Tag Archives: artist’s life

Ups and Downs


“Scruffy” my horse, Scottie, losing his winter coat

Last week was quite an exciting one for me. First off, I finished up the taxes and delivered all the papers to the accountant. That’s always a source of great relief!

Then the following day I met with a local artist whom I hope to work with for a while to help me with my artistic skills. I’ve been feeling rather lost for quite a while now with my art, knowing that I could be doing much better but not knowing where to start or what to do to move forward. It occured to me that working with a more advanced artist might be just the thing I needed; someone to point the way and help guide me along.

I brought several paintings to this first meeting, including the one hour ones, and he critiqued each one of them, pointing out how I could have improved them and what was done well. I was grateful to hear him say, “You obviously have a lot of talent” and “You don’t need ‘remedial’ lessons” and finally “I’m certain that I can help you to improve the quality of your work”. I left floating on Cloud Nine and look forward to meeting with him again. He studied in Florence as a young man and also spent several months at that time sketching horses at a nearby equestrian center. So, he “knows” horses probably better than the average artist who is not an equine artist.

This week didn’t start out so well. On Monday the vet came to adjust my horse, Scottie, and one of the other horses. I quickly discovered that my horse was very lame in the left front leg and was very reluctant to walk. Remembering how good he was with me when I hurt my knee two years ago, I let him take his time walking from the pasture to the barn and figuring out how to turn around in the barn aisle with the least amount of pain.

The vet couldn’t find anything obviously wrong, like a soul bruise or injured muscle, but he was very tight in the neck and shoulders. She concluded that most likely he was stiff from the icy footing outside and/or from the arthritis in his neck causing pain down his leg. We gave him some bute and put him back outside. On the good side, his back and pelvis were still in good alignment, so we’ve definitely made progress on that front at least.

Yesterday I went out to the barn to check on Scott and was very glad to see that he was in less pain but still limping. I led him around the indoor for a while to see if he would walk out of the limp. It got less but didn’t go away completely. Then I turned him loose to see what he would do. Instead of just standing still not wanting to move or standing by the door wanting to go out, he followed me around as I shot some photos. After some massage and stretches, I put him back out and headed home, my mind a little more at ease.

I haven’t made arrangements to meet with the artist again but will do that soon. I need to figure out what I want from these sessions and he needs to let me know how much he’s going to charge. I’ll keep you posted.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Social Networking and Being an Artist

There are some major components to being an artist. Especially to being a successful one.
Talent, of course.
Technical knowledge of your medium
Vision – the thing that makes your work unique
Time – to pursue creating
And
Marketing – making the work available to the public

Talent is something one is born with. Technical knowledge must be learned. Vision is something you develop over a lifetime. Time on the other hand is something you have to carve out for yourself. It is extremely important to carve out enough that you are not rushing to get work done. Time to create is slow time. Which brings me to the dilemma.

MARKETING
In this economic crunch fewer and fewer galleries are risking taking on work of emerging artists. Many established galleries are closing their doors. Rents are sky high. And the return on selling art, not enough for them to stay in business. So how does an artist get their work out into the public eye. Well, by doing it ourselves. Marketing that is. We are selling through websites and virtual art shows. And we are….in droves….joining the ranks of those using the Social Networks to get a public presence. It is an amazing thing to find yourself having fans all over the world. And when we sell direct…we get to keep all the profit for our work. And why not…we have done all the efforts it takes to sell that work. So you ask, where is the downside? Well….it is in that thing we discussed before….TIME.

I have found Facebook and Twitter. I have made more friends and fans than I could have ever thought possible. But to keep in the public eye through Social Networking takes a huge commitment of time. You have to be willing and able to be there every day. I am lucky in that I am a very social person. I love to talk. And I love that so many people have now seen my work…at least online somewhere. But it is easy to get sucked in. And to forget that to create more work you have to stop networking….walk away from the computer….and for me, get out and photograph or get down and spend the day in the darkroom.

And so, while social networking has given artists the tools to contact our customer base directly…we have to remember….that if you want to see new artwork…we have to take the time to do that too. What a juggle this modern life has become!

For me…this now means…if Monday is blogpost day. Social networking day. Then Tuesday is Darkroom day!

Juliet
http://julietrharrisonphotography.com/

©Copyright 2009 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

Hard to Catch Inspiration


I recently read a��blog where the writer mentioned she had�on her ‘To Do’ list to incorporate more creativity in her daily life.� So she added to her list to ‘be more creative’.� 1:00pm – 2:00pm do something creative.� I applaud this person for wanting to bring more creativity into her life.� I am all for that.

I have to tell you my Muse operates a bit like my rescue horse who is hard to catch.� I understand her issues and know why she doesn’t want to be brought into a small, dark space (stall) even if it is for something good in my mind- grooming, feeding etc.� Anyone who has horses knows that hard to catch horses are a pain in the patooty!!� You have to think ahead for vet and farrier visits because if they even get a whiff of an impending appt. you can just forget it.�


My horse�would rather avoid being boxed in.� Small, dark spaces feel confining and restrictive and very uninspiring.� It doesn’t matter if it is freezing rain outside…. she would rather be there than inside– if you are dead set in getting her in- that is.� If I let it be her choice and act like its no skin off my nose if she stays out in the freezing rain I have a much better chance of getting her in (which is where I REALLY want her to be because it makes ME cold and uncomfortable to see her that.)

My muse is like this too.� I would add ‘to be more creative’ on my To Do list if I thought I would stick to a To Do list… but unfortunately my mind doesn’t operate like that.� My muse enjoys coming out when I am doing un-creative, necessary, boring things.� It comes out when I should be doing something else.� Like taxes or bookwork or laundry.� My most creative moments are when I should be doing something else.� By the way I am avoidging those things right now by writing this blog entry.


My hard to catch horse isn’t always hard to catch.� Just like inspiration can come over me like a glorious flood of sunshine…. but most assuredly, if I had the intention of being creative it would bulk and buck and head for the hills!�

Horse people know that horses can sense a person’s intentions.� When I want to catch my horse and time is tight I can not let on to her that I feel strong intentions of catching her and confining her in this (in my eyes) lovely, dry stall with food.� No.� I have to act like I have all the time in the world.� I have nothing on my mind but to hang out, enjoy the scenery and just hang out with the herd.�

When I remove all goals, all expectations my hard-to-catch rescue horse is like putty in my hands.� She’ll follow me around like a puppy dog and I could do just about anything with her.� But boy, the minute she senses a tight time frame or agenda she�wants nothing to do with MY plans– My to-do list.

Same thing again with my Muse.��I got a string of commissions during the late summer and fall�which then�created a waiting list.� (This is a GOOD thing!!) I got backed up.� I usually can only paint one painting at a time.� I generally need to start and finish a painting before I go on to the next.� I wanted to begin to press myself to learn how to work on several at a time– step up my production-� Be more efficient with my to do�list.���Well needless to say this was�not working.� I am slower than I’ve ever been.�

So what to do??� I’ve now decided my artistic side needs to not think about anything to do with numbers– time, money, schedules, lists. The more this creeps in the less efficient I become as an artist.� The harder my muse is to catch.� My muse doesn’t want to be taken into the dark barn and confined.� My muse is a free range spirit.� So basically I need the exact opposite of what it seems every other time management expert recommends for people– goals, expectations, schedules, lists… numbers.

Like the rescue horse open spaces and freedom is where the muse romps.� Now I play.� I feed this free spirit and try not to confine it with too many numbers and an amazing things happens– things flow and get done.� Not because of a to-do list but in spite of it.�

People don’t have a choice in the kinds of brains they have.� One brain type isn’t better than another but some sure can be challenging if they don’t fit into the norm of what our culture and society want.� I am sure the woman who wants more creativity can see the value in the freedom and exhilaration one feels when creating and she is trying to incorporate that in her life the best way she knows how.� My husband and I have talked about this because he is very heavily left brained.� For him to be creative is foreign.� He needs a job description, a schedule, a goal, criteria, professional journals and data….
He feels like a fish out of water as I do when I am forced into his working environment.�Some days I would give anything to fit�in with�a regimented agenda.� To be goal oriented and efficient with time, numbers.� I have felt very humbled the last few weeks because my son, who has a brillant, creative mind also lacks organization.� He needs me to help him with this.� Me.� Okay.. I can do this (knees shaking).� �I will not
in my power allow him to feel badly because he is a creative free spirit but maybe not the most organized person in the world.���

So my point of this entry… be yourself.�� Work with your strong points.� My rescue horse is finding over time that her stall means good things too– food, being able to eat with out competing.�� As a professional artist I am finding too that learning how I need to work (even if it means my work must be play) that is progress.� One way I get paid is when I is to paint commissions so let see how to work this out!� I am stepping out and helping my son feel more pulled together so assignments he does well get handed in on time.� We will find tools, crutches and our own way to do this.� Its okay to think differently.� That is what being creative IS!�

One of the things I really appreciate is being a part of an art community and the people that support this community.� If you are local I will be in my studio painting�my white horse as part of a painting demo during March First Friday in downtown Canton at Second April Art Galerie.� Please stop by.� If you are not local my work is for sale online at http://www.suesteiner.com/ or http://www.abstracthorseart.blogspot.com/� As always I appreciate your interest!�

Take care and take some time to play today!
Sue Steiner Sue Steiner,

Animal and Equine artist
Pet Portraits in Oil
White Horse Studios
324 Cleveland Ave. NW
Canton, Ohio 44702

http://www.suesteiner.com

http;//www.secondapril.org
pet portraits, horses in art, studio or online sales, commissions

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

Mutual Support – painting from the depths of hell






this piece was doomed from the get go…firstly it was revisited from a photo i had already used for a painting i did in all sepia tones. the original sepia painting was my favourite painting. a client wanted it, so i sold it…it went bad from there and now there is bad blood between the client and myself. a huge bad taste in my mouth. so somehow thinking i could revisit this photo, i tried again and only in colour this time and the horses would have more wind blown manes and stormy skies…sounds good no? there is an old saying i believe fits for everyday.
“plan your day, don’t plan the outcome”
or in this case…plan the painting, don’t plan the outcome….sheesh….understatement!!!
from the get go it was a struggle from the under painting being ‘washed’ off by the glaze of transparent red iron oxide to the palette seemingly changing from day to day. i had a buyer for this piece. it was yet to be finished and yet a client wanted it…just finish it and money was mine to be had!!
if ANYTHING was to be learned from this piece, it was this very important thing for me. an ‘aha’ moment…i am NOT motivated by money. there it was a huge amount of money dangling before me. the painting 2/3 done and the moment the money was there, the expectation, the pressure was on….i froze!!!
after 6 months of being frozen, the client withdrew his offer…now i was free!! free to finish when i wanted! so struggling along, and with the intent to get it done for the stampede western art show in july which i was juried into, desperate as usual for inventory, i abandoned it..um i mean finished it!!!
…whew sure was hot down there in the depths of hell…or was that a hot flash?!

©Copyright 2009 by Michelle Grant. See original post here.
To learn more about this artist, visit her website.

Synesthesia or ‘tasting color’


I cut and pasted something I posted on http://www.wetcanvas.com/ art forum regarding my ability to ‘taste color’. I am veering off my main topic here just because I thought you might find this quirk interesting. I also would love to hear from others who experience synesthesia too. There are many variations. If you google this word you will get all sorts of articles and info on it but basically it is what happened when a person’s senses become linked somehow. Some people may ’see’ music, or experience it as certain numbers as colors. Its really quite fascinating. I wrote a little about my experience with it below:

I wondered how many artists here have synesthesia? I’ve been browsing thru the forums and have come across 2 posts last night mentioning it. I have a form of this and thought it would be fun to compare. How has it helped your art? Or does it? How do you experience it?

I experience good color combinations as ‘tasting good’. Each color (generally) doesn’t have a specific taste but color combination that go well together also taste good. (synesthesia is a linking or mixing of the senses– tasting color, seeing music etc. There are all kinds of variations of this occurrence)

I didn’t realize I was affected by color like this until I began painting. I think the more concentrated color and the mixing of colors while painting makes this more noticeable for me. When I use a wrong color while painting it is like a bad taste in my mouth– like I have to remove it immediately. Maybe like a kid spits out spinach. LOL!

I also seem to like color variations– too saturated of color (very bold color with no areas of rest) tastes like too much sugar to me. Too much Cotton candy for example. I am very sensitive to the differences in grays…. found this out while painting my studio on different occasions with colors of gray (wanting something neutral) — one time the paint on the wall tasted like licorice (overpoweringly) and another like stale grape gum. Once I hung paintings the color on the walls was broken up and I no longer ‘tasted’ it.

A funny story… a few years ago I was meeting with a woman for business. We met and she was wearing a very loud print dress with pink, black, grey and white. All I could taste was very intense Good and Plenty candy… made it very hard to concentrate on our meeting!! The tastes seem to revolve around candy when its too strong which is odd. I had this same taste happen again a few days go while painting these little abstract paintings on my blog at http://www.abstracthorseart.blogspot.com The 3 small 4 x 4 paintings with grey, red, black and white. I immediately tasted good and plenty as soon as my brush stroked across the canvas.

When a color combination is right it is like the blend is harmonious and tastes very good– but without one single taste standing out. I do remember viewing a painting of someone’s (I wish I would of bought it) that tasted very good but had an underlying taste of a creamsicle. It was of a tiger cub in pastels — kind of monochromatic on colored paper and variations of one shade. In this case since the colors were in different values and with areas of rest since the whole painting wasn’t saturated with intense color I could ‘taste’ it without being overwhelmed but too strong a color.

Btw I do not have a sense of smell so I wonder if my sight became more sensitive after this happened after an accident at age 4.

alright… enough about me… would love to hear from others and how color affects them.

__________________

Sue Steiner Etsy Shop Blog www.amulti-coloredlife.blogspot.com

Facebook Page Sue Steiner,

Animal and Equine artist
Pet Portraits in Oil
White Horse Studios
324 Cleveland Ave. NW
Canton, Ohio 44702

http://www.suesteiner.com

http;//www.secondapril.org
pet portraits, horses in art, studio or online sales, commissions

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

February Goals: Looking Back

Portraits

As I believe I mentioned in another post, some paintings and portraits are a test of wills. Lockkeeper is proving to be one of those.

I thought I had the problems solved at mid-month only to follow up a very good painting session or two with a session that set the portrait back slightly. The problem? I was  in too big a hurry to get the portrait finished!

I say that with every confidence because that frustrating painting session was followed a week later by an excellent painting session in which I had none of the previous problems with paint film and made great progress. Giving fresh paint time to dry completely made all the difference in the world.

So did a good prayer before getting to work that day!

As I write this post, I’m not sure whether or not the portrait is within range of being completed in March, but it is definitely headed in that direction.

Frustrations in other areas are being made up for with the portrait of Keyodee Star.

In February, the painting took several steps through the glazing phase of the process and is beginning to look like the full-color portrait it should be. Most of the background is completed. The exterior of the stall looks great and so does the interior, though the interior may still be a little bit light in value. I want to finish the horse before making any adjustments or corrections to either area.

I put several layers of transparent color over the horse, the most recent being a dry-brush glaze of Transparent Red Oxide last week. Odee’s coat color is almost there. Once that’s in place, details and adjustments will be put in place and the portrait will be complete. Barring extended drying times, it may very well be finished by the end of March.

In between is Clyde.

This portrait is progressing more typically than either of the other two. Work is neither as smooth nor as troublesome as with the others. I have taken a couple of missteps that have required letting the painting dry completely before corrections can be made, but at the end of February, the dead layer was very close to completion. So close, in fact, that I may decide it is finished when I review it this coming week. If that proves to be the case, the painting will be idle for most of March while the dead layer dries.

If it’s not the case, I’ll finish it and then the painting will be set aside for a minimum of three weeks.

ACEO Horse Paintings
I fell down seriously on ACEO Horse paintings. I finished only one, a loosely rendered, almost experimental hoof study done in colored pencil on a piece of test paper. Shameful!

The ACEO that was completed in February is a nice little piece of artwork, but it is, alas, the only one!

I’m going to have to issue myself a ‘do-better’ slip in this area!

Other Paintings
The third thing I wanted to consider for February was identifying partially finished paintings to work on and finishing as many as possible.

That led to reviewing the current paintings and to the realization that there are only two. Buckles & Belts is a couple of good sessions away from completion and so is Contemplation. I didn’t work on Buckles & Belts in February, but I did work on Contemplation and it’s very close to completion. With the first horse show of the year looming at the end of March, I’m hoping to have both of them finished. When Clyde goes to the drying room, I’ll be able to give at least one day a week to each of them.

Starting a colored pencil class on February 18 has also prompted me to begin the review phase for a new large, colored pencil. Something I can use as a demonstration piece for class. I’ve already looked through about 150 photographs, culling them down to twenty-eight possibilities, then from there to twenty as I write this. Three of them would make perfect, humorous ACEOs, so I’m setting them aside for that purpose.

So studio results in February have been mixed. Some very good painting days were sandwiched between some very frustrating ones. That’s no surprise. That’s life.

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

Fresh Sheets of Paper

Christmas!

Come early (or maybe late).

Boxes to open and unpack. Oh boy!

An order from Dick Blick arrived today and seeing our mail carrier climbing the steps with a box in each hand lifted all the burdens of writing and painting.

One of the boxes contained class supplies, so I won’t even open those items. They’re already packaged and ready for delivery to the student.

But the other box…. That was for me and it contained something I haven’t had in stock for quite some time. Full sheets of Rising Stonehenge paper. Ten sheets of 22×30 inch each of fresh, unmarked painting surface. Bliss!

I was forced by popularity away from my favorite white because it was out of stock. So I have sheets of fawn, natural and pearl gray paper, now, as well as a world of possibilities.

I recently told Neal that I was reluctant to begin writing the second draft of my NaNoWriMo story after over five weeks spent on design. He asked me why and I told him that until I begin writing, it’s a great story, full of life and energy and potential. Once I start writing, all that changes. It may turn out to be a great story and well told, but it will never live up to the raw potential of the unstarted story.

I know that because no finished painting ever lives up to the vision I see when I begin. Call it an occupational hazard of the creative person.

Fresh sheets of paper and fresh painting panels or canvas are the same. Until I make the first mark, each sheet is potentially the best work I’ve ever done. After the first mark, that all changes. It can be a rather scary thought.

I have ideas for some of these sheets. I will be starting a new, large colored pencil as a demonstration project for the colored pencil class. I just don’t know what the subject will be. A head study? A figure? I had an idea in mind as I opened the box, but when I was getting out my larger working mats, I found a completed drawing that had tried twice to be an oil painting and never succeeded. It caught my eye immediately.

There are also some great photographs taken at various horse shows, photo shoots and other locations, all of which are just waiting to be translated into a colored pencil painting.

And there is a very ‘artsy’ head, neck and shoulder study of Admiral’s Express that has been begging to be painted since I first saw it nearly ten years ago. A sleek white horse on pearl gray paper … maybe, just maybe.

So one of the things I’ll be doing this weekend and for the early part of next week is reviewing some of those images, seeing what’s available and what strikes me as a fun and exciting project. Hopefully, by Monday or Tuesday, I’ll have made my selection and will be getting to work.

Stay tuned!

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

The Horrors of Stall Rest or Feb. in Ohio

I used to own a boarding stable. The words I dreaded to hear most were, ‘My horse needs stall rest’. Sometimes this request understandably came by way of vet’s orders due to an injury, other times it seemed just randomly spoken and pulled out of the air by the owner of ahigh strung nervous nelly kind of horse to regain some authority over their equine. The horse quickly became miserable.

Horses by nature do not do well on extended stall rest. They are herd animals and need to move around, run and socialize to be happy. They need sun and fresh air.

I live in Ohio and it is Feb. I can relate to those needs. We have had continuous snow, fog and gray days on end. Horses on stall rest often develop stall vices because the environment is not stimulating enough for them due to lack of movement and socializing. Cribbing, wood chewing, stall walking, weaving are some common repetitive habits horses develop due to being confined.

People in Feb.also develop repetitive habits to relieve the boredom of being confined in small spaces indoors. Facebook is one way people alleviate the stress of confinement. Twitter is another common repetitive habit developed during times of boredom. Why else would we be so interested in what someone just ate for dinner, reading someone’s tweet as if the dog wrote it or the latest tweet about how to reach the masses and make millions while never leaving your house? We are confined with lack of a stimulating environment! Just as the horse compulsively bobs his head up and down, back and forth as he weaves in his stall so do we humans relentlessly check up on our tweets, friends and fans, retweeting and posting to profile, over and over again.

A common problem with stall rest in horses is the stalls need to be mucked much more frequently. The manure piles up rather quickly. Another correlation to the human version of poop accumulating is your e-mail inbox collecting spam from those people trying to make millions which periodically need to be cleared out and dumped. It is good practice to recycle manure on the hay fields. It is not good practice though to forward e-mails to your contact list. This brings about more social isolation.

As an artist I find inspiration in lighting and color. Grey days just don’t so it for me visually. I either just want to sleep or I get cabin fever. I do end up chewing unnecessarily in an attempt to fight boredom and stress… I also climb the walls…another more severe human form of stall walking. Chewing out is another human version with an aggressive edge to it.

So what to do when faced with stall rest/Feb. in Ohio?You must let time pass and wait for March. Color can be seen again and the visual stimulation triggers the synapses to fire in your brain and you find relief. The haze clears, you feel lighter on your feet, you laugh instead of growl.

The only known way around this waiting game is to bring fresh, lively art into your areas of confinement! To see new,fresh, lively COLORFUL art go to http://www.suesteiner.com/ or http://www.abstracthorseart.blogspot.com/ :)

green pastures are coming!

Sue Steiner
equine and animal artist

new pet and horse blog at http://www.suesteinerpetportraits.com/
Studio news at http://www.fromstudio2you.wordpress.com/

Sue Steiner,

Animal and Equine artist
Pet Portraits in Oil
White Horse Studios
324 Cleveland Ave. NW
Canton, Ohio 44702

http://www.suesteiner.com

http;//www.secondapril.org
pet portraits, horses in art, studio or online sales, commissions

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

Lockkeeper: Work Begins on the Horse

After a few weeks for drying the landscape portion of the painting, I put Lockkeeper back on the working easel this week.

Work began yesterday with an umber under painting on the horse.

The idea, when I started work, was to begin with the head and eye and to finish each area before moving on to the next area. I did start with the head and with the eye, but the rest of the plan fell apart within a few brush strokes.

I love working on Baltic Birch panels and I love the methods of the Flemish technique, but combining the two has proven to be more of a challenge than anticipated.

The method used to prep the panel involved a couple of layers of acrylic gesso on a lightly sanded wood surface. When those were dry, I mixed gesso and acrylic modeling paste 1 to 1 and used that mixture for the final surface prep. When it was dry, I scraped it and sanded it lightly to create an ultra smooth working surface perfect for detail.

Unfortunately, that working surface also means that until a sufficient amount of paint is in place, there are only one or two workable brush strokes before paint begins to ’slide’. So after the first couple of brush strokes, I was moving paint around more with each brush stroke than I was applying fresh paint.

So I changed tactics and used that characteristic to block in lights and darks for the entire horse, painting as much detail as possible, but not finishing any area. After ninety minutes, the horse was completely blocked in. Not what I expected to accomplish, but still a good day’s work.

Another quality of this hyper smooth painting surface is that paint layers require more time to dry enough to work on. Getting in too much of a hurry has resulted in previous work being ‘lifted’ by new work.

So even though the colors I used yesterday are almost completely dry to the touch this afternoon, the painting will be allowed to dry for another few days before I touch it again. When I do get ready to paint again, I’ll test yesterday’s work with a razor blade and will paint the next layer only when it passes that ’scratch test’.

Part of doing any job well is learning what you can and can’t do with the materials in use, then learning how to push those usable qualities as much as possible.

That applies to new paints, new supports and new techniques. I would have much preferred to have this portrait proceed without difficulty, but nothing is gained by playing things safe. The lessons I’m learning with Lockkeeper will advance every portrait I do in the future. I consider it on-the-job training. That training will not end until I stop painting.

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

Win Some, Lose Some


“Chocolate Zip” 10 x 12 oil on canvas paper

Yes, we artists sometimes fall flat on our artistic faces. Yesterday was definitely a loser in the studio.

I attempted another one hour painting and managed to thoroughly botch the job. I forgot what the exercise is about and tried to make a perfect painting. NOT! Then I compounded the error by spending another hour “fixing” it. Well, THAT didn’t work out either!

It’s really too bad because I had this really cute pony photo to work from. Unfortunately, it was taken on a very cloudy day, so it’s very flat with almost no highlights or shadows.

I did learn a few things, however. Like, my Princeton #8 bristle bright brush holds a good sharp edge while my Grumbacher #8 bristle flat does not. Cobalt blue and Hansa Yellow make a nice luscious green. Taping the canvas paper to a board made it much easier to paint right up to the edges without getting paint on the fingers or all over the easel.

I rescued the day by going to the barn and having a great ride on Scottie. As usual, he was very willing. We did especially well at leg yields which has been a trouble area for us, simple as it may be. Well, I used a tip I found in an article, and it worked like a charm. Scottie got lots of praise and decided that he likes doing leg yields and “volunteered” to do more.

The farm is on top of a hill out in the country, which means no city lights. When I left the barn, it was dark out; very dark; but the sky was filled with stars, and I stood for a few moments gazing up at them and feeling the wonder of the universe. It was one of those magic moments that you remember forever.

Below is my “fixed” version of “Chocolate Zip”. The pony’s name is Zip.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Snow in the Morning

I awakened this morning to something we rarely see in Kansas.

Snow?

No! We see plenty of that.

What we don’t see very much of in Kansas are trees, fences and even power lines cloaked in thick snow. Wind is such a part of daily life in Kansas that we think a still and quiet day is, well, abnormal!

But there was no wind at all last night and the snow that fell throughout the night fell straight down to the ground. There was no wind to drift it, no wind to blow it off tree limbs and power lines, no wind at all.

And this is the result.

After a day in which I spent most of the day either in bed or huddled in my favorite recliner enduring cold symptoms, the sight I saw when I looked outside this morning was like a shot of the best medicine known to mankind: a world that was fresh and clean and beautiful. Even the scene out the back door, which includes power lines, the alley and houses across the way, was white and pristine.

I’m not sure why, but fresh snow always lifts my spirits.

I’m not sure why, but fresh snow always lifts my spirits. Maybe it’s the sight of all that untracked whiteness that energizes me.

It could be the newness of a world blanketed in new snow.

Or it could just be one of those child-like delights that we all carry into adulthood with us. Christmas lights, lighting and thunder, running horses and trains all have similar affects on me.

Good news came with the fresh landscape, too. The Michigan Harness Horsemans’ Association benefit auction was on January 23 and the proceeds from the sale arrived today. Not only did I get a nice check in the mail; I get to do another portrait for a repeat customer.

Repeat customers are a special delight. A repeat customer is someone who likes my work enough to come and get something else. Chefs know what I mean. The people who come back for seconds are the ones who really liked the meal!

Well, I’m being asked for seconds today and the first meal isn’t quite finished, yet. What an encouragement.

So my thanks go out to the organizers of the MHHA auction, the members of the MHHA and those who bid on and won my work in 2010.

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

Feb 7 – Another Acrylic Finished…Goats!

Called “Exploring”, this 12 x 16 acrylic was started last year at a demonstration and talk for the Hemet Valley Art Association. I finished it up today, and will be taking the original to the demonstration next Wednesday. I just love working with the thin veils of color, developing interesting passages within larger values and hues. It takes time, but I have time right now. I especiailly love the blues on the shadowed sides of the black and white kids.

Bringing a painting to a finished state is a sort of dance with what’s going on in front of me coupled with the knowledge in my head. Choices are made for color, brush marks and areas to develop based upon that partnership. Oh, and listening to a good audio book doesn’t hurt!

I did make time today to go with a great bunch of folks hiking on Sunday morning, and we all went out for brunch afterward. In the image below, I’m the one midway down the table next to the fellow in the black cap. Keeping excess pounds off is part of the strength I am finding, and I take great pleasure in being able to do many things at this point in my life. Being in good condition is a gift one gives oneself–no one else can do that for you!

Thanks to those of you who wrote yesterday, I know…however it is good to know there are others with this section on the road of experience behind them! Going out with folks helps, you betcha.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

February Goals: Looking Forward

February goals are going to pretty much be the same as for January.

Portrait work will take precedence for the month, followed by ACEO horse paintings.

Goals for the month are:

Portraits
The overall goal for portraits will be getting as many of the current portraits completed as possible, beginning with the portrait of Lockkeeper. Keyodee Star is the second one to finish and I would also like to complete Clyde.

ACEO Horse Paintings
One new ACEO horse painting per week

Other Paintings
Begin identifying partially finished paintings to complete and complete as many of them as possible. Candidates include Buckles & Belts, Contemplation and Impulsion.

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

360 Studio Tour

I cleaned my studio last night, how cathartic. Now I feel like I’m ready to create anything!
There are some areas that still need work like my painting table and computer desk. I love to see other artists studios so I thought I would share mine.




©Copyright 2009 by Jennifer MacNeill-Traylor. See original post here.
To learn more about this artist, visit her website.

January Goals: Looking Back

January proved to be a good month for portraits and painting in general. I entered the month with three portraits in progress and, although all three portraits were still in progress at the end of the month, progress was made on all three of them.

Portraits

Lockkeeper is the longest in progress, which isn’t surprising because it’s also the most complicated.

After several false starts with the landscape, I was finally able to complete the landscape. That happened the last Saturday in January.

The painting is currently in the drying process, which I anticipate will take one to two weeks. When work begins again, I’ll be working on the final phase of the painting…the horse! My favorite thing!

Lockkeeper is being painted with a direct painting technique.

Keyodee Star is the second portrait both in advance of the painting process and in the amount of time the portrait has been in progress.

Keyodee Star entered the month with the dead layer drying. It concluded the month with the second glaze in place and drying.

I’ve been working it one section at a time, allowing each area to dry completely before doing the next section. Work began with the stall interior and the horse because both areas have a similar basic color.

In the second glaze, I worked on the exterior wall and was quite pleased that the end result was quite close to the original reference. Whether or not it’s actually finished will depend on how the overall painting looks when it gets closer to completion.

The painting advances at least one glaze every week.

The third and last portrait is Clyde, which began just before Christmas break.

Originally began as a Flemish technique painting, I switched to a more direct technique in mid-January. The background was painted with a small trowel shaped knife using a mixture of Titanium White, Transparent Yellow Oxide and Burnt Umber. The result was a very striking, warm tone background with the look of sun-bleached adobe. It turned out so well, I’m thinking of trying it with other portraits.

The portrait is currently waiting for the background to dry completely before work begins on the horse.

ACEO Horse Paintings

The annual goal for ACEO Horse Paintings is one per week.

January concluded with six new ACEOs; five oil paintings and one colored pencil painting.

Four of the ACEOs were studies for the portrait of Lockkeeper and the others are all random designs.

In addition to adding to the number of completed paintings in January, these tiny paintings provided a surprising amount of motivation for working on the portraits. So it has been a positive all the way around.

©Copyright 2009 by Carrie Lewis. See original post here.
To learn more about this artist, visit her website.

“Art is a wonderful journey, one stepping stone at a time through the garden of our lives”

Art is a wonderful journey, one stepping stone at a time through the garden of our lives.

I was talking with another artist friend of mine recently. We were talking about trials and tribulations of being an artist. Of growing up as artists and the things that had to be over come, such as the non approval of parents and the encouragement we may have or not have gotten.

As artists, there are many stipulations and misunderstandings that go along with that title that we proudly announce. And many times hold back the announcement, for fear of ridicule, being thought of as a lesser person for not being in the 9-5 work force that punches a time clock.

But then there are others (non-artists) who think being an artist is such a wonderful free journey of mystery and spirit!

Artist. What a title, whether we like being one or not, we are an Artist. It isn’t anything that a parent can take away; try as they might, for the love of the child and wanting a future of wealth and happiness for them. Because with the title of artist often comes the thought of being poor. This is usually the number one reason for stifling this inner creativeness. If being an artist is stifled and pushed down, it can only lead to a life that may not be as full and rewarding as it could be. I know many adult artists who are battling this dilemma with the boxing gloves on or garden gloves. My sun hats are off to them, for realizing their dream and destiny and working hard for it to become a reality in their lives.

I was very lucky indeed, for my parents offered encouragement every step of the way, and still do to this day.

Once we have faced those challenges of childhood and the misconception of the artist, we must then face the many artists that we come in contact with in our garden of life.

Many of the artists we meet become the flowers of our garden of life. Something wonderful to hold onto and cherish, though fleeting is the flower…they are always reborn with each new season. Cultivate the friendships and you shall harvest a wonderful flower garden.

Once in awhile, though, we will face the flowers that don’t grow. They fade, they wither and die, they serve no purpose, other than to try to destroy our garden path. They will fall upon our stepping stones and make them slippery. They make it hard for us to move forward. They make it hard for us to forgive their misgivings, their mean spirits, and their slippery ways.

But if we look around at our garden of life, with all the fragrant, colorful wonderful flowers we have surrounding us, we can then grab that garden hose and wash those slippery ones away.

Keep your garden path and your stepping stones clean, and pick your flowers carefully. Your art is sure to flourish, and remember the flower that you are and the wonderful color you can bring to your garden of life and to your friends gardens of life.

Now go create with wild abandonment!

And for the non-artists, who enjoy the arts, visit your favorite museum and art, and appreciate the struggles of the beautiful artists and the flowers that they are.

DebbieDebbie Flood, Artist. Equine, Wildlife, and the natural world.
http://www.debfloodart.com

©Copyright 2009 by Debbie Flood. See original post here.
To learn more about this artist, visit her website.

Clean Barn, Clean Slate, Clean Canvas

Over the Christmas break my husband built a large new stall for me in my barn. For those of you who don’t know I have a population explosion in my barn due to taking back in two horses that I had sold/loaned out to different people.I never did make a good horse dealer because I feel responsible for the horses I take in. If the match doesn’t work for one reason or another the door is open for them to come back but I found myself on the verge of not keeping the horses up to my own standards.So I really appreciated the extra stall.

It feels good to take care of animals when you are set up to do so.The right feed, the right pasture/turnout.The right shelter.The right attention and handling. I got in a couple ’special needs’ horses which toppled that balance so my goal is to pare down the number of horses I care for so I can keep that balance in line.

I reconnected with a former employee of mine. He was a teen ager when he worked for me cleaning stalls on my boarding stable. He was new to horses but had a passion for them and a wonderful gentle touch that they responded to so well.He also had the most amazing seat I ever saw in a beginner rider.He got up on the horse and just sat so correctly and so naturally.My riding instructor at the time said men/boys have a different center of gravity and sometimes it just all clicks in the right way for them. That certainly was the case with Brent.

Brent has gone on to make horses a career and has been training out west with the Parelli people.He is working his way up the levels and is now freestyle level 4??I may have that wrong but anyways I know he is doing amazing.Anyways he is coming out this spring and taking a couple horses.I am thrilled because I know he will give them a wonderful home.

So in a sense I am wiping my slate clean (er) in the barn so I can spend more time doing what I enjoy- caring for my horses but also keeping the attention/handling and riding time in balance.In other words I want to spend more time riding and less time doing barn chores!

I am doing the same thing in my art.I want to paint.The more the better.The moreI paint the happier I am.I also think that is working from my strengths but doing what I do best.I also have enjoyed delving into some creative writing as it pertains to art, horses, healing. So the challenge is to arrange things so I can get into the mental frame of mind easier and faster to paint while not completely forgetting everything else!As I write that it sound contradictory.If painting is a priority that isn’t that what you are supposed to do??Focus on that?

Focus is such a funny thing for me.Maybe other artists are like this too.I can have razor sharp hyperfocus and I can be clear on the other end of the spectrum.And no I don’t want ADHD medication.

I think most artists know about getting into the zone to paint. It doesn’t just happen… most times.For instance I can’t paint and keep my house clean.I also can’t paint and run errands.Running errands and driving around sort of ruin me for painting (but I have kids and thats pretty much a necessity).Going shopping does not mix with art.Especially a place like Walmart.I am ruined after a shopping trip there which is why I mainly try to avoid it altogether! Thankfully my husband can just go in there, get what he wants and get out.That has NEVER happened to me.I go in and I feel like I’ve been swallowed alive!

It may be that rather than having trouble getting INTO the zone it may be more likely I am always ‘in the zone’ which makes doing all those other things difficult AND it keeps me from painting. I walk into a store and get visually bombarded with bright florescent lights and row after row of shelves and products and advertising.I go outside and the shadows in the snow captivate me.I contemplate values and paint colors of the color of the snow shadow, noticing sharp edges and places to let the lines blur. I forget where I am parked but in my mind I’ve painted a beautiful painting already!

Maybe I am like the horses.I need my environment partitioned off so I can go from one zone to another and not let them all over flow.Horses know about this — pasture is for play time and eating.Riding ring is time to focus.Trails are fun and adventure.Stalls are confinement at worst and at best a place to eat in peace away from flies.

Alright then… I am going to start to corral my artistic spirit into the right spaces.Doing dishes and laundry does not need a creative mind– it needs a clean sweeper.A stall mucker and barn manager.Someone who clears the way so the creative spirit can then be turned out to play.

If all that fails I may need to call in either a horse whisperer or a maid!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My kids have either been on Christmas break,in need of transportation, or traveling for the last 3 weeks.On Tues. they all will be corralled again in their regular classes.Keeping track of their schedules, social lives, school activities, sports events requires some heavy duty time management of which I do not even know who to call on to model that kind of help!:) Maybe a drill Sargent!For me – not them.

I have a 3 hour stretch today to paint so I am now going to clear my slate.And then the reward!Turn out!!!

Take care!
Sue Steiner
animal and equine artist
pet portraits
Sue Steiner,

Animal and Equine artist
Pet Portraits in Oil
White Horse Studios
324 Cleveland Ave. NW
Canton, Ohio 44702

http://www.suesteiner.com

http;//www.secondapril.org
pet portraits, horses in art, studio or online sales, commissions

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

In A Crabapple Tree

Outside our cottage, standing almost as tall as our house, is a crab apple tree that pleases us all year long… with spring blossoms, summer shade and fall crab apples. In the winter it also pleases the birds who flock to our feeders and the boughs of this tree with its rotten fruit that sustains them through the cold long winters in Maine. Today our resident Ruffed Grouse flew up into the branches to feed his fill of the fruit…and the buds, on the tree. My husband has named him ‘Buddy”. Buddy has taken to following Les around our property and has also taken up housekeeping on the edge of our lawn amongst the woods and brush. Today Buddy lit on a branch above me and I had my camera in hand…and finally he posed as I snapped away. It so brings to mind the song “A Partridge In A Pear Tree”!! I find it so amusing that this bird has adopted Les, so to speak…! Les and his ‘Buddy”!!

After last night’s blanket of snow, the dogs were so happy to get out and play, wrestle and run. I had the privilege of shoveling while they played.
But I did get some time to actually get into the paint and have almost finished a casein I am working on of two Blue Tick pups. Back to painting now before it is time to walk the dogs again and then batten down the hatches for the next snow storm predicted for tomorrow! Gotta love Maine winters! Actually…I think I really do love them!

©Copyright 2009 by Kathi Peters. See original post here.
To learn more about this artist, visit her website.

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