many ways I needed just that support at that time.

You see, sometimes bad things happen to good people, and I’m dealing with something particularly difficult right now. It is taking all my strength and support from family and close friends to deal with it. Yet I continue to do my art, continue to be who I am, and I cannot change what is or what will unfold. I so appreciate your continuing to be with me while I go forward and onward, and please know I gather strength from your presence.

Like my Dad, I can be there for you, too, in all things about art and painting.

I am continuing to work on the newest DVD. The cameras are rolling, and after I share the final painting of the Tennessee Walker commission, I’ll be sharing snippets of the first and second paintings with you. They are going to be really corkers! The first one is an 18 x 20 oil of misty light across a pasture, from material gathered in Florida this year.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Mountain Top


5 X 7 palette knife oil on masonite
Make an Offer!!!
As I promised, I am going to use up all my canvases and boards so I can start painting strictly on linen. Here’s a quick, thickly painted little gem. One down – 50 to go!
I also started a large painting today – an enlargement of “New Neighbors” and I am really pleased with the progress. I began with a monochrome underpainting of cobalt blue and cad red dark and white. I have partially blocked in the sky and will begin adding color Wednesday.
I did the little painting with left over paint, and I will sell it to the person who makes me the best offer over $15. Really.
WOW!!!! And I may continue these little bargains for a while – so keep watching! There will be no PayPal button on these posts – you will have to e-mail me.

Luke 21:28

When these things begin to take place, stand up and lift up your heads, because your redemption is drawing near.

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Pinion Hill Survivors

6 X 8 Oil on Canvas Board $115
Includes shipping and insurance
All the pinion trees in Monument Valley Utah were works of art. Dynamically twisted by the elements, they all begged to be painted. I added the Indian because they are survivors, too.
Yesterday I and the horses had a new experience: we went to a horse dentist. I have had my horses teeth checked and “floated” before, but evidently that procedure has been inadequate. The vet I visited yesterday has made a business of strictly equine dentistry and I learned a lot about horses’ teeth and their structure, genetic influences and how important well working/shaped teeth are to the happiness and well being of my big buddies.
Both Easy and PJ had dreadfully sharp points on both sides of their molars, and their tongues and cheeks were raw and sore. I can only imagine the pain a bit adds to that. Little wonder that PJ rides much more relaxed when wearing only a halter!
This vet, Dr. Clay Stubbs, has a mobile set up and runs a circuit of clients twice a year. My friend Lee Clay is on that circuit and offered to let me bring my horses to his place and take advantage of Dr. Stubbs’ expertise. I accepted, knowing that both PJ and Easy (and Dandy, next spring) needed attention.
The procedure began with an injection to tranquilize the animal. Almost immediately the horse lowers his head and relaxes (and according to Dr. Stubbs, remembers nothing). He is led into a stanchion where his head is cradeled and immobilized in a canvas sling and a speculum is inserted into his mouth, holding it open. Dr. Stubbs then peers into the mouth with flashlight, moving the tongue from side to side to access the condition of the teeth. He immediately pointed out to me the very sharp points on the sides of all the molars and the rough, raw condition of the tongue and sides of the cheek where they were rubbing. Horses teeth grow continually – they have to because they ingest dirt and abrasive material with their food. Their teeth would wear down to nothing if they didn’t grow. But horses of today are not bred for well fitting teeth, so genetically they are no longer like those of wild horses. Jaws are narrow, tongues may be large, and some horses even have a “parrot mouth” where the teeth don’t meet all the way down the jaw line. And a fat horse (like all of mine) is NO indication that their teeth are OK. A dentist is needed to periodically help mother nature and to help US not cause pain to them when we put a bit in their mouth.
Dr. Stubbs uses air tools that are similar to giant dental files to remove and smooth out the excess tooth formations, and after he fixed one side of Easy’s mouth, he let me feel the difference between the done and “undone” side. I had to put nearly my entire forearm into his mouth to feel clear to the back, and I was amazed at the difference and relieved to know that Easy would soon be feeling better. I was also mad at myself for not taking care of this sooner. Poor Easy.
After the procedure is completed, another injection is administered to couteract the tranquilizer and within 15 minutes we were ready to load up and go home. Both horses were still kinda groggy after the 10 minute ride back. PJ promptly took a nap, but Easy went in search of grass and was happy with the little flake of alfalfa I treated him to. I will let their mouths heal for a couple days and then see if there is any improvement in attitude when we ride.
Psalm 35:28
My tongue will speak of your righteousness and of your praises all day long.

Media: oil
Size: 8 in X 6 in (20.3 cm X 15.2 cm)
Price: $115 USD

How to Purchase:

Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

The Point – Bear Lake Cuchara Colorado

8 X 6 Oil on Canvas Board $115
Includes shipping and insurance in U.S.

At the end of this rocky jetty was the best fishing on Bear Lake this past August. It was also the place that one of the local black bears chose to show himself causing all the kids and their parents to scramble to safety, leaving rods and stringers of fish. But thanks to the enforcement of the “Do not feed the bears” rule, the bears are getting shyer and easier to chase off. Now I don’t recommend anyone chasing a bear, but shouting at the one I saw from a distance worked this summer. Last year, the bears were undisturbed by people and continued all the way around the lake, effectively ending our fishing for the day.

I am going to try something new with my painting postings on my blog. Normally I post a small image of the painting and this is to prevent “thieves” from stealing the image and reproducing it – and yes that is happening more and more now that computer “galleries” are becoming so common. I have had my work copied, but I have not yet detected any outright direct reproduction.

Often collectors want to view my work up close, and I am more than willing to send a larger image to them – but then I realized that I could do this here, also. And we will soon have that ability to look at a “close-up” on Daily Painters, too. But I have to load a large data file image of the painting which makes it easier to steal and reproduce. I have, however, decided that worrying about theft is something I can eliminate from my brain. So now if you “click on” the image of my paintings, you should be able to see the details more clearly. I am doing this in the hopes that you will be able to better view my technique. And if some art dealer in China decides he can sell it without my permission, so be it…

Genesis 1:26
Then God said, “Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground.”
Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Pinon Night Light

8 X 10 Oil on Masonite $125
Includes shipping and insurance
I was told that the pinons are “in” and to watch for vendors on the side of the road as we cross New Mexico. We spotted one outside of Santa Fe, and Mike stopped to stretch his and Georgia’s legs, and I went to check out this revered treat. Whew – I was not ready for the price tag! One tiny bag of roasted pinons for $10. The young Indian boy who was selling them assured me that they WERE good and “good for you!” I gave him $10 and will save the treat to share with friends when we get home.
We are in Santa Fe tonight and our campground is surrounded by pinon trees – I went in search of these nuts that are worth their weight in gold. I found the ground under them littered with cones and thousands of nuts – both fresh and old – mostly old – and dried out. I agree that it is a lot of work to gather and roast the small cone’s seeds (they are about the size of pine nuts), but I probably won’t be buying them again. I’ll stick to pecans!
This painting is of a pinon tree I fancied near our camp in Moab. The trees’ shapes are widely varied – from stumpy, twisted and stunted to tall, straight and lush.
Psalm 139:23
Search me, O God, and know my heart; test me and know my anxious thoughts.
Buy this painting on PayPal
Price: $125 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Gouldings Trading Post and Lodge

8 X 10 Oil on canvas board $125
Includes shipping and insurance
The view from our RV spot at Gouldings was the best ever. Period. I could just imagine it in the 30’s when John Ford came to film all his westerns and John Wayne camped there with the Hollywood crowd. Wouldn’t you like to have been a fly on the canvas wall of one of their tents?!
Matthew 15:10
Jesus called the crowd to him and said, “Listen and understand.

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

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