The Saddlebred is currently on ebay…
That Fjord is so cute, I wanna kiss him on his soft nose:)
©Copyright 2009 by Jennifer MacNeill-Traylor. See original post here.
To learn more about this artist, visit her website.
That Fjord is so cute, I wanna kiss him on his soft nose:)
©Copyright 2009 by Jennifer MacNeill-Traylor. See original post here.
To learn more about this artist, visit her website.
On the way home from Traverse City yesterday, I saw this bumper sticker on a car ahead of me. It read, “GOOD Happens”. Now, we’re all familiar with the other version, and I thought, “What a refreshing turn around on this well known saying!” It got me to thinking about how our point of view can color our lives and that we can find good that “happens” if we just look for it.
In the past couple of days, some small good things have happened for me. On Thursday I finally made it out on another trail ride with my riding partners from the barn, and I had a fabulous time! The weather was perfect, there were no bugs, and no monsters jumped out at us. You could hear the tree frogs as we rode along, going in and out of the woods on trails so familiar. We walked, trotted and cantered for over an hour and arrived back at the barn just as dark was falling. It is such a cool feeling to ride up the driveway to the welcoming lights in the barn and then to look out at the twilight sky from atop the farm hill. That night it was a spectacular red.
This afternoon I ran up to Central Lake to take in an art fair (a rather sad little affair with very few vendors and only one painter), but I did have the opportunity to chat with one of the arts council members who invited me to display one of my paintings in a local bank. I also voiced my regret that there weren’t more opportunities for art shows for the artist members and a desire to have a meet and greet event for artists to get to know one another. She agreed and said she would bring both matters up at a future board meeting.
Both coming and going from the art fair, I took some side roads I’ve never been on and did a photo shoot. I was particularly looking for cows; dairy cows; and did find one herd although they turned out to be steers. Oh, well; with some artistic license, they can easily be morphed into cows.
Here are just a few of the photos I took today.

There was a long row of these sunflowers on both sides of the road at one spot where there is a very neat and prosperous looking farm.

Here are my Holstein “cows”. I had the iso speed way too high so the photo is washed out, but I corrected that later.

At the very top of a hill on this road, I spotted this spectacular view. The nearest blue patch is Torch Lake, and beyond it is East Grand Traverse Bay and beyond it is Old Mission Peninsula (for those of you who are familiar with this area).

This horse lives on a farm on my way to Bellaire. I’ve long wanted to stop and shoot some photos of him. He looks to be an aged Thoroughbred, but I’m not sure.

Around the corner from this horse, on a new road, I found this wonderful stone house. I’m sure it’s being lived in because it is so well kept.

These two horses live around the corner and up the road from me. They are two older Arabs.

When I stopped to take a photo of the bull below, I noticed how much color is in this maple tree. It won’t be long before there’s a lot more showing in all the trees.

This bull lives on my road. As I went by him, he reminded me of Ferdinand, the bull who preferred to smell the flowers in the field rather than fight in the bull ring. He looks so peaceful and content with a wave of his tail every now and then. Take it from me, this bull is HUGE though! One of these days I’ll capture him when he’s standing up.
Well, not literally of course!
©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.
09-09-09
Visually pleasing.
A post today is a must even if it means not posting the finished portrait.
Here it is nearing completion.

Bridle still to do and all sorts of fun fiddly bits
Will tackle all that tomorrow.
Off to mow the lawn while the girls play and the sun lasts!
©Copyright 2009 by Sheona Hamilton-Grant. See original post here.
To learn more about this artist, visit her website.




I’m starting to feel that my life (and this blog) are in slow rotation mode. It takes a while for me to come full circle, but here we are again, so if you have been following this blog for a while, and it seems like I’m starting to repeat myself, you’re correct! This came to my attention last week when I was chatting with another boarder at the stables. I mentioned I was heading off to get some photos at “working cowboy camp” at the Clearwater ranch and my friend remarked that he remembered that from last year’s blog photos. Right.
Ditto with my grandson Mark being off school and coming to “camp Grandma” for weekdays during the summer holidays. Been there before, done that (for a few years now) and here we go again. This year his mother seems to feel we need to spend at least the occasional moment in edifying pursuits, so she has given us an on-going set of photography and Photoshop assignments to apply ourselves to. Daily!! We have made it through day 1 but I can already sense that this may be challenging for us to accomplish, given that most summers we just kind of drift through our days, happily busy but not necessarily fruitfully occupied. We’ll see how it all pans out over time.
The theory here is that Mark will take a “theme” photo and do something with it in Photoshop every day that he is here (which in the end adds up to a fair number of days, even subtracting the ones where he is off adventuring and holidaying with his parents). I get to do the Photoshop instruction, which means it will be a learning experience for me as well, since I’ll have to think a bit harder about how to explain the process, rather than just poking away the way I do when I’m working on my own. Assuming we survive the process, I’m sure we’ll both be better individuals at the end of the summer. Right.
On to the photo collection from this past week. Shot number one is one that hasn’t been part of my summer rotation in the past, but that I hope will become one in the future. Mable Elliott wanted some shots of her horses and her place for promotional purposes, and I headed out there on Thursday morning, a nice sunny and quite breezy day, pretty well ideal for our purposes. I had only ever been to Mable’s when it was cold and not yet snowy, and really cold and snowy, so it was a wonderful treat to be able to spend time on the photos without worrying about the pain in my hands and my prospects of survival in general. She has a terrific collection of large willow trees all over the “core” area around the house and barns, and I liked this shot of a couple of the geldings pausing for a drink in the shade. This one has been enhanced with filters and various other Photoshop effects.
Shot two shows grandson Mark atop Mount Mulch, which is chopped tree prunings that can be purchased cheaply and in large amounts from a local tree trimming company. The only problem is I am the one (with a bit of help from Mark) who gets to distribute the pile all over the front yard. I’ve been toiling intermittently for several days now and while the pile is somewhat diminished, there’s still an awful lot of it in the driveway. To get an idea of the height of the pile, Mark is now a little taller than me, and I’m 5′5″. Sorry, I grew up here pre-metric so am not sure what that is in meters. Tall for a mulch pile, at any rate.
Shot three is one of the many lovely yellow roses in bloom in the front yard. I’ve always loved the yellow ones that I’ve seen all over the city for many years, and last year I finally figured out what they are and bought one. It got through the very tough winter in good style and is absolutely covered in blooms at the moment.
Shot four is a very typical one from any gathering of western-style horses. I got this at the Clearwater place, and sadly it is one of the few from that shoot. By the time I got down there in late morning on Saturday, it was chilly and very overcast, with a big wind blowing. In the interests of the instructors actually being heard by those who were there to learn, they had moved the remaining Saturday events into the indoor arena, where the lighting is not conducive to photography. This was a big disappointment for me as this is one of my favourite photo ops of the year. Of course Sunday was lovely and doubtless they were all having a heck of a good time working outside then, but it wasn’t a day that I could make it down there. Oh well, maybe next year!!
The final shot is from a series I did later on Saturday afternoon. I was moving mulch around and feeling generally that I had been short-changed in the photo department that day, when my friend who does wildlife rehabilitation phoned to see if I wanted to pop over to her place and get some shots of her current residents. This is something I love doing (and did last year too, around the same time of year, to stick to our theme of recurring events) so I was only too happy to grab the camera and get over to her place. By then the skies had cleared a bit as well and we had some sun, at least intermittently. She has the usual number of baby ducks (i.e. quite a few) at various ages and stages of development, plus a number of small mammals, including a *very* young skunk and tiny rabbit, which have to be bottle-fed every two hours night and day. People who take on this sort of responsibility are truly dedicated! The young raccoon featured in shot five was having a wonderful time exploring the possibilities of the back yard, which include this great water feature. She skittered all over the place, all the while vocalizing in a truly appealing fashion. I don’t look on the increasing local raccoon population with a lot of enthusiasm as I know how tough they can be on the domestic pet population once they get ensconced in the city, but darn it they are cute when they are little, and they also have their place in the larger scheme of things, so as with everything we all need to adapt and learn some tolerance.
©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.
Blue Cooler
8″ x 10″ on Prepped Panel
The only painting I worked on this Monday (May 4) was Blue Cooler, but I made very good progress on it and blocked in the entire dead layer during the afternoon.
I confess that it was nowhere near a finished dead layer because I hurried through the last part of it in order to get it done before taking a break. But there was a very good foundation at the end of the working day and, considering the day as a whole, I was pleased with the work.
I had hoped to finish it on Tuesday, but it has turned wet and humid here in Kansas and that stretches out the drying process quite a bit. When I took this photograph on Wednesday, the blanket was still too wet to work with, so this painting will probably not see further work until next week.
That’s all right, though, because then I’ll be able to work on it with a fresh eye.
You’ll notice I added a blaze to the horse. I wanted to repeat the lighter values elsewhere in the painting and also wanted something to balance the blanket a little bit better. I may still widen the blaze to improve the balance and further define the horse’s head, which is quite dark.
But since the focus of this composition is the drapery and specifically that area where the folds come together, that’s where I’ll be putting most of my attention in the next painting session.
Next: Next week, finish the dead layer
©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.
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Ah, springtime in Saskatchewan! Poked the radio on as per usual this morning before I got my eyes fully opened, to be greeted by a litany of dire weather-related conditions from freezing rain in the southwest to heavy snowfall warnings in the north of the province, with us folks in between getting a mixture of both, all accompanied by high winds. Made me glad that it was Alpac’s day off and the one day a week I don’t go out to the barn, so highway travel wasn’t in my plans for today. Mind you, if it had been a riding day I *would* have gone anyway. That’s what snow tires are for. Looking out the studio windows as I type this, I see it has started snowing again, in a half-hearted sort of way.
Not to be deterred by any of this, I have been buying bulbs and corms of flowering plants for our future enjoyment. I like starting my own as container flowers, and my studio is an excellent place to do this, situated as it is on top of the house with large south-facing windows that get lots of light, when there is light to be had, at any rate. Seems to me this has been a “darker” than normal winter with fewer sunny days than we can generally expect. My great discovery this year was that my grandson Mark not only is willing to help with the planting, he actually enjoys it and is very capable. In the end, I was functioning mostly as supervisor, suggesting proportions of potting soil and peat moss for him to mix up, and he did all the dirty and heavy work while I had the fun of playing with the label maker to identify which bulbs were in which pots. That’s an organizational detail I’ve neglected in previous years, much to my ultimate confusion, so knowing exactly what is in each pot will be a bonus.
Seems to me the freesias never grow anyway no matter what I do, but at least I’ll know which pot they “should” be growing out of. The others that we got potted up over the past couple of weekends are a variety of canna lilies, an ongoing favourite of mine for their size and drama, and a bunch of gladioli of various colors. The Gardenscape show is on this weekend at the Exhibition grounds here, so doubtless we will come home from that with many new ambitions and possibly some new plants as well. We dearly need the hope that thoughts of gardening bring, since March and April, while spring elsewhere, are still late winter here and we are feeling a tad desperate.
Today’s photos bring us a mix of seasons. I was “up top” at the stables last week, where the school horses live, lurking with the camera to get a shot of a young client with his school pony, as per his mother’s request. Once I had accomplished that, I realized that Terry (husband of my riding instructor and starter of all the young home-bred Ebon horses) was harnessing up a team of horses to drive with my favorite red sleigh. It was a pretty nice day and I wasn’t in any sort of rush to get home, so I waited until they emerged from the barn, harnessed and ready to be hooked to the sleigh. After quite a bit of jockeying around, Terry and Clayton (our young barn manager) got the team ready to roll, at which point the young Warmblood of the pair decided he’d had it with being immobile, and had a bit of a meltdown. Notice the calm with which Terry just holds the reins and waits for the storm to blow over. The youngster had a couple of go-rounds before he was willing to settle and move forward, so I got an interesting series of shots. The horse person in me likes everything to go calmly and smoothly, but the photographer part of my make-up is quite happy with the naughty moments. Shot two shows them steaming along nicely north of the stables, all as it should be and everyone co-operating well.
Shot number three is one I took of the rails for the jumps, in storage until this summer’s show season. Doubtless the paint will have to be touched up yet again before they are put into use. Keeping jump elements in shape and looking good is just one of the endless number of chores to be done at the stable. I liked the mix of colors here, and the pattern of the rail-ends.
On to the opposite side of our present coin for shots four and five. I’ve been rooting around in the photo files of the last year and realized I had a whole lot of polo shots, most of which were quite nice. I sent off an email to my contact for the local players, and as a result am putting together a CD for them rather than deleting the shots, which was my initial thought but which would have been a shame. It was nice to spend some time going over these shots and seeing green(ish) grass, riders with bare arms, and the sheen of sweat on the hard-working and fit horses. As I recall, it was quite hot most of the days that I made it out to get shots last year.
The final two photos are from last summer, and illustrate two of the features I enjoy about the polo shoots. One is the up-close-and-personal nature of the tight-crop shots I can get when the play comes close to where I am located, and the other is the neat phenomenon that happens occasionally of two horses galloping side by side in synchronized strides. Not an everyday occurance, but it does happen and always makes the photos extra special to me.
Just noticed a couple of dark forms swooping by outside the window, which I believe are crows, back from their winter sojourn in more southern latitudes, and I have also seen the first of the returning Canada Geese this past week, so spring is coming, snow or no snow.
©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

I didn’t really want to write a downer of a blog post, but how can one let the passing of the last parent, particularly a mother, go by without some acknowledgment?
As I mentioned in my last post, my 94 year old mother survived her surgery. Unfortunately, she developed pneumonia and went downhill fast from there. The wonderful doctors and nurses at University Hospitals in Ann Arbor managed to keep her alive until my two sisters arrived from out of state, and then we said our goodbyes and let her go.
I won’t dwell on any of the sad stuff, partly because the reality of our loss has yet to really sink in. Instead, wonderful memories are resurfacing as I go through her photos and think back to my childhood and young adulthood. The strained relationship I had with my parents is now ancient history and best forgotten for there is much good to remember and celebrate about my parents.
My mother kept me in endless drawing paper as a kid by bringing home scrap paper from her office job. When I began to explore oil paints, she cut up old window shades for me to paint on and as I got older, I was allowed to buy some real art supplies: pastels, colored inks, real drawing paper, drawing pencils and pens and brushes and watercolors.
My dad took me for my first pony ride when I was about eight, and sometime after that, my mother took me to the old fairgrounds for my first ride on a real horse. The horse was black, and her name was Patsy, and she was VERY TALL! I was both terrified and thrilled at the same time!
When I was about ten, my parents paid for riding lessons every Saturday and did so for the next three years. My mother was even brave enough to go riding with me once although she really had no interest in horses.
When I was twelve, I was allowed to buy my first horse with my own money, and my parents paid the board bills and other expenses for the brief time that I owned Willie. Years later, when I bought my second horse, my parents offered to help with his expenses if I wasn’t able to manage them myself. They knew just how much horses meant to me and how important it was to have them in my life again after a thirty year absence.
Without doubt, the most generous, loving thing they ever did for me came after the death of my first husband when I was just 23 years old. They were on sabbatical in Seoul Korea at the time and paid for me to join them during their final months abroad. On the way home, we travelled to many exotic countries, and although I was deep in mourning, it was a trip of a lifetime and one that probably changed my whole outlook on the world.
I’ll never know how much it cost my parents for those riding lessons, the board bills and that trip around the world because they never brought it up. But, it had to be considerable.
Having raised two young daughters alone during the Depression, my mother had the very strong opinion that any young girl must prepare herself to earn a living if need be at some time in the future. Art school was discouraged when I graduated from high school as too impractical, so I studied English Literature in college instead. I’m not sure it was any more practical, but at least it met with parental approval.
When I went back to school to study art twenty years later, my parents couldn’t have been more supportive or proud. My mother was proud to show off her daughter’s paintings to every visitor after she moved into the retirement home, even after she lost her sight and could no longer see them herself.
Among the many gifts my mother gave me, the most important of them were strength of character, consideration for others, self sacrifice, silly humor and how to give parental love.
Thanks for Everything, Mom.
©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.
I will be in and out for the next few days. To add to an already bloated schedule, the heaven on earth place that I have called “home” for the horses for almost seven years now has been sold. The fellow purchasing it is expressly using it for deer hunting. After considering the options, I decided to relocate for the winter with hopes of being able to return during the non-lethal seasons. I will be going from 389 acres of riding to ten. Ouch. I will have a barn to use, running water, electricity, a paved road, a real fence, all the modern conveniences. For the winter it will be so much easier, if less hidden and spiritual.
On the day the sale was to be finalized, the old mule, John, laid down and decided he was staying. I spent Sunday morning burying him. I was extremely thankful he was a small mule, since my back hoe was elsewhere and all I had was a shovel and a spade (and determination). There is enough about John for a full article, so I will just mention his passing for now and give him a better eulogy later. His owners had wanted him to be able to stay with the place and die there, and for probably the only time in his life, he obeyed their wish.
For the last two days I have been pulling up my electric fences. My hands are full of fiberglass and so are my gloves, so it seems I just have to endure.
Today I will be moving the corral gates and the things that need two people. Best bud, Norene, bless her heart, offered her afternoon to help. I offered to help her scope out a trail at her place tomorrow for the saddle club ride Sunday at her place. Not the fairest trade, but I will live with it until I can do better.
I will have the horses moved by the time shotgun season opens the first weekend in December. In the meantime, the weather is co-operating and I should be able to make an easy transition to the new location. The biggest chore is getting 34 large bales of hay moved and the back hoe home. Another good friend, Ron Collier, of the Moravia Mule Company is helping with the large items. Be sure to check out his website at MoraviaMule.com.
New GIVEAWAY tomorrow! Come back soon!
©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.
Another dreary wet and overcast day. Nothing really fun again that could be done with the horses that did not involve ankle deep mud. I took the warm mash of beet pulp, alfalfa cubes and senior feed to the old mule, John, and Lil’ Bit in the west pasture. They were waiting for me tonight. The last couple of nights, John had decided I needed more exercise and I should trudge up and down the pasture hill in search of him. At nearly 40 years of age, his hearing has pretty well left him, and calling for him makes me feel like I am doing something other than trudging, but little else.
While they munched. I drove back up to the main pasture to see how well the horses that were in on the clicker game remembered. I filled my feed bucket and put five piles of grain out to discourage the bully horses from being interested in what the others were doing.
Cirrus paid no attention to the piles of grain and followed me up to the gate where we had played before. As the star pupil, he was ready and eager to have another go. He was reaching for the cone before I could get a good purchase on the bottom to present it. He had certainly not lost any of what he had learned the night before. Reo joined him as star pupil #2. He also had no hesitation with touching the cone to get a click and some grain. Since Cirrus was so far ahead with his understanding, I upped the anty on him. He had to touch the top of the cone and only the top of the cone to get the click and grain. No problem. One time he took the top of the cone in his lips. I clicked. Now the only time he gets a click is when he puts the top of the cone in his mouth. Only a couple of fumbles, and he is 100%. Reo is not as orally fixated as Cirrus, so it took him a while longer to go from only the top of the cone to lipping it. I would wait until he was at the top and made any wiggle movement with his lips near the cone, ever so slight, and he started to understand what I wanted and his upper lip got busier. Nimbus finally joined us. He was hesitant, as though he was not certain this still would work. He had a couple of long thinking spells, looking at the cone and not moving. He finally touched it. While he was slower getting the concept to begin with, once I asked him for just the top, I got just the top and the “put it in the mouth” all at once and consistently. I believe he watches and learns from the other horses (which studies have proven does happen).
The reason I am wanting them to put the cone in their mouth, is in a few days, I want them to pick it up from the ground and hand it to me. Then we can pick up other objects – like my hat when it gets knocked off on a ride. I need to read further in the book to be sure I am not out thinking myself on where I want to go. I have been teaching these three to bow onto one knee. Reo at 16.2 will be much easier to get on and off with that particular talent. I may add the clicker to what they already know about bowing and see if it increases the learning curve. Cirrus is the top pupil there as well. Nimbus seems to take longer initially and then jump ahead several steps. Reo is steady, easy, and takes it all in a steady flow.
The two alpha horses never offered to come up at all. Little MeToo stood at a respectful distance just outside the group and watched the entire time. She never came forward and asked for or demanded any grain. Tomorrow night, if she comes to watch again, I will invite her into the game. There was no fighting or quarreling again tonight and everyone took their honest turn and did not reach for grain they had not “earned.” When the grain was gone and I picked the bucket up to leave though, they all glared at each other, snorted “back off”, “so’s your mother”, and “I never liked you!” and scattered.
Posted in Uncategorized Tagged: clicker training, horses

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.
I know many of you have been waiting for this one, and I’m pleased to present it to you in its finished state. Called “High Summer”, it is a 24 x 30 oil. And I am very pleased to call this one of my own. In line with the series I’m working on, the horses are in there, but not so obvious to the viewer on first impact. First, the structure and sense of place come to you.
Howard Pyle, the recognized “Father of American Illustration”, used to say to his students at the Brandywine School in Delaware, “Thirty minutes, thirty yards.” What he meant by that is the design structure of the painting needs to be done early enough in the painting process that it holds up throughout, and strongly enough to catch the viewer’s eye from across the room, drawing him or her to the surface where details and brushwork and subtle colorations can continue to interest. I am striving for that goal, and with this series am truly seeing it happen. Below is a closeup of the focal point, which is NOT the strongest color, contrast or texture in the work. But doesn’t your eye go there only after the first “oh my” when you see the painting? If it did happen that way, then I was successful.

Sorry about the glare on the smaller image–it’s after dark now and my lighting isn’t the best.
Congratulations to Dawn Burdine of College Station, Texas, on acquiring “Sunrise Aspens” directly from me after a lovely tea here in the studio today. She and her husband are out visiting family, and came by to see the studio. What a wonderful world of artists we are!
You can see my entire blog here.
Color System information can be found HERE.
If you need to email me directly, please click here.
©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.
I received my comp copies of the latest book I illustrated for Storey Publications. Check it out!
Hardworking and intelligent, draft horses and mules provide clean-energy power for an impressive array of tasks. Cultivate farmland, haul logs, give tourists quiet rides through historic neighborhoods, pack into the wilderness, or simply enjoy sunny drives through the countryside — draft horses and mules love to work, and they bring their strength and endurance to every job. This complete guide is all you need to learn how to select, train, feed, care for, and work with these impressive animals.
For more information or to order: Click here
Posted in Uncategorized Tagged: book, draft horses, illustration, mules
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©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.
“Looking”, 8×8 Acrylic
“Tidbit” 6×7.5, acrylic.
©Copyright 2008 by Sue E. Kroll. See original post here.
To learn more about this artist, visit Sue E. Kroll’s website.
The small horses in this picture are Morgans, of a normal size. I’ve stood next to them! Then there are the big, guys, they make the others look like midgets!
This horse herd is just down the road from us, I love to stop and take photos of this bunch.
Donna Ridgway
©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.
I’ve been playing in the Oil paint, as well as the Graphite and Watercolors. The Studio has been a very busy place lately. With two easels constantly dawning a canvas, A large drawing table with several Watercolors and the Graphites on it, another, smaller, drawing table holding a light box to help with those images that are too dark and a framing table full of the Graphites that need to be sprayed with a fixative and packaged and then there is the packages with sold art in them, being carefully wrapped and ready to send on their merry way to their new home. It’s amazing I get anything done at all in there! It really is kinda messy in there. It seems there is a ‘pile’ on every flat surface. But once, I had a moment of cleaning and picking up….I spent a good part of a half an hour or more….searching for what I needed! I didn’t like that much…so, I leave the piles, because I know what’s in them! I think….
This Oil painting is “Hurry up and wait”. An 11 x 14 Canvas. I rendered this painting from a Draft Horse Show I attended this past August. I loved the dark reds in these horses as they waited in the late afternoon light. I added the reflection and the bucket and the hose. If you have noticed….a lot of my paintings have been showing reflections and wet surfaces. I’m not sure what is up with all of this wet reflective surfaces, Other than it lends to a fun composition! One of these days, I’ll probably find out in my quiet time….why I am drawn to the wet, slick surfaces. But for now, I’m having fun with the subject matter!
Have a great weekend!
~Debbie
http://www.debfloodart.com
©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.
A charcoal and pastel sketch from 10/23/08. I am working on quick 30 minute sketches to challenge me to get positioning and form down quickly and efficiently. This particular pose is proving to be a personal challenge. I feel I am making progress on the body but the legs still leave much to be desired and the head could be tucked more. I am choosing difficult poses to not play safe here. I want to get out of my comfort zone since I feel being afraid to make mistakes builds huge barriers in art. By posting my ‘mistakes’ here I am breaking thru those barriers. Maybe I should rename this series The Good, The Bad and The Ugly!
Same pose, different day. I did my drawing directly on the canvas– no sketching, tracing, grids or anything like that. This is oil paint and fast becoming my medium of choice. I am also a fan of watercolors but you won’t see any watercolors this week. The position is still not quite right but the freedom I felt in working directly with the wet paint on the canvas suits me very well. I believe this is something I can develop further and is exactly why I wanted to do this project. I have felt a growth spurt coming on– may its thats because I have teen agers and am seeing growth spurts all around me!
I realized I can not grow if I don’t give myself the room to do so. This Painting a Day I believe will help to bring this on.
This is Ricco, my colt. I LOVED doing this painting. I’ve since made some small changes to the neck area, eye and the left hind leg but am in love with this painting method. You can go thru the archives and see the work in progress pics if you are interested in seeing more but again it is an oil painting with the drawing directly on the canvas. In fact I begin with a rag and just rub out big shapes and go from there. I think this was my favorite from the week. I liked the fine lines and suggestions of shapes which I love to do with watercolor incorporated in this painting.
This is a fast sketch of Ricco in the same pose. I enjoyed seeing how each piece, even with the same reference took on a life of its own while working on it. This is my second favorite of the week. I see shades of my favorite childhood artist, Sam Savitt, in this drawing. My goal was to not be overly fussy. By giving myself a short period of time in which to work I just can’t get too fussy and keep moving on.
This is a scene from my backyard. It is more a study of ‘values’ than anything else. I loved the deep contrasts between the lights and the darks. Sketching done on the canvas, freehand.
Thank you for following along. I am planning on painting a mustang next week. I also have my eye on a shire colt. Stay tuned for more!
©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.
I decided tonight when I did chores that it was the time of year to start putting the herds back together. I took old John, the mule, out of the pasture and let him eat his mush next to the truck. He is somewhere near 40, so I did not think he would appreciate the excitement of Jet Ranger’s three horses joining the herd. I gave the others, Dulci, Sophie, Cirrus and Nimbus, some grain to munch on while I walked down the fence line to where the solar charger sits and controls the fence that separates the pastures to turn it off. (I’m no) Angel was near and saw me open the gate. It did not take her long to come through and pass me. Legend and MeToo were close behind.
The two little girls stared at the intruders like they were oncoming hordes of Mongols racing to burn their village.
They stayed together and held their ground for as long as they could. One of the horde was an obvious crazy woman.

A wild and scary daughter.
And the fearsome general who commanded this oncoming charge.
There was plenty of swirling, squealing and mud flying. My “boys” took flight and were starting to panic when they spotted me. They slid to a stop on either side, hid behind me and blew snorts of warning at the confusion and introductions. It is so good to know that in a panic, they both chose to be with me as their safe place! They stayed with me until Legend tried to run the girls and they both decided to intercede on the ladies’ behalf and defend the girls. They took off at a gallop as a united front.
(If you look closely, you will see both boys. Cirrus is in the front here.) And gathered their girls back from the marauder’s clutches.
It was a short time of confusion and running and everyone settled down. I took John down to the west pasture with Reo and Bit and put him in with them for now. He will enjoy the relative quiet of these two solid citizens until I need to put everyone together when we start feeding hay and having to haul water and keep it from freezing. I dread the winter to come.
It had been overcast for most of the day. As I walked back down the lane, swinging my empty feed bucket and the dogs trotting beside me, the sun came through a break in the clouds behind me. The sudden glow of light stopped me in my tracks. Every leaf, every blade of grass, every weed head, was on fire and glowing. It painted the bean leaves in front of me and the edges of the hills and clouds in the distance. I tried to take it all in. Just as suddenly, it faded and disappeared.
I loaded the dogs and headed back to the shop to work some more and look at tonight’s photos. I really do enjoy playing the home version of National Geographic.
©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.
©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.
I had a heck of a time photographing this one in the studio tonight. I’m due for a new camera, and will be going out to look for a Canon Powershot A590 IS tomorrow. I dropped my earlier model of this handy camera while in Arizona, and I miss it.
So what’s new tonight? Details, all those details. The brushwork is still very visible, and one of the brumby horses (Apache horses) is in–the second and third one will come into the field tomorrow.
I added the broken pattern of light on the central trunk to both make it more interesting, and also to cut that dark shape into interesting values. The trio on the left stay dark in value, but have been connected to one another with the tracery of branches. This also cuts the strength of the blue water over there, too. I had to wait for these layers to dry a bit before adding the tremendous noodly-details of pine boughs and twigs on the right side, too. Compare this stage of the painting with the one from yesterday, and you’ll see the entire canvas has changed. I’ve embellished and made more interesting each area, so the eye has many places to “play”.
Working on these larger canvases is SO satisfying right now. I cannot explain the completeness I have in me when something just goes right, but these three canvases (yes, there are three now–the third 24 x 30 is coming to you later this week–in stages!) are deeply soul satisfying both to create and to enjoy. The hiatus I took from the daily paintings has come full circle now, and my work has gone to a new level of maturity. I’m very pleased with each one of these canvases’ sense of place. At least two of them will be entered in the Women Artists of the West show at the Saks Gallery in Denver this January. And I’ll probably send at least one to the Spring show for the American Academy of Equine Art. I’ll have to consider shipping costs on these bigger canvases, though.
Other news, I went on a four-hour ride using my neighbor’s endurance horse (Arab/Thoroughbred)–we covered about 12 miles but because of the terrain, would translate in endurance miles to 36 miles. Carolyn Hock is a top endurance rider, and I’m fortunate that she’s my neighbor! I’m sore today, but excited to ride with her again. Her training regimen is VERY demanding, and yet I really enjoyed it. I’m hoping she might put me on her Shagya Arabian stallion Reuben next time! Here’s what he looks like (not exactly him, but close):

And I bring my Chiron HERE next weekend! Life is exciting!
Tomorrow this painting will come to you finished, and then you can see the third one begin. I’m already to start on the fourth in the series!
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©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.