Tag Archives: foal

New Beginnings


New Beginnings
Just framed this piece up ready for the Arabian show tomorrow. New Beginnings is a 14″ x 21″ pastel its amazing the different colours that are in a foals coat, you dont really see them until you start laying in colour.
New Beginning is for sale email me to purchase.
Thank you floridaskip for the use of your amazing photo.
Catherin http://www.animalarthouse.com/

©Copyright 2009 by Catherin McMillan. See original post here.
To learn more about this artist, visit her website.

Warming Up


We can’t complain about the weather here in Southern Ontario right now – after our first real snow last week, we’ve had some very spring-like weather lately. Two of the commissions I’ve been working on are complete – one is all framed and I will take it to the post office tomorrow; the other we’re looking at framing options. My next portrait is an oil pastel, and it’s been like visiting old friends to go back to that medium!

I was determined to paint something today, and it was this evening before I got to it. I’ve decided, crazy though I might be, to do another Thirty Horses, Thirty Days in April, so consider this one a warm-up of sorts. This is an 8 x 10 oil on canvas, using my old faithful limited palette of ultramarine blue, burnt umber, cadmium red medium, titanium white and a touch of yellow ochre. The subject is a very pretty filly named Van Lear Rose, Canada’s champion two-year old filly in 2008.

On a sad note, I learned today that an old “friend” died. Millie was an older Thoroughbred broodmare, and actully my Monster’s “aunt” – she was a half-sister to Monster’s sire, Tejabo. I actually did a painting of Millie and one of her foals a few years ago, which I called “Signs of Spring.” I worked with many of Millie’s babies during the time I worked at the farm she called home. She was a very pretty, sweet mare. Long may she run.

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

You Win Some, You Lose Some…


Some days paintings just seem to fall off the brushes…and others, well, are a hard-fought battle from start to finish (or abandonment, as the case may be!). Today was a bad case of the latter. I’ve wanted to do this painting for a long time – such a sweet moment between Twine and her first foal, baby Gracie. Gracie got her name because at only two and a half days, she was referred to the Ontario Veterinary College large animal clinic with colitis. She spent five days there, and fortunately recovered, though the reason for her illness was never determined. Out of that experience came her name, Therebutforgrace.

This painting is just a 5 x 7 sketch, oil on masonite, and I think part of the issue was the panel – I just felt as if I was fighting it the whole way. I think this is one I’d like to do larger, and it could be a partner piece to the 11 x 14 I did of Toula and her baby last year.


I could easily do a series of paintings of these mare and foal moments. I have some really cute photos of Clever and Billy. I think Leo and Spider were both tough love babies, though, because I don’t remember too many touching moments with those two!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

The Birthday Boy

It was a year ago Tuesday that Leo was born – hard to believe that tiny, sleek baby is the same horse as the fuzzy young man out in my paddock today! On Monday I was over at a nearby farm to take some photos of some of this year’s babies, and one always forgets just how tiny they are in those early days. Leo and Spider look small to me because the two-year-old Gracie is so tall and leggy…but they’re nothing like the new little ones!

I’ve been working on commissions and larger paintings this week, so I thought today I was due a smaller, looser one. I was flipping through some of the reference photos I’ve got printed out, and came across this one of Leo when he was still tiny! This painting is 8 x 6 oil on shellacked masonite.


And now a couple of photos of Leo as he is today – one of him hamming it up, and another of him playing ‘fighting stallions’ with his buddy. These two have a long way to go before they can match the prowess of those that have battled before in these paddocks! And interestingly, the most noteworthy may very well have been a mare. Rest assured Gladzilla will never be forgotten around here.

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Lady’s Colt


“Lady’s Colt” 8×10 inch oil on canvas board

The subject of this painting is an eight day old Morgan colt. I don’t remember his name, but his dam is Lady who belongs to a friend of mine. This is the third in a series of one hour paintings I’ve been assigned to do by my mentor.

This time I deviated from the assignment by using smaller brushes. As a result, it took me longer to complete this one than the others; more like two hours, fifteen minutes. Still, that’s very fast for me, and it’s very rewarding to finish a painting in a few hours versus the weeks and months it usually takes me to complete an oil painting.

I’m very much enjoying this new style even though I haven’t gotten the hang of it yet. It’s been a boost to my ego to find that I can paint something fast and loose and have it look like what it’s supposed to look like and not a big mess. Below is a close up of the little feller so that you can see the looseness of the brush strokes. The legs are shorter than they should be because I ran out of room at the bottom of the canvas. Clearly, I should have placed him higher or made him a little smaller. That’s one of the hazards of drawing directly on the canvas without a preliminary drawing for perfect placement.

I have no idea if these little paintings are marketable or not. I just know I’m having a whole lot of fun doing them!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

January pARTy


As promised, here’s my painting for the Virtual pARTy. I went with a simple crop to be sure I could get it done in the time frame, given the rest of my schedule! This is 6 x 8 oil on Raymar cotton panel.

We had some great work in this month’s pARTy, so I hope you’ll take a moment and have a look. Think about joining us next time!

I’ve been busy at the easel for most of today, working on getting that painting of the three mares I posted the other day past the uglies! I should have an update to post soon…unless I decide to wait till it’s complete. I think it actually might be turning out!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

January pARTy Paintings – Mares and Foals


Well, here are the paintings from the latest pARTy! We had good participation, and some great work. I always like to see what different artists come up with.

Though are pursuits as artists are often solitary, a recent comment by friend and fine art photographer Juliet Harrison was a good reminder that we don’t, however, create in a vacuum. We can’t help but be influenced by each other, and that’s not a bad thing, as long as we continue to develop and maintain our own style and individuality. These pARTies are a good example of that – even though some of us went with a very similar crop of the reference photo, our styles remain unique.

In the same vein, these pARTies began as a fun challenge of sorts, between myself and Kim Santini, last year. When other artists began to show interest and we opened it up, what developed was not a novel concept. My first exposure to this sort of exercise was on Wet Canvas, with the weekly Weekend Drawing Events. As a result of that, our own Equine Art Guild has done similar projects. And a great blog with a weekly drawing/painting challenge is Karen Jurik’s Different Strokes From Different Folks.

Okay – enough yaking! Here are the paintings.

First, from your pARTy hosts:

Kim Santini, 4 x 16 acrylic on Raymar panel (above, top of post)


Linda Shantz, 6 x 8 oil on Raymar panel

Now, our participants, below. If I have any latecomers, I will edit the post and add them later! Thanks to all who played.


Delia Pacheo, “The Foal” 4 x 6 acrylic


Judy Johnson, 8 x 8 watercolour


Lisa Ward-Guarino, pastel


Linda Snider-Ward, prismacolor on Stonehenge


Linda Massey, “Playground Encounter” 11 x 14 oil on board


Kathy Roeth, 5 x 7 watercolour and gouache on 140lb watercolour paper

©Copyright 2009 by The Virtual pARTy and participating artists. See original post here.
To learn more about this artist challenge, visit The Virtual pARTy Blog.

Too Many Legs – arabian paint foal running oil painting

8 X 6 Oil on canvas panel $115
Includes shipping and insurance
He was a week old when my friend Marie turned him lose in the pasture for the first time, and legs went everywhere. This foal is black and white and is a real looker – Marie raises some pretty spectacular horses. I need to get back and see how he is looking now. He’s one I wouldn’t mind owning….
Don’t forget to send me your horse photos for the “Horse a Day” challenge I will do in February. Looks as if I have already started, but I’m just getting warmed up! send me an email

Mark 14:54
Peter followed him at a distance, right into the courtyard of the high priest. There he sat with the guards and warmed himself at the fire.
Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Curiosity – oil painting of foal baby horse

8 X 6 Oil on canvas panel $115
Includes shipping and insurance
Foals are curious, and a small red-winged blackbird offers little threat. At this age, everything is a first time event and a bird can be investigated without Momma’s help.

Today was Dandy’s first time encounter with a saddle, and the experience went well. I had hung the saddle blanket and saddle on the fence at the round pen and turned her loose in it. She was wary at first, but approached it after a couple snorts. After she sniffed the blanket, I pulled it off the fence and offered to touch her with it. She spooked and I chased her around, waving the blanket. As soon as she looked in my direction, I took off the pressure, let her stop and approached her with the blanket. If she moved away, I kept her moving. On the third approach, she let me rub her with it and finally lay it on her and flip it all over her.
I did the same with the saddle – and it only took two times around the round pen before she was allowing me to flop it up on her back. At no time did I force her to accept the items – she was entirely halterless and was allowed to leave if she wanted to.
Finally I put both the blanket and the saddle on her back and reached under her belly for the cinch. I had been tightening a rope around her girth since she was a day old, so the tightened cinch was nothing new. Plus there was some fresh winter grass in the pen that she was much more interested in.
I flipped a rope at her asking her to move (see movie) and it wasn’t until I got her into a slow lope that she finally got a little cinchy and offered a half-hearted buck. I knew that wouldn’t be the only tantrum, so I encouraged more movement and did get a couple serious kicks – both at me and at the saddle. I suspect it was more because I wouldn’t let her eat, though!
When I finally got a couple smooth lope transitions with no buck going both directions, I allowed her to rest and graze with the saddle on. After 30 minutes, I removed it – lesson over. It has been my experience that the SECOND lesson is the one to get on film – we’ll see tomorrow!
And DON’T WORRY, MOM! I won’t get on her for a couple more weeks – just kidding. Actually since she is still so small, I probably won’t let anyone get on her before next fall – if then. But by that time, she will be ground broke. And if I can borrow a friend’s kid, I may put them on her and lead her around.
Genesis 1:25
God made the wild animals according to their kinds, the livestock according to their kinds, and all the creatures that move along the ground according to their kinds. And God saw that it was good.
Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Close By – horse foal and mare painting

8 X 6 Oil on canvas panel $115
Includes shipping and insurance

Young horses are a lot like human children. They need to know that safety in the form of Momma is close at hand. They’ll venture off for a while but always keep Momma in view for security.

Watch a human baby and a horse baby. They both will keep a watch on Mom (or Dad) for safety (and confirmation) as they venture further and further away. They’ll test themselves and learn about their environment and all its scary stuff. A wise parent will allow the baby to experience an occasional booger and even boo-boos. It’s the best way for lessons to be learned.

An ignorant parent never allows a child to fail or get hurt and thereby learn that they CAN survive and save themselves. Kinda like Uncle Sam, huh? Or Big Brother?

Acts 27:34
Now I urge you to take some food. You need it to survive.

Media: oil
Size: 8 in X 6 in (20.3 cm X 15.2 cm)
Price: $115 USD

How to Purchase:

Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2009 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

The Hitch Hiker

“The Hitch Hiker”

This little foal wasn’t quite ready to take on a rider yet, but this cat couldn’t resist jumping on his back when the foal walked by the corral fence! The cat looks like he’s daring the foal to try to get rid of him…:)

Tweet Me a Ridgway Studio Update!

©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

Kentucky Dreamer Comes Home


It had been quite a while since I took anything new up to the gallery shop which sells my art in Central Lake. Adams Madams is a fabulous shop with an outstanding mix of home decorating merchandise, crafts and artwork. It is light and airy, and everything is temptingly displayed. Unfortunately, the past two years my sales have been very low, and I’ve been wondering whether it is my art that just isn’t appealing to people now or if it’s been the economy. I got my answers.

After speaking with the owner and her assistant who handles the art selection and the merchandise displays, the answer seems to be the economy. They both raved about the quality of my work and the reasonable prices, but people are now coming into the shop with a set budget to spend there; between $25-$50. That’s not much in a shop with so many temptations. The interest in horsey products has also dropped off I was told which impacts my sales even more. But they both made some suggestions, and I came home with some hope that sales will turn around. Clearly, diversifying my offerings is in order.

I also brought home the original drawing, “Kentucky Dreamer” because it’s been there for quite some time now, and I’m thinking of entering it in some local shows. Either the mats have changed color slightly or my eye is better now because it needs to be rematted with better color mats. That should improve its appearance considerably.

“Kentucky Dreamer” is 11×14 inches and is a delicate pencil drawing of a young Thoroughbred foal. It’s available for sale if you’re interested. I named it before I even heard about the horse movie, “Dreamer”, in case anyone wonders about that coincidence.

My drive to and from the shop and later to the barn has me thinking about doing some plein air painting in the beautiful Fall light. Our weather just couldn’t be more gorgeous on this last holiday weekend of summer. I didn’t even mind too much the hordes of bicyclists who descend on us every Labor Day weekend for their tours on our scenic winding back roads. You really have to slow down and watch out for them because a lot of these roads don’t have paved shoulders, and you can be on top of them before you see them.

Already some of the trees are beginning to turn, and the light has that soft diffused look that is so characteristic of Fall in northern Michigan. Yup, it’s time to paint outside.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Back again


So sorry I have been so quiet lately. Doing another battle with Lyme and erlichiosis.. I started an herbal protocol with the doxy this time and am seeing a huge difference. My art has been selling well despite my break frm studio business and I would like to thank all of my new collectors for all of the wonderful comments on my art. Yesterday I delivered A Good Scratch to it’s new home here in Pawling. This little 8 x 10 will be on the cover of The Chronicle of the Horse Magazine. Anyway, I dropped it off at a gorgeous horse farm and got a tour of the farm and met all of equine. The owners did such a beautiful job on the facility. A delightful afternoon. It iis always a pleasure when my art is appreciated by fellow horse and dog people!
I have listed Doxie in Blue and Viszla to my Etsy store. Cost foe each is $25 + $4.85 Priority Mail Shipping.

To purchase Visla…Click

To purchase Doxie in Blue…Click here

Keep an eye out for a lot more affordable small works! Let me know if you would like to see your breed and I always welcome good clear reference photos of dogs and horse for future paintings!

If you are in the area (Pawling, NY) be sure to stp into the Bakla Java Cafe on E Main for a nice cup of joe and to see some of my work! Enjoy!

©Copyright 2009 by Deborah O’Sullivan. See original post here.
To learn more about this artist, visit her website.

I Think, Maybe…


I know this is a shock, after the last few weeks of *nothing* but I may have actually finished a painting tonight. I’d actually hoped to have it done a couple of days ago so that I could take it to the photographer, but that didn’t happen. I’ll be going back there soon enough, I’m sure, so this one will wait till the next trip.

This is the painting from the image that got the most votes on the poll I posted many months. All the babies around here are a lot bigger than this now. I do have more recent pics of this foal, but…well, they’re on that hard drive from which I’m still hoping files will be recovered! The painting is 11 x 14 oil on Raphael linen panel. It may get a few touches here and there, but I’m posting it now anyway!

A week from now I’ll be in Saratoga, so these next days will be packed. Meanwhile, my friendly neighbourhood peacock is still around. I think the horses are almost used to him now. I’ve grown a bit tired of him, personally! I want him to go home!! Stray dogs I know what to do with…stray peacocks, on the other hand, I don’t!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Mother and Child

New Jersey is home to many breeding farms. This painting titled”Mother and Child” was done from a photo of a Standardbred breeding farm. A friend and collector of my art supplied the photo. The finished painting is sized 13 1/2 x 18″ on 300lb watercolor paper.

I miss having foals on our small farm. Our last foal was born six years ago. Our “Maggie” cold be bred and the thought has crossed our minds. Then reality sets in and we go on with our lives!

©Copyright 2009 by Kathi Peters. See original post here.
To learn more about this artist, visit her website.

Young things





It’s been a week of young things for me, one way and another. I’ve been to three different horse establishments getting shots of foals, and the front yard here at home has seen the launching of a number of baby birds (mostly various types of sparrows) as they emerge from their nests and/or bird houses and start to learn how to handle the big world. I haven’t managed to get any photos of them yet, but there will be more coming along soon, and they are the less spooky chipping sparrows so chances are good I’ll be able to snag some shots of them. We will see baby wrens making an appearance in the back yard as well, if the sounds coming out of the wren house are anything to go by. I’m so happy to have wrens back in the yard after they gave us a miss last year that I’ve been steering clear of their tree for fear of offending, so my photo ops with them have been pretty well non-existent.
Riding and yard work take up most of my waking hours these days, the ones that aren’t occupied by lurking at horse breeding establishments or horse shows, at any rate, and the days are whizzing by alarmingly. There is a big “double spread” whiteboard at the barn that has two months at a time detailed with the various events that will be occurring, in some sort of hope that everyone will actually know what is going on when. I experienced a feeling of sinking dread last week when the somewhat optimistic “June/July” spread switched over to “July/August”. August! Oh good grief. Right after August comes September. That’s pretty well the beginning of the end. I might as well wash the heavy winter horse blanket now and be done with it. Sigh. I *really* hope winter takes as long to arrive this year as it did to leave. Anything else would be too unkind, even for Saskatchewan.
First photo today is one I was playing with this morning in a Photoshop moment. I took a close crop shot of an old barn when I was driving home from working cowboy camp a couple of weeks ago. I’ve cropped it a bit more, worked the contrast, and thrown in a nice ominous looking sky/background. When I get time I’ll likely stick and owl or cat in that window, or maybe have the moon shining through it. Or both (not all in the same shot!). That’s the fun of photo manipulation, you don’t have to choose from amongst your options. You can just duplicate the image and try out all the possibilities.
Shot two is of a sky I didn’t get to see. This was taken by my grandson Mark a couple of weeks ago. He asked me if I had managed to get shots of “that sky” and I had to admit that not only did I not get shots of it, I was in the house at the time and didn’t even see it. When he showed me the shots he got from the front lawn of their house in a small town a short distance north of here, I was very jealous. Even when I am aware of a good sky, I can’t usually get far enough out of the city fast enough to get the photos. Where they live, it’s a simple matter. I’ve asked for his permission to use his cloud shots in some of my photomontages and he has agreed, so this sky (minus all the town clutter) will be appearing in some artwork at some stage of the game.
Shot three is of my friend Laurie and her mare Annalise (I *hope* that’s the correct spelling, but am never sure) from a shoot I did last week. Laurie and I trade services every so often and this was in exchange for her altering an oil painting she did of my gelding Alpac when I first got him. He has changed shape so much since I got him (almost ten years ago now) that the original painting doesn’t really look all that much like him. Laurie kindly agreed to muscle him up in the artwork so that it matches the real-life version. You can check out Laurie’s website here. I love the almost-silhouette effect of Laurie and her mare backlit by the sun as they move through the foliage.
Shot four shows one of the above-mentioned “young things”, a Gypsy cob colt, having a heck of a good time zipping around the pasture and trying out his new legs. Shot five is also from Northfork Stables, home of the Gypsy cobs, and shows one of the stallions having a quiet moment with one of last year’s babies.
I have a couple more links to throw in this time round. The Neighbourhood Express, a local publication, requested that I do an article on my life with horses (or at least the 800 word version), which I was more than happy to do. This is a nice publication that comes out twice monthly in Saskatoon and is what I would call a “lifestyle” paper, by which I mean it runs articles on a variety of interesting topics, generally with a local focus, and always with a positive slant. I’m always happy to bring it in from the mailbox as I know it will divert and entertain me without leaving me discouraged and depressed, which is more than can be said for the daily “hard news” papers (although I am well aware they too have their place in our day to day lives). The link above will take you to the current issue. My article is on page 32.
And lastly, the Creativity Portal has the latest (I’ve lost track of exactly what number it is!!) of my on-going series of articles “Riding Lessons for Artists”. So that’s it for this week. Dressage show at the barn next weekend. Hope it’s not rained out like the last one was, although goodness knows we need the moisture!

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

Mare and Foal Magic; Universal Motherhood




She’s gentle and strong, generous and forgiving, a perfect mom and drop dead beautiful. Was this your mom? Maybe or maybe not. I am willing to bet that for many, the answer is probably not. I bring this up because of a recent workshop I attended where there was an amazing group of women who were brave and shared truths honestly about themselves in order that they could grow, learn, and provide a higher quality of service to their clients.

Did I forget to tell you this mother has long flowing hair, four legs and can run like the wind…….

I just love the energy of spring and all it bring; new growth and new foals! Like little children, foals grow and change so quickly. There is something about babies that brings a smile to everyone’s face and animal babies are no exception.

With that I thought I would share a few new mare and foal pics. and share some joy! If we animals all share one thing in common I would have to say it is universal motherhood.

Yours in the dance,
Susan
windhorseOne Studios
www.windhorseone.com

©Copyright 2009 by Susan Williams. See original post here.
To learn more about this artist, visit her website.

Growing Up, Revisited


Really, did I need an excuse to paint another foal? This little guy is the colt I’m calling Spider until I hear differently – Clever’s 09 baby. This painting is 5 x 7 oil on masonite, and somehow I was able to achieve that looseness I was looking for! Now if I could just remember how I managed that, so I could recreate it!

Tomorrow I will take a slight tangent from my theme, for the final jewel of the Triple Crown pARTy! This time Kim Santini and I have opened things up and invited others to participate. If you’d like to play along, please do! You can see the image an read the guidelines on The Virtual Party blog. All you need to do is contact one of us with and image of your completed painting to be included! At the very least, be sure to check in and see the results! You’ll see my painting here tomorrow. As usual, it will be a challenge to fit it in, with the morning booked for trims for all the horses, afternoon needed to muck stalls of said horses, and a weekend art shot for which to prepare! We’ll see how it goes!

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

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