Tag Archives: foal

Safety in Numbers

Continuous line drawing of 3 foals

There are some habits I really need to cultivate: exercise more, smell the roses and draw regularly.

The rose thing is easy: Since the Great Chicken Massacre, Mike and I are watching them like hawks (perhaps that is NOT the best analogy to use under these circumstances) and we are taking the time every evening to “escort” them around the yard, feeding them grasshoppers. Now you might not think that chickens need help catching grasshoppers, and these really don’t. But they know if they follow you, your walking stirs up more bugs and makes it easier for them to snag one. This is an activity I have come to anticipate – not quite smelling roses, but still enjoyable.

Exercising more: after hiking in the mountains for nearly 2 months, we both came back a bit leaner and wishing to stay there, but Texas weather (and the huge gas water trucks on our road) prohibit safe walking, so we are journeying to Ft Worth today to evaluate treadmills. It won’t be quite like hiking the mountain trails, but at least there won’t be bears or mountain lions to watch out for!

Drawing: Practice makes perfect and the continuous line drawings are great for exercising eye-hand coordination and making me THINK about shapes. I will try to do more.
Job 39:26
“Does the hawk take flight by your wisdom and spread his wings toward the south?

©Copyright 2010 by Debbie Grayson Lincoln. See original post here.
To learn more about this artist, visit her website.

Week Twelve: Good Doer


You don’t hear that expression much these days – a ‘good doer’ is a horse that eats well! It may sound like an obvious thing to the non-horsey, thanks to that stupid expression, “hungry as a horse,” but in fact horses are pretty finicky. Jubie’s Baby Girl is quite the good eater. Usually the foals start to want to stick their noses into Mom’s tub at 2-3 weeks of age; this filly was less than a week old! No wonder she’s such a good size!

This is 5 x 7 oil on Raymar cotton canvas panel. Unfortunately I haven’t really finished it yet, as I had a pretty crazy day, doing some prep for an upcoming show and getting a load of hay, on top of my usual barn duties. Considering I wasn’t sure I’d be able to post anything at all today, I’m hoping you’ll overlook that! I will finish it, and post it again when it’s done.

Twelve weeks! That’s three months! Where does the time go?

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

"Boy Meets Girl," 8 x 16 oil


This is one of those paintings that has gone through a complete change in scenery, so to speak! I loved the photo from the moment I shot it, but debated painting it because, well, let’s face it, it’s cutesy. When it came down to it though, I guess I couldn’t help myself.

Gracie and Billy are about five or six weeks old here. Being February babies, I had lots of beautiful snow shots of the two of them. In March, however, we got a thaw, and in the reference photo, these two are of course standing in a very muddy spot! My first inclination was to make it a snow scene, but after consideration, I decided I needed to go green. Maybe that was influenced by this year’s baby, a May foal who has had to deal with neither snow nor mud, lucky girl!.

Their feet were of course covered in the photo, but in order to ground them, I needed to paint their feet, even though I knew I would be more or less covering them with grass. Foal feet are hard to paint, especially out of your head!

I think I’ve mentioned Gracie is back home from her adventure at the track. I was reminded how tiny she was, working on this painting. Look at her now! She’s probably 16-2hh and still growing. And what a lovely girl she is.

The above painting is 8 x 16 oil on Raymar cotton canvas panel.

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Week Eleven: Racing the Birds!


This form of play is one I became very famliar with, ten years ago, with my own foal, Monster. Poor Monster was an ‘only baby’ and used to play with the birds for entertainment. Jubie’s Baby Girl has taken up the same pastime!

This painting was an experiment, in that I used a very unique surface. It’s paper made from stone, basically – 75% mineral powder. No trees, no water – talk about an eco-friendly art supply! Does that balance out the use of my solvent-based oils? It’s called TerraSkin. Very interesting product. The paint handles very differently on this surface, needless to say! Obviously I need more practice to figure it out a little better, but I’m hoping it might be a cool way to put out some sketches. I think this one is about 6 x 8.

When I was painting this week’s painting, I was thinking a lot of a painting done last December by another artist friend, Kathi Peters. Kathi did a lovely painting of a foal playing with birds…which I bought! Kathi is one of my favourite artists, and a very cool person to boot. She’s been experimenting herself lately, painting in oil on copper! Definitely worth taking a look!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Sketch Book Drawings – Page One

I’m going to be brief today because I need to get out for my walk and then into the studio.

But, I have another reason as well. Having spent the weekend in front of the computer going through my inbox and reading a backlog of artist blog posts, I’ve come to realize that people probably don’t read long winded blog posts. I know I skipped a lot of them because I simply didn’t want to take the time if the subject matter wasn’t absolutely riveting. Mostly, it wasn’t. So, here goes.

I’ve been reading a book called, The Van Gogh Blues by psychologist Eric Maisel. He specializes in working with creative people and has written a number of books for creatives. This book is helping me immensely in finding my way back into the studio by giving me many insights into my personal life and my life as a creative person. Turns out I’m not so unique in my struggles after all! His main point is that creative people are born questioning everything and therefore have difficulty finding meaning in their lives. Because of a lack of meaning in their lives, creative people are prone to depression which keeps them from being creative which causes deeper depression. So, the book is all about finding your own personal meaning and keeping depression at bay. I’m not sure that “meaning” is the word that I would have chosen. “Worth” or “value” come to my mind more than meaning, so I just substitute them in my mind as I read.

The book explains to me why I had such difficulty in high school algebra (or was it geometry?) understanding the difference between a hypothesis and a theorem. One is supposed to be a proven fact and the other is something to be proven. Poor old Miss Chipman was totally exasperated with me trying to explain the difference, and I was equally exasperated trying to grasp it. We never did come to an understanding.

But, I digress. As part of my “art therapy” if you can call it that, I’ve decided to do some daily sketching. Last night I did the sketches above of a Friesian colt. They are freehand sketches. That is, I pulled some standard photo prints out of a reference box and copied the photos as nearly as I could. As you can see, one effort was a total flop and had to be redone. The others are reasonably good. They are done with a ballpoint pen to prevent me from doing endless correcting so the false lines are still visible.� I think I draw more carefully if I know I can’t erase.

I’m also thinking of instituting an art challenge on my blog which would involve “audience  participation”. I have to ruminate on that one a bit more, so stay tuned for more info.

And, stay tuned for more sketches from the sketchbook!

PS I’ve just noticed that I have some new followers! Welcome all!  Thank you for joining me. I hope you find my posts just a little bit riveting.

©Copyright 2010 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Ten Weeks: Bugged


Baby Girl was not very impressed with me when I took off her mask last week in order to get some photos. I think her look says it all – this is *not* acceptable for The Princess! This week’s painting is 6 x 6 oil on canvas.

She’s in for another rude awakening – today the *original* princess came back from the track for some R&R. That would be Gracie, of course! Gracie left a week after the new filly was born, and I do admit having the new foal to dote over helped me deal with my separation anxiety for Gracie. Miss Grace will get the rest of the year off to grow – she is such a big, tall filly, and still growing. It was good for her to get into Woodbine and see the sights, but physically she still needs some time. Of course it’s anyone’s guess whether she’ll actually make it to the races. Such is the game! I’m happy to have her home.

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

"Firstborn" 14 x 11 Oil on Linen


Well, I signed this painting today – that’s supposed to mean it’s done! I have enough other paintings on the go which I’m working hard to bring to completion, so that should help me leave this one alone. My final painting session was a few nights ago, when I was at that stage where I was thinking, “Just a couple more touches and it’ll be finished” which usually means I should just stop! The specs: 14 x 11 oil on Raphael linen panel.

It’s hard to believe this is the same cheeky little ten-week old I have out in the paddock right now. I am feeling sorry for her – she needs a buddy! She reminds me so much of Monster, resorting to racing the birds for entertainment. Oh well…we’ll see what we can come up with!

Hopefully I’ll be reporting back shortly with another newly signed piece!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Not exactly as planned—

My original plan for tonight was that I would be out at a friend’s very nice farm, getting shots of her horses and the various other interesting species that she cares for, on a lovely prairie evening, ending with a nice series of sunset shots. Instead, I am here at the computer waiting (with a limited amount of optimism) for the city crews to appear and diagnose/fix our major out-drain so that we can use our sinks and other even more vital facilities that put water into the city sewer system.

It started around noon today. I had put on a load of laundry and was getting myself some lunch after a nice morning of lurking in the garden trying to photograph our varied bird population, with a little bit of recreational weed-pulling on the side. I needed some more yogurt to go with my fruit, so popped down to the basement to access my back-up supplies from the little downstairs frig. I had one of those “what am I seeing?” moments as I stopped on the stairs just short of the small lake of water covering much of the basement floor. Right.

A quick glance showed me that the water was the outflow from the washing machine, and that the floor drain at the base of the machine wasn’t actually draining anything. Luckily we have a wet-dry vacuum cleaner which was for a change right there where I needed it, and not miles away being used by other family members. I’d never run it before, but fairly quickly figured it out, although I do confess to wondering if I’d be electrocuted in the process as vacuuming water (or doing anything with water and a machine that involves an electrical outlet) just seemed so wrong. However, it did the job with great efficiency and I soon had the worst of it handled. By this time Jim had come home from his morning’s work, and we agreed that this was likely a “tree roots in the drainage pipes” blockage, and that with any luck it would be the city’s tree and their job to sort it out for us. We’re still working on this theory, although it is many hours since we called and were told they would “try” to come out today to get us functioning again. Turns out their work day extends to 11 PM so there is still a chance we’ll see them sometime in the next few hours. In the meantime, I have to stay here and hold the fort, as Jim had a “date” to go to the Fringe festival with a friend, so my photo shoot is postponed for another night. Might not have worked out anyway as we had a bit of a deluge (first one in several days) just around suppertime and things are still cloudy and decidedly soggy.

We had a lovely week and week-end, all in all (long weekend too!) as can be seen by today’s photos. Shot one shows my grandson and partner in crime, Mark, doing some hauling on Thursday. The neighbours down the street had some large chunks of wood left over from a mulch job, and I thought I could make use of them as decorative elements in my front yard area, which tends to the rustic. Mark was delegated to be the mover of these chunks, and I caught a photo of him and Arrow inward-bound with their haul. The sad little dead tree in the background is one of the many victims of the strange fall and tough winter that claimed a lot of trees and shrubs.
Saturday morning saw me heading west of the city to a lovely horse facility that was hosting the Oldenberg Inspection of mares and foals, part of a rigorous program common to many of the Warmblood horse breeds (and indeed of many others) to keep the quality of new generations high and to uphold the breed standard. The inspectors were from Germany, touring western Canada and stopping at various locations to grade the horses on offer. This was a first for Saskatchewan, and seemed well received by the testers. Shot two shows a very bold little filly, totally confident and unconcerned about her poor mother who was not happy to have the youngster free-lancing around the ring on her own. Note the braided mane on this little one. I’ve never seen braids (and nice ones, too) in such a young foal. That has to be a testimony to someone’s patience and determination!
Sunday I was at a small horse show at Ebon Stables, doing show shots for various clients. One of the visiting horses was Enzo, who now lives about a half hour out of the city, but who in former years was owned by the person I got my gelding Alpac from, and indeed they were “room-mates” for several years before I acquired Alpac. The boys hadn’t seen each other for over ten years, so we let them say hello over the gate. I’m not sure how to assess their reactions to each other, but Alpac (black on the right) at least was certainly very interested and perky. Enzo was a little more low key, but that pretty much sums up their personalities anyway. It was really a treat to see the boys back in the same place at the same time after all those years. Funny thing is they both started out in Cranbrook BC and each made their way to Saskatoon over the course of the years.

Towards the end of the horse show, one of my barn friends came along to tell me that the baby barn swallows near the pony pen were having flying lessons. I made my way up there after the show and they were still in the area. Even a fledgling barn swallow is pretty hard to photograph in flight, but I caught this little one just in process of the pre-launch count-down. I always marvel at the acts of courage and faith these valiant little things display when they try their wings out for the first time.
I finally got all the Saluki dog show awards completed (and on time, too) and that show was this past weekend in Calgary. Shot five shows one of the images I created as part of this project.I call it “Saluki Heritage”, and it was this concept that had me heading out a few weeks ago to get my Peregrine falcon shots. I still plan to get back to the falcon place for more, as it is an exciting photo op for those of us who hunt images.
And before I leave you for this week, the excellent news for me is that finally Alpac got his horse shoes back on and I actually was able to ride on Saturday for the first time in two months! Regular readers have put up with me moaning about this for all of the two months–if you are new to this blog, the short version is that we have had such massive amounts of rain that the mud was pretty much sucking shoes right off the horse’s feet. I gave up trying to keep Alpac shod until it was dry enough that they would stay on. He needs the shoes for a problem with his front feet, and while he is “pasture sound” without them, he needs them for work under saddle. I haven’t handled this well, but now, with any luck, it is all in the past for us. :-)

©Copyright 2010 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

Going Green – 8 weeks old


I did this week’s filly painting a day early, because tomorrow I’m off to Saratoga for a few days. I feel better about this one that last week’s, and I already have some great pics for next week, thanks to they baby girl showing off for the camera yesterday!

This is 6 x 8 oil on Raphael linen panel. I went back to my old limited palette – still love how those colours come together. If this would dry in time I’d take it with me, but that’s not going to happen. As it is, there will be a few of my smaller paintings at the Beresford Gallery, across from the track on Union Avenue. Make sure you pop in if you’re there! They have a beautiful collection of paintings for sale from a variety of International artists.

Back to work – lots to do before I go to bed tonight – I’ll be leaving at 5AM so I get there in time for the races!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Baby Girl Strikes a Pose – Week 5


Here’s our girl at five weeks old. The interesting thing I’m finding in these paintings is while in real life she’s grown and changed, when I look at photos of her, and do the paintings, she isn’t appearing a whole lot different! I don’t feel I entirely captured her likeness here, either.

This is 7 x 5 oil on Raymar cotton canvas panel.

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

One Month Old! Peek-a-boo


A week ago today, Jubie’s baby girl was a month old! Where did the time go? She’s quite the observant little thing, always looking out over her stall door, or into the barn when she’s outside, watching what I’m doing. She’s got her momma’s eyes, and it’s pretty tough to ignore her. And as she’s still without a name, I guess it’s no surprise when I call, “Baby Girl!!” she comes running, with the cutest of whinnies.

This is 8 x 6 oil on Old Holland linen.

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Racecar Sounds!


I know all foals race around, but Thoroughbred babies seem to do so with a particular intensity that reminds me it’s what they’re born to do. Jubie’s little girl is as precocious as they come. I could watch her for hours.

This painting is 11 x 14 oil on board. I admit I plan to polish this one a bit more. I was pretty happy how I managed to get the drawing down with reasonable accuracy – those legs are always a challenge! I love the loose, sketchy look, but it needs to be taken just a little bit further. Maybe then this filly will make the trip to Saratoga – the one painted on board, at least! The one out in the barn has to wait a few years before we know if she’s going to have what it takes!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

New Project! Fifty-Two Weeks


I’ve been pondering how to incorporate daily paintings into my schedule without committing to doing one a day, if that makes sense. While I really enjoy my Thirty Horses Thirty Days projects, it’s tough when I’ve got the business of the horses on top of painting, so proposing a year-round thing isn’t realistic. Yesterday a friend came up with a great idea, though, and I think it will be very cool!

Unless this is the very first time you’ve read my blog, you know that just over two weeks ago, we had a foal born here on the farm. She’s the only one for this year, and already proving to be quite the princess. The new challenge? To document her growing up – once a week for fifty-two weeks, I’ll do a painting of her. Yesterday’s will be the first, when she was just a day old – and clearly already had mastered “The Look.” My plan will be to do the painting every Wednesday, as that’s the day she was born. I’m pretty excited about this. Hope you are too! Make sure you check in next Wednesday to see painting number two!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

First Portrait of the New Princess


Just a little study of Jubie’s new baby girl from one of my favourite photos so far. This is 5 x 7 oil on Raymar canvas panel. The first of many, I’m sure!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Seasons…Nothing More Than Seasons…..


Okay, so those aren’t the real lyrics to the song. I’ve gotten back to another painting that’s been on the back burner for a while, and I need to make a decision before I go any further. In my ref photo, these two foals were, sadly, in mud, thanks to a thaw – which, of course, will just not do for the painting! My original plan, you may have guessed, was to make this a snow scene, because that’s what I’m really used to with babies around here. Now, of course, with a May foal, I’m re-thinking that plan. I don’t want a green-green summer scene – mostly because green is a really hard colour to paint! Now I’m thinking of more muted, early spring colours. Grass starting to grow, but the background trees still somewhat grey. What do you think?


These two foals you may or may not remember from two years ago. On the right is Billy, who is currently home from the racetrack for a little rest. On the left, none other than Gracie. Gracie is in her very early days of the racehorse thing – after starting the basics with me here, last week I took her to a nearby training centre to further her education. I’m unable to be there every day myself, so I’ve enlisted the help of my friends at the training centre to fill in. Last night I went to see her. It’s a good feeling to see a youngster show that she does know what you taught her, when someone else works with her! Yesterday she was just doing some free-longing – something I just don’t have the room for. The photo isn’t great, but she’s such a pretty girl, I’m going to show her off anyway!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Clockwork


If Jubie were human, she’d be one of those ultra-organized women. Yesterday morning Jubie had her long-awaited foal, and she’s definitely the most efficient mare I’ve ever dealt with! She was restless all night, but at that point had shown no signs of waxing – not that a mare needs to wax before she foals. I turned her out as usual at 7:30am after she’d had her breakfast – and she was waxing, so I knew I wouldn’t be letting her out of my sight for long. She finished her hay, but broke out in a good sweat, so I thought, okay, this might be sooner rather than later! I cleaned her stall and banked it with lots of fresh straw, went inside and grabbed the phone, then came back to the barn and brought her in and wrapped her tail. She was going down as soon as I turned her loose, and it was time to play foaling assistant! Shortly after, Jubie had a new filly on the ground. I had just enough time to do everything.

I’m so used to having foals on the coldest days of winter, it’s quite a change to have one in the middle of a May heatwave! Both mare and baby are doing well so far, and Jubie is an amazing mom. Next year, it’s back to February foals, so I’ll enjoy this while I can!

©Copyright 2010 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

Apr 30 – Georgia and Acrylics and Horses

I’m here on the East Coast for the next three weeks, teaching the workshop of Color Boot Camp returnees/repeat offenders (AKA “The Sisterhood of the Traveling Paints”). They have had almost five full days of rejuvenation, reflecting and reinforcement of the Color System, tempered with the laughter and shenanigans that only these “repeat offenders” can produce. I’m painting with them, but not in so much of demonstration mode but more to expand on topics already covered in the computer lectures and specific training for each boot camper’s needs.

So I started this morning light 12 x 12 acrylic from Kentucky Horse Park source material, knowing that the deadline for the AAEA (American Academy of Equine Art) fall show is approaching.

There is so much to see and do here on the farm–over 700 acres of woods, pasture…and a new foal! This is Star and her new kidlet, and with a colorful mare and foal such as these two, you can imagine the fun it is to photograph and think about painting the different times of day with this subject!

I’ve already started an oil from one of my reference photos!

Georgia at this time of year is gorgeous, both in weather and in the warmth of the folks who call it home. I love coming here, and will be taking next week to teach the Florida group, then back to the farm here to introduce new “CBC recruits” to the Color System for Artists. There might be one spot left. I know the Florida group next week in Ocala has almost filled, too!

What a glorious life of an artist!!

You can see my entire blog HERE.My workshop schedule for 2010 is HERE.

Color System information can be found HERE.If you need to email me directly, please click here.

©Copyright 2010 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Curiosity – colorful small baby horse foal painting by Debbie Grayson Lincoln

8 X 6 Oil on canvas panel $115
Includes shipping and insurance
Foals are curious, and a small red-winged blackbird offers little threat. At this age, everything is a first time event and a bird can be investigated without Momma’s help.
Buy this painting on PayPal
Price: $115 USD
Or, send me an email

©Copyright 2010 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

RSS for Posts RSS for Comments