Click on this link to see the great press copy for my upcoming show!
©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.
EXHIBITION NEWS!
http://www.carriehaddadgallery.com/index.cfm?method=Photography.Upcoming
I have been invited, along with 5 other photographers, to participate in an exhibit of Fine Art Photography dedicated to the Equine at the newly opened Carrie Haddad Photographs gallery in Hudson. New York. Long known for her support of photographers, Carrie Haddad, owner of the Carrie Haddad Gallery has opened a space specifically for Fine Art Photography at 318 Warren Street in Hudson, New York. Opening January 22nd, the gallery will be host to equine work from local and international photographers; Tim Flach, David Seiler, Ida Weygandt, Christopher Makos, Paul Solberg and myself. Join me if you can, for the Reception on January 24th from 6 to 8pm. I hope to see some of you there, so I can show you some of my newest work.
©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.
I am thrilled to announce my participation in the 2008 World of Small & Miniature Art exhibit at the Carriage Factory Gallery right here in Newton.
The exhibit opens Saturday, November 29 and features small and miniature works of art from around the world.
Works have been received from such far away places as England, Australia, Belgium and Iran.
Artists from across the United States are also participating, with works from Minnesota, New York, California, Florida, Texas and Ohio, to name just a few.
Mediums are as varied as the countries of origin and range from exquisite watercolors on camel bone to a pair of stunning landscapes in gouache.
This annual exhibit puts the spotlight on original artwork that measures no more than 35 square inches for two-dimensional work and eight inches for three-dimensional work.
This year’s show features over 50 individual pieces of artwork ranging in size from 1-1/2” x 2” to 5” x 7” inches, as well as several art trading card sized paintings in a variety of media.
My contributions to this exhibit are the ACEO Morgan portrait (shown above), a 3-1/2″ by 2-1/2″ portrait painted in the classical style on gessoed mat board and North by Northeast, a 2-1/2″ by 7″ miniature oil painting, also on gessoed mat board but painted in a more direct style.
The miniature show closes on Tuesday, December 23. An opening will be held all day Saturday, December 6, 2008.
For information on any of this event, visit the Carriage Factory Gallery’s web site.
©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.
It has been a busy couple of days. I am looking forward to Thanksgiving and some quiet time with Neal.
Monday, I worked on the two largest paintings currently on my easel. Both of them, Guienne Hanover, a portrait, and Dinner With Friends are in the under painting phase and, if they were in the same place, I could move easily from one to the other. But the portrait is at home and Dinner With Friends is at the gallery, where I work on it before and after class on Mondays and after work whenever possible.
Those are the tremendous (in size) paintings mentioned in the title of this post.
The tiny paintings (and one sculpture) are the small format works and miniature works currently being installed at the Carriage Factory Gallery. The small format portion of the show is shown here.
It is quite a challenge to install so many (53) small format and miniature works in an eye-catching manner. I won’t know until I return to the gallery this morning if the installation process is complete, but that’s the way it usually goes. I guess you could say the exhibit is currently in ‘rough draft’!
The smallest piece for this year’s show is a 1-7/8 inch by 1-1/2 inch graphite drawing of a Mustang detail. Mustang, as in Classic. I’m guessing a 1969 or older, though I’ll have to check my references to know for sure.
The most unusual pieces are a pair of exquisite watercolors painted in intricate detail on camel bone by an Iranian artist and a sculpture of a spider created from found materials. The spider also represents our first sculpture for this exhibit series.
The World of Small & Miniature Art show is one of the gallery’s most popular exhibits. It’s a lot of fun to watch people viewing the exhibit, too, though I think I may have to provide a couple of magnifying glasses for this one. The average size of the paintings is getting smaller, it seems.
Or maybe I just need to get better glasses. Egad!
I’ll be officially launching the web site for this exhibit on Saturday and will post a link here, so be watching for that.
If you happen to enjoy painting or sculpting in miniature and would like more information on the 2009 World of Small & Miniature Art, send me an email at the gallery at director@carriagefactoryartgallery.com.
Or you can email me personally and I’ll forward the request…
…to myself!
Thanks for reading and best wishes.
©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.
One of the best things about being a gallery director is managing incoming exhibits. Every new exhibit is like Christmas for me. New works to see and enjoy. New visual gifts to open.
From November 4 through November 15, every day will be like Christmas as I unwrap the 2008 World of Small & Miniature Art show, scheduled to open Saturday, November 29, 2008 at the Carriage Factory Gallery.
And this year, Christmas has a truly international flavor. Roughly half of the entries received so far are from overseas and represent three continents.
Entries have also been received from Ohio, Texas and, yes, right here in Kansas.
Every delivery from FedEx, UPS, DHL and the USPS brings a welcome surprise these days. Even at this very early stage, it’s looking like an excellent show. I will be announcing when it goes live on line, so be watching for that. You won’t want to miss it.
And of course if you happen to be passing through Newton between November 29 and December 24, you’re more than welcome to stop in and see the exhibit in person.
I will be entering this year’s exhibit, as well, but have yet to make the final determination on which pieces will make that journey. The ACEO Morgan Portrait shown here is currently at the top of the list and is going to the gallery today. But it’s companion piece?
Ah, that’s the question!
One not-quite-finished piece is my favorite, but whether or not it gets to the show will depend on whether or not it is dry enough to frame for display when the time comes.
The ACEO portrait of Lockkeeper in colored pencil is complete, but still needs to be framed.
Any of a number of ACEO landscape paintings are also available. Decisions, decisions!
For those artists out there who might not have heard, the show is open and is non-juried. You can learn more about the show from the gallery’s web site. The page includes a link to a downloadable entry form in a PDF format.
Visit my ACEO Horse Paintings page to see the current collection.
©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.
This affliction isn’t limited to art, but it seems I’ve had a bad case of it recently. Saturday, the first painting just came together, but the next two days, I felt like I was struggling, fighting to get the paint and the surface to cooperate. So how do you plan not to think? I don’t know, but that was my goal today. I toned a masonite panel last night (with burnt umber straight out of the tube and mineral spirits) and this morning printed out the photos for the next two days. I still had the image up on the computer monitor because I will often put guide lines to help me with my drawing. Today’s subject has an interesting face, so I wanted to be sure his features lined up the way they were supposed to!
After lunch I roughed in a drawing. Then I had a bit of a bump in my so far smooth road to painting on schedule. I had called about an opportunity for a local gallery to take some of my work for a show, and they asked if I could bring something today, as they were hanging this afternoon! One of those things I couldn’t say ‘no’ to! So I scrambled to get a couple of pieces together and headed out. By the time I got back I went out to the barn to bed stalls and get ready to feed, and brought the horses in a bit early so I could get back to the painting!
I expected I’d be posting this at 10 or 11pm, but things went pretty well. When I decided to do this project, this is more the kind of painting I thought I’d be producing - working with looser brushstrokes - so I am happy with the result. I made myself stop, though there are a few things I could still do…but that would be moving away from the looseness thing, so I’m trying to restrain myself.
This horse is Jay, a five-year old gelding. He’s the guy that went through the colic surgery last December. He’s now in the Long Run program, and will make someone a lovely horse. He was retired due to a minor soundness issue that suggested he wouldn’t hold up to the rigors of racing again. In his career he made over $120,000. The painting is 10 x 8 oil on panel, again, with a limited palette of burnt umber, ultramarine blue, cadmium red medium, cadmium lemon, yellow ochre and titanium white.
On the writing front, I’ve written just over 7,000 words at this point - mostly of pure junk! Oh well, just going with the advice of the NaNoWriMo pep-talkers! You can follow the count on the little graph in the right-hand column of my blog. Just don’t ask to read anything!
©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.
Friday morning I got up before the sun had spilled into our farm……and I caught this shot from our deck, at that magical moment as the sun started creeping across the pastures , into the pond behind the barn ,through the barn doors and hitting the night mist as it rose above the stand of spruce that reach up skyward from the very back of our pastures. Fall color has not yet begun, but will soon. The morning chill of the past few mornings tell me that it is time to get out my sweaters and warm socks…..summer is done.
The horses have all started getting their winter coats already. The bay Cobs are dappled with red in their coats. The Corgi has thrown 3 coats of shedding hair all through the house…..even Mittens, the wizard kitty, has blown her summer coat and is sporting her winter fur. And I can tell that my indoor allergies are in full blossom…….. And that is ONE reason that I paint in casein!!
I am finishing up another papercut of a Saddlebred, inspired from my Lexington, Kentucky outing of last summer.
And new work needs to be shipped to Chisholm Gallery in New York………..and I have started a watercolor of three Peruvian Pasos.
………..and then there are the gardens that need to be put to bed.
©Copyright 2008 by Kathi Peters. See original post here.
To learn more about this artist, visit Kathi Peters’s website.
I am very happy to announce the opening of a new, one-month exhibit at the Carriage Factory Gallery.
An exhibit of works by the Wichita Women Artists opens today, August 1, and runs through August 30.
The exhibit includes original paintings in alkyd, oil, watercolor, pastel and colored pencil. Subjects range from portraiture to still life and landscape with a wide variety in technique and style.
Fourteen women have presented a collection of stunning work for this one-time exhibit. Many of them are award winning artists.
Many of the works have been in other exhibits, as well, including a recent exhibit at a Topeka, Kansas gallery.
The exhibit opening will be Saturday evening from 7 to 9 p.m., August 2. I invite you to stop by the Carriage Factory Gallery to see this exhibit and visit with the artists.
If you cannot make it to the gallery for the reception, the exhibit will be open for your review Tuesday through Saturday, 11 a.m. to 4 p.m. There is no charge for admission, though we do accept donations.
For those of you from out of state (or for our international visitors!), the exhibit is now online and can be viewed at the Carriage Factory Art Gallery-Wichita Women Artists page. You are welcome to browse to your heart’s content.
And if you see something you cannot live without, contact Carrie at the gallery. She can be reached by email at cfgnfaa@sbcglobal.net or by telephone at 316/284-2749.
©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.
The day’s events actually began the evening of Friday, July 11. Neal and I returned from Wichita, where I attended a writer’s workshop at Perfect Peace West, a local Christian bookstore, to discover one of the gallery’s exhibits was being canceled.
The exhibit of historic American flags, which is an outdoor exhibit, was being canceled because the forecast was for rain.
Sure enough, at 7:10 a.m., there was the sound of gentle thunder rumbling through the heavens and, a minute or two later, the sound of rain. A very nice and soaking rain. When we reached the gallery at just before 11 a.m., the park was very lovely, with that wonderful light that comes with rain.
It was also very wet, as you can see above.
But the day’s events were indoors, so we pressed on.
Newton artist Connie Rhodes was the first scheduled event, with a come-and-go watercolor painting class. She had one very avid student for the entire two hours and many others who stopped by to watch and ask questions.
I do know one thing. The class was fun. Connie is a fun and joyous person. Although she confided in me later that the painting she did during class was only her fifth or sixth watercolor painting, (she usually works in acrylics), she is not afraid of trying new things and experimenting. She and her student had a great time.
Concurrent with the watercolor class upstairs was a book signing downstairs.
Steven M. Johnson was at the gallery from 2 to 4 p.m., signing copies of his new book, American Snapshots. I apologize to Steven, but I didn’t get photographs of that event.
Cally Krallman and Diane Gillenwater presented a very interesting and entertaining talk on their work in the production of Prairie Glimpses: A Kansas Song Project. Although Cally readily admits to not being a vocalist — a vocal instructor once told her to keep her day job as a painter! — they did an excellent job for a small, but very appreciative audience.
After that, Cally joined the audience and Diane treated us to a selection of pieces on her fiddle, which she said was over 100 years old when she purchased it.
Diane is an award winning fiddleplayer for the Kansas bluegrass band, Pastense, and she spoke about her work with the group and her history as a musician and artist. She later chatted with me about her love of horses and some local equine related organizations.
The opening for the current exhibit at the gallery was the conclusion of the indoor events. Cally Krallman and Don Lind were both on hand for the one-hour meet and greet. Carolyn Wedel, who is the third of three featured artists for the Summer 2008 Exhibit: The Land We Love, was not able to attend, but her work was very well received, as was the entire exhibit.
The finale for the day was an open air concert by the Senseney Music Wichita Community Band. With intermittent rain all day, I received quite a few calls asking whether or not the concert was still being planned. Whether the skies were wet and weepy or showing signs of clearing, I told the callers the concert had not been canceled and prayed for the LORD’s will.
At 5:30, one of the band members came up to Newton and we looked at the radar, looked at the skies, considered the condition of the park, decided to move the concert to the large parking area behind the gallery and called the band director. The concert was a go!
The sun had been making some bashful appearances by then and the parking lot was dry except for the low areas, which we were able to work around. Chairs were set up for the band and the audience and the band arrived, as did audience members.
Josh Diaz, a driver for Schwan’s Fine Frozen Foods also arrived and parked the truck nearby. Schwan’s very graciously provided ice cream treats for gallery visitors, concert goers, band members and, yes, even me (though I spent so much time running around and doing things that Josh was gone before I was ready for ice cream. Alas! So it goes!).
The concert itself was a great success, as it always has been. A good and appreciative audience was treated to an hour’s worth of music that began with The Star Spangled Banner and ended with Stars & Stripes Forever. In between were such varied pieces as a medley from Hairspray, Rhythm Dance, Handel on the Strand and Yakety Sax.
Many thanks to director Bill Johnson, whose attitude is “the show must go on”. My thought for the day was “don’t cancel until the absolute last minute” and, in the end, the concert and the day as a whole was a great success.
The day ended with the drawing for door prizes and fifteen lucky winners took home prizes as varied as two dozen glazed donuts from an excellent, local donut shop to a $45 gift basket from Prairie Harvest and a beautiful scarf/earring/pendant set from Katherine’s, both in Newton.
As I closed the door after the last visitor at about 8:45 p.m., the skies were glowing a beautiful, soft pink and there was barely a cloud in the sky. In spite of the uncertainty of rain from 7 a.m. to 4:30 p.m., it was a great day with a beautiful conclusion.
My heartfelt thanks to all the artists and presenters who gave time, effort and talent to our little event this second Saturday of July. It was a great way to spend a mostly rainy day in Kansas!
Thank you!
And to all those who braved the elements during the day to attend our events and who enjoyed the open air concert at the end of the day, a big thank you. Whether you came a few blocks or many miles, thank you for visiting and come again soon!
©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.