Tag Archives: equine

Bones and Skulls

As some of you might remember…I have been contemplating doing a series of still life photos of animal skulls, bones and horns/antlers. I have collected some great objects to work with. (although always looking for more) I have never really done much with still life photography. I do know that I will work in B&W and with natural light. So I have been trying to envision how I want to do these. I now have two pretty strong ideas about what I want to try…but each entails some advance building. For one…I need to find a place that I can build a large sandbox. My back yard is not big enough. I need to have it so that it is like a beach…large open area with strong sunlight. And I will need to be able to cover it in between photo sessions. For the other I need to build an armature of a clamp type thing on a portable boom arm. So that I can clip the bone and kind of suspend it to be able to photograph just a portion of it floating in front of a backdrop. Maybe a stand like what my son has for his cymbals on his drum set. An adjustable boom arm and duct tape an alligator clip to the end. It has to be able to hold the bones without crushing them. And need one strong enough to hold heavier ones too. Hmm….might need two. I will be shooting these with my 2 1/4 camera I think. Funny how eager I am to get started…but this designing and building thing has me stuck. Life of an artist.

On my way in a few minutes to drop off a giclee print from one of my recent Spec Photo Shoots. (still needs a new name for this) I am very excited that this print turned out so beautifully. It is the first I have had done from my 2 1/4 negatives.

“Legs of a Dancer”

I have another print from the Quarry Hill Farm Arabians spec shoot being done now and should be ready to deliver in the next two weeks.

It seems like this idea is a welcome one. I am headed to Texas in November to visit good friend and colleague Lyne Raff, the publisher/editor of http://www.arthorsemagazine.com . I mentioned it last night on Facebook and now have a bunch of people down there asking about my coming to them to do spec photos of their horses. So if you are in the Dallas, Houston or Beaumont areas…or even farther afield and want me to come…let me know! I have always dreamed of traveling the world photographing horses as I go. Looks like Texas in November will be the start of fulfilling that dream! Don’t hesitate to contact me if you have any interest in my coming to photograph your horse. We can discuss all the possible ways to make this happen.

Tomorrow I am off on a new adventure. I will tell you all about that next week! A good reason to come back! Please feel free to share my blog with your friends who might be interested in the life of a Fine Art Photographer with a love of horses!

Juliet
( http://www.julietrharrisonphotography.com )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

June Memories


June is a month awash in memories for me. It is the month that I was born in 1958. So for a long time…it seemed like “my month”. It would begin in anticipation of my birthday to come at the end of the month. Of course summer would begin in June as the school year ended. Heralding more good times. I always felt that my family was closer to eachother in June than any other time of the year.
The year I turned 30, June became the month of my wedding. Two days, in fact, before my 30th birthday I married my wonderful husband Brent. And then…just before my 36th birthday…I gave birth to my son, Jackson. I could have asked for no more wonderful present than that. Every year in June, to be reminded of the moment when he entered our lives, changing it forever. 16 years ago he became the center of our lives and added dimension to the world! Next June I will not be with him for his 17th birthday, as he is heading to Milan, Italy in September, to spend a year abroad. So this year we will be sure to celebrate together. 9 years ago on the 26th of June, I bought my first horse. Tony was and is the fulfillment of a childhood dream. And having him has enhanced my life immeasurably. I don’t think that I would have focused my work so directly on horses, had it not been for how owning him has brought me more involved with horses than ever before.
3 years ago….just a few days before my 49th birthday, my mother passed away. And June changed a bit. Now it carries a bittersweet taste. Sadness…not overwhelming the happy, but tempering it. Dulling the edge of excitement. This year I intend to make some new happy memories in June.

So in this month of so much…I wish to remind you…that you can read the newest article written about my work in the May/June issue of Rural Heritage Magazine. The feature was written by fellow equine artist, Bethany Caskey. You can purchase a copy of the magazine at your local Tractor Supply or online at http://www.ruralheritage.com/ . Take a look in your local newstand for the June issue of American Art Collector magazine. Inside you will find a wonderful issue featuring equine artwork and there is an ad for Terry Lindsay’s Equidae Gallery that features one of my pieces. There is one more weekend you can see my work at the Maplebrook School in Amenia, NY in the Evoking Spirit art show. As part of the HITS on the Hudson Equine Art Show and Auction, my work Vintage: Cabellero is on exhibit at the Red Onion Restaurant at 1654 Route 212 between Woodstock and Saugerties, NY. It will remain there until the beginning of July when it will move to the Fletcher Gallery in Woodstock, NY before being auctioned off on September 10th to benefit the Family of Woodstock. You can get more information here – http://www.hitsshows.com/EquineArtAuction/EquineArtAuctionIndex.html

July will see more of my work on display. This time at the Gazen Gallery in Rhinebeck, NY during their “Love Our Local Landscape” show. I will know more about what pieces will be there by the end of this week. http://www.gazengallery.com/

And remember…scroll backwards in this blog to find the three posts with images that are selling framed for their unframed prices. Several of these are no longer available at this price, due to them heading for various shows. So if you want to purchase one at this special price….Speak Up asap! So June begins….May it be a beautiful month for all of us! Juliet( julietharrison@earthlink.net )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Special Pricing on Framed photos – Group 3 White Horses

Boulder – $600.00

Sheer Cliff Face – $600.00

Homage to KC – $600.00

Frozen – $600.00
Raindance – $600.00
Living Granite – $600.00
Rock Drips – $600.00
Pensive – $600.00
Winter Evening White – $600.00
A Gentle Aging – $600.00
White Wall – $600.00
Gentle Slopes – $600.00
L – $600.00
Snow Slope – $600.00
Rhapsody in White – $600.00
Classic: Legacy – $600.00
Symmetry – $600.00
Braids – $600.00

Here is the last group of framed photos in the attic. These are almost all photos that were in the show last fall at the Silo Gallery in New Milford, CT. And they are all from the “White Horses: From the Literal to the Sublime” book, except for Symmetry which should have been included. Some are also part of the Equiscape series. Remember that they are all framed to 16×20″ in archival mats. Signed, numbered and dated on the back.

The reuglar retail price for these in a frame is $800.00. So it is a savings of 25%.

Please contact me if you have any questions on any of the photos for sale in these special pricing posts. Remember that shipping is free in the Continental US. And lay-a-way is available.

Juliet

( julietharrison@earthlink.net )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

BOOK SALE


My photo book – White Horses: From the Literal to the Sublime has been published for over a year now. I was amazed at how well the hardcover sold. But I have to admit to over-ordering the paperback. So before I move the boxes upstairs into the attic, I thought I might make them available at a discount…so here is the deal – you can purchase a paperback copy for $27.95 (my wholesale cost and $13.00 less than the retail price) + shipping. These will not be signed copies and you must purchase them directly from me and not from Blurb. Here is the preview…remember you must purchase from me to get the special price. http://www.blurb.com/bookstore/detail/592164 Juliet(julietharrison@earthlink.net)

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Resetting the leg and repairing the shoulder

Continuing my saga of “Tolt’s” leg repositioning. I removed the wax from the shoulder area (a lot harder to do than it sounds – I’d put it in there REALLY well!) and broke the wax off the wire for the shoulder part of the leg.(The wax you can see here is on part of the armature. It will anchor the wax I’m going to use for the shoulder.)


Then I cleaned all the clay off that wax that I could and dropped it into the pan to be softened so I could reapply it.


WARNING!!! Working with melted wax is DANGEROUS! You can be severely burned if you’re not careful! Don’t say I didn’t warn you!

I didn’t need the wax to be melted, just softened, so I watched it carefully as it “cooked.” I had the electric griddle set to about 200 degrees so it would soften quickly (I’m not the most patient person in the world). I turned it over every so often so it would soften on both sides. When it was as soft as I wanted it, I scooped up a portion and put it in the shoulder cavity, which I had dug deeper so the leg would be set in a bit more than it had been before. Then I pressed the wire in place, made sure it was straight to the horse’s body and packed more softened wax on top of the wire. I pressed wax around the wire until the wax cooled too much to maneuver anymore to make sure the wire was strongly set.


The little knob of clay at the bottom of that leg isn’t the basis of the hoof – it’s actually part of the ground. Its function is to give the wire a strong anchor to the working surface. It will be surrounded and covered by clay as I build up the ground and the hoof for that leg (as shown below).

I added clay over the wax, rebuilt the shoulder and reattached the clay from the leg to the horse’s body. I haven’t done any muscle detail yet, and it probably needs a little more clay to be added, but here’s the finished repair.


If you noticed the thin band of clay around each coronary band, those are there so I can put hair on the coronary band. They will be textured and the clay blended in to the pastern so you’d never know I had a “worm” of clay around each hoof once upon a time. :)
The repair went well and didn’t take too long because I thought it all out before I started (always a good plan!) Moving the leg forward that small amount (about 1/8-1/4 inch) made a huge difference. I’m happy with it now. Onward!

©Copyright 2010 by Lynda Sappington. See original post here.

To learn more about this artist, visit her website.

Spec(ulative) Photo Shoots


I have a new idea for expanding the breeds of horses that I photograph and the surroundings they are in. SPEC PHOTOGRAPHY.

What is that?

If you are within 1 hour from my home and would like me to come out to your barn to photograph your horses, contact me. If I think it could be interesting, I would be willing to come and photograph for my own portfolio of images. You will be under no obligation to purchase an image. If I do this….I will own all the rights to the images and I will direct the photo shoot for my needs. If, after seeing the shots, you decide to purchase one, the price will be the same as with any of my photos sold on my website.

If you are interested and you are more than 1 hour from my home, you will only be obligated to pay for my travel expenses. And the purchase or use of an image will be as above.

Contact me if you want to discuss this idea. ( julietharrison@earthlink.net ) The photos above are an example of what can come from such a photo shoot.

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Grumpy Draft Horse, watercolor in progress


I started working on a Grumpy Draft horse yesterday. I have a slug of images from this past summer, where I took photos of these draft horses (Belgians) at a farm in their pasture. I was actually at a horse show and these big guys live next door, across the road. I know the owner, and I saw him start to go over to his pasture from the show. Over there was a group of children with parents, looking at the peacful giants out there grazing. Some of the horses noticed the people at the fence and started to wander over to see what they might have for treats, I suspect. I knew this would be a great photo op…the large horses, the small horse crazy little girls! So over I went! The owner ducked under the fence and grabbed the halterless head and over they sauntered. The other horses all soon followed.

I bet at this point you are wondering, why was this horse so grumpy?! Well, he was more jealous than anything. You see, these big guys love attention! And if one thinks someone else in the herd is getting more lovin’ and pats than him…well, he shoots a warning look at the attention hog! I loved the drama that was playing out with this guy. In the reference photo the other horse is right under his neck and head, but I decided to leave all that out and let the viewer come to his/her own conclusion as to why this guy is looking so grumpy. Looks like a bad hair day with all those tangles in his mane!

This painting is 18 x 15, created with Watercolors. These photos are the work in progress. The top image shows the full painting. The middle photo shows it on the easel and helps you see the size of the piece in reference to the easle and other things. The last photo is a close up of the head, so you can see the details that have been added already.
Today I worked on the tangled mane. I’ll get a photo of that, hopefully tomorrow.

~DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

She’s Pink!

A few days ago, I felt honored when Linda Shantz asked me to create a guest blog post for her blog. She asked me a few days ahead of the needed post, so I had plenty of time to create a horse painting for her blog.

You can find Linda’s blog by clicking her name above. You’ll enjoy her work, she paints a lot of thoroughbreds, and she also paints dogs… Oh yes, she’s also writing a very good book!

So take a minute, and check out her blog, you’ll see my work in progress, along with her wonderful paintings and stories of the horses she’s caring for.

Donna Ridgway
PS, I’ll be posting this pink lady in my Etsy store. You can purchase her there. I can just see her in a little girls room!

Tweet Me a Ridgway Studio Update!

©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

“Over Hill and Dale” – art exhibition

Over Hill and Dale exhibit of Equine, Landscape and Nature fine art, at Maplebrook School in Amenia, NY opens May 2nd with a reception and Derby Party at 5pm. Hope to see some familiar faces ther

©Copyright 2009 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Interview with Equinest

Take a look at the interview done with me about my work on the Equinest website.

http://www.theequinest.com/juliet-r-harrison/

©Copyright 2009 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Zebra in Oils, the start


This is the start of a Zebra in oils on a 14 x 11 canvas. Again, like the other recent oils I have been doing, I have started this one with an under painting of Ivory black, Alizarin Crimson, Ultra Blue and Titanium white. I can already see where the light and shadows will be in this painting and applying color should be a snap when this is dry. Ha…I hope!

I love doing the stripes. Something about mapping them out is so fun to me. I get the same feeling when I am painting a horse under harness. Mapping out the harness is great fun!

I started this Zebra while I wait for that Free style-foal painting to dry. This seems to be a habit. While waiting for one to dry, I start another!

In the wings waiting for paint is a White striped Tiger! It’s all drawn onto the canvas today. I guess that one will get worked on while I wait for the Zebra to dry. Can you say…assembly line?

I will also tell you the canvas I am using. Because the support can be so important too. I used to use Fredrix, as that was usually what was available to me in my area. But I have in the last few years been purchasing Winsor & Newton pre-stretched canvas. I really like this canvas brand so much better than Fredrix. Sorry Fredrix…but the W & N lets the paint glide on so much easier! I would stretch my own to get the odd sizes I’d like to have, but my hand & arm strength just isn’t there to do that. I used to watch my grandmother and grandfather (when he was alive) struggle with that task! No thanks.

Ya know, painting sure can make one “Dog tired!”

Talk with you later,
DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

Free style-foal oil on canvas



I started this painting with the same palette as the Moody mule. This oil painting is 18 x 14.
Ivory Black, Alizarin crimson, Ultra Blue and Titanium white.
The top image is where I have left off today.
I;m not sure what is going on with the wavy lines through the photo. I don’t know if it will show that way when I post it. If it does, sorry about that.
Some days, things like that happen.
While I have had this in progress, I have also put another image on another canvas. It will be a Zebra! It’s actually the Zebra I had done the graphite of, laying down. That’ll be fun!
But my easels are a bit full at the moment!

Happy Saint Patty’s day!!!

DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

Moody Mule progress Saturday

Here is Saturdays work. I worked on the color of the grass. Mixed my green using Ivory black, Alizarin crimson and Naples yellow. A little dab of Titanium white to punch up a few highlights. I also added more color to mule’s body and his cute white legs!

I’m off to go work on him some more today! Much more still needs to be done.
Have a great Sunday!
DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

Moody Mule continues Oil on canvas

I started adding color to my Mule today! Yeah….the fun part!
For the Mule I used Ivory Black, Ultra Blue, Quince Red, Naples Yellow and hints of Titanium white. the yellow and white have been very sparingly used.
The sky is the same black and blue with hints of white to tint. Staying on this same color palette keeps the whole painting as one. I’m so glad that I haven’t had to use the umbers as they tend to be chalky and dry dull. With these few colors I am using, I have been able to get a great range of colors, especially rich browns.
Poor Mule…he’s so moody. Hmm…I wonder if this is a self portrait! Ha.

Hope you all are having a great Friday the 13th!!

DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

Phase two of Almost Dun

In this next step, I have blocked in the darkest tones, and mid-tones beside one another on the muzzle, under the jaw and cheek. I used a darker mixture of the payne’s gray and burnt sienna, and for the mid-tone lightened it with some of the perm. rose, blue and some white. I may have used a tad of the raw sienna…unfortunately I don’t remember exactly what I did…I just mess around with the colours on my palette until I get what I want. I’m not afraid to try mixing various combinations of colour and then putting on the canvas. If its totally gross, I wipe it off.
With the two tones painted next to one another, I then clean the brush I’m using and scribble the two together, at right angles to the original brush strokes. Then if I want a smoother transistion still, I’ll go at it again, blending at a right angle to those strokes. I like to work my paint from light to dark, or dark to light. I don’t paint back and forth into the different tones, as it can result in mud.
Working into the face more, I started to use the lighter colours like the Naples yellow, raw sienna, and light blue, blending as I go. Buckskins can have some greenish weird colours happening and I constantly had to cross reference my photos to be sure I was on track. This particular horse, has some masking on his face, which created a funny looking dark streak across his cheek, but I couldn’t *fix* it at this point. I try to be patient, and not overwork the paint. I let it dry most times, and clean thing up later with glazing or dry brushing or just painting out the offending area.
Its really a treat to see the little flashes of the warm colour peek out, that I toned in at the underpainting stage.

©Copyright 2008 by Michelle Grant. See original post here.
To learn more about this artist, visit Michelle Grant’s website.

The Dapple Grey

Here’s another of my neighbor’s horses. I tell you, doing these chores is killing me. LOL I haven’t been around such pretty horses for quite a while. They smell so good, and I love the way they nuzzle my face. Their whiskers are tickly. One of them pulled my scarf from my neck and flapped it around. I love horses with personality!

Donna Ridgway
PS Look for some of these photos to appear in my etsy shop!

My equine art website.
Travel the gravel! Our dirt road photo shoots…

artist reference photos for sale.

My Nature of Montana website. Wildlife and scenery of Montana.Posted by Picasa

©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

Doing Chores for a neighbor, it’s hardly a “chore”.

I’m doing a few chores for a neighbor. It’s not a chore, I can tell you, because this is what one of her horses looks like. I can’t wait to go do her chores each day! Her horses are like her babies, so they’re very sociable. Part of my job is to “visit” with the animals so they don’t get lonesome. While I “visit”, I take pictures of them…Don’t you wish you had my job?
Donna Ridgway
PS Photos of this horse will probably appear in my etsy shop.

My equine art website.
Travel the gravel! Our dirt road photo shoots…

artist reference photos for sale.

My Nature of Montana website. Wildlife and scenery of Montana.Posted by Picasa

©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

To be continued

Apparently winter is to be continued here, doubtless for the next several months at least. Totally unreasonable and irrational to expect anything else, given that I’ve lived here all my life (getting on for quite a while now) and it’s always been the same. I did give some thought to a little intermission from the whole thing in this week’s blog, but have decided to continue to share the grey bleakness, snow, and cold at least for now. That’s not to say I mightn’t flee to some of the summer garden and flower shots from my archives for a future post. We’ll see how I hold up!

We did actually get a two day respite over the weekend (back to minus 20s and more snow today). Miracle that it happened at all, and more so that it hit on a weekend. Mind you, in my life one day is much like another, weekend or no, as I set my own agenda most of the time. I’m always torn between describing my lifestyle as “never working” or “working all the time”. It can be interpreted either way. But back to the weekend. We got into single digits!! Sill single digits below zero but when you’ve been suffering through minus 20s and 30s with a wind, getting up to minus 8 is a big thrill. This being the case, I was happy it was on the weekend so all those poor 9 to 5 weekday workers could enjoy it as well.

Since it snowed much of the weekend as well, I had to hie myself out to add to my ongoing “horse herd in snowfall” series. First shoot I’ve had out there (of many so far this season) where my hands actually stayed in the comfort zone the whole time. I even had to remove my head covering as I was overheating! The only negative was that the snow was so heavy at some points that the camera was getting pretty wet and the large densely falling flakes confused the focus sensor so it couldn’t focus on the horses beyond the flakes much of the time. I did get some shots I am fairly happy with, though, which I will post at some future date. I wish it could snow in that pretty fashion and still have slightly more ambient light for better exposures. I’ve figured out a few ways to get around that problem, but I think I need to spend more time working on it. Or learn to accept that when it’s snowing around here it’s generally coming out of low very dark clouds and that’s just the way it is, but it’s not my way to accept that sort of reality. I always feel I can do better if I could just figure out the right settings, and oddly enough, I often can.

First shot today is Eclipse, a little Welsh pony who is continuing his training and learning of life-skills at Ebon. He is wonderfully furry and hairy in general, and I love his little ears. I had hoped to get some full body shots of him, but he’s wearing a cozy new warm winter blanket these days (he lives outdoors in the pony pen), so not a whole lot of him was showing. He is a project pony for one of the young women who has been at Ebon a number of years. She amazed us a year or so back by selling her big jumper to purchase this pony, who came with pretty well no instruction manual. He couldn’t even be caught for the first months, never mind haltered or led, but with time and patient work much can be accomplished, and he’s now working under saddle and continuing with his learning program of how to be a well-behaved riding pony. It’s always entertaining and endlessly interesting to observe the progress of both the young untrained horses and their handlers.

Shot two shows the halters near the school horse turnout, ready for use when required. The bright colors caught my attention, countered as they are by the dim lighting of the mid-afternoon’s snowfall, and the snow itself. You can see a couple of the school horses lurking in the background. When the weather is as extreme as it has been for the past few weeks, the school horses don’t get much work as it is too hard on their systems to be brought in from the cold, worked in the relatively warm indoor ring, then turned out again, even after very careful and long cooling out. They have shelters and good heavy coats (especially this year) so are well equipped to handle the cold if left to their own devices. A good school horse is a valuable and well appreciated commodity at any training stable, and they are treated accordingly.

Shot three is a shelter of a different sort. This is the “brush pile” that we have established against our back yard fence, which serves as shelter and habitat for whatever little creatures need to make use of it. In truth, it’s mostly for the birds as the main other creatures here in the city would be mice, and nature friendly as we are, we tend to draw the line at mice and rats. We’ve been chucking branches and odd bits of debris on this for a couple of years and it is well used by the local sparrows, who are usually scattered throughout the depths of the interior. The pile faces west so it catches the sun much of the afternoon which makes it even nicer for them. We cut the branches off our Christmas tree and added them to the top to make a little roof to keep the snow out a bit better. There are no sparrows in the photo as they had all just been scattered to the winds by Mickey who roared out ahead of me when I went to get this shot. Mickey has always had a bit of an obsession with chasing birds, so he never misses an opportunity to do a bird run when he gets the chance. Once he actually did catch a slow-moving sparrow in one of these hunts, and that just reinforced his optimism about the whole process.

Shot four shows Mickey himself, having finished his brief foray and giving me the “well what are you waiting for? Good heavens, it’s cold, let me in” look. Can’t really blame him for that as it was about minus 25 and Boxers are definitely not built to handle cold. Oscar (his brother) wouldn’t even come to the door when we went out to the yard, never mind actually join us. Oscar is a dog who looks out for his own comfort and welfare above all else.

Shot five shows the “greeting” gargoyle in our front yard, as decked out for winter as he’s going to get. Once it got cold and snowy I felt he needed *something* so I gave him a scarf to get him through the season. I know, I’m odd. Seeing this shot reminds me I was going to antique him to make him a little more interesting and less gray. Maybe next summer I’ll remember to do that.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

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