Tag Archives: digital

And another one—





I am aware that another week has gone by, but I really don’t have a lot to report about it. Mostly because I don’t recall anything much, not that nothing happened. I seem to have mastered the art of living in the moment to such an extent that I really can’t recall what I did where or when in all my previous week’s moments, unless I have the photos to jog my memory. Guess I should be taking more photos, if only so that I know what I’ve been up to!
Actually, I did get out on a few shoots and it’s starting to come back a bit now. We had some foggy days that deposited beautiful frost coatings on the trees, and I got some shots of that. I have Sunday clearly in mind (mind you, it was only yesterday) since grandson Mark and I went out with the cameras to several locations. And then there was the flurry of email activity earlier in the week (no photos there) involving a lost dog in rather desperate circumstances, whose story now looks like it is well on the way to a happy ending.
One of my job descriptions seems to be as part of the pipeline for animals in need. I have a good network of diligent “friends of animals” who are the long-suffering recipients of the sad stories that I forward to them, and almost invariably one of them, or one of *their* contacts, will know someone who knows someone, and we are on our way to a good solution for the animal in question. I feel badly about inflicting these sad tales on my poor friends and acquaintances, but not badly enough to stop doing it as long as there is a hope that someone out there will be the savior for the animal in need.
Lacking anything else dramatic (or non-dramatic, for that matter) to comment on, I’ll move right along to today’s photos.
Sunday morning grandson Mark and I went to my favourite mixed herd south of the city so Mark could get some horse shots for a photo contest he hopes to enter. This particular herd is comprised of very low-key and friendly horses, many of whom are keenly interested in photography, or at least in visiting photographers. The palomino mare (shot one) who is usually my shadow abandoned me pretty readily to be Mark’s photographer’s assistant for this visit. She attached herself to him early on and trailed about after him for much of the shoot. At one point he had about three or four of the young mares giving his work close attention, which was quite entertaining to watch. Because I am very familiar with this herd and their calm temperaments, I am more tolerant about Mark being in their midst than is my general rule.I tend to be fairly aware of the hazards of working close to large and fast-reacting hoofed animals, and act accordingly unless I am confident that it is OK to get closer.
Later on Sunday, we passed through the Heritage Day festivities at the Saskatoon branch of the Western Development Museum to see some of the displays and check out a few of the new features of the museum. My recollection of this event from previous years was that it tends to be rather sparsely attended, but that certainly wasn’t the case this year. Our first clue was the large number of vehicles clogging the parking lot, complete with harried parking attendants trying to shoehorn cars into various obscure corners. Indoors it was swarming with activity, to such an extent that we decided just to do a quick overview of the displays and keep on moving out the door and on to our next destination. I climbed the stairs to the upper level balcony over the main-street general store in order to get this shot of some of the crowd. This prairie heritage museum is a great place to visit, especially in winter, and it was wonderful to see such a good turnout.
Shot three was taken at Ebon, after we had tended to Alpac (my horse) and were wandering around some of the paddock areas looking for more shots for Mark. I noticed the barn sparrows taking the sun in their little niche above some of the horse shelters. I love the way sparrows line up along any sort of suitable board that they can find. Sparrows are surprisingly hard to photograph as they are very spooky little birds who take flight very readily. Getting close enough to get the shot without scattering them is always a challenge.
I’ve been finding a bit of time here and there to play with some of my image collection, recombining various elements and making new images out of them, courtesy of the wonderful magic wand that is Photoshop. Shots four and five are two that I generated last week. Once I get the basics down, I like to work with variations on the theme. As these two images demonstrate, you can create an entirely different feel just by changing the colours.

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

Digital Experiment

I stumbled upon a fellow that does digital illustrations using Photoshop and a digital pen and tablet. He used mostly the burn and dodge tools. The method was very intriguing. Spending yet another day snowbound, I gave the technique a quick try. This was my first “doodle”.

Posted in Uncategorized

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

This is more like it





Things are much improved on the weather (and personal comfort) front since we have left the minus 30 and 40 degree temperatures of early last week. We even made it up to single digits below freezing on a couple of days. This has been a very welcome reprieve for all inhabitants of this province, human and animal. As always when things get as bitter as it was last week, I pondered with amazement how the early European settlers were able to survive their first years here (and by *early* in this province we are going back only a hundred or so years), or, going farther back, how the Native inhabitants were able to use their survival skills and hard-won knowledge of this harsh environment to keep themselves alive, all without the benefit of insulated houses, central heating, running water, grocery stores full of food, heated vehicles, and all the day-to-day things we “moderns” take for granted. I’m not sure many of us could survive the way our ancestors did, with the materials they had at their disposal, and “making it up” as they went along, often with little knowledge and few resources. It’s a testimonial to their grit, determination, and likely their level of desperation, that any of us live here now.
I was able to take advantage of the milder temperatures to go out on a first “date” with the new camera (a Nikon D300s, since a few people have inquired) and so far, so good. This camera seems mostly familiar to me since it is the evolution of my previous D200. There are enough new features for a bit of a learning curve for me, but not so many that I couldn’t pick it up, adjust the settings to my own specs, and go out and shoot. The unrepaired but still somewhat functional D200 has come back from its trip for diagnosis, and has been officially handed over to my grandson Mark, who is very pleased to have it. I hope it will continue to work for him for at least a while.
While I was without my usual camera I had a bit of “extra” time to play with existing images in Photoshop. That and the fact that it was just too darn cold to go out anyway. The first image in today’s lot is one of the results of that playing. I’ve been thinking about doing a series of “elemental” horses (earth, air, fire, water) and likely you can guess which one this is. Since I assembled this one, I’ve rethought the concept quite a bit, so this is only a beginning of what will end up being a lot more complex image. Then I’ll have to figure out the other three. After that, I’m contemplating “four seasons” horse images. That should keep me entertained for a while this winter, added in to all the other things I have in mind.
My photo outing of the warmish day took me to my favourite mixed herd south of the city, en route to Ebon stables to check in on Alpac. Shot two shows one of the young brood mares “hiding” behind a tree while keeping an eye on me. It’s been quite a while since I got out to photograph these horses, a situation I will try to remedy as the weather allows. In fact, I tend to go out there a lot more in the winter than I do in the summer, partly due to my quest for shots of horses when it is snowing. Mind you, we have almost no snow at all so far this year, so things will have to step up on that front to get me out there more often.
Shot three is one of the several barn cats at the same horse operation. I’m not sure how many cats live there, but the ones I see are all very well fed and in good shape. I think of this one as being the “ambassador” of the group, or maybe the “greeter” as he will come rushing up to purr, rub and visit the minute he sees you in the area. Getting photos of him is always a challenge as I generally have my big zoom lens on the camera when I am there, and he gets so close so fast that I can’t usually get a focus on him to get a shot. Right after I took this one he shot down the post and was soon wrapped around my ankles.
Shot four is one I took at Ebon when I got there that same day. I always smile when I see the barn sparrows lined up on the fence. They’re pretty skittish, so this was as close as I could get before they all took off. You can see from this and the previous shots that the day was very grey and overcast, although with the added bonus of beautiful frost on all the trees, due to the somewhat warmer and moister prevailing weather system.
In addition to spending time on the fire horse, I was in “card” mode last week. An online publication, the StableWoman Gazette, put out a call for images for e-cards, and I was happy to oblige. I’ve had a folder in the computer of suitable card images for quite a while, and just needed the nudge to get me to work on some of them. If you click on the highlighted link above, you can see the e-card area on the left of the home page.

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

Birds of a feather





Well, I guess we here in Saskatchewan have been allotted one good month this year for weather, and it was September. Almost as soon as the calendar flipped over into October the winds blew up, it clouded over, and got cold and wet. Really wet. Several of the turnouts at the barn were under water (again) and it takes a fair amount to do that.
Today we had a small amount of sun for a bit, but the rest of the week looks fairly gloomy. I’ve already logged a couple of cancellations of planned photo shoots, one for a client and what was to be our second attempt to find the ghost town that eluded us last time. We did get enough of an idea of the terrain and lack of roads in the general area to know that we don’t want to try this on anything less than perfectly dry surfaces, so that hoped-for outing on Saturday didn’t happen. Maybe next weekend, although someone today mentioned the “s” word (that would be snow) as something that might occur on Saturday, so maybe we’ll be out of luck again. Too early in the week to believe forecasts for the weekend to come.
I thought for a while there I’d have to post more Nelson photos since with the cold and wet I certainly wasn’t generating any new ones, but things got quite active on the photo front yesterday and today so as usual I had to pick and choose which ones to cram into my limited space here. I will try to sprinkle some of the Nelson ones in here and there as time goes by.
First shot is one that I created last week when the weather was too rotten for outdoors activity. I think I started out editing summer horse show shots for clients (a seemingly endless task that I have been pegging away at for quite a while) but I got distracted while wandering around in the computer and ended up with this as an end product. I got the horses and chariot photo a couple of years ago at Spruce Meadows, and blended it with one of my beloved night sky visuals and a photo of Stonehenge supplied by my daughter. Sadly, her camera (formerly my camera) was misbehaving for the entirety of their trip to England and northern Europe this time last year, so I have to be creative in my use of the shots she has shared with me.
We have two family birthdays a few days apart at the end of September and beginning of October, and for the last few years have had a combined birthday outdoors breakfast at a nearby small lake and provincial park. It was a bit chilly and soggy on Sunday morning when we set off for our destination, but not actively raining, so we carried on with the plan. A group of us met out there and a good time and good meal was enjoyed by all. We are gradually evolving our strategy for this outing and may eventually, given enough time, actually have everything we require in the way of foodstuffs and equipment. I’ve gone so far as to start a list so there is some hope, assuming I can find the list when the time comes.
Shots two and three were taken during the course of this outing. In shot two, Arrow the grand-dog is demonstrating her tree-climbing style. If Bill, her owner, asks her to do something, Arrow will always try her best to comply and usually gives it a darn good shot, even if, as in this case, it’s not something that dogs were designed to do. She actually got fairly far up the trunk a couple of times before gravity and lack of momentum brought her back to earth. She’s a dog with a lot of “try” in her.
The annual breakfast area is also the home of the chickadees that have been habituated to hand feeding by the local birders, so one of the things we try to remember to bring is bird seed. We got all the way through our fire-building, cooking, and eating of breakfast without seeing or hearing a single chickadee, when towards the end of our stay finally a couple appeared. Mark (grandson whose hand is featured in shot four) barely got his seed-laden hand up to horizontal when the first chickadee was right there. After that we had lots of them, some happy to hand feed, others who preferred the piles we had put elsewhere on the site. This is always a fun feature of the breakfast morning, and I’m pretty sure the chickadees are happy with it too.
Shot four is Sandhill cranes feeding off the post-harvest grain left in the fields. We saw field after field of them all the way out to Pike Lake on Sunday morning. Usually it’s huge numbers of Canada geese in these fields (we did see a few of them as well) but this year was striking for the crane population in evidence. Most years I only ever see a few each spring and fall, generally when I am at the stables, and they are always passing over very high up in the sky. I was thrilled to see so many, although it would have been nice to have been able to get closer (not really a realistic hope since these are wary wild birds that get shot at) and to have had a bit more light. Many were doing the “crane dance” as you can see in this photo. A pair will suddenly leap straight up in the air with wings unfurled, a fascinating thing to observe.
Final shot is one of many I took in our yard today, as we were inundated with large quantities of grackles. Again, lighting wasn’t the best and for many shots I was shooting through the living room window (which at least I cleaned a while back specifically to optimize my “through the window” bird photography) so they aren’t the best quality. I did sneak out onto the back deck a few times for more direct shots, but as with most other birds, they are too wary to get very close to. Thank goodness for the bold ones like the bluejays, chickadees and nuthatches that will tolerate a photographer in fairly close proximity.
I was very interested to observe the group behavior of these grackles, who seem to be quite a combative lot. The big fellow who was planted in the feeding dish (which I had to refill about three times over the course of the day) was defending it against all comers. The female to the left was allowed to get relatively close, as was the youngster on the right, so I think they were a family unit. Certainly no-one else was allowed on the table while he was feeding, and even these two had to be very submissive or they got chased off as well. One interesting thing with the grackles was that while they were very aggressive with each other, they tolerated the sparrows without any comment at all, and conversely, the sparrows, who usually flee at the drop of a hat, were quite OK with moving amongst the large grackle flock. Strange.

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

“Kiss Me!”


“Kiss Me!”

Nothing can be sillier than two mules playing!� You’d swear these two are in love!

You can see more of my digital art on my Red Bubble gallery.
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©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

The Hitch Hiker

“The Hitch Hiker”

This little foal wasn’t quite ready to take on a rider yet, but this cat couldn’t resist jumping on his back when the foal walked by the corral fence! The cat looks like he’s daring the foal to try to get rid of him…:)

Tweet Me a Ridgway Studio Update!

©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

Digital fun….It’s been a real dry year!

“It’s Been a Real Dry Year!”

Here’s a spoof on the favorite conversation of ranchers and farmers. I had so much fun working this up.

The world of digital art has interested me for a long time, but I’ve resisted spending the time it takes to learn “how” to do this for ages. I finally took the plunge and spent hours and hours working away in Gimp and Photoshop Elements, until I could create something I actually liked.

I hope you get a kick out of it also! :)

You can find this image for sale here on my Red Bubble site.
Donna Ridgway

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©Copyright 2009 by Donna Ridgway. See original post here.
To learn more about this artist, visit her website.

More New Work


And now for something totally different!

In preparation for my workshop next week at Anderson Ranch I created this new piece. I used to do a bit of graphic design and really like a graphic look but I have been honing my equine photography skills over the last year.

This will be a big piece – 75″ long and has symbols and text. The goal of the workshop is to combine painting, photography, text, and whatever else we want. My goal is to start creating one-of-a-kind pieces.

When I started this the only thing I knew was that I wanted it to somehow tie into the wild mustangs. After going on a treasure hunt for imagery this is what I came up with.

This is a return to my fine art studies where we were encouraged to make work that makes a difference in the world.

©Copyright 2009 by Susan Williams. See original post here.
To learn more about this artist, visit her website.

Greener Pastures


One of my neighbors has a german shepherd dog. My other neighbor across the street has cows. The cows will come right up to the road when the dog is out front. They stand all lined up watching the dog play with its owner. Maybe they think he looks like a wolf but why come TO the dog? No one said cows are smart. I wanted a picture of them all in a row but by the time I got my camera this is the shot I got. I am calling it Greener Pastures. You can purchase this and other digital art as well as original oil paintings at my studio or online. Visit my web site for details.

thanks for stopping by!

Sue Steiner Sue Steiner googleae39aa9de0618816.html

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

Up and down





So despite all my best hopes for the arrival of some season other than deep winter, I can’t report a whole lot of progress. We did get one lovely little “up” at the beginning of last week when the temperature shot up to about plus four last Tuesday. Sadly, this was bracketed on both sides by serious cold (minus 20s to 30s) and wind, which made it a rather bittersweet experience.
To my credit, I had the sense to grab the camera and boogie out to the Clydesdale place, as I really wanted to experience photographing these horses while able to feel something other than pain in my fingers and exposed bits of flesh. I’m happy to report that I was actually overdressed for that shoot and got quite hot in the process of slogging through the deep snow from one herd to the other. Yes!
I got a bit of action out of a couple of them, and was very happy to see that two very photo-friendly new mares had been introduced to the herd since I was last out. They are both interestingly marked roans, with “reverse” coloring to each other so that when they hang out together, which they do seem to do, they are complementary in a visual sense. I didn’t get anything of note in the way of shots of them at the Tuesday shoot, but I look forward to working with them in the future. Added value for me is that they are both in foal, and it will be interesting to see what they produce.
The Clyde place is several kilometers east of Ebon where I keep Alpac, so my plan was to stop by and tend to him on the way home. (Still not riding due to the saddle being elsewhere, but reputedly now on the way back). Since it was so darn nice out I decided that would be the perfect opportunity to take his blanket off and put him outside “naked” for the first time since last fall, to let him have a roll in the snow. One of the other riders had the same idea for her young horse, so since they are normally turned out together anyway, we put them both in the big pen and let them entertain themselves and each other. It worked very well as Alpac needs someone to boss (he’s head of the herd in his turnout and is happiest with someone to lead) and young Indy is a little uncertain about things and is more than happy to follow. They were eventually joined by a young mare who is new at the barn and all had a very happy time loafing in the sun. Good thing we took that opportunity as by the next day we were back into the low teens below zero, and have been stuck in the minus twenties with nasty winds and wind chills ever since. Word has it that maybe by this Wednesday things will improve, but I’m not holding my breath waiting for that to happen. I actually hope we get a longish and slow warming since if it warms too quickly we are going to be underwater at the barn and in parts of the city with the melt. If that *does* happen, though, you can rest assured I’ll be posting pictures!!
OK–I’m confused again about how to get these photos in the order I want them to appear (and Chloe, I can’t get your tip to work for me) so I’ll just take them as they come. Good for me to be flexible and to be reminded that I can’t control *everything* –as if that was a lesson I needed to have reinforced! Hard to* micro *manage when you mostly can’t even *manage*.
First image today is one that I have been working on for the last couple of days. This is just one of several versions as I tend to work on several variations in parallel when I get going on these. This is aimed at an interesting professional opportunity that has come up. I’ll post details if my work is actually selected for the venue in question.
Shots two and three are from the “nice day” photos, and are of my horse Alpac, and one of the young Clyde geldings, respectively.
Shots four and five are certainly not “art” shots but are of interest for their subject matter. I try to predict when a colorful sunset is likely and try to go to where I can get shots if possible. I headed out to a riverbank park in the southeast of the city a week ago yesterday, having somehow divined that we would have a sunset worthy of recording. By the time I got to my vantage point on the riverbank, a couple of things became evident. One was that the sun is still setting way too far south for anything decent in the way of photos from any of my usual vantage points, and the second was that this was really a poor effort on the part of the sun anyway. While I was marching up and down the river bank hoping for things somehow to improve miraculously (sometimes it happens–usually a burst of glorious color that I see in my rear-view mirror after I have given up and started for home), I noticed a teenage heaving himself up over the edge of a steep bank leading to the river. He was a snow-boarder, and he and his friend were having a great time hurtling almost straight down a steep incline, with not that much that I could see to stop them from going right onto the river ice and/or open water. The lighting by this time was utterly appalling, but that never stops me from giving it a try, and once again I have been amazed at how my camera can pick up light where there doesn’t seem to be any.
Shot five (I’d hoped these would post in reverse order to how they have) shows him jumping a couch that they have built into the slope. Shot four shows him going over a picnic table that is a bit further down the slope. You can see the river with its ice down below. I’d actually like to go back in the daytime some weekend for some more shots of snow-boarders in decent light. It’s actually quite interesting and an endeavor that I know pretty well nothing about.
So I’ll end in my broken-record way by hoping that by *next* week I’ll have my saddle back and be riding again, and that winter will finally and ultimately (for now) be in retreat.

©Copyright 2009 by Judy Wood. See original post here.
To learn more about this artist, visit her website.

Life and Art

Sue’s digital art, original photo taken by my daughter.

I am at a temporary lull right now in my own painting while I teach a 3 day art class for middle schoolers. I am missing my own painting. My daughter’s portrait keeps calling to me but I don’t want to paint it in fits and starts or try by squeezing it in a tiny little time slot. I like to paint when I have the time and space so if (when?) I get into the zone I can run with it. Its frustrating to try to fit creating into small time frames. I could do that with watercolor but not acrylics or oils. Hmmmm, not sure why. Creating takes time and the space, don’t you agree? I think that is why a spirit of creativity can not be tamed so much as directed. Creativity resists too many restrictions.
My theme for the next few days is ‘do no harm’. I am teaching a middleschool art class on painting. My goal is to encourage and build up so the kids feel like they can continue to do artsy things on their own after our time together but once again I feel like I am fitting way too much into a short period of time and they will walk away frustrated. I hope not. I am realizing again art is not something that fits neatly into little boxes. Art kind of settles in and encomposes like a fog rolling in when given the chance. Thats why time, space and opportuntiy need to converge in people’s lives to allow art to develop. It doesn’t so easily just fit into one little time slot or box. So my hope for today is to show the kids its okay to experiment, its okay to not aim for perfection because in creating, the process needs to develop and grow. Sometimes there are ugly duckling stages and that is okay….. the beauty is in the doing.
I will be back to painting portraits of people and animals soon…
to see finsihed work go to http://www.suesteiner.com/

©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.

End of show season





Another action-packed few days in the life of the art photographer! I had my second show/sale in as many weekends during the past few days, only this time I had to pack up my show stands and the contents (not *all* of them!!) of my studio and head across town to participate in one of the “big” pre-Christmas art and craft sales of the area. I only do this show (or indeed any local show of this sort) once every few years, and this was the year for the Sundog Arts and Crafts Festival for me. It’s finally occured to me that dropping in every now and then at unpredictable intervals isn’t really a very sound business plan, so I’m giving serious thought to becoming a more regular annual attendee for the next while at least. I’ll try to hold onto that thought as the year progesses.

My artist friend Wendy Risdale from Alberta had a booth at this show for the first time ever this year (at my suggestion) and Wendy and her husband and helpmate (the two aren’t necessarily or always synonymous, but in this case they are) Bob arrived in the city on Thursday evening, and stayed with us for the duration. Wendy and I haven’t done many shows together in the past few years, but as chance would have it this is our second shared show in as many months. Our booths were quite close together, which was handy as this show features about 170 artists and artisans, and covers quite a bit of territory in a large venue, so we could have been located too far apart to visit. Set-up went quickly and well, we were all happy with our locations and our neighbours, and in short everything was pretty much as it should be, apart from the killer twelve hour day (10 AM to 10 PM) on Saturday.

I had hoped to draft Jim into coming over and holding the fort for a few hours in the afternoon so I could get home for a break, but it turned out he was working himself from 1 to 5. He did come over a bit after 6 so I could get a supper break (c0nveniently arriving at my booth at the same time as my friend and riding instructor Elaine with her grand-daughter Brooke in tow, whereupon we females all skedaddled down to the food court for supper and a visit, leaving Jim to eat in the next shift) so I had at least a modicum of time away from my booth that day. It looked like a good show from the bits I saw as I was scooting back and forth. That’s the problem with running a booth single-handed–you don’t get to eat or shop much at all. Luckily the washrooms were handy!

In the run-up to my various shows of the season I finally managed a bit of time to work with some of my collected images in Photoshop. Today’s pictures are some of the results. Shot one is from the late spring shoot of the various babies that were in the care of my wildlife rehabilitation friend Jan. She’s actually the one that gave me the name for this shot (or was it her sister Sue, can’t remember right now) which I call “Sisters”, since she took one look at it and announced “that looks just like me and my sister!” This is one of those funny shots that is just crying out for any number of odd captions as the disgruntled siblings give each other “the look”.

Shot number two is a reworking of the white tiger photo I posted a while back (see blog post for November 17). The last one had a different sky and base for the tiger. In this one I have put him on a rock. I liked the blue tones and textures of the rock, but then the sky of the previous version didn’t work as it is quite a warm grey, so I switched out the sky, and added a moon just because I’ll throw a moon in wherever I can at the drop of a hat. Should have put in a crow or raven as well to be consistent, but I can always do that another time.

In shot three I took a wolf shot and merged it with a nebula that I created in the computer a while back. Not sure why this occured to me but I really like the effect and will doubtless be indulging in more of these in the future, once I figure out how I made the original nebula so I can do some variations on the theme.

Shot four is from the shoot I did at the beautiful riverside location in early October. With snow on the ground and the temperature going near minus 20 (Celsius) tonight, that warm fall day seems a long time off. Nice to have the pictures as a reminder!

Shot five is another tiger shot–this one of the Bengal tiger that was at the local zoo for a while before the white tigers took occupancy. The exotics usually come here for a year or two on loan from other zoos in rotation. I reworked this one to give it more of a painterly feel.

Not sure what the coming week will bring, but it won’t bring any more art show/sales which for the moment is a good thing. I’ll try to get my riding life back onto a regular routine again, and play catch-up on all the commitments I put on hold until the end of the shows. Finally had to sit down tonight and list them so I don’t forget any, especially the ones that clients need before Christmas!!

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

18 Tips for Taking Great Horse Photos

Even though I love to take photos of horses for my paintings and meet each horse personally, I just completed a commission based on a photo supplied by the horse’s owner. Seems, I don’t have to be the one who snaps the photos I use for reference material for a painting to come out well! Boy that makes me feel sad, but happy too!

I’ve changed the wording on my Commissions web page…. If a horse owner would like a commission done from a photo that they send me of their horse, I’m ready!

Of course, because of copyright laws, I will need written permission from the person who took the photo(s) — whether it is the horse owner or another photographer — to use the pictures for a painting. Professional photographers may not agree — or may charge the horse owner a fee to use their photos . . . so . . . .

I decided to share some of my favorite tips for getting great photos of horses. No, a simple “Top 10″ list wouldn’t work for me! Especially since I decided to illustrate the tips with some of my favorite photographs — and I have literally thousands to choose from…. I’ve come up with 18 Tips. Yep! 18.

If you’d like to read the tips and see some of my photographs, the official link to the 18 Tips is located on my Commissions page: http://www.karenbrenner.com/commissions.html. (Sure I could have put it in the blog, but I want you to take a look at the new information on the Commissions page AND read the tips!)

One tip I didn’t put on the list — maybe because I didn’t have a good photo to go with it — was to get a digital camera. That sounds bossy, but it really is good advice. When taking photos of horses, often you have to take 100 shots to get 4 or 5 really good ones.The cost of film and developing can be expensive. With a digital camera, you can take endless photos. And you never have to print the ugly ones!

If you’d like to share your favorite tip for photographing horses, I’d love to hear it!

[Photos and links that accompany this feed posted at www.karenbrenner.com/blog.html]

©Copyright 2008 by Karen Brenner. See original post here.
To learn more about this artist, visit Karen Brenner’s website.

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