Tag Archives: cowboy

Not Done Enough

So many hours into this one! And I’m still not done. My neck and back are *done*…stiff and sore. My massage therapist Sarah is going to kill me! My enthusiasm for working on it is *done* for today. I have been working hard to get this one finished in time for the Calgary Stampede art show deadline tomorrow. I am so tired I am incapable of making anymore marks on it or consider any changes. I’m going to have to block in the grass tomorrow and do a few required touchups to adjust some of the values. I won’t have time to actually *finish* the piece, but I will get the grass looking done, then I’ll photograph it for my submission for the jury process for the show. This piece is probably more *done* than most artists would have done. Once it is photographed, I’m putting it away for awhile before officially deeming it done.

©Copyright 2008 by Michelle Grant. See original post here.
To learn more about this artist, visit Michelle Grant’s website.

In the desert, Graphite Painting

This is a Graphite Painting titled: ‘In the desert’. It made me think of that song ‘Horse with no name’ by America.
This image was actually painted from a photo I took at a Barrel racing event here in Maine. Wherever this man went, so did his horse. Following his person from behind. They both looked as though they had just walked out of an old Western movie. I really like this painting, but as I have said before….”can’t keep ‘em all”. So I have listed this one on eBay, Auction starting at $19.99!! You can find my listings here: http://myworld.ebay.com/debbieflood

I finally have my high-speed internet. It’s soooo nice..
This post has gone quite speedy and that is such a help, since my youngest boy is waiting to read me a book tonight: “How the Grinch stole Christmas!!”
So away I go to see if the Whos, down in Whosville, get there Christmas this year! & that great Roast Beast!
It’s always a suspenseful read, when we wonder if the ending has changed since we read it last!

~Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

Studio Holiday Post Card painting

This is my new Studio Holiday Post card image. “Holiday Warmth”. I’ve listed this original Watercolor on eBay, starting bid at $24.99. Plus, the winner of this painting also gets a FREE Holiday Post Card of this image! You can keep it for yourself and put it with the painting, or mail it to your friends!
This image ‘glows’ with all the yellows and purples!
You can check out the auction by clicking here: Debbieflood eBay

Thanks for looking and bidding!
Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

The Task at Hand

The Task at Hand
Since starting to work in watercolour again, Ive chosen some challenging subjects. This one was no acception with the checked shirt. The folds of his chaps where wonderful to work on with their folds of leather.

I hope Ive done justice to my subject. My next challenge is a black and white watercolour portrait of a horse and rider. But first I have a beautiful immortal collie dog named Tye to complete.

To purchase this work email me directly catherin@animalarthouse.com

©Copyright 2008 by Catherin McMillan. See original post here.
To learn more about this artist, visit Catherin McMillan’s website.

Taking A Break

This is Taking A Break. A working cowboy is off his horse for a short break….., probably talking to friends, looking at stats, whatever a cowboy does on a break. Acrylics on hardboard, 11×14.

Purchase or inquiries can be made by contacting me at sues.art@gmail.com.

©Copyright 2008 by Sue E. Kroll. See original post here.
To learn more about this artist, visit Sue E. Kroll’s website.

New Western Art

So many wonderful things have been happening lately. I am now working with renowned US equine photographer Tami Gramont, to create works of art off Tami’s amazing photos.

Above you can see the first of these which I have titled Concentration. The photo on the left is of Kathleen Lindley at one of her clinics (taken by Tami) , with my rendition in watercolour on the right.

I’m looking forward to working with Tami and am very excited about creating more western style works of art.

Check out Tami’s photos at http://tamijopix.smugmug.com/

©Copyright 2008 by Catherin McMillan. See original post here.
To learn more about this artist, visit Catherin McMillan’s website.

Coming home to roost

A number of chickens are coming home to roost for me, as the saying goes. All the vague promises and less vague show commitments of various sorts, made months ago when it seemed there was all the time in the world, are now getting a bit demanding in their need for my time and attention. As a result of the ever closer impending deadlines, I’ve been spending some time rooting through my photo files to generate some new images for my upcoming shows and displays. Since I have a vast assortment of file folders, most with large numbers of sub-folders, and all containing a *lot* of shots, this is a considerable task. These are mostly on the old computer which is slow and tedious to work with, and also none have keywords to make my search process easier. I’ll take the time to rave about keywords (a concept that has been out there,  just not on my radar until I got the new computer and new Photoshop and actually read some instructions) on another occasion. Short version is keywords help hugely to pull up the subject matter one wants/needs, and I don’t have them here so am doing my usual wandering around amongst the collection and getting distracted way too easily.
The first serious commitment that I need a lot of work done for is the Western Art Gallery at the Canadian Finals Rodeo show in Edmonton, the first week in November. It has come to my attention that this isn’t that far off, and a five day show needs a fair amount of product. Since this will be my first time out to this show with photos ( I attended it with my stained glass work many years back), I have pretty well no idea how much I should have on hand to last the five days, but am optimistically thinking I’d better have quite a bit. So with this ranch/rodeo venue in mind, I started searching for my working cowboy shots. Somehow (don’t ask) I ended up in the chicken part of my birds folder. I have a bit of an obsession with doing chicken photography, as I believe I have mentioned before in this blog. As anyone who has looked at more than a couple of my posts will have noticed, I have a bit of an obsession with a lot of things, at least as far as taking pictures goes. I’m kind of a visual magpie (and of course magpies, crows and ravens are part of the obsession) when it comes to gathering images, and chicken images are no exception to the rule. So before I moved on to the shots I was actually after, I had to take a bit of time to play with a few of my many chicken shots.
From chickens, I moved on to the farrier folder (at least I had worked into the right species here), had a brief fling with some carousel horse shots, then eventually got stuck into the Clearwater ranch and PFRA cattle sorting shots that were my original goal. By this time I was shuffling back and forth between two different computers and systems, since these photos are distributed throughout both computers. No point in having any of this be simple. I should really take the time to figure out how to make my computers speak to each other, but I have a deep and abiding conviction/fear that they won’t (Hal here being what he is) and as long as I don’t try to make it happen I can still pretend that it’s possible.
The other metaphorical chickens coming home to roost are my local daughter and her family, who have been off in England, France and Belgium for the past couple of weeks. They were due to arrive just before six this evening, but missed their connecting flight in Toronto so won’t be arriving until later this evening. I’ve had their younger dog (Arrow) here for the duration, but Margaret’s Australian Shepherd, Brodie, doesn’t get along with my Mickey so Brodie went to “camp” at Happy Dog Acres for the two weeks. This was a big deal for all of us as Brodie is what could diplomatically be called a “special” dog, if by special you mean a very needy Velcro dog who melts down if he can’t keep Margaret in his line of sight at all times. If he’s outside and she’s at home to be stared at, he runs from window to window to peer in at her if she moves from one room to another, so some anxiety on how he would do in a boarding situation wasn’t unreasonable.
I didn’t phone to inquire how he was doing in case he had gone over the edge mentally, since there wasn’t going to be anything I could do about it, but I was the one delegated to head out there today to pick him up and deliver him to his home. I was happy and mildly astonished to hear that he had done well, behaved nicely, wasn’t weird, and all in all was a good boarder. I have no reason to think the young woman working there would lie to me, so I have to believe that this turned out way better than anyone expected. So now Brodie has been restored to his home environment (possibly a better or at least less neurotic dog for the experience), and in a couple of hours Arrow and I will head off to the airport to gather up the rest of the wandering clan.
First shot is one of the cattle sorting ones, featuring Dale Clearwater’s working apprentice, Amanda, on her attractive horse. It’s been a while since I got to play with Photoshop so I had to mess with most of these shots to a greater or lesser extent.
Shot number two is of my friend Pearl’s flock, or part of it, merged with a photo of oak leaves which show through a bit at the top.
Shot three is from my “dust” series of a year back, when we had a very dry summer. This one was at my friend Sharon’s place, showing her in silhouette turning the horses out to the pasture, ably assisted by one of her dogs.
Shot four is a grand rooster, which is an older shot that I took at the local zoo a few years back. Strangely, I have almost total recall for where all the chicken photos I have were taken and can generally remember what the lighting and weather conditions were, and who was with me. This is a bit odd given all the important stuff I need to remember that doesn’t make any impression on me at all.
Final shot is back at the cattle sorting, showing Dale Clearwater in the midst of the herd. I desaturated the cattle, left some colour in Dale, and enhanced the sky which was pretty blown out in the original shot.
Note for Saskatoon and area readers. I am a juror for the photo competition part of the “Reflections of Nature” wildlife art show at the exhibition grounds this coming weekend, and as such I get to display a few of my own photos, if I understand correctly. So if you are heading out to view the wildlife art, check to see if I have some work on display as well.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Western Yee~Haw Series in Graphite!


“Hee~Yaaa”

“Com’~on!”

Here is the start to my Western Yee~Haw Series in Graphite, Pencil.
These are really fun to draw. Just as much fun as actually being there watching these horses and riders. I attended a Barrel Racing event last weekend. What a hoot. They had Country Music playing, and a lot of the Beach Boys music, Giddy-up 409 and all those fast car songs. I think the horses got into the music as much as the riders and spectators. These horses were HOT. & I don’t mean from the sun. They were ready to race those barrels. Some were so wound that they couldn’t get a grip and get through the starting gate! They went backwards, sideways and upwards. I have a lot of action packed images to work from, so you can bet that this will be one series that will leave your head spinning!
These are both done up about 12 x 9 inches on 11 x 14 Strathmore Drawing Paper. They will be fixed with a fixative to keep them from smudging and stored in a clear sealed sleeve with a backing board.
I have a few Graphites listed on ebay. Check My eBay world for all my listings. Great deals!!

Inquiries may come to my email debflood@debfloodart.com Thank you,
Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

Climbing aboard, Western Style

I really enjoy painting and drawing cloth. Especially if that cloth has a lot of folds and wrinkles in it.
There is something magical that happens, when the Graphite is blended just right, to create that fold and make it look as though it would ‘pop’ off the page. This Graphite-pencil drawing is titled: ‘All aboard’ The image is 12 x 8 on an 11 x 14 piece of Strathmore Art Paper. This painting/drawing has been sprayed with a fixative to keep it from smudging and has been slipped into a clear sleeve with a foam board backing behind it. It retails for $95.00 plus shipping.
Inquires may to come to my email address: debflood@debfloodart.com . I accept Paypal through my email address. Maine residents add 5% Tax.
~Debbie

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

Cattle call

It’s been some week for my camera and for me! Every second day (literally) I had a wonderful chance to gather images of various sorts. I figure I’d better not flit about for this post, will stick to just one of the events I attended, and the other subject matter and photo outings I did will have to wait their turn.

I’d been waiting and hoping for a while to get a promised phone call from my working cowhorse contacts south of the city, letting me know that a cattle sorting was going to be happening and that I would be welcome to attend with my camera. Wednesday of last week was the designated day, and only snow or driving rain (heck, maybe even not the snow) would have prevented me from being there. Rain, yes. My camera is too valuable to me to be abused that way! In any event, it was a spectacularly beautiful fall day, with temperatures just right, so no concerns on that front.

I drove down to my contact’s ranch (Dale and Teri Clearwater) to meet up with Teri and their little son Caleb. Dale had already been at the community pasture down the road for several hours at that point. Teri kindly offered to drive me to the pasture since the road was a bit challenging for city cars, and a few minutes later we were at the scene of the sorting, where all the cattle that had summered together in large herds now had to be identified by their brands, sorted out, and eventually sent off to their owner’s places for the winter months. Since the cows have been running on this range according to their own set of rules for quite a while, they don’t take kindly to men on horses disturbing their established way of doing things, so it’s a bit of a process to get this chore done.

The cattle had been herded into a large fenced area by the time I arrived, and the slow and tedious work of figuring out which cow and calf went together, and whose brand they wore, was well underway. All of this was being done by a cadre of about six or eight mounted cowboys/girls, with a few more arriving from other parts of the property as the day went on.

The noise of the cattle is really quite astonishing. It’s loud and continuous, ranging from plaintive mooing to aggressive bellowing, with everything imaginable in between. They tend to bunch up in a huge seething mass, which slowly but continuously moves and shifts. Some horses and riders work their way quietly and slowly into the midst of the herd to do brand spotting and to work out which cattle belong together, while others form a loose line a distance away from of the herd, to keep an eye on the big picture and to turn back any cattle that try to make a run for it. They seemed to rotate positions, taking turns going in or hanging back.

Once I settled down from the excitement of just being there, I was able to observe that cattle sorting seems to involve a lot of staying in one spot and watching and waiting, moving slowly and carefully within the herd, and the occasional adrenaline rush (for rider and horse) of the fast-paced pursuit of a cow or calf that is bound and determined to break through the lines and get the heck out of there. Both horses and riders need a huge amount of stamina (this is a *long* process when there are a lot of cows to be dealt with) and patience, as despite relentless efforts on everyone’s part, nothing much seemed very different after several hours of sorting and removing cattle from the main herd, although I knew there had to be a lot less cattle in the bunch than when they started out. The cattle just seem to expand to fill the available space so it was pretty hard to tell (from my vantage point, anyway) that anything was being accomplished at all.

My first shot of today shows a scene that was replayed a few times over by several of the cowboys, which is what I think of as “the connected cowboy” taking a cell phone call in the field. How they could actually communicate over the din of the herd is more than I can understand, and many of the calls were taken by riders who were sticking up above a sea of cattle like ships on the ocean, chatting away, just another day at the office.
In shot number two, Peter, the manager of the community pasture and head man of this sorting, is working at his end of a cow that needed to be roped and laid down for some badly needed assistance. She had poked her nose into a porcupine and had a fair number of quills ringing her tender nose. Unimpressed though she was with being roped and laid out on the ground, I’m sure she was greatly relieved to have the quills removed.

Shot number three shows Dale Clearwater and his horse who were responsible for the head end of the cow. The neat thing for me in all this (in addition to getting to photograph it!) was that Peter was one of the instructors at the summer working cowboy camp (see my post “When Worlds Collide”, June 23) held at Dale’s place. I was down to do photos one of the afternoons when Peter was teaching and doing demos of how to do this exact thing–rope a cow head and heels, get it laid out on the ground so it could be doctored, and how to do it in the quickest, safest and least stressful way possible for all concerned. I’d have to say this operation went exactly by the book from what I remember of Peter’s teaching and it was satisfying to see his lessons applied in a real-life situation.

Shot number four is a cute one of young Caleb Clearwater, who seems to be able to settle in with his construction equipment just about anywhere, and one of the cowboys (whose name I didn’t get) on their lunch break just before saddling up for the afternoon’s session.

The final shot for today’s post shows Peter working the kinks out of his fresh horse before the afternoon’s work began. This horse seems to need to have a little buck before settling down to work, and indeed I seem to recall getting a few shots like this of Peter and the same horse during working cowboy camp as well. The amusing thing with these shots was they started out bucking directly away from me which wasn’t the angle I wanted, so I yelled out “Can you turn around and buck parallel to me?”and by gosh they did!! Too funny.

So all in all, I had an absolutely wonderful time and have way too many shots to prove it. Also spotted a really nice herd of black Belgians in the field across the road from the community pasture that belong to the Clearwater’s neighbours, so you’ve got to know that I’ll be making at least one trip back there before too long, I hope.

You can check out another shot of one of the young woman riders in the sea of cattle here , post of September 26 .

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

Recipe for disaster, ranch rodeo, cowboy, photos.

Labor Day in Montana, means Rodeo! We chose to attend a ranch rodeo in Choteau, Mt. Half the fun was that we knew some of the cowboys, or knew their folks, so the action gets very personal. The crowd is involved, and loud, and the riders are totally harassed by their friends and viewers.

My favorite horse choice for this rodeo, was this buckskin. His performance was flawless! These photos are of the trailer loading contest. The announcer called out the number of a steer, the cowboys would rush the steers, sort out their number, and one of them would rope the steer.

Sometimes there are four or five ropes out at once, and there’s more rope dodging than roping going on! In this instance, the buckskin and his rider, got the loop on the steer and began dragging him toward the trailer.

In this contest, the steer is drug to the trailer, the rider piles off his horse and hangs onto the steer, while the other cowboys on his team try their best to help him. They push the steer into a horse trailer, and get him into the pen at the front, then slam the door on him and go get two horses and load them into the back compartment of the trailer.

At this point, the cowboys lock both latches on the trailer gate, and run around to sit on the flatbed. Contest over! The team with the quickest time wins the money.

This guy got the steer to the trailer, jumped off and his friends grabbed the end of the rope with him. The steer made a big swing around the back of the horse, running the rope up under the saddle as he did so. One of the guys came running to try to extricate the horse.

When he ran up, the steer began to swing around the horse, and the rope came undone.

Some horses would have gone crazy in this situation, but not this buckskin! He calmly walked away. Now that’s a horse! The crowd went wild, the cowboys got the steer and the horses loaded and that was that. What fun.

Ranch rodeos promote the old time cowboy ways of doing things. A real, hands on approach to rodeo, with lots of teamwork involved.
Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

New Jersey Equine Art Association, NJEAA Acceptance

Painting of a cowboy and horse copyright Debbie Flood, all rights reserved.

I’m very pleased to announce that my watercolor painting, ‘Cowboys delight’ has been accepted into the New Jersey Equine Art Association’s ‘Art of the horse’ exhibit, September 14 ~October 25, 2008. To be held at the Somerset Art Association 2020 Burnt Mills Rd., Bedminster, N.J. Reception is open to all and is held September 14, 2-4 pm.

This is another one of those hard to get into Exhibits. I’m feeling very fortunate to have three works going to three different shows this fall.

Deb

Debbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2008 by Debbie Flood. See original post here.
To learn more about this artist, visit Debbie Flood’s website.

Me and Benny Reynolds, Uncle Bill and the Bob Marshall

I’m sure this will become a long story as it has “elements” that have to be added to it for it to become complete!

One of those elements, was the crush I had on Benny Reynolds when I was in high school. He was the most fantastic rodeo rider the world ever saw. To this day, I don’t think I’ve seen rodeo like it was when Benny was there. He made it all look to easy.

Back then, I had a horse named Lucky. My grandparents bought him for me for my birthday one year. We had a good 22 years together before I lost him.

If you follow along in this blog at all, you’ve seen my photos of the ranch on the Rocky Mountain Front, the one my cousins now own, that used to belong to their father, my uncle Bill.

Uncle Bill was the perfect cowboy uncle for a horse crazy kid to have. He’d invite me to come to the ranch and he’d show me things about horses.

In fact, Lucky had been born on Uncle Bill’s ranch, sold to the Lyman family at Sand Coulee, and my grandparents bought him from them. You’ve heard of Rod Lyman, the champion calf roper and steer wrestler? His dad (who was Uncle Bills best buddy) owned Lucky at the time my grandfather bought him.

Lucky and I were inseparable. I left my warm bed in the house, to sleep many nights, either on his warm back or curled up against his front legs.

At the time my Bob Marshall story begins, I was in high school. Uncle Bill asked my sister and I if we wanted to ride into the Bob with him for a week. Of course we said yes.

He came to our farm and got Lucky and hauled him to the ranch so Lucky would be ready for the trip into the Bob.

When we got to the ranch, and we were loading up the mules and saddling the horses, U Bill told my sister to put her saddle on Lucky. I couldn’t believe it and I almost came unglued. Now most of the time, you didn’t question U Bill. You did as he said and you did it now. But this was important to me. I said, “She’s not riding Lucky! I am. He’s my horse!” I was mad.

U Bill took one look at my face and took my arm and pulled me off away from the activity around the horses and mules. He said carefully, “Look Donna, I’ve only got a certain number of horses here we can ride. I’m going to have to put you on “Beastie”.

I was so insulted. Beastie was a 3 year old Appaloosa POA U Bill was breaking for some neighbors. I know from the look he saw on my face, he thought he was about to get more argument from me.

He continued,”I’ve seen the way you ride, you can handle Beastie on this trip, but I don’t want to put your sister on him. We haven’t been riding him that much.”

He knew right where to hit me, in the old cowboy pride! The knowledge you have when you’re young and you spend all your days in the saddle, you know you can ride anything! So I agreed to ride Beastie into the Bob Marshall.

Another “element” to the story. My saddle is an old Hamley. It didn’t quite fit Beastie. We were in a hurry getting ready, and we didn’t take proper time to adjust the saddle to fit him. It would have taken some major overhauls. We (being U Bill and I) decided it would have to do. His advice to me was this, “So long as you stay in the middle of him, you’ll be OK.”

Yet another element of importance to my story was U Bill’s old hat. I’d never worn a hat in my life and I’d spent all my days out in the sun. He couldn’t accept that, I had to wear a hat. He sent my cousin in to get his old beat up, broken brimmed hat.

I was beginning to feel a little disappointed in him by this time, not only had he talked me into willingly riding Beastie, with a saddle that didn’t fit, I was also going to wear his old worn out hat! But who’s going to complain when you’re headed into the Bob for a week? I rode off with the rest of the bunch with a big smile on my face, wearing that floppy old hat!

Now, U Bill lead off with the mule string behind him. He was riding a horse named, Chili Pepper. That horse had that name for a good reason. He was part firecracker. But he and U Bill had an understanding, and Chili Pepper would go places in the mountains with U Bill on his back, where no sane horse should go.

Starting out on the Swift Dam trail head into the Bob, the very first thing you do, is climb the face of a cliff. Horses have dropped off that cliff to their deaths, but up the cliff we went. The next part of the trail is getting around Swift Dam, the trail goes up and down over a lot of granite rock, then you go through the Gorge, where you’re high on the mountainside, looking down a sheered off rock slide into a waterfall of rugged rock and deep water. Once you cross that rock slide it’s clear sailing into the Bob.

Except for one thing. U Bill loves to fish. No matter where he sees a nice deep fishing hole he wants to try, he heads Chili Pepper for that fishing hole and Chili Pepper will get him there.

We’re going along the trail as nice as can be, I’m “staying in the middle” of Beastie and growing downright fond of him. U Bill’s old broken brimmed hat is quivering along on top of my head. Every so often he looks back at me and says, “Nice hat, or - nice horse!” Just to let me know he appreciates me giving in to him on the hat and the horse.

Every time U Bill’s about to go around a corner in the trail where he’ll be out of our sight, my cousin or I grab a pine cone and throw it as hard as we can so it goes over the mules and hits Chili’s nice fat rear end. We giggle our heads off at the way Chili humps up and zooms around each corner.

We’re high on the mountainside when U Bill decides he sees a fishing hole way below us. He drops the pack string lead rope in the trail and heads Chili down over the bank. The rest of us are following him like ducks in a row. My cousin Mary was ahead of me, and I was next. My sister, on Lucky, was behind me, so were my cousins, Marcia and Pixie. We also had a honeymoon couple with us, so they were behind me also.

Now imagine this, the mountainside is littered with dead, fallen timber. Everyone else is riding a full sized horse, with normal looking legs, and here I am, riding a POA. Logs that looked like nothing to the rest of them, must have looked huge to that gallant little horse. Yet, he never backed off for an instant!

We’re headed straight down the high mountainside, and we’re jumping dead falls, so guess what happens next? When Beastie is on the downside of a jump, my saddle comes up off his back, in the rear end. I throw my arms around his neck and hold on, “keeping in the middle of him” until he lands, then I get my saddle down and onto his back again.

By the time we hit the second dead fall, everyone behind me is expecting this colt to come unglued under what’s happening and they’re all screaming for me to jump! At this point, I had discovered what a wonderful little horse Beastie was, and I wasn’t about to jump, he was tolerating the whole thing and handling it with aplomb!

We jump a few more dead falls, and my saddle was beginning to slip sideways as the force from the jumps loosened things up even more. It was impossible for me to leave the deck, as my feet were either jammed straight before me, or straight behind me.

By the time we hit the bottom of the hill, even I was afraid of what Beastie might do when he hit flat ground, and I decided I’d try to bail out after all. I got my chance when we jumped into the middle of the stream at the bottom of the mountain. Of course, I lit in the creek on my rear end. I sat there in complete and utter humility as my broken hat brim quivered over my face from the force of the landing.

With no where else to go, the other horses jumped over me and I can remember looking up at their bellies and legs and counting them as they went by so I’d know when it was safe to get up.

As I came dripping out of the creek, I’ll never forget looking up and seeing U Bill. He was still sitting on Chili, the perfect cowboy picture with the sun behind him and the shape of him and Chili all back lit and glowing. His eyes were bursting with mirth, and he only said, “Wouldn’t Benny Reynolds be proud of you now?”

Copyright Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

New Western art painting series ……

Painting of cowboy wearing spurs. Copyright Sue E. Kroll.

I have begun a new series with my art. It will encompass all aspects of Western art including rodeo action, relaxed shots, horses at leisure, even cows.
The first in my series is “Waiting His Turn,” a team roper is watching the action and waiting his turn to go.
This is acrylic on HB, 11×14. If you wish to purchase this, please contact me at sues.art@gmail.com. You can see my other works at http://www.sues-art.com.
Thank you for visiting my blog!!

©Copyright 2008 by Sue E. Kroll. See original post here.
To learn more about this artist, visit Sue E. Kroll’s website.

When Worlds Collide

Western horse riders cowboys. Copyright Judy Wood
Western riders cowboys. Copyright Judy Wood
Cowboy. Copyright Judy Wood
Horses taking a break. Copyright Judy Wood

This weekend was one of those interesting ones that I particularly enjoy, when two quite different parts of the “worlds” I inhabit come together for photo ops. The world of horses is a varied one, and with a few exceptions, I’m pretty keen on all of them.
The first of the Ebon Stables dressage shows happened this weekend, and as a dressage rider and enthusiast, I’m generally on the spot for these shows, camera in hand, and list of riders who want show photos firmly in my head.
This year, though, there was a timing conflict, as I had heard about a working cowboy camp that sounded way too good to pass up for enhancing my collection of western themed photos. Once I learned that the camp was being held at the ranch of Dale and Teri Clearwater, where I have done photos before, I knew I had to take in this event as well.
I met the Clearwaters last fall through a mutual acquaintance. I phoned them to say I had heard about them and would love to come to their place to do some photography, and they kindly agreed to my request. When I got out there for the first time, I was just blown away by the landscape and by the type of operation they run. This is classic working ranch stuff of the sort I didn’t know existed less than an hour’s drive from my place. Dale and Teri have only owned the ranch for a few years but have turned it into a functional and well maintained horse training facility, with the bonus of a lot of cattle on the side. They embody the solid character and strong work ethic that epitomizes the best of ranch life, and Dale has a well-earned reputation as a skilled trainer of working cowhorses and of cutting horses. Bonus for me is he and his operation are as classic in look and style as he is in his working methods, so for the purposes of my photography, it doesn’t get much better than that.
Dale and Teri are also very accommodating in humouring me with my sometimes odd ideas of what I want to photograph around their place. I’m used to being mostly ignored when I’m out getting shots, and sometimes just barely tolerated, but the Clearwaters are positively co-operative and welcoming about having me lurking in the background with a big lens, which is a really nice change. I do my best to stay out of trouble and not get in the way too much, but at bottom I’m a city person and there’s a lot I don’t know when it comes to ranch life.
I was able to get to the ranch for the Saturday afternoon session, which was calf roping. There were a lot of participants in this clinic, all working cowboys/girls with their own horses, and four guest instructors besides Dale. There was also a camera crew filming for the Cowboy Country television show, which was my first hint that this was a fairly big deal. The level of organization that must have gone into putting this event on was impressive, as they were handling not only the clinics for the participants, but also providing camping facilities, a grand Saturday night dinner, live entertainment, and a Sunday morning church service in addition. Many of the participants came with their families for the weekend, and there were swarms of little kids zipping about, being ably cared for and entertained by helpers. Mercifully the weather was decent, as the pouring rain we had earlier in the month would have meant trouble for this event. Mind you, Saturday was darn hot and it was stressful for all concerned in the clinic–instructors, participants, horses and calves, but this is a cowboy operation and they are all used to functioning in whatever extremes nature chooses to throw at them.
I learned a bit about the ins and outs of roping and handling the cattle as I watched and did my photos, and I was impressed that all the instructors emphasized ways of working with the horses and cattle that were the most efficient, safe, and least stressful for the animals. Just get in, do the job right, and get out. No carrying on, no dramatics, no grandstanding. It’s always a pleasure to watch professionals do what they do best, and here I’m referring to both the human and the equine participants.
So of course I can’t pick just two shots for this post, and none of them is going to be of the dressage show. There’s another dressage show coming up in a couple of weeks, and I’ll get yet more shots at that one, maybe some I can post here.
The first shot shows some of the guest instructors waiting for the afternoon’s work to begin. They were just hanging out and visiting, with Dale’s beautiful hundred year old barn in the background.
In shot number two they are heading in from having brought the calves in from the pasture. Here they have been joined by Dale, who is second from the right. When I got this shot the border collie had momentarily taken over herd wrangling from the riders.
Shot three shows Dale organizing his rope in the nice new large round pen he has constructed since I was last there. It’s a great work area to contain horses and cattle safely while they are being worked with.
Shot four is of a couple of the women riders and their horses taking a break from the heat in the relative coolness of the tree-lined approach to the house. I did a little bit of Photoshop work with this one–will do more when I get the time to make it look more like a painting.
Dale and Teri have their own website up now. You can check it out and learn more about them by following this link http://justaboutaranch.com/
Next weekend, weather permitting, I have two more horse events to photograph–a heavy horse ploughing competition on Saturday, and a combined driving event on Sunday. There seems to be something (or several somethings) every weekend once summer hits. I really think the federal government needs to deal with this by legislating extra weekends over the summer months so we can fit everything in.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

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