Tag Archives: black horse

Caught With A Mouthful

I just finished up this little watercolor of my Duster [Tennessee Walking Horse] caught with his mouth full….always eating. It is small…quick and it is done! It is 10 x 4″ on watercolor board and though it is for sale…I won’t be putting it up on my website.

It was a good day to stay in the studio…very cold and windy here. I had ordered a bunch of art supplies and today part of the order came….I can’t wait to get started!! New canvas and new ideas!!

©Copyright 2008 by Kathi Peters. See original post here.
To learn more about this artist, visit Kathi Peters’s website.



You gotta love it!

The small horses in this picture are Morgans, of a normal size. I’ve stood next to them! Then there are the big, guys, they make the others look like midgets!

This horse herd is just down the road from us, I love to stop and take photos of this bunch.
Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.
To learn more about this artist, visit Donna Ridgway’s website.

ACEO Original Artwork Give-Away

For anyone who does not know what an ACEO is:

ACEO stands for “Art Cards, Editions and Originals”. These cards have one main rule - they are 3.5 inches by 2.5 inches - the size of a trading card.

The reason for this is, of course, that Art Cards are made to be traded! But while artists were happily trading cards, the general public was left out in the cold, having no Art Cards to trade. A group of artists realized this, and quickly made their cards available for sale at remarkably low prices so that everyone could join in the fun!

Cards are also sold either as originals or editions. Make sure you know which you are buying! If it is a print it should say so, and it should be numbered and signed, usually on the back.

And, you can read more here: http://www.art-cards.org/

How do I enter? You ask in an excited and anticipitory voice.

To enter, just leave a comment on this post. Contest will end on September 18th, 2008 at midnight. I left plenty of time since I have SO many readers, I want you all to have a chance.
%^P

The winner will be selected using a random number generator that will chose a number that corresponds to your comment number.

Here is the ACEO you are attempting to win for your very own.

Black Horse ACEOBlack Horse ACEO

Colored pencil on drafting film. Original piece in a protective hard sleeve. Good luck!

©Copyright 2008 by Bethany Caskey. See original post here.
To learn more about this artist, visit Bethany Caskey’s website.

Black Morgan, Part 4

WIP (work in progress) painting of a black Morgan horse copyright Carrie Lewis, all rights reserved.Today was sort of a “two steps backward and one step forward” day for this piece.

It was the third Wednesday of the month, which meant it was the regular day for the Colored Pencil Circle at the Carriage Factory Gallery.

That meant it was time to pull out this black Morgan mare and put in another hour. As a reminder, this is a colored pencil on black Rising Stonehenge paper.

To begin with, I used a Prismacolor Clear blender to blend the greens because I thought they were competing a little bit too much with the horse. That smoothed and blurred some of the sharper edges and was supposed to create a smoother color layer. That part didn’t work and I discovered the blender was so old it was starting to dry out.

After I was finished with the blender, I used Limepeel applied in close horizontal strokes to further smooth out the color fields in both the trees and the grass. That was followed with Yellow Chartreuse applied in vertical strokes over all of the greens.

I did use a little bit of Dark Umber and Dark Green, as well, but the greens are too dark, so I want to continue to focus on lightening those areas more.

The little bit of work I did on the horse revolved around the head and the tail, both of which I lightened with Cloud Blue in the cool areas and Yellow Ochre in the warm areas.

I will probably need to bring the painting home and work on it from the reference photo on my computer so that I can enlarge it enough to see details. Hopefully that will happen before the next Colored Pencil circle, but with my schedule looking the way it currently looks, that may be more than I can manage.

It is somewhat frustrating to work on the same piece month after month and for only an hour at a time. It does seem to be a process that works, though. Each time I take out the painting for the next work session, it looks better than I expected it to.

I fully expect to take it out one of these months and realize it’s done!

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Black Morgan, Part 3

Black Morgan horse oil painting in progress by Carrie Lewis.Another third Wednesday, another colored pencil circle at the Carriage Factory Gallery, another working session on this colored pencil of a black Morgan mare.

This is roughly 8×10 on black Rising Stonehenge paper.

Progress certainly is slow when a painting gets attention only once a month, but the painting is progressing.

I spent most of my time working the trees in the background, but the same colors were also layered into the grass so that both areas were built up at about the same rate and the colors are cohesive.

Work began with Olive Green, which was layered into the trees primarily to cover some of the remaining black areas. I wanted a more dull green to enhance the shadows and Olive Green was exactly the right thing.

That was followed with Limepeel lightly layered over both trees and grass and, finally, Yellow Chartreuse over the lighter areas of trees and grass.

Because I am working around the horse, I also wanted to be especially careful to preserve the edges of legs, back, head and body. The mane and tail can be treated a little less carefully because some of those shapes were impressed into the paper on the first day.

At present, the background is coming along very nicely. At some point, I will have to begin working on the horse, though. Once both subject and background are at about the same level of completion, I can make any adjustments that need to be made.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

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