Tag Archives: horse portrait

Favorite Artist - Ann Garlough

Today’s artist is also a good friend, Ann Garlough from Fort Worth, Texas.

Ann has been painting beautiful horse portraits for more than thirty years. Her portraits are well known and well received among Western art lovers throughout the world. She has also developed a special following among Appaloosa horse owners.

But she also paints canine portraits, landscapes and small format art with equal confidence.

Her Story Teller Series is based on the philosophy that the best artwork is not only beautiful, it tells a story. King of His Domain (shown above) is only the first in that series.

Ann also has an interest in artists materials equal to her interest in and love of painting. She is the artist who introduced me to Artfix Belgian linen and Raphael linen, as well as providing information on the finer points of canvas stretching, light fastness in pigments and a world of technical knowledge that I had previously not been acquainted with.

Ann does a few shows each year, including the Appaloosa World Show.

If you have the time today to enjoy some beautiful paintings, visit Ann’s web site. You might also be interested in signing up for her studio E-letter to find out where she will be in so you can see her work in person.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Bard; Toning Down The Red


An email to my client did confirm that I’d gotten Bard a little too red. So, I let him dry a good long time and got back to work today.

My first attempt at correcting his color wasn’t successful. Naples Yellow is too light. After wiping that off, I tried another mix of Yellow Ochre and Naples Yellow. I scumbled this mixture over his whole head and ears. It did tone down the red but also flattened the image, taking away some of the contrast, but since I need to paint another layer over this one to make some other corrections, that will be fixed later.

Then I decided that it would be best to scumble over the neck and shoulder with the redder mix so that the two areas would blend better. That worked out quite well, and now he no longer looks like a horse with a badly sunburned face! His color needs to be corrected further, and for that I think a trip to the barn, with canvas in hand, is in order. When I compare the painting to Bard “in the flesh”, I will be better able to tell how to correct the color to get it to match more accurately.

©Copyright 2008 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit Karen Baker Thumm’s website.

Return of The Peppermint Kid


Now that the book work is again caught up, I’m getting back to work on Bard’s portrait.

A few weeks ago, you may remember, that I painted the background in greens, blues and yellows. After living with it a while, I realized that the background color was too intense and was competing with the horse for attention. What to do?? Remembering that the way to dull down a color is to mix some of its opposite into it, I decided to use cadmium orange to do the job. The opposite of green on the color wheel is red, but I didn’t want to turn the green any darker and thought that orange might be a good compromise. It worked like a charm! After painting Cad orange over the whole background, I took a rag and wiped off all but a very thin coating. Voila! The background was put in its place, and Bard was again the center of attention as he should be.

Yesterday I began the main layer of color on Bard and managed to finish his face except for his eye. Bard is a lighter sorrel than my horse, Scottie, and I tried not to get him too red since I knew that Scottie’s color would be very much in my mind. Unfortunately, I think I did anyway. My husband had taken the laptop with him for the weekend, so I couldn’t set it up next to the easel while I painted. Instead, I had to run back and forth between the big computer down the hall and the painting, looking for details and the correct color. Not the best of working situations by any means, so next time I’ll print out a few of the photos to use at the easel if I don’t have the laptop to use.

As usually happens to all us artists, today I can see several changes and corrections to be made, so after this layer of paint is dry enough, I’ll go back and make all the corrections and make Bard’s head less red by glazing some Naples Yellow over it. That should do the job.

In the meantime, you can see that his head now looks more substantial than the rest of him as the paint is built up. I’ll move on to his neck and shoulder for now and hope I can match the two areas later.

Bard has been in the works for a very long time now, and I’m anxious to get him finished up and to his owner before another holiday rolls around.

On another subject, I cannot let this day go by without recalling that it was 19 years ago today that I bought Scottie, my second and most beloved horse. He was a dream come true and came along at just the right time in my life to help pull me out of a very dark time. I truly owe him my life, and he has brought untold happiness to me ever since.

©Copyright 2008 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit Karen Baker Thumm’s website.

Return of the Muse

Painting of a running Thoroughbred in a pasture copyright Linda Shantz, all rights reserved.
I finally put that final bit of work I needed to finish up this painting the other night. The Studio Tour is coming up, as is one of our local Campbellville shows, so I’ve been working hard to complete some of those pieces that are nearly done.

My working title for this piece has been “Emerging,” which just might stick. This is 24 x 20 oil on canvas. And just in case you missed the earlier posts of this piece in progress, the model is the infamous Monster, my own Thoroughbred mare. I believe she was a four-year-old at the time I took the photos I used for reference on this piece. This is quintessential Monster for sure - since she was a baby, she’s had this knack for boldly galloping straight at you. It’s made for some interesting photo shoots! Can you say, chicken? Maybe that’s what I should call the painting!

With September almost here, I’m seeing similar light in the mornings these days. As much as I’m not looking forward to a return of the colder weather, I just love this light this time of year - it creates interesting shadows and contrast which makes for dramatic paintings.

I finished another painting tonight. I’ll save that one for another day!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

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