Tag Archives: equine photography

18 Tips for Taking Great Horse Photos

Even though I love to take photos of horses for my paintings and meet each horse personally, I just completed a commission based on a photo supplied by the horse’s owner. Seems, I don’t have to be the one who snaps the photos I use for reference material for a painting to come out well! Boy that makes me feel sad, but happy too!

I’ve changed the wording on my Commissions web page…. If a horse owner would like a commission done from a photo that they send me of their horse, I’m ready!

Of course, because of copyright laws, I will need written permission from the person who took the photo(s) — whether it is the horse owner or another photographer — to use the pictures for a painting. Professional photographers may not agree — or may charge the horse owner a fee to use their photos . . . so . . . .

I decided to share some of my favorite tips for getting great photos of horses. No, a simple “Top 10″ list wouldn’t work for me! Especially since I decided to illustrate the tips with some of my favorite photographs — and I have literally thousands to choose from…. I’ve come up with 18 Tips. Yep! 18.

If you’d like to read the tips and see some of my photographs, the official link to the 18 Tips is located on my Commissions page: http://www.karenbrenner.com/commissions.html. (Sure I could have put it in the blog, but I want you to take a look at the new information on the Commissions page AND read the tips!)

One tip I didn’t put on the list — maybe because I didn’t have a good photo to go with it — was to get a digital camera. That sounds bossy, but it really is good advice. When taking photos of horses, often you have to take 100 shots to get 4 or 5 really good ones.The cost of film and developing can be expensive. With a digital camera, you can take endless photos. And you never have to print the ugly ones!

If you’d like to share your favorite tip for photographing horses, I’d love to hear it!

[Photos and links that accompany this feed posted at www.karenbrenner.com/blog.html]

©Copyright 2008 by Karen Brenner. See original post here.
To learn more about this artist, visit Karen Brenner’s website.

Virtual Postcard

©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.

Bright eyed and beautiful, horse photos.

I love this bright eyed horse! Not only was he bright eyed, he had vertical stripes down his front legs, something I’ve not seen on another horse. Another day, I’ll post his legs.

This horse, was just plain gorgeous, such a soft look in her eye.

I’ve switched from my poor dilapidated mac G4 laptop to a new windows machine running Vista. I had the greatest fear of windows! I never would have believed I could switch and be so happy about it. But this new computer is great.

The files pop open quickly, no matter how large they are. I haven’t had chance to do a lot of things on here yet, as I’ve been so busy setting it up, downloading programs etc… But what I have accomplished, I’ve been very pleased with.

I had an old Wacom tablet hooked to my very first mac, I couldn’t get it to run on my G4 computers for some weird reason. I decided to give it a try today and imagine my surprise when I went to the Wacom site, and downloaded the very driver I needed! After about 10 years, it’s still good on a brand new computer. It’s working perfectly. So expect some computer drawings soon!

Thanks for stopping by…

Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Giclee Color Prints available

As I have been dabbling in digital, I have created some images that I think stand up well with my B&W work. I am making these available for purchase as either inkjet reproductions or as Archival Giclee prints. You can see all of the color images in my gallery at http://www.julietharrisonphotography.smugmug.com/ Inkjets are $24.95 plus shipping. Archival Giclee prices are based on the size of the print. They start at $120.00 plus shipping for an 8×10. All work is signed by the artist. For the purchase of any of these images, contact me, Juliet, at juliet@lechevalthehorse.com . To see my B&W work go to http://www.lechevalthehorse.com/

©Copyright 2008 by Juliet Harrison. See original post here.
To learn more about this artist, visit Juliet Harrison’s website.

Horse picture, horse drinking, reflection.

I’d like some help naming this picture of Murphy as he stares into the water. What do you think I should call it?

I took this horse picture while we were at the ranch last week. I like the feeling of anticipation of a nice long drink of cool water on a hot day, I like the way he seems to be staring at his own reflection-I like the way you wonder what he’s thinking….

What do you see in this photo? Leave a comment if you can suggest a name for this horse picture….
Donna Ridgway

Email Me if you have questions, or want to inquire about purchasing a painting.

Remember, you can find horse art , Western art, Mule and Donkey art
wildlife art, cow art, and animal paintings, my reference photosfor sale on my website.

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Dancing Ponies

The Arabian “boys”

Sophie:

Dulci:

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Fun Photos from the All Horse Parade in Delaware, Ohio

Imagine a parade that is all about HORSES! Pat Getha, an equine artist from Delaware, Ohio, invited me and Sue Steiner, a fellow artist, to her home town’s All-Horse Parade, bribing us with emails containing delightful photos she’d taken from last year’s event. Sue and I decided to grab our cameras and drive on down. And, we had the best time!

As described, this 23rd annual All-Horse Parade had over 500 horses in over 100 units! It was a wonderful parade, and the sunny weather made for a day that was perfect for photographing horses. Maybe I can bribe you to attend next year with these shots I took yesterday!

This year’s parade included . . .

A four across hitch . . .

Tails up in ribbons . . .

Minis pulling carts . . .

Canine companions . . .

Cute girls with pink cowboy hats. . .

A horse-drawn pep band . . .

Horseback riding fairies . . .

The hard working clean up crew . . .

More tails in ribbons . . .

Mules with personality . . .

Great hats . . .

Yes! Great hats . . .

A magnificent eight-horse hitch . . .

Unicorns . . .

My childhood hero - Zorro . . .

Black Clydesdales . . .

And much, much more! Be sure to mark your calendars for September 2009’s All Horse Parade!

[See the photos on my blog - www.karenbrenner.com/blog.html]

©Copyright 2008 by Karen Brenner. See original post here.
To learn more about this artist, visit Karen Brenner’s website.

Go west and take pictures!


Well, what can I say but that it was a feast of photo ops for me last week, reflected in the excessive number of shots I am featuring today. I had a hard time settling on just these ones, and indeed would have inflicted yet more on you but Blogger won’t let me load more than five, and it’s probably just as well.

Every year for the past twelve years I’ve had an art booth at Equi-fair at the Spruce Meadows international show jumping venue in Calgary, held during the Masters competition. It was always a lot of work to get ready for this show–particularly since I was mostly producing time and labour intensive one-of-a-kind art pieces, mostly glass mosaics, so in addition to the concentrated effort required to get everything prepped for this five day show, I usually lost most of my summer as well to studio time. Now that I’ve switched media to something that isn’t heavy to haul around, breakable, or one of a kind (i.e. art photography) and that would be somewhat rational to haul to a long show, I decided the end had come for this particular chapter of my art life, so I didn’t have a booth there this year. However, I did want to have a bit of a “farewell tour” and just get to be a tourist with my camera for once, plus there was the added inducement of the unveiling and first showing of the Mural Mosaic project, of which I was a small part.

All this being the case, Jim and I headed west last Tuesday, dropping the boys off at Happy Dog Acres boarding kennel (where they do appear to be truly happy, since they can hardly wait to get in the door there and don’t seem that interested in us when we come to take them back home) then carrying on down the road to Calgary, which is about a seven hour drive if you keep at it, but was a bit more for us as I wanted to have the leisure to stop and take photos as desired, always having been under a strict timeline when I did this trip before.

We stay at a wonderful B and B just west of Spruce Meadows, run by a couple who in addition to being superb hosts have become good friends over the years that we have stayed with them. They are llama breeders and cat lovers, and we always enjoy the various aspects of staying there and indeed feel right at home.

The unveiling of the gigantic mural was early afternoon on Wednesday the 3rd (also our 42?? wedding anniversary, not sure how that happened or where all those years went) and we were on hand to see it assembled for the first time. There were a number of contributing artists there for the event and it was quite astonishing to see the scale of it in the Equi-fair venue (the main riding hall at Spruce Meadows in normal circumstances). If you Google “Mural Mosaic unveiling” or something of that sort, you can likely find some online shots. They had all the artists come up to the front for photos, which was nice. If you find some of these shots, I’m the one kneeling at the front with the big camera in my lap, and *not* dressed in black.

The rest of that day and the following one, we mooched around the site and took in a fair number of show jumping classes. Despite having been there every year for the last twelve years, I hadn’t made it to the International Ring for at least a decade, so it was a treat to flop around on the “peasant’s” bench seating with no time constraints, no booth or customers to rush back to, just watch the jumping and take some photos. Wander off for a coffee, come back for more shots.

Now it’s back to business at home, since in case I should, heaven forfend, not have enough to do already, I am organizing an art show/sale which will take place this coming Saturday, September 13, at Ebon Stables (where I ride) east of the city. Any Saskatoon and area readers of this blog are more than welcome to come to the show. There will be ten artists (painters, a print-maker, photographers) showcased at Ebon, and the potter’s group just down the road at Agar’s Corners will also be having a sale of pottery and other crafts, plus Peggy and Don Agar are doing up a fowl supper. Something for everyone! If you want details on any aspect of this show/sale (Art at Ebon) just email me at  judywood@sasktel.net  and I can give you any information you require. All we need is some decent enough weather (this is semi-outdoors) and we’re good to go.
On to the shots of the day.

First up is the ridiculously beautiful view to the west of the B and B where we stay. Those are the Rockies, and that’s a pretty tame sunset, but it’s what I could get. Still pretty darn nice. I was very short on light by the time I took this one, so I was happy to get anything at all.

Shot number two is one of the new kittens at the B and B. There are two of these beautiful little girls, and I was totally smitten with them. Again, having the luxury of time, I spent quite a bit of time each morning just sitting around on the grass watching them play. I think of all the wonderful photo ops I had on this trip, I had as much fun and pleasure getting kitten shots as I did any of the others. Can’t say I’m hard to please!

Shot three shows the mural mosaic just after the unveiling. You can see the scale of it quite well in this shot with the people at the base of it. My panel is totally invisible there as it is in the bottom row. You can check their website http://www.muralmosaic.com/Cadeau.html  to see it. It’s on the bottom row, fifth (I think) from the left. Look for the “Gothic” looking one with the black horses (all my boy Alpac), moon, crows and church.

Last two shots are from the International Ring. That’s Ian Millar on the grey going over the jump in typically good style, and the other shot is the Queen’s Cavalry (or whoever they were, not sure of the correct name) with some of the winning riders, at attention for the playing of God Save the Queen at the end of the day. I couldn’t figure out why they kept playing God Save the Queen at the time, but of course now that I think of the Queen’s Cavalry and Guards being the official escorts, it makes sense.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

A couple of clowns, two silly horses.

I’m sitting here tonight looking through old photos. So many times, I forget what I have on this computer! Coming across this pair, was like visiting with old friends. They gave me a cozy feeling when I saw them, two horses, having so much fun playing together. And the looks on their faces, how funny can you get! Two silly horses for sure.

Let me know if you enjoyed them. Capturing photos of animals playing is one of my special joys and if you like them too, that would make me extra happy.
Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Horse photos from a week at the ranch.

Photo of a horse's butt copyright Donna Ridgway, all rights reserved.

Photograph of horses in Montana crossing a ridge with clouds in background copyright Donna Ridgway, all rights reserved.

Photograph of a horse's head against the sky, copyright Donna Ridgway, all rights reserved.

Close-up photo of a horse's eye, copyright Donna Ridgway, all rights reserved.

Close-up photo of a horse, copyright Donna Ridgway, all rights reserved.

When I lived on the ranch, and worked everyday, I barely noticed the way the light plays over the form of a horse. If you need your horse in a hurry, and you see scenes like this, they’re so fleeting. You don’t have time to really see the beauty around you.

So I’ve posted these horse photos so we can take a moment to reflect on how wonderful our equines are. I hope you experience a feeling of peace and harmony when you see these photos, the same as I did when I took them.

You can purchase these horse photos as prints on my Red Bubble site below. There are many options in pricing and size, canvas and paper. Something for every budget! Place your order today.
Donna Ridgway

Buy my art

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

Horse Shows By The Bay

Photograph of a girl and a horse copyright by Karen Baker Thumm, all rights reserved.

On Sunday I dragged myself over to spend some time at the big “AA” level hunter/jumper show, Horse Shows By The Bay in Acme, Michigan, just outside of Traverse City. This is its fifth year of existence, and it gets bigger and better every year.

Of course it was hot, but there was a nice breeze blowing, and by going as much as possible from one patch of shade to another, I managed to put in a couple of hours without collapsing. There is a lot of walking at this show, especially if you are going back and forth between rings to catch action at certain times, and I was grateful that my bad knee and back survived without too much protest.

I wore my floppy canvas hat which worked great for shooting and was pretty cool as well. I ignored the fact that I look pretty dorky in it, and only ran into one person I knew; my barn owner who already knows that I’m a dork and a little odd.

My main reason for going was to shoot the toddlers in the Lead Line class. It was held in the new Grand Prix arena, and I was allowed to go down and shoot from the in gate so managed quite a few shots as the kids waited for the class to begin. They are SO cute on their spiffy little ponies! Some were so small that they hadn’t a clue what was going on and didn’t care; they just wanted their naps.

I was quite disappointed to find that this new arena is not photographer friendly. It sits down a slope from the rest of the show grounds, and spectators are limited to sitting a ways up the hill for the show jumper classes. So, that is not a good vantage point for getting photos of jumpers to use for paintings. It didn’t matter much on Sunday because I had forgotten to put the long lens on my camera before I left home, so I didn’t even bother going back to shoot the big jumper Grand Prix class. Instead, I wandered around shooting show scenes and a little of the hunter rings but the light wasn’t good and most of the jumps too far away, so those shots didn’t come out well at all.

On my way in and out, I took some shots of horses being bathed to get more references for wet horses if I need them as I did for the Mural Mosaic project. I didn’t get down to the pony ring but hope to catch some of the ponies when I go back on Friday this week when the dressage show will also be going on. Last year the dressage and ponies were in adjacent rings, so I went back and forth for most of one day.

My one complaint about this show is that it’s very difficult to find a list of classes so that you know what’s going on in each ring at any given time. In the past I was able to plan out ahead of time where to go at what times to catch the action that I wanted, but not so this year or last.

By clicking on the image above, you can go to my website and see a small portion of the photos I took on Sunday.

©Copyright 2008 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit Karen Baker Thumm’s website.

Maybe It Never Rains in California, but it Sure Does in Saratoga!

Thoroughbred racing at Saratoga photography copyright Linda Shantz, all rights reserved.
Well, I pulled off the whirlwind trip to Saratoga and made the most of it. I met up with Juliet Harrison as planned, and we headed right to the track (once we remembered how to get there!). In typical Saratoga fashion it was hot, and the clouds started to roll in as the afternoon went on. It was a “Breeders’ Cup Win and You’re In” day, so four nice stake races were scheduled. Right before the Go For Wand, the rain hit. Like die-hards, we stood by the rail and waited to watch the race. Taking pictures at this point was kind of difficult because while we were willing to get wet, we weren’t willing to let our cameras get soaked! Thanks to the program which I’d earlier been grumbling about (the tops of the pages weren’t cut…and most of it is printed on newsprint, so my hands were black) I had a shield for my camera, even if I’d left my rain coat in the truck!

Ginger Punch put in a huge performance to win the Go For Wand - I was really impressed. After spending most of the race locked in on the rail she broke out and emerged victorious. In the post parade she’d looked clearly disgusted by the rain, so I’d thought maybe it wasn’t going to be her day…but a bit of rain and race-riding wasn’t going to stop this girl! The rain did stop us after that race, admittedly - we didn’t stick around to see Commentator win the Whitney, unfortunately!

A visit to Saratoga isn’t complete without seeing some galleries and a stop at Mrs. London’s for the to-die-for pastries. Sunday we hit the races again and upheld our now-tradition of some Ben&Jerry’s (despite the exhorbitant cost of it at the concession stands!), took some more pics, watched some more great racing and yes, got rained on again.

Till next year! :)

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Queen’s Plate ‘08

Not Bourbon and Ginger Brew at the finish of the 2008 Queen's Plate. Photo copyright Linda Shantz.
I want to be sure everyone knows that little Billy called it, and Gracie wasn’t far off! Not Bourbon held off Ginger Brew to win the 2008 Queen’s Plate in an exciting finish. Unfortunately, thanks to what I’ll call a two-minute rule, I didn’t get very great shots of the race itself. Apparently, for the duration of the Queen’s Plate, and the Plate only…and this year’s Plate only, for that matter…standing at the base of the stairs to the second floor seating is a fire hazard. I’m not sure why it wasn’t for the race before the Plate, or last year’s Plate, or the year before. What can I say!


The LongRun fundraiser auctioning off the saddle cloths of the Plate field is happening now on eBay. By pure coincidence I ended up with some pretty cool shots of the horses in the walking ring. Be sure to check out the auction. A couple of the cloths still have no bids, including the winner’s! His connections better step up!


Here in the studio, the painting goes on. The purple panel is on its way to Edmonton to rejoin its other mosaic pieces for a grand reunion. Stay posted for information on the unveiling! And keep track of the progress on the Mural Mosaic website!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

When Worlds Collide

Western horse riders cowboys. Copyright Judy Wood
Western riders cowboys. Copyright Judy Wood
Cowboy. Copyright Judy Wood
Horses taking a break. Copyright Judy Wood

This weekend was one of those interesting ones that I particularly enjoy, when two quite different parts of the “worlds” I inhabit come together for photo ops. The world of horses is a varied one, and with a few exceptions, I’m pretty keen on all of them.
The first of the Ebon Stables dressage shows happened this weekend, and as a dressage rider and enthusiast, I’m generally on the spot for these shows, camera in hand, and list of riders who want show photos firmly in my head.
This year, though, there was a timing conflict, as I had heard about a working cowboy camp that sounded way too good to pass up for enhancing my collection of western themed photos. Once I learned that the camp was being held at the ranch of Dale and Teri Clearwater, where I have done photos before, I knew I had to take in this event as well.
I met the Clearwaters last fall through a mutual acquaintance. I phoned them to say I had heard about them and would love to come to their place to do some photography, and they kindly agreed to my request. When I got out there for the first time, I was just blown away by the landscape and by the type of operation they run. This is classic working ranch stuff of the sort I didn’t know existed less than an hour’s drive from my place. Dale and Teri have only owned the ranch for a few years but have turned it into a functional and well maintained horse training facility, with the bonus of a lot of cattle on the side. They embody the solid character and strong work ethic that epitomizes the best of ranch life, and Dale has a well-earned reputation as a skilled trainer of working cowhorses and of cutting horses. Bonus for me is he and his operation are as classic in look and style as he is in his working methods, so for the purposes of my photography, it doesn’t get much better than that.
Dale and Teri are also very accommodating in humouring me with my sometimes odd ideas of what I want to photograph around their place. I’m used to being mostly ignored when I’m out getting shots, and sometimes just barely tolerated, but the Clearwaters are positively co-operative and welcoming about having me lurking in the background with a big lens, which is a really nice change. I do my best to stay out of trouble and not get in the way too much, but at bottom I’m a city person and there’s a lot I don’t know when it comes to ranch life.
I was able to get to the ranch for the Saturday afternoon session, which was calf roping. There were a lot of participants in this clinic, all working cowboys/girls with their own horses, and four guest instructors besides Dale. There was also a camera crew filming for the Cowboy Country television show, which was my first hint that this was a fairly big deal. The level of organization that must have gone into putting this event on was impressive, as they were handling not only the clinics for the participants, but also providing camping facilities, a grand Saturday night dinner, live entertainment, and a Sunday morning church service in addition. Many of the participants came with their families for the weekend, and there were swarms of little kids zipping about, being ably cared for and entertained by helpers. Mercifully the weather was decent, as the pouring rain we had earlier in the month would have meant trouble for this event. Mind you, Saturday was darn hot and it was stressful for all concerned in the clinic–instructors, participants, horses and calves, but this is a cowboy operation and they are all used to functioning in whatever extremes nature chooses to throw at them.
I learned a bit about the ins and outs of roping and handling the cattle as I watched and did my photos, and I was impressed that all the instructors emphasized ways of working with the horses and cattle that were the most efficient, safe, and least stressful for the animals. Just get in, do the job right, and get out. No carrying on, no dramatics, no grandstanding. It’s always a pleasure to watch professionals do what they do best, and here I’m referring to both the human and the equine participants.
So of course I can’t pick just two shots for this post, and none of them is going to be of the dressage show. There’s another dressage show coming up in a couple of weeks, and I’ll get yet more shots at that one, maybe some I can post here.
The first shot shows some of the guest instructors waiting for the afternoon’s work to begin. They were just hanging out and visiting, with Dale’s beautiful hundred year old barn in the background.
In shot number two they are heading in from having brought the calves in from the pasture. Here they have been joined by Dale, who is second from the right. When I got this shot the border collie had momentarily taken over herd wrangling from the riders.
Shot three shows Dale organizing his rope in the nice new large round pen he has constructed since I was last there. It’s a great work area to contain horses and cattle safely while they are being worked with.
Shot four is of a couple of the women riders and their horses taking a break from the heat in the relative coolness of the tree-lined approach to the house. I did a little bit of Photoshop work with this one–will do more when I get the time to make it look more like a painting.
Dale and Teri have their own website up now. You can check it out and learn more about them by following this link http://justaboutaranch.com/
Next weekend, weather permitting, I have two more horse events to photograph–a heavy horse ploughing competition on Saturday, and a combined driving event on Sunday. There seems to be something (or several somethings) every weekend once summer hits. I really think the federal government needs to deal with this by legislating extra weekends over the summer months so we can fit everything in.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

The Morning Line

Ginger Brew copyright Linda Shantz

Plate morning! There’s always a special feel around the backstretch, whether you’re running in the big race or not. I remember we always made sure the shed was leveled and raked even more carefully than on normal days, and the apron and lawn outside was particularly clean. We even polished the brass on the halters. Being stabled close to the receiving barn, we witnessed the arrival of the horse guards first-hand, something that was sure to set my dear girl Petunia over the edge! Not her favourite morning, that’s for sure.

Colt bucking photo copyright Linda Shantz
When I turned the foals out this morning, they spent the first five minutes running and playing. It was probably inspired by the cool, damp air, but I entertained that they just know it’s Plate Day! Gracie is backing Ginger Brew, because, of course, chestnut fillies rule. Billy’s dad Mobil ran second in the Plate, and Gracie pointed out that it was a chestnut that beat him (stablemate Wando, 2003). Billy kind of likes Not Bourbon today, being Ontario-sired and all, but he let on that he’ll be rooting for Uncle Jerry and Deputiformer. Nothing wrong with picking a longshot! Just ask Monster…her dad Tejabo sired a whopper in TJ’s Lucky Moon back in 2002.

Filly bucking photo copyright Linda Shantz


Woodbine Entertainment and LongRun Thoroughbred Retirement are having a neat fundraiser after this year’s Plate. The saddle cloths of all the starters will be auctioned on eBay this week to raise money for LongRun. I’ll post a link to the auctions as soon as I have it so you can check it out.

Painting in progress of Mike Fox by artist Linda Shantz
Okay, so I’m hoping I’ve distracted you from asking about the Mike Fox painting. All right, I admit it, it’s not done. So I came up short. It’s getting very close though. At this stage I’m working on a lot of nit-picky stuff, so progress is a lot slower. Won’t be long now! And maybe I’ll start on this year’s winner a little earlier! Hope that grey sky brightens a little by post time!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

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