Tag Archives: horseracing

A Beautiful Day; A Great Day for Racing

Today has been incredibly beautiful. The threat of the first winter weather is past (and slightly over blown, as it turns out).

The cold north wind and sub-50 degree temperatures of the last two or three days are behind us for a little while longer.

The last of the clouds blew over this morning and we spent the afternoon hours under a pale blue sky and mild temperates. There was a bit of a wind, but then it’s Kansas and a day without wind of any kind is, well, weird! Afternoon temperatures near 70 were nice, too, but comfortable only if one was wearing a jacket or working outside.

Fall colors were especially vibrant in such brilliant light, even if they are past their prime. There are two teenage maple trees in the J. J. Krehbiel Park at the Carriage Factory Gallery. The smaller of them is on the north side of the park and is in the most glorious color right now. (See below)

The other has been showing color since we returned from our last trip to Michigan over Labor Day weekend. The color started at the top and has been gradually working its way downward with each passing day. Presently, the top is a pale, weather-worn red, similar to the faded paint on an old Farmall tractor. Below that is a brighter version of that same red with some gold and yellow-green mixed in toward the trunk of the tree. The bottom most branches and the leaves closest to the trunk are still a pale-yellow green. (See above. That’s the gallery in the red brick).

I have been looking at it today and attempting to figure out how I might paint it and what colors would be best suited. I could, I think, use pretty much every color in my paint box or pencil box and still not do it justice. The real challenge would be accurately capturing all that glorious color without making it garish.

It’s been as beautiful a couple of days in Arcadia, California as it has been in the center of the country. Just warmer.

And faster.

I’ve been checking in on the Breeder’s Cup World Championship races periodically, watching coverage by means of the race videos on the Blood-Horse.com. (Great website, by the way). I watched four of the five Friday races in one sitting last night and saw some great, overwhelming victories (Zenyatta in the Ladies Classic) and some great close finishes, as well.

Saturday’s races are not less thrilling.

The first ever Breeder’s Cup Marathon was great to see. Long distance racing is classic, to my way of thinking, and I’m glad to see it added to the Breeder’s Cup card. I love it and the Irish horse, Muhannak was perfectly placed and rated to come through in the stretch and win. Actually, having a foreign horse win at the added distance is no surprise whatsoever!

That was followed by the Turf Sprint, which was almost as opposite as two horse races can be.

Another first ever for the Breeder’s Cup, the Turf Sprint is an approximately 6-1/2 furlong, all out run from start to finish. Fourteen horses participated and, as with most turf races, the field was fairly open until the stretch, when the horses at the back of the pack charged forward and the field finished in almost as tight a group as they started.

The winner, Desert Code, came from far back in the pack and was 11th of 14 at the last turn. But he charged up the middle and stuck his head in front at almost the absolute last minute! What a charge!

And what a way in inaugerate a new race.

This is why I love horse racing!!!! The horses!

By the end of the day, I’d seen all the other races, as well. And I’d been inspired by the grace and power of what I consider to be God’s crowning animal creation.

I was also left thinking that I needed to do another horse racing painting at least. And get to a race track as soon as possible. Eureka Downs next summer, maybe?

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Horse Racing Art - Morning Dreams

Morning Dreams
16×20
Oil on Stretched Canvas

When most people think of horse racing, they think of those seconds on the track. The color and ceremony of the post parade. The clang of the starting gates being closed behind the horses and the shouts of jockeys, assistants and the starter in the seconds prior to the start. The sound and explosive energy of the start and then, of course, the race and the winner’s circle.

But that is only the final act. There is an entire ‘other’ world to horse racing that is as appealing to me as the racing itself. The barns where horses in training spend their off-track time and all the sights, sounds and smells that go with that.

Mornings (sometimes pre-dawn mornings) on the track in morning workouts, building strength, stamina, speed and discipline.

Hope is the Fountain of Youth in the Sport of Kings. The hopes of owners rest on the new foals every spring. The hopes of horsemen rest on the energy and speed of those youngsters during training. Stamina and speed in the morning inspire “morning dreams” of afternoon successes.

Morning Dreams is my most recent attempt to capture in oils the determination and focus of those early morning hours. It is set at Keeneland Racecourse in Lexington, Kentucky; my absolute favorite racing facility in the world (at least of those I’ve visited).

The morning I took the photograph that is the starting point for this painting, I spent the better part of an hour sitting in the stands watching countless horses and riders circling the track. I could have sat there all day but my sister and most frequent traveling companion was with me and wasn’t quite as enamored with the setting as I was!

I have been to Keeneland twice to watch and photograph morning work outs and each time, a painting has resulted. The quiet time between horse and rider is what captures my imagination each time. It doesn’t seem to matter whether or not there are other horses and riders on the track. There is a certain solitude that seems to envelope a pair when they are in the middle of a workout.

I still have pages of photographs from both visits, however, and expect more paintings in the future. There is just something about that place that draws my attention…

Morning Dreams is available unframed for $900 or framed for $1,100 to the first buyer. Custom framing is also available upon request.

All of my horse racing art can be seen on my web site by clicking on the links to Horse Racing Art or Michigan Harness Horse Art.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Horse Racing Art - Don’t Look Now!

Don’t Look Now
16×20
Oil on Stretched Canvas

With the Breeder’s Cup World Championships approaching (the first races are next Friday, October 24), I thought I’d get us all in the proper mood with some horse racing paintings.

I love horse racing. The colors. The sounds. The smells (if you’re close enough to the track to actually be able to smell the horses).

The action.

Horse racing is fast and furious. The horses break from the starting gate like an explosion. Races can be won or lost in the first dozen strides, even in the longer races. Or even in the first strides.

And even if you get to the lead first and early, there’s no guarantee you will stay there. You have to watch those horses that close strong, that have a powerful closing kick. It is not at all uncommon for a handful very good and very evenly matched horses to finish within yards of each other. That’s called a blanket finish.

It’s also called a whole lot of fun to watch!

But in a charge like that, if you let your guard down, if you’re not careful, you will suddenly find yourself in a crowd of rush hour traffic that will take your breath away.

And quite possibly cost you the winner’s purse.

Don’t look now! The winner just passed you!

Don’t Look Now is available unframed for $900 or framed for $1,100 to the first buyer. Custom framing is also available upon request.

All of my horse racing art can be seen on my web site by clicking on the links to Horse Racing Art or Michigan Harness Horse Art.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Saratoga Study ~ Paddock Eye, 5 x 7 Oil on Panel

Oil painting of a Thoroughbred horse in the paddock. Copyright Linda Shantz, all rights reserved.

Well, I’m not sure it’s worth the hype, but this is the piece I’ve been wanting to post for a few days. It’s been a reminder how hard it is to get a good capture of a smaller painting - one of those challenges I admit I haven’t quite figured out yet! This little painting is 5 x 7 on shellacked masonite. It has an interesting gloss to it, which of course didn’t help with the photography. I think I’ve found the scanner I’m going to order, so this will be one of the first things I test when I get it!

This painting is a quick study from a photo I took on my recent Saratoga trip. Horses’ eyes are much portrayed by equine artists, but who can blame us? They say so much. I love the slightly wild look of this horse, the anticipation of the race before him. As someone who has accompanied many horses to the paddock, I know it can be a pretty stressful place - for both horses and handlers! Getting a horse from the barn to the gate sometimes seems to take longer than the months of training that precede race day!

One day soon I’ll have to catch everyone up on some of the news I need to share, but in the meantime, this will have to do! One bit I’ll mention here - next week, the Mural Mosaic’s Le Cadeau du Cheval will be revealed at the Spruce Meadows Masters’ Tournament. It’s not looking like I’m going to make it there, unfortunately. There are more panels up on the grid now, and they’ve adjusted the colours. Unfortunately those adjustments have left my purple panel looking very black! Can’t say I’m very happy about that, but on the plus side, my neighbour has been revealed - none other than a painting of William Shatner, Canadian icon. While I grew up with brothers addicted to Star Trek, my personal affection is for his “covers” of some popular songs, and the work he’s done with Ben Folds (surprise, surprise!). If you get the chance, look for So In Love (with Ben Folds) or his cover of Common People. Too funny!

Okay, time to go feed the “kids!”

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Curlin, 6 x 8 Oil on Raymar Linen Panel

Oil painting of Curlin copyright Linda Shantz, all rights reserved.
This week’s been a blur - I couldn’t tell you where the time has gone. I’ve got a couple of recently finished paintings to show off, and this is just one of them. This is the little oil I started the day Curlin won the Dubai World Cup. The big horse hit a bit of a snag in his first turf race a little while ago, but I think after the way he’s been romping in his last few starts, we just kept expecting him to keep on rolling – dirt, turf, whatever – kind of like another Big Red Machine a few decades ago. Like pretty much everything you see around here, this little painting is for sale, so don’t be afraid to email me if you’re interested. I’ll be getting it framed next time I visit the framer!

This weekend I’ve got a whirlwind roadtrip planned. I’m meeting my friend, photographer Juliet Harrison, in none other than Saratoga. Rest assured we’ll both have a few hundred photos to sort through after our visit to the Spa! Stay tuned!

I’ll have some news on upcoming shows next week, as well as an announcement about a new project I’ve been working on. Could be kind of busy around here!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

The Tuesday Report

Painting in progress of Thoroughbred race horse by Linda Shantz
Remember when the Mercer Report used to be called The Monday Report? Or was it the Tuesday Report? And I think it’s really now called the Rick Mercer Report. Anyway, if you don’t know who Rick Mercer is, none of this means anything to you!

Today was a big day! I actually finished the Mural Mosaic panel. I need to write up my blurb that goes along with the painting, and then it will be placed in the grid on the official site. When I have the blurb written, I’ll post the panel here as well. It still needs to be signed and photographed before I send it on its way. I was looking at flights to Calgary for the first week of September today. Not sure yet if that’s going to happen!

I also more or less finished one of the smaller paintings that has been kicking around. This little oil is 6 x 8, on Raymar linen panel. I have a couple of touch-ups to do before I sign it, but nothing major. The name took a lot of thought: “Dark Bay on the Curragh.” How’s that for brilliance? I reserve the right to change that!

Oil painting in progress of horses racing by Linda Shantz
I’m running out of time on my self-imposed deadline for Mike Fox. Tonight I continued to work on the colour. At this stage I’m only using a limited palette; I’ll juice it up a bit with the next layer. The white of the riders’ breeches and silks is still wet, so I’m not going to go back and work on them until those areas are dry.

Till next time!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Brought to You by the Colour Green

Painting of horse race in progress, by Linda Shantz
Apparently I’m on a green kick this week. Could my purple avoidance get any worse?

Look what I finally dusted off today! The painting formerly known as ‘Backstretch’ and later renamed “First Time Past” (current working title). Lots of different greens in this one, and like the Mike Fox painting, I’ve been blocking in colour over the underpainting. recently, having worked on paintings with a detailed underpainting as well as one without (Eccentric), I’m reminded just how much simpler it makes things to have that tonal roadmap. I was able to make a lot of progress, quickly.

I’m also enjoying the Artfix linen with this piece. When I started this one, I didn’t think we were going to be friends! I really did contemplate locking it in the closet on several occasions. It was worth those early “fights” I’ve decided. Guess I’m going to have to buy more!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

The Horse Gift, another update

The background is now filled in and dry. Everything ready to start on the main subjects.

So far, I have used only three colors and white. Cobalt blue, alizarin crimson and a touch of burnt sienna to gray down the intensity of the other two.

Ruffian - Le Cadeau du Cheval panel in progress

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Oaks Day!

Jockey on race horse

This must be some kind of record for me - today was the first time this year that I got to the races. It was hot and humid today for the Canadian Oaks, with favoured Ginger Brew coming through to win it.

Ginger Brew winning the Canadian Oaks

And now, the Queen’s Plate is just two weeks away. Before I know it, it’ll be time for Saratoga!

The 40D did all the work today, so all I’m going to do is post a few photos. At the top is my artsy shot for the day. Next we have the winning filly at the wire, and below is the first time past the grandstand. I just love the late afternoon light in this one. Guess tomorrow it’s time to get back to painting!

Canadian Oaks

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

The Horse Gift Panel Update

Underpainting done and dry. Next will be the background clouds. I am in hopes that I can have those blocked in before Monday.

Le Cadeau du Cheval mural panel in progress - Bethany Caskey


©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Resurfacing

I haven’t managed to do much painting these last few weeks. It’s a combination of being busy with the horses and other art stuff, not to mention the income tax deadline and quarterly GST filing! Things have dried up more or less, so it’s time to think about fixing some fencing and putting up some new paddocks.

When I’m not painting I’m always doing other art-related things. This is the time of year there are a number of juried shows coming up, and I’m deciding which ones I might enter, as well as what will go where. I was recently accepted into a show in Ohio at Dancing Horse Farm, and shipped the work a couple of weeks ago. Be sure to take a look at an online display of the exhibit. The three paintings that were accepted have been posted here on the blog in the past, but in light of the show, I’ll post one of them again. The snow may be gone, but there are babies everywhere this time of year. This one I called “Snowbaby,” a small oil pastel on panel.

There’s a new project coming up that I’ll be letting you in on shortly. In the meantime, I have some work in progress that is no doubt dry, so it’s time to get back to it!

©Copyright 2008 by Linda Shantz. See original post here.

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