Tag Archives: daily painting

Now What?

An obvious question, I supposed, after 30 days of insanity. While I won’t be attempting another NaBloPoMo for December, the theme is relevant: it’s “Thanks!” For me, today, that means thanking those of you who came along for the ride and offered comments and encouragement along the way. I really appreciate all of you for that, and it certainly helped me keep at it.

And the now what part? It’s going to take a few days to figure that out exactly - for today it just meant starting to catch up on some things, and contemplating what I’m going to do with all these paintings. I had something in mind, but had another idea thrown at me today. I’m just not sure I can pull that one off. You’re just going to have to stick with me a bit longer to hear what I end up doing.

My next trick? Thirty workouts in thirty days! I’m afraid all this time at the easel and the laptop has left my muscles a little soft, even though I did do the barn work most days. That’s not much to expect after November’s adventure, is it?

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Thirty Horses, Thirty Days!

I still had about 3500 words to write today to meet that NaNoWriMo deadline, and that was my first task of the day. It takes a little more attentiveness to write something reasonable than it does to paint at this point. While my story is really just a framework - and for me, 50K words is just a short story :-) - I wrote an ending and at least finished off the scenes I’d left hanging. It needs some fleshing out, for sure. But I met the goal, which is a little mind-boggling to me, with everything else I got done.

I wasn’t sure what I was going to paint today. I kind of wanted something with some significance, as it was the last one of the challenge, and I was a bit worried about not ending on a good note! I was getting ready to look through the photos stored on my external drive when the photo I have hanging behind my easel looked at me. It’s a mounted enlargement of Sass, Monster’s mom. I took the photo when Sass was quite young, probably two or three, and it’s my favourite picture of her. I can see a lot of Monster in her at this age, and it’s nice to remember her back then, before she started to run into such problems with her knees.

I always liked the composition of the photo - it was off-centre, and that really appealed to me. This is another 8 x 6 oil on Raymar triple-primed cotton canvas panel, limited palette. It will fit nicely with the theme I have planned for the little show I’ll put together of these 30 paintings. Stay tuned!

Imagine, it’s only 8:45pm! Finished more than three hours before the deadline! Huh!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Comeback

Okay, I feel a lot better about today’s painting than I did yesterday’s, though to be fair I put a lot more time into it, starting much earlier. I’ve been looking forward to working from this photo, so I went back to a 10 x 8 masonite panel. After working smaller, that made things easier as well. So this is Mike Fox in the post parade before winning the ‘07 Queen’s Plate. It was nice to do him with the sun hitting him - in the previous painting I did of him, on his way to victory, he’s more in shadow so I didn’t get to play with colours quite the way I did here. I still used the limited palette, however.

I forgot to mention one very important thing about yesterday’s painting - I didn’t have a panel prepared that was the appropriate size, so despite my complete dislike for working on a white ground, that’s what I did. Can you tell? I sure could, and that contributed to my struggle - as if I wasn’t having enough trouble!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Me and a Box of Kleenex

Last night when I went to bed, I fully expected to wake up this morning feeling *better*. I thought the cold was on its way out. Apparently not - I felt worse. I coped by having ice cream for breakfast - seriously, if someone is going to buy candy cane ice cream and put it in the downstairs freezer (which is right outside my studio) it’s fair game! Stalls got done a bit late, but they did get done. We had a mini-snowstorm mid-afternoon but it quickly passed over leaving little behind in the way of accumulation.

As a result of a stuffed head and bursts of sneezing, I wasn’t quite at my best at the easel! Of course for some reason I decided to do something fairly complex, which is probably a good indication I’m not thinking all that clearly. This is, more or less, my New Jersey friend’s equivalent of my own Miss Monster - the homebred daughter of her “foundation” mare and, and now, the daughter’s first foal. Let’s not let Monster see this, because then I would have to explain to her that I’m *not* letting her have a baby!

This is 7 x 5 oil on Raymar again, limited palette. I guess I will find out if Sher is watching or not! I’d like to take a vote, please - since I technically did *two* horses today, does that mean I get tomorrow off? :-D Pleaaaasssse? Or does it not count because it’s only half as good?

Anyway…see you tomorrow, one way or another!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Taking Chances…or, “Because You Can!”

That’s probably something only folks and Ontario will get - it’s the tag line for an advertising campaign for the Super 7 Lottery. On the one hand I guess it works to some extent, because that line sticks in my head, well, kind of like this cold right now, but on the other, it hasn’t enticed me to start buying Super 7 tickets!

Now to get back to where I was going with that! I had plenty of time to paint tonight, even though I didn’t start until after 6pm. After all, it’s not even 9pm as I write this. As I worked through drawing this one on the panel however, I was liking the looseness, and started hitting the point quite early where the little voice was saying, “Stop…okay, stop!!” Trust me, when you start hearing voices when you’re painting it’s best to listen! (And no, I’m *not* taking any medication for this cold!) So this is where I actually stopped, though you may have no idea how hard that was (and perhaps be questioning why??).

Anyway…this is Kimchi, a daughter of Langfuhr, in the paddock before winning the 2006 Labatt Woodbine Oaks (which I still tend to call the Canadian Oaks) . Langfuhr sure stamps his offspring - I’m not sure one would guess this was a filly just by looking at this shot.

The details - 7 x 5 oil on Raymar triple-primed cotton canvas, limited palette. I’m always curious to hear what people think of some of these paintings, so please feel free to comment! Yea or…(forgive me)….neigh? :-D

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Keeping it in the Family

Today I’m introducing you to Monster’s dad, Tejabo. TJ is 23 years old this year, though the reference photo I used was taken a couple of years ago. He’s a son of Deputy Minister, and that’s where I think Miss Monster’s attitude comes from. Something about Deputy Minister line mares! TJ himself had a bit of a reputation when he was on the track - I guess he was pretty tough to deal with. I worked with him a bit before I bred my mare, and he had apparently mellowed with age.

I’ve been planning for some time to do a painting of Tejabo, from this photo, so this will may serve as a study for a larger piece. The light was quite soft, and the reflection off of his visible eye was interesting. His ears were a bit wonky, and though that’s the way the photo was, I might have to change them to make myself feel better about it!

The specs: 6 x 8 oil on Raymar triple-primed cotton canvas panel, limited palette. Lots of glare coming off this, especially at the top - the white paint I used up there really reflects!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Wear and Tear

I didn’t think I was going to make that 40K NaNo target last night, but the pep talk over there noted it was “before bedtime” not midnight…so I made the push. Of course now I’m trying to keep a cold at bay. I’m hoping it remains a “psuedo-cold” - just a sore throat, aches and chills. That’s plenty to deal with, thanks! I’ve written a bit today, so the 50K is in sight. We just won’t mention that it’s really pathetic writing!

I decided to revisit Gladys today at the easel. The photo I worked from was taken in the same shoot as the one I used for Monster the other day. Gladzilla and Monster; a match made in heaven! This one is 5 x 7 oil on Raymar triple-primed cotton canvas panel. I’m kind of getting the hang of this surface. Once again I used the limited palette.

Hopefully I’ll get to bed at a decent hour tonight!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

The Homestretch

Well, I’m within the last week of this project. I’ve fallen behind on my wordcount for Nano, and I’m not sure I’m going to be able to meet the hoped-for target of 40K before bed - I have 3K to go! Tonight’s painting was done pretty quick as a result. It’s another foal, a Warmblood this time, bred by a friend. Her name is Phoebe, and she was sold as a weanling. I took a lot of photos of her and her mom to help advertise her. What an impressive-looking filly she was! I would love to see her now - if I’m calculating right, she would be a three-year old now! I’m sure she’s huge!

This is 5 x 7 oil on Raymar again, using a limited palette. Short and sweet tonight! Off to try and cram in some words!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Don’t Mess with the Monster!

A day later than planned, here is my horses being bad painting, as promised! Miss Monster, muse extraordinaire, in all her grumpy glory! This was a lot of fun to paint - it’s fun to portray all that attitude. It’s a shame she didn’t make it to the races, because she sure looks the part, don’t you think? This one is 5 x 7 oil on Raymar cotton canvas panel using the limited palette. I find it interesting, after being all excited about brushstrokes the other day, that the last couple I seem to have fallen back blending! Oh well. I order to really capture that expression, it’s just what I needed to do!

Now, it’s off to make some brownies and get ready to park myself in front of the TV for the two-hour movie of 24, Redemption…it’s going to have to tie us over until January, so it better be good! And yes, the other day, wasn’t I saying something about TV not being important? Hmmmmm…..can I claim artistic license for that?

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Warming Things Up

The heater in my studio has been a bit wonky for the last day or so - figures, now that the weather is colder, it decides to misbehave! I’m just telling you this so you’ll feel sorry for me tonight, locking myself down here to paint my daily pony despite adverse conditions! My fingers and toes are cold and I have an extra layer on. Wasn’t I going on yesterday about Robert Genn’s letter that spoke of sacrifice? Haha…

Anyway…I’m not entirely sure who this baby is - this photo is from a couple of years ago, taken at a local Thoroughbred breeding farm I’ve mentioned more than once. I know I had sort of planned to do painting number two of my potential “horses being bad” series, but I guess I jumped to the other end of things. What is cuter and more innocent than a new foal? This one is 5 x7 oil on Raymar panel using the limited palette. I did do a sketch today at the show I was at, of my next horse being bad…so it was on my mind!

After yesterday’s diatribe, I’ll keep this short. I think my fingers are warming up. I guess maybe the typing might have something to do with it! Think I’ll go make a hot chocolate anyway. See you tomorrow!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Getting It Done

I laughed when I read Robert Genn’s letter today. Robert Genn is an artist who publishes an e-letter a couple of times a week known as The Painter’s Keys. It’s a rather brilliant thing he’s doing, in my opinion. He’s very generous about sharing these letters - it is a free subscription. Today’s letter was called Power Hour, and it’s about, hey, organizing oneself to produce work consistently.

This whole discussion is one that comes up a lot among artists. We have a really great cop-out when we don’t produce - that whole artist’s mystique thing again. It seems we’re allowed to say we weren’t inspired, or we have artist’s block, and that’s acceptable. Am I making anyone mad yet? The bottom line is, when an artist is a professional (as in derives a portion of income from painting) he or she *has* to produce. Okay, yes, there are extenuating circumstances, but a lot of time (though I really hate to borrow from Nike) we have to just do it!

I know the last couple of nights, had I not committed to doing this blog and painting a day, I wouldn’t have touched my brushes. I surely wasn’t “inspired.” Deadlines and accountability are surprisingly good motivators!

Anyway…I’ll stop my rambling. I’m writing this at 9:41 AM, and will come back and finish the post when I actually have a painting to go along with it! But here’s a quote from Mr. Genns’s letter that made me laugh because it really touched home:

“Seemingly stubborn and limiting, artists often report they don’t do TV, card games or other frivolities. Surprisingly, many don’t put much emphasis on food. Some, particularly those with wider responsibilities, sacrifice sleep.”

That sounds about right!

Okay…8:54pm now, and I’m adding the painting to this. This is Tony, a draught cross gelding owned by my friend, fine art photographer Juliet Harrison, and I was working from one of her favourite photos of him. I’ve always wanted to do a series of paintings on “horses being bad”, and another friend suggested I do some for this daily painting project. So Tony here, chewing on the crossties, is officially the first! This is 5 x 7 oil on Raymar, using a limited palette.

Tomorrow I’m off to a show, and after some initial setup tonight, I realized I won’t be able to work while I’m there. That means I’ll be under the gun tomorrow night to get my painting done! I have another “horses being bad” painting in mind, so maybe I’ll try that!


©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Two-Thirds of the Way: Day 20!

I write in my head a lot - I’ll think about what I might want to say in my blog post, then of course by the time I get to this point, where I’m actually posting, I’m completely at a loss for anything interesting to say! Of course when I went to bed at 1:30am last night, I was pretty sure I’d be dragging by now, so perhaps it’s understandable I’m not all that coherent! After making the 30K target for Nano before midnight, I ended up writing another few pages freehand before I went to bed…which was when I glanced at the clock to see the time.

I started today’s painting a little earlier than last night’s - by an hour or so! This is 6 x 8 oil on Raymar cotton canvas on panel (triple primed again). An guess what? The same limited palette. I’ve been painting mostly Thoroughbreds in this project, just because I have so many models around here, so if my draught horse looks a bit like a TB, you’ll have to forgive me! This Belgian I photographed at the Kentucky Horse Park last summer. I have to admit I like the looseness of these ultra-quickies. I’m usually such a blending freak that I often don’t end up with visible brushstrokes, and it’s really nice to get away from that.

The next NaNo target is 40K by the end of Monday. As I guess last night’s after-midnight stint gave me a bit of a leg up, I think I can afford to get to bed early tonight! Or, well…earliER!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Pushing it

I think this was the latest in the day yet that I’ve started my painting - it was after 8pm when I started laying out the paint! I had a weird post office day - my dad helped me out by picking up a package for me, but as it turned out I needed to go there myself to mail off some Christmas card orders. Add to that our mail lady came with a package to the door - you’d think some of this could be coordinated, on both sides. Oh well. I will spare you my rant on Canada Customs, and move on to what I did today with a dozen or so paintbrushes!

This is a 5 x 7 oil on Raymar panel - the triple primed cotton canvas, once again, with the same limited palette I’ve been using. I figured with the lateness of my start on this one, I’d either mess it up royally, or maybe pull off something nice and loose. This horse is Gambler, a Thoroughbred gelding a friend of mine used to own. I have an oil pastel painting of this guy that has been in progress for a while, so this was kind of a way of breaking away from that and finishing something, if not the oil pastel piece! I’ve always loved the photos I took of this guy. This is one of my favourite portrait poses.

Now, I have 1500 words to write tonight, if I’m going to meet the suggested 30K target. Better get at it!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

A Visitor from the West

Today’s horse comes to us courtesy of my friend, artist/photographer Donna Ridgway. Donna takes phenomenal photos that make me want to move to Montana every time I see them. Of course, she keeps telling me she and her husband Robert should move here to help me out with my farm! Maybe the farm could move to Montana? Really, what better place could there be for horses? My only question is, what’s the closest racetrack? :-D Take the time to check out Donna’s photos on her blog. She also sells reference photos for artists, and is ridiculously affordable.

This is another 6 x 8 oil on Raymar triple-primed cotton canvas, using the limited palette. I decided to put a little bit of a landscape behind this one, though I took out the foothills that were in the reference photos, only because of the way it affected the composition. When Donna sent me this photo, I told her I thought this guy would fit right in! I would love to see the rest of his face - he’s got some pretty cool facial markings!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Starting Week Three!

I have to admit, today was the first day I found myself wishing I didn’t have a painting to do - not because of my subject, but because I was dragging a bit! No good reason - it’s just difficult some days to fit it all in. I had an appointment with the chiropractor, and some arrangements to make for a horse, as well as the usual barn duties. We’re in that transitional state, weather-wise, I don’t particularly like: rain last week turning to snow over the weekend (though no accumulation to speak of), and dropping temperatures not yet cold enough to freeze the ground. That means mud. And muddy horses. Bottom line - lots of extra work!

Today’s subject is a friend’s pretty little Morgan-cross mare. I had a bit of fun with the colour - such a flashy girl deserved a bit of brightness! It’s fun to see where this limited palette can go. This one is 6 x 8 oil on Raymar triple-primed cotton canvas panel.

The “novel” (I use that term very loosely!) is progressing, of a fashion, though I’m feeling more like I’m just accumulating words than telling a story. While I’ve learned to paint in fits and starts if need be, I can’t do that when I write, and it’s certainly showing! Ah well…tomorrow’s schedule is a bit simpler, so perhaps I’ll be able to devote a bit more concentration to it!

Oh, just one more thing - the grey filly I painted Friday, Pleasant Mix? She was running *yesterday* and she won. Ha! Take that, superstitions!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

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