



I seem to have achieved my usual eclectic mix of images for this week. At this time of year when I’m not shooting as much as usual, I sometimes wonder what I will manage to come up with for the weekly blog shots. Invariably something always bobs to the surface despite my occasional anxieties over the whole process. We’ve been a bit short on horse shots of late, mostly because I haven’t been generating many. The horses I have regular access to are either blanketed or muddy (yes! in January! in Saskatchewan!) and in very uninspiring surroundings. My main hope is for action shots, which they are singularly unforthcoming in providing. I’m hoping for a bit of fresh snow one of these days to make things look cleaner and brighter, and that might provide the impetus for me to get out to some of my regular horse haunts for some new shots.
In the meantime, we’ll work with what showed up today.
Shot one shows the chaos that currently has overtaken my studio. One of the side-effects of me not currently having any shows or particular time pressures for my photo work, combined with more down-time from riding than is usual (horse has a cough), has been that I have the leisure to get into trouble on the home front. I’ve been enjoying “putter” mode for the most part, doing selected small and mindless chores around the house, which has been entertaining in a low-key sort of way. Since “some day” seemed to have come for countless little jobs, I thought I’d better make some moves on the slightly bigger undertaking of a studio rearrangement that I thought up back in December when I didn’t have the time to work at it. This involved unloading and moving an extremely large, laden, and very heavy worktable, with the added regressive move of having to unload and move another largish storage unit that was full of many heavy items, to make room for the work table. I got the table moves done a few days ago, having displaced a lot of items in the process. I have a feeling I’m not done moving furniture around, so I don’t want to put away all the stuff that is piled on whatever horizontal surfaces I could find, since inevitably the minute I load them all into a storage unit, I’ll suddenly decide I want that unit elsewhere and have to reverse the process. So, until I have a clearer idea of what to move where as my next step, the piles remain. In the old days when I worked with other art media, this type of situation meant I couldn’t work until I resolved all the work surface concerns, which had the effect of keeping me at it, but these days I just walk past it all (averting my gaze if necessary) and head straight to the computer to do my artwork. I have a feeling this situation could last quite a long time.
We’ve been getting some nice frost effects due to the relatively warm temperatures that continue, combined with higher than usual humidity. Shot two is one I took of the pole bean remnants on their support, backlit by the rising sun. I like the organic linear lines of the bean stems outlined in frost, and the warm colours of the early-morning light.
I have a fondness for snowmen, and the weather has been prime for them of late, although the raw materials (snow) are a bit scarce. I drive by a schoolyard that abuts the highway as I go to the barn every day, where the kids have been building snow people overlooking the highway. One of the fun parts is the snow person changes on a daily basis. The first one I noticed was a quite shapely woman with a hat and purse. By the second day, she had morphed into a shapeless and lumpen one-eyed creature holding a garbage bag. Shot three was the creation of day three, which was Friday. Since school was out over the weekend nothing changed on Saturday and Sunday. I would love to get photos of each day’s snow person, but the highway is too busy for safe stopping on the shoulder most of the time. I was lucky to get this shot during a quick stop when the traffic was a little less intense than usual. The other poor part is that the snowman is facing north so is always backlit, which is an added photo challenge.
Primulas always make a welcome appearance at the grocery stores at this time of year, and I bought a couple (shot four) to brighten up the living room. They are nestled nicely in the interesting silver-coated basket (that needs polishing) purchased last summer for 50 cents at a garage sale.
Shot five is of my friend Murphy, the Ebon stables dog, taken last fall. Murphy is always happy to fetch whichever of his many toys is thrown for him. I love the way he fixes his gaze straight on me as he is coming in at high speed. This is one of the many “family and friends” shots that I have been endlessly editing for the past few weeks. I often think of myself as the “independent memory unit” for the family, friends and clients for whom I do photos.
©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.















































































