Tag Archives: horses

AWOL

I will be in and out for the next few days. To add to an already bloated schedule, the heaven on earth place that I have called “home” for the horses for almost seven years now has been sold. The fellow purchasing it is expressly using it for deer hunting. After considering the options, I decided to relocate for the winter with hopes of being able to return during the non-lethal seasons. I will be going from 389 acres of riding to ten. Ouch. I will have a barn to use, running water, electricity, a paved road, a real fence, all the modern conveniences. For the winter it will be so much easier, if less hidden and spiritual.

On the day the sale was to be finalized, the old mule, John, laid down and decided he was staying. I spent Sunday morning burying him. I was extremely thankful he was a small mule, since my back hoe was elsewhere and all I had was a shovel and a spade (and determination). There is enough about John for a full article, so I will just mention his passing for now and give him a better eulogy later. His owners had wanted him to be able to stay with the place and die there, and for probably the only time in his life, he obeyed their wish.

For the last two days I have been pulling up my electric fences. My hands are full of fiberglass and so are my gloves, so it seems I just have to endure.

Today I will be moving the corral gates and the things that need two people. Best bud, Norene, bless her heart, offered her afternoon to help. I offered to help her scope out a trail at her place tomorrow for the saddle club ride Sunday at her place. Not the fairest trade, but I will live with it until I can do better.

I will have the horses moved by the time shotgun season opens the first weekend in December. In the meantime, the weather is co-operating and I should be able to make an easy transition to the new location. The biggest chore is getting 34 large bales of hay moved and the back hoe home. Another good friend, Ron Collier, of the Moravia Mule Company is helping with the large items. Be sure to check out his website at MoraviaMule.com.

New GIVEAWAY tomorrow! Come back soon!

Posted in Uncategorized   Tagged: Moravia Mule   

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

More Clicker

Another dreary wet and overcast day. Nothing really fun again that could be done with the horses that did not involve ankle deep mud. I took the warm mash of beet pulp, alfalfa cubes and senior feed to the old mule, John, and Lil’ Bit in the west pasture. They were waiting for me tonight. The last couple of nights, John had decided I needed more exercise and I should trudge up and down the pasture hill in search of him. At nearly 40 years of age, his hearing has pretty well left him, and calling for him makes me feel like I am doing something other than trudging, but little else.

While they munched. I drove back up to the main pasture to see how well the horses that were in on the clicker game remembered. I filled my feed bucket and put five piles of grain out to discourage the bully horses from being interested in what the others were doing.

Cirrus paid no attention to the piles of grain and followed me up to the gate where we had played before. As the star pupil, he was ready and eager to have another go. He was reaching for the cone before I could get a good purchase on the bottom to present it. He had certainly not lost any of what he had learned the night before. Reo joined him as star pupil #2. He also had no hesitation with touching the cone to get a click and some grain. Since Cirrus was so far ahead with his understanding, I upped the anty on him. He had to touch the top of the cone and only the top of the cone to get the click and grain. No problem. One time he took the top of the cone in his lips. I clicked. Now the only time he gets a click is when he puts the top of the cone in his mouth. Only a couple of fumbles, and he is 100%. Reo is not as orally fixated as Cirrus, so it took him a while longer to go from only the top of the cone to lipping it. I would wait until he was at the top and made any wiggle movement with his lips near the cone, ever so slight, and he started to understand what I wanted and his upper lip got busier. Nimbus finally joined us. He was hesitant, as though he was not certain this still would work. He had a couple of long thinking spells, looking at the cone and not moving. He finally touched it. While he was slower getting the concept to begin with, once I asked him for just the top, I got just the top and the “put it in the mouth” all at once and consistently. I believe he watches and learns from the other horses (which studies have proven does happen).

The reason I am wanting them to put the cone in their mouth, is in a few days, I want them to pick it up from the ground and hand it to me. Then we can pick up other objects - like my hat when it gets knocked off on a ride. I need to read further in the book to be sure I am not out thinking myself on where I want to go. I have been teaching these three to bow onto one knee. Reo at 16.2 will be much easier to get on and off with that particular talent. I may add the clicker to what they already know about bowing and see if it increases the learning curve. Cirrus is the top pupil there as well. Nimbus seems to take longer initially and then jump ahead several steps. Reo is steady, easy, and takes it all in a steady flow.

The two alpha horses never offered to come up at all. Little MeToo stood at a respectful distance just outside the group and watched the entire time. She never came forward and asked for or demanded any grain. Tomorrow night, if she comes to watch again, I will invite her into the game. There was no fighting or quarreling again tonight and everyone took their honest turn and did not reach for grain they had not “earned.” When the grain was gone and I picked the bucket up to leave though, they all glared at each other, snorted “back off”, “so’s your mother”, and “I never liked you!” and scattered.

Posted in Uncategorized   Tagged: clicker training, horses   
©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Oct 30 - “High Summer”, Finished 24 x 30 Oil

I know many of you have been waiting for this one, and I’m pleased to present it to you in its finished state. Called “High Summer”, it is a 24 x 30 oil. And I am very pleased to call this one of my own. In line with the series I’m working on, the horses are in there, but not so obvious to the viewer on first impact. First, the structure and sense of place come to you.

Howard Pyle, the recognized “Father of American Illustration”, used to say to his students at the Brandywine School in Delaware, “Thirty minutes, thirty yards.” What he meant by that is the design structure of the painting needs to be done early enough in the painting process that it holds up throughout, and strongly enough to catch the viewer’s eye from across the room, drawing him or her to the surface where details and brushwork and subtle colorations can continue to interest. I am striving for that goal, and with this series am truly seeing it happen. Below is a closeup of the focal point, which is NOT the strongest color, contrast or texture in the work. But doesn’t your eye go there only after the first “oh my” when you see the painting? If it did happen that way, then I was successful.

Sorry about the glare on the smaller image–it’s after dark now and my lighting isn’t the best.

Congratulations to Dawn Burdine of College Station, Texas, on acquiring “Sunrise Aspens” directly from me after a lovely tea here in the studio today. She and her husband are out visiting family, and came by to see the studio. What a wonderful world of artists we are!

You can see my entire blog here.

Color System information can be found HERE.

If you need to email me directly, please click here.

©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.

My newest book released!

I received  my comp copies of the latest book I illustrated for Storey Publications. Check it out!

Draft Horses and Mules

Storey’s Working Animal Series: Harnessing Equine Power for Farm and Show

Gail Damerow, Alina Rice

Hardworking and intelligent, draft horses and mules provide clean-energy power for an impressive array of tasks. Cultivate farmland, haul logs, give tourists quiet rides through historic neighborhoods, pack into the wilderness, or simply enjoy sunny drives through the countryside — draft horses and mules love to work, and they bring their strength and endurance to every job. This complete guide is all you need to learn how to select, train, feed, care for, and work with these impressive animals.

$ 24.95 US

Details

  • Paper
  • Pages: 272
  • Size: 8 1/2 x 10 7/8
  • Color: Photographs and illustrations throughout; 16-page full-color insert
  • ISBN: 978-1-60342-081-5
  • Order Number: 62081

For more information or to order: Click here

Posted in Uncategorized   Tagged: book, draft horses, illustration, mules   

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Calico Ghost Town, Western Art Show

“Back Off”, acrylic, 14×18.

“Looking”, 8×8 Acrylic

“Tidbit” 6×7.5, acrylic.

If anyone is in the area, I will be at Calico Ghost Town, Yermo, California, on Friday, Saturday and Sunday (Halloween weekend) selling my wares. I will have 10 original paintings and prints for sale. Come by and say Hi!
The above paintings are for sale on my site as well as the show in Calico.

©Copyright 2008 by Sue E. Kroll. See original post here.
To learn more about this artist, visit Sue E. Kroll’s website.

You gotta love it!

The small horses in this picture are Morgans, of a normal size. I’ve stood next to them! Then there are the big, guys, they make the others look like midgets!

This horse herd is just down the road from us, I love to stop and take photos of this bunch.
Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Hurry up and wait, Draft Horses

I’ve been playing in the Oil paint, as well as the Graphite and Watercolors. The Studio has been a very busy place lately. With two easels constantly dawning a canvas, A large drawing table with several Watercolors and the Graphites on it, another, smaller, drawing table holding a light box to help with those images that are too dark and a framing table full of the Graphites that need to be sprayed with a fixative and packaged and then there is the packages with sold art in them, being carefully wrapped and ready to send on their merry way to their new home. It’s amazing I get anything done at all in there! It really is kinda messy in there. It seems there is a ‘pile’ on every flat surface. But once, I had a moment of cleaning and picking up….I spent a good part of a half an hour or more….searching for what I needed! I didn’t like that much…so, I leave the piles, because I know what’s in them! I think….

This Oil painting is “Hurry up and wait”. An 11 x 14 Canvas. I rendered this painting from a Draft Horse Show I attended this past August. I loved the dark reds in these horses as they waited in the late afternoon light. I added the reflection and the bucket and the hose. If you have noticed….a lot of my paintings have been showing reflections and wet surfaces. I’m not sure what is up with all of this wet reflective surfaces, Other than it lends to a fun composition! One of these days, I’ll probably find out in my quiet time….why I am drawn to the wet, slick surfaces. But for now, I’m having fun with the subject matter!

Have a great weekend!
~Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

‘Painting a Day’ overview for the week of Oct. 20th

This has been a good week artistically speaking. I say that because I am challenging myself by getting out of a comfort zone in order to learn and hopefully move my work to another level. I also am enjoying the fact that I can choose to ‘move on’ and not fret over a piece or I can ‘fret’ all I want by reworking something in my mind, over and over as I process what my mind sees and what my hands do!
I will post the paintings I have done this week and make comments as far as what they’ve taught me.
I suppose now would be a good time to mention I am self taught. I am a ‘later in life’ artist, painting my very first painting just a few short years ago. I can count on one hand the number of art classes I have taken. I drew horses extensively as a child but stopped once I reached my late teens. I began drawing in my mid 40’s. I now do portraits- people and animals which can be viewed on my web site at http://www.suesteiner.com
I am at a stage were I am hungry to learn and would love to go to art school but I have teen aged kids soon to be in college themselves. I can’t quite justify the expense- especially since an art career is not the most practical of choices. I am now doing what I love. I do know I am an artist at heart, with or without the diploma and am making this trek because it is who I am and what I can do! I believe in the value of art and self expression and have seen its healing effects in my own life. So, by following along with me I am hoping that others may value art and incorporate it in their lives too. Most of all we need to encourage people who have an artistic bent to know it is worth developing and pursuing so thank you for following along on this journey.


A charcoal and pastel sketch from 10/23/08. I am working on quick 30 minute sketches to challenge me to get positioning and form down quickly and efficiently. This particular pose is proving to be a personal challenge. I feel I am making progress on the body but the legs still leave much to be desired and the head could be tucked more. I am choosing difficult poses to not play safe here. I want to get out of my comfort zone since I feel being afraid to make mistakes builds huge barriers in art. By posting my ‘mistakes’ here I am breaking thru those barriers. Maybe I should rename this series The Good, The Bad and The Ugly! :)

Same pose, different day. I did my drawing directly on the canvas– no sketching, tracing, grids or anything like that. This is oil paint and fast becoming my medium of choice. I am also a fan of watercolors but you won’t see any watercolors this week. The position is still not quite right but the freedom I felt in working directly with the wet paint on the canvas suits me very well. I believe this is something I can develop further and is exactly why I wanted to do this project. I have felt a growth spurt coming on– may its thats because I have teen agers and am seeing growth spurts all around me! :) I realized I can not grow if I don’t give myself the room to do so. This Painting a Day I believe will help to bring this on.

This is Ricco, my colt. I LOVED doing this painting. I’ve since made some small changes to the neck area, eye and the left hind leg but am in love with this painting method. You can go thru the archives and see the work in progress pics if you are interested in seeing more but again it is an oil painting with the drawing directly on the canvas. In fact I begin with a rag and just rub out big shapes and go from there. I think this was my favorite from the week. I liked the fine lines and suggestions of shapes which I love to do with watercolor incorporated in this painting.

This is a fast sketch of Ricco in the same pose. I enjoyed seeing how each piece, even with the same reference took on a life of its own while working on it. This is my second favorite of the week. I see shades of my favorite childhood artist, Sam Savitt, in this drawing. My goal was to not be overly fussy. By giving myself a short period of time in which to work I just can’t get too fussy and keep moving on.


This is a scene from my backyard. It is more a study of ‘values’ than anything else. I loved the deep contrasts between the lights and the darks. Sketching done on the canvas, freehand.

Thank you for following along. I am planning on painting a mustang next week. I also have my eye on a shire colt. Stay tuned for more!

©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.

Mixing the Herds

I decided tonight when I did chores that it was the time of year to start putting the herds back together. I took old John, the mule, out of the pasture and let him eat his mush next to the truck. He is somewhere near 40, so I did not think he would appreciate the excitement of Jet Ranger’s three horses joining the herd. I gave the others, Dulci, Sophie, Cirrus and Nimbus, some grain to munch on while I walked down the fence line to where the solar charger sits and controls the fence that separates the pastures to turn it off. (I’m no) Angel was near and saw me open the gate. It did not take her long to come through and pass me. Legend and MeToo were close behind.

The two little girls stared at the intruders like they were oncoming hordes of Mongols racing to burn their village.

They stayed together and held their ground for as long as they could. One of the horde was an obvious crazy woman.


A wild and scary daughter.

And the fearsome general who commanded this oncoming charge.

There was plenty of swirling, squealing and mud flying. My “boys” took flight and were starting to panic when they spotted me. They slid to a stop on either side, hid behind me and blew snorts of warning at the confusion and introductions. It is so good to know that in a panic, they both chose to be with me as their safe place! They stayed with me until Legend tried to run the girls and they both decided to intercede on the ladies’ behalf and defend the girls. They took off at a gallop as a united front.

(If you look closely, you will see both boys. Cirrus is in the front here.) And gathered their girls back from the marauder’s clutches.

It was a short time of confusion and running and everyone settled down. I took John down to the west pasture with Reo and Bit and put him in with them for now. He will enjoy the relative quiet of these two solid citizens until I need to put everyone together when we start feeding hay and having to haul water and keep it from freezing. I dread the winter to come.

It had been overcast for most of the day. As I walked back down the lane, swinging my empty feed bucket and the dogs trotting beside me, the sun came through a break in the clouds behind me. The sudden glow of light stopped me in my tracks. Every leaf, every blade of grass, every weed head, was on fire and glowing. It painted the bean leaves in front of me and the edges of the hills and clouds in the distance. I tried to take it all in. Just as suddenly, it faded and disappeared.

I loaded the dogs and headed back to the shop to work some more and look at tonight’s photos. I really do enjoy playing the home version of National Geographic.

Posted in Uncategorized   Tagged: herd, horses   

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Horse Painting A Day

I am doing a horse painting a day, give or take a day, for a change of pace and something fun. Here’s what I did yesterday. These are 3 of my 5 horses out on pasture. I loved how the sun reflected off of their coats and the contrast between the bright green grass and deep dark greens in the trees behind my pasture. My goals are to do my drawing right on the canvas with the wet oil paint, keep it loose– as in not overly detailed or realistic- more impressionistic, and just have some fun with this. The paintings are to be basically completed in one day so I can’t get too overly fussy with them. I do also paint in a more realitic style which obviously takes more time than a day. If you are interested in seeing that you can find it on my web site at http://www.suesteiner.com/
I also did a quick sketch of my weanling colt yesterday, although in this sketch he looks more like a yearling. Isn’t he pretty?? :) His name is Ricco and he is a doll baby!!

©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.

Oct 20 - 95% finished and Shagya Arabians

I had a heck of a time photographing this one in the studio tonight. I’m due for a new camera, and will be going out to look for a Canon Powershot A590 IS tomorrow. I dropped my earlier model of this handy camera while in Arizona, and I miss it.

So what’s new tonight? Details, all those details. The brushwork is still very visible, and one of the brumby horses (Apache horses) is in–the second and third one will come into the field tomorrow.

I added the broken pattern of light on the central trunk to both make it more interesting, and also to cut that dark shape into interesting values. The trio on the left stay dark in value, but have been connected to one another with the tracery of branches. This also cuts the strength of the blue water over there, too. I had to wait for these layers to dry a bit before adding the tremendous noodly-details of pine boughs and twigs on the right side, too. Compare this stage of the painting with the one from yesterday, and you’ll see the entire canvas has changed. I’ve embellished and made more interesting each area, so the eye has many places to “play”.

Working on these larger canvases is SO satisfying right now. I cannot explain the completeness I have in me when something just goes right, but these three canvases (yes, there are three now–the third 24 x 30 is coming to you later this week–in stages!) are deeply soul satisfying both to create and to enjoy. The hiatus I took from the daily paintings has come full circle now, and my work has gone to a new level of maturity. I’m very pleased with each one of these canvases’ sense of place. At least two of them will be entered in the Women Artists of the West show at the Saks Gallery in Denver this January. And I’ll probably send at least one to the Spring show for the American Academy of Equine Art. I’ll have to consider shipping costs on these bigger canvases, though.

Other news, I went on a four-hour ride using my neighbor’s endurance horse (Arab/Thoroughbred)–we covered about 12 miles but because of the terrain, would translate in endurance miles to 36 miles. Carolyn Hock is a top endurance rider, and I’m fortunate that she’s my neighbor! I’m sore today, but excited to ride with her again. Her training regimen is VERY demanding, and yet I really enjoyed it. I’m hoping she might put me on her Shagya Arabian stallion Reuben next time! Here’s what he looks like (not exactly him, but close):

And I bring my Chiron HERE next weekend! Life is exciting!

Tomorrow this painting will come to you finished, and then you can see the third one begin. I’m already to start on the fourth in the series!

You can see my entire blog here.

Color System information can be found HERE.

If you need to email me directly, please click here.

©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.

Oct 18 - The large Painting Continued and a Look Back


As I work with laying in the large areas of color, I’m really careful to keep the values where they need to be to carry the design. One advantage of toning the canvas is that the end result of the toning is near to a middle value–not too light nor too dark–and helps to keep the values in relation to one another. Since I’m painting completely with the Cool Box Colors, I can use the remaining warm underpainting areas to guide me. It does this by being a counterpoint to the cool mixes I’m putting on the canvas. I can keep the proportion of warms to cools in balance by having the tool of the background WARM underpainting showing through. In other words, I just keep painting cools until it “reads right” for the balance of warms vs. cools (in most cases maybe 85% cools to 15% warms in landscapes).

Just for giggles, how about an eyeful of a painting I did in the mid 1970s? Before Color System, before workshop training, before almost everything related to my painting–other than a degree in fine art that taught me nothing about landscape painting. A collector’s daughter from that time emailed me with paintings of which I had no images. You can see I was painting loosely even then, but sure was all over the place in finding a focal point! And my colors were just ghastly to my eyes today. One cannot tell the time of day in this painting, because I didn’t know about such things and how to control color and temperature to get that message across.

Thirty years can make a real difference in one’s art! Yet each month and day that passed in between those times was and still is richly lived.

Remember, it is the journey, not the destination or distance traveled, that determines the artist. In looking back, all one sees is a measure of the distance. At the time I painted this, I thought it was a good painting. I was living in Germany, and did a series of my memories of California. Even though I would do it completely differently today, it has a charm of its own. Enjoy!

You can see my entire blog here.

Color System information can be found HERE.

If you need to email me directly, please click here.

©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.

Tempest

The shadow Tempest, a Percheron Paint, cast in the early morning sunshine emphasized his strength and stature. Like a huge tree casting a cool shadow, Tempest seemed like he would be content if we all gathered our lawn chairs under his shade canopy. He’d simply calmly continue munching on the grass. Of course, we’d have to shift our seating arrangements as he moved along to different patches of grass….

And you wouldn’t want to be lounging around if he started showing off his cantering and galloping skills. Thundering around the outdoor arena, Tempest demonstrated that bulk plus power can be very impressive!

Tempest is owned by Lauren and her two daughters Erin, who trail rides with Tempest, and Gail, who rides dressage with him. Lauren wrote, “Tempest has been a spectacular horse for us and has livened up our barn. He loves to play and he definitely knows how handsome he is.”

Tempest is the seventh horse in the “Beautiful Horses of Michigan” series. Go to www.karenbrenner.com/beautiful_horses_of_michigan_gallery.html to see all the paintings completed in the series so far.

[Photos are posted at www.karenbrenner.com/blog.html]

©Copyright 2008 by Karen Brenner. See original post here.
To learn more about this artist, visit Karen Brenner’s website.

Western Yee~Haw Series in Graphite!


“Hee~Yaaa”

“Com’~on!”

Here is the start to my Western Yee~Haw Series in Graphite, Pencil.
These are really fun to draw. Just as much fun as actually being there watching these horses and riders. I attended a Barrel Racing event last weekend. What a hoot. They had Country Music playing, and a lot of the Beach Boys music, Giddy-up 409 and all those fast car songs. I think the horses got into the music as much as the riders and spectators. These horses were HOT. & I don’t mean from the sun. They were ready to race those barrels. Some were so wound that they couldn’t get a grip and get through the starting gate! They went backwards, sideways and upwards. I have a lot of action packed images to work from, so you can bet that this will be one series that will leave your head spinning!
These are both done up about 12 x 9 inches on 11 x 14 Strathmore Drawing Paper. They will be fixed with a fixative to keep them from smudging and stored in a clear sealed sleeve with a backing board.
I have a few Graphites listed on ebay. Check My eBay world for all my listings. Great deals!!

Inquiries may come to my email debflood@debfloodart.com Thank you,
Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

Horse Racing Art - Don’t Look Now!

Don’t Look Now
16×20
Oil on Stretched Canvas

With the Breeder’s Cup World Championships approaching (the first races are next Friday, October 24), I thought I’d get us all in the proper mood with some horse racing paintings.

I love horse racing. The colors. The sounds. The smells (if you’re close enough to the track to actually be able to smell the horses).

The action.

Horse racing is fast and furious. The horses break from the starting gate like an explosion. Races can be won or lost in the first dozen strides, even in the longer races. Or even in the first strides.

And even if you get to the lead first and early, there’s no guarantee you will stay there. You have to watch those horses that close strong, that have a powerful closing kick. It is not at all uncommon for a handful very good and very evenly matched horses to finish within yards of each other. That’s called a blanket finish.

It’s also called a whole lot of fun to watch!

But in a charge like that, if you let your guard down, if you’re not careful, you will suddenly find yourself in a crowd of rush hour traffic that will take your breath away.

And quite possibly cost you the winner’s purse.

Don’t look now! The winner just passed you!

Don’t Look Now is available unframed for $900 or framed for $1,100 to the first buyer. Custom framing is also available upon request.

All of my horse racing art can be seen on my web site by clicking on the links to Horse Racing Art or Michigan Harness Horse Art.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

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