Tag Archives: artist

Mutual Support – painting from the depths of hell






this piece was doomed from the get go…firstly it was revisited from a photo i had already used for a painting i did in all sepia tones. the original sepia painting was my favourite painting. a client wanted it, so i sold it…it went bad from there and now there is bad blood between the client and myself. a huge bad taste in my mouth. so somehow thinking i could revisit this photo, i tried again and only in colour this time and the horses would have more wind blown manes and stormy skies…sounds good no? there is an old saying i believe fits for everyday.
“plan your day, don’t plan the outcome”
or in this case…plan the painting, don’t plan the outcome….sheesh….understatement!!!
from the get go it was a struggle from the under painting being ‘washed’ off by the glaze of transparent red iron oxide to the palette seemingly changing from day to day. i had a buyer for this piece. it was yet to be finished and yet a client wanted it…just finish it and money was mine to be had!!
if ANYTHING was to be learned from this piece, it was this very important thing for me. an ‘aha’ moment…i am NOT motivated by money. there it was a huge amount of money dangling before me. the painting 2/3 done and the moment the money was there, the expectation, the pressure was on….i froze!!!
after 6 months of being frozen, the client withdrew his offer…now i was free!! free to finish when i wanted! so struggling along, and with the intent to get it done for the stampede western art show in july which i was juried into, desperate as usual for inventory, i abandoned it..um i mean finished it!!!
…whew sure was hot down there in the depths of hell…or was that a hot flash?!

©Copyright 2009 by Michelle Grant. See original post here.
To learn more about this artist, visit her website.

Monday morning post – turned into Monday Afternoon

I should be ready to write this each week. But it does not seem to be working that way. The past week was full and so is my brain. Part of the problem today is that I had the most wonderful walk with a friend and fellow artist, Nadine Robbins this morning. And we talked about so much that my head is full of ideas. You can see some of her work here – http://www.nadinerobbinsportraits.com/

I finally put together my new plan for moving my framed pieces into the homes of my friends and fans. I call it “Art Sharing“. I announced some of the details to my newsletter subscribers. If you might be interested in hanging my work in your home for 2 years at a nominal fee, with some great perks….you need to sign up for my newsletter and I will send you the program information. Sign up here.

I remember that at the beginning of this year….I told myself that I would spend less time in the next 12 months marketing my work and more time creating it. Some of that I have been good at keeping to. I am limiting the amount of time I spend in the internet and the number of juried shows that I am entering. And I have been back in the darkroom several times in January and like on my walk today…I have taken my camera and just taken pictures. Looking for interesting light, pattern and texture. But interestingly enough, in my attempt to limit the number of shows I planned to do……I have only limited the juried shows. Instead, they have been replaced by more invitational events.

As I mentioned last blog post, I have two pieces that will be in the Columbia County Council on the Arts 14th Annual Juried Art Show which will open the 20th of February. http://www.artscolumbia.org/ I only intend to enter 3 other juried shows for the year.

Yesterday, I was invited to put together 14 images for a Virtual show of my work for the Stable Woman’s Gazette. The theme of the show is romance and sensuality. Done from my perspective. I will post the link to the show as soon as it is ready. The image below, “Lush”, will be one of the ones featured in the show.

I have been invited to send work back to Terry Lindsay’s Equidae Gallery in Saratoga Springs, NY during this years’ race meet. And to have work again at the annual art show at the Maplebrook School in Amenia, NY that opens as a kick off the night of the Kentucky Derby. I will post more details about these as it gets closer.

So many of us have been touched and saddened but the devastation in Haiti. Wanting to find ways to help. I have joined with an International group of Photographers, Images Without Borders, to try an make a bit of difference. A website has been set up with images contributed by the photographers and made available exclusively for sale to support the efforts of Doctors Without Borders. Please take a look and know that ALL proceeds from purchased images go to help. http://www.imageswithoutborders.org/c/imageswithoutborders I have donated 4 COLOR images for sale. To find my work just enter “Juliet Harrison” in the search box.

I still have spaces available for those interested in my mentoring program. Information if you need it is on this link –

©Copyright 2009 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

pARTy Image, January 19-23


Well, here it is. I chose this one because it gives the artist a few options. You’re free to crop how you like, include/exclude what you want. If you’re posting your finished painting to your blog, please be sure to credit the photographer – in this case it’s Linda Shantz (me!). A reciprocal link is always a nice gesture.

While you are free to sell your painting, we ask that you don’t enter it into any juried shows or exhibitions. The main reason for this is that many of you are working from the same image, and it will save you some embarrassment – it’s quite possible that two or more artists may submit from the same reference, which is just not a good thing, as it will possibly discredit you with the jury.

If you would like a higher res image of this, please email me at thevirtualparty77@yahoo.ca and I will send it to you. Likewise, when you’re finished your painting, please email me a jpeg at the same address, along with your name, size of your paining, and medium. Feel free to include the link to your own website or blog, and I will try to post it all in a follow-up blog post, here.

The rest of the instructions can be found above, near the header. Any questions, please ask!

Have fun, and happy painting! Looking forward to seeing everyone’s work!

©Copyright 2009 by The Virtual pARTy and participating artists. See original post here.
To learn more about this artist challenge, visit The Virtual pARTy Blog.

Muse or Move!

Day 2

Day 1

Su Nimon, an artist who has the neighboring studio to me at Second April Art Galerie asked as I was leaving for the day what I had been working on. I told her putting paint ON the canvas and then taking paint OFF the canvas. I was sneaking in a fun, quick portrait to get back in the saddle after the holidays. I didn’t anticipate not being able to leave the starting gate! Or maybe I should say I encountered ‘balking’ of my muse! I spent the last two days working on a painting of my daughter and ended right back where I started!

Luckily I have horses. I have encountered balking before. For those of you who are not horse literate balking is a term describing a horse who is asked to go forward and they don’t. Balking can go further to the point the horse is asked to go forward and they go backwards. I have a horse who was prone to balking. He came to me as a ring sour ex show horse and would balk when I first got him. I helped him get over this by listening to him. I began riding him with a lighter touch and rewarding him with a ‘release’ when he responded. As I listened to him he became a better listener to me. He didn’t need the martingales, whips and spurs that were said to be needed.

How does this help with a ‘muse’ that stalled and fizzled? Just like the horse that had a stronger hand and louder voice used on him until he stopped in his tracks, the muse is waiting for the quiet so I can hear the whisper.

Okay, I won’t fight with this painting. I’ve already decided it may just need to be something other than what I thought it was going to be. My job is to let it develop. Loosen the reins and listen. Now lets see if I can do just that!

stay tuned!

Sue Steiner
animal and horse artist
custom pet portraits in oil

PS I wanted to share a link to this foal, Unique. http://special.equisearch.com/blog/horsetalk/2010/01/bet-youve-never-seen-horse-like-this.html

Sue Steiner,

Animal and Equine artist
Pet Portraits in Oil
White Horse Studios
324 Cleveland Ave. NW
Canton, Ohio 44702

http://www.suesteiner.com

http;//www.secondapril.org
pet portraits, horses in art, studio or online sales, commissions

©Copyright 2009 by Sue Steiner. See original post here.
To learn more about this artist, visit her website.

One Chapter Closes, Another Opens


Last week we took a trip to Alexandria, VA to attend a memorial service and burial for my mother at Arlington National Cemetery. Our daughter, Tina, accompanied us, along with a chair that my sister wanted but couldn’t take home with her on the plane back in March. We fit everything in my Subaru wagon with a few inches to spare and saved a lot on gas versus driving the SUV such a long distance. Tina had a lot more room on the way home, needless to say.

It’s been quite a few years since we took a vacation of any sort, much less travelled east to the DC area where my sister lives, so it was a real treat to get away even if only for a few days. DC/Alexandria is one of my favorite places in the world, and I would love to live there if it weren’t for the heat, humidity, congestion and traffic! It’s a far cry from northern Michigan in all respects, but is so loaded with the history of our great country that there is tons to see at every turn.

I was quite disappointed that I didn’t take my camera because the flash cards were acting up, so I had to depend on my husband to take photos and thus didn’t get a lot of shots I would have taken if I’d had my camera. So, there were no photos of the mountains in Pennsylvania or Maryland or all the interesting barns we saw along the way. And, not many photos of family once we reached my sister’s house in Alexandria.

My sister has an ideal location just off the George Washington Parkway north of Alexandria proper. She’s also a few miles south of Mt Vernon which we visit almost every time we go. There is a wonderful biking/hiking/running path that goes along the parkway which my biking/running daughter took advantage of a couple of times while lamenting that Ann Arbor, where she lives, doesn’t have anything nearly as nice. There is just a small strip of woods that separates the parkway from the Potomac at this point also, which makes the area very beautiful. To top it off, Alexandria is a city that oozes with the charm of colonial style architecture and buildings dating to the early days of our Republic.

The weekend’s events included a mini family get together as well as the ceremony at Arlington where my father had already been laid to rest. My oldest sister and her daughter joined us from S. Carolina and Georgia, and my niece and her husband came from England. My nephew and his wife also live in Alexandria, so we had some good times visiting at my sister’s house and having great food and fun conversation.

The weather cooperated, and the ceremony at Arlington couldn’t have been nicer! My sister did a wonderful job of planning it, and all who wanted to spoke a few words about my remarkable mother. Afterwards, we had a delicious luncheon at the Army/Navy officer’s club (thanks to my retired Army brother-in-law’s connections) and then went home and took a nap. We were all pretty exhausted by that time.

The next day the three of us took in the wonderful new museum at Mt. Vernon and learned much about the Father of our Country. If you have a chance, be sure to take it in the next time you visit Mt. Vernon. That night Tina was invited by her cousins to join them at a concert of The Gipsy Kings at Wolf Trap. She had a wonderful time.

On Sunday we said our goodbyes and headed for home with me feeling a sense of peace, both for myself and for my mother. With this chapter of my life closed at long last, perhaps now I’ll have the time and emotional energy once again to devote to my art; my life’s work.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Guest Artist ~ Lise LeBlanc

In the equine art world, especially on a local level, artists sometimes seem to regard each other with a certain amount of suspicion. It’s a strange thing I’ve never understood, but I’ve heard of it all over, not just in my ‘jurisdiction’ so to speak. I get that some people are competitive, but it’s just not my thing. When I met Lise for the first time last fall, it was so refreshing to discover we were both on the same page – that there’s a place for everybody, and each artist has something to offer. We should be working together instead of against each other, to increase the acceptance of equine art as a respected genre. We’re not just little girls who like to paint horses. Look at the how often the horse appears in art through history. We’re keeping that alive.

On a somewhat less serious note, there is potential for trouble when Lise and I get together, because, well, equine art aside, neither of us takes life too seriously and we seem to share an ability to see the absurd in things. Lise actually has a blog to that effect: The Big Filly Adventures. She’s documenting her experience with her lovely Warmblood filly, Tia, and is in the process of developing these adventures into children’s books. Over this past winter, which seemed so long and dreary, the adventures of Tia and Lise brightened many of my days! You can also see more of Lise’s artwork on her blog, and Big Filly Adventures also has a website.

“Trust”
18 x 24″ Pastel by Lise LeBlanc


There’s something about the eye that fascinates me.

“Eyes are the window to the soul” as the saying goes. To me there is something in the expression of a horse, that is not only a window ~ but a mirror . It’s impossible to look at a horse and not see the history of servitude which this noble animal has given to the human race. Wars ~ won and lost, civilizations built, miles travelled, sustenance ~ all on the backs of horses.

The reflection is not always nice. To understand what a horse endures at the hands of people, means to look hard at humanity.

I cannot look into a horse’s eye and not be moved ~ to inquire deeper into the truth of the animal, my own truth, and that of or my ancestry.

It’s this quality that pulls me to my pastels.

Lise M LeBlanc

©Copyright 2009 by Linda Shantz. See original post here.
To learn more about this artist, visit her website.

The Phantom Blog Award

About six weeks ago there was a flurry of blog awards being passed out amongst a group of bloggers that I read regularly. Some lucky bloggers received two or three awards while I received none. I have to admit that I was pretty bummed about this and grumbled to myself about how such things were nothing more than popularity contests between friends and SO middle schoolish. I was definitely indulging in some sour grapes.

So, when I received a comment on my blog last weekend that I’d been given a blog award, I couldn’t help but feel a bit elated and redeemed. The award was given by someone I don’t know, but she failed to attach the actual award image. Having never received one before, I didn’t know what the protocol is and whether or not I had to name the seven things about myself first or what. I managed to track her down on the internet and politely sent her an email to enquire whether it was an oversight on her part that I hadn’t received the award image or if there was something I was supposed to do first.

It’s been a week now, and I never heard back from her. Now I have to assume that this was some kind of cruel hoax or perhaps she had notified the wrong artist and was too embarrassed to admit it. I’ve removed her comment from my blog to protect the innocent (or is that the guilty?) and am putting the whole incident behind me.

Something positive did come out of this whole blog award thing, though. It made me stop to think about why my blog is not more popular, and I realized that I’ve posted a lot of negative, woe-is-me thoughts over the past two years. Instead of posting new artwork, I’ve posted a lot of why-I-haven’t-done-any-artwork posts. I resolved immediately to make my posts more upbeat and try to inject some humor into them. That’s a tall order for someone whose sense of humor tends to be quite dry, but I’ll do my best from now on.

Today’s photo is a view from my studio window. It shows the ice in the lake receding as the wind-blown waves chip away at its edges and as the sun has melted its thickness. This can be an anxious time for us lake dwellers for a day or two when we worry whether or not the ice is going to demolish docks and boat houses as the wind drives it relentlessly eastward. So far we’ve been lucky, but I did watch helplessly one year as the ice wiped out our neighbors dock and boat house supports. It was a good lesson in the powers of Nature.

Normally, as soon as the ice goes out of the lake, the ducks and swans appear in our beach and the fishermen return in their boats. I’m already seeing large flocks of flight ducks making their way back toward Canada. Perhaps a crane will stop by one of these days, too. They are so shy that I haven’t managed to get a good photo of one yet, and they only visit for a day or two each season. But, I keep hoping that THIS season will bring better luck.

There is no sun today because we’re expecting yet another winter storm tonight and tomorrow. Will THIS be the last gasps of the winter of 2008-2009, or does Mother Nature have more surprises in store for us? Don’t put away those snow shovels just yet!

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Ginny Baker – March 1914-March 2009


I didn’t really want to write a downer of a blog post, but how can one let the passing of the last parent, particularly a mother, go by without some acknowledgment?

As I mentioned in my last post, my 94 year old mother survived her surgery. Unfortunately, she developed pneumonia and went downhill fast from there. The wonderful doctors and nurses at University Hospitals in Ann Arbor managed to keep her alive until my two sisters arrived from out of state, and then we said our goodbyes and let her go.

I won’t dwell on any of the sad stuff, partly because the reality of our loss has yet to really sink in. Instead, wonderful memories are resurfacing as I go through her photos and think back to my childhood and young adulthood. The strained relationship I had with my parents is now ancient history and best forgotten for there is much good to remember and celebrate about my parents.

My mother kept me in endless drawing paper as a kid by bringing home scrap paper from her office job. When I began to explore oil paints, she cut up old window shades for me to paint on and as I got older, I was allowed to buy some real art supplies: pastels, colored inks, real drawing paper, drawing pencils and pens and brushes and watercolors.

My dad took me for my first pony ride when I was about eight, and sometime after that, my mother took me to the old fairgrounds for my first ride on a real horse. The horse was black, and her name was Patsy, and she was VERY TALL! I was both terrified and thrilled at the same time!

When I was about ten, my parents paid for riding lessons every Saturday and did so for the next three years. My mother was even brave enough to go riding with me once although she really had no interest in horses.

When I was twelve, I was allowed to buy my first horse with my own money, and my parents paid the board bills and other expenses for the brief time that I owned Willie. Years later, when I bought my second horse, my parents offered to help with his expenses if I wasn’t able to manage them myself. They knew just how much horses meant to me and how important it was to have them in my life again after a thirty year absence.

Without doubt, the most generous, loving thing they ever did for me came after the death of my first husband when I was just 23 years old. They were on sabbatical in Seoul Korea at the time and paid for me to join them during their final months abroad. On the way home, we travelled to many exotic countries, and although I was deep in mourning, it was a trip of a lifetime and one that probably changed my whole outlook on the world.

I’ll never know how much it cost my parents for those riding lessons, the board bills and that trip around the world because they never brought it up. But, it had to be considerable.

Having raised two young daughters alone during the Depression, my mother had the very strong opinion that any young girl must prepare herself to earn a living if need be at some time in the future. Art school was discouraged when I graduated from high school as too impractical, so I studied English Literature in college instead. I’m not sure it was any more practical, but at least it met with parental approval.

When I went back to school to study art twenty years later, my parents couldn’t have been more supportive or proud. My mother was proud to show off her daughter’s paintings to every visitor after she moved into the retirement home, even after she lost her sight and could no longer see them herself.

Among the many gifts my mother gave me, the most important of them were strength of character, consideration for others, self sacrifice, silly humor and how to give parental love.

Thanks for Everything, Mom.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Winter Storm Musings


Good morning, everyone! At least it’s morning for the next two minutes.

We’re under a winter storm watch today with roaring winds and snow going sideways and bitter cold temperatures. Just the kind of day when you’re glad if you can stay inside where it’s cozy and warm.

Today’s image is a cloud study I did for my hunter pace painting a couple of years ago. It will have to do because I don’t have anything new to show you. Besides, it turned out really well, and I really like it.

I’ve just about come to the inevitable conclusion that the dead of winter (January and February) are just not ever going to be productive months for artwork. Every year I think I’ll get a lot done during this period, but it rarely happens. What with all the year end business stuff to take care of which is swiftly followed by preparing stuff to send to the accountants for income taxes, there’s little time left. Between my husband’s business, my art business and my mother’s tax stuff, there is just a LOT to do during this time.

Yesterday I spent journaling about this and other issues which brought me to this realization. Frankly, it’s a relief to admit this to myself and stop stressing over not creating and not having anything new to post to my blog and website. Besides, it saves me from wracking my brain trying to think of clever, witty things to say on the blog.

Another outcome of the journaling was that I reaffirmed in my mind what I’ve been feeling in my gut for months now. I need to become a hermit and just concentrate on rediscovering the joy of painting and drawing without the stresses of any kind of marketing or peer pressures. So, that’s what I’m going to do and not worry about not entering any AAEA shows for yet another year or not placing any print ads for the third year in a row.

I’m now working with a long distance mentor, and I hope to begin working soon with a local mentor with classical training. That is a pretty exciting prospect! I have ideas for studies to do and for quick, one day works of art that I will share with you if they aren’t too awful.

All that will probably have to wait until the tax stuff is taken care of, but I will allow some time each week for artwork regardless. After all, one has to address the spiritual side of oneself as well as the mundane and practical.

And, finally, a big congratulations to those equine artist bloggers who were awarded blog awards by their peers. Sadly, I wasn’t among them which probably is an indication that I need to make some changes in what and how I post.

©Copyright 2009 by Karen Baker Thumm. See original post here.
To learn more about this artist, visit her website.

Emerging Artist Marketing Tip – Marketing Materials

Artist Marketing Materials

Marketing materials are very important in starting and building an art business. Some of the most important pieces include: business cards, flyers, an artist statement, and a bio/resume.

Create a business card, and keep plenty of them on hand. With the availability of online discount printing sources, business cards are downright cheap these days. Carry the cards with you, attach one to every original, print, necklace or anything else you sell. Hand them out at networking events. Post them on bulletin boards. The card should reflect your name and contact information. A nice slogan or tag line to help people remember you is also a great idea. Try to pick a form of contact that won’t change frequently. That might be a formal address, cel phone number, email address, website address or blog.

A nicely designed flyer is also quite valuable. The flyer should contain information about you and your work. People want to know about the artist! A great flyer would consist of your artist bio, your artist statement, a picture of you and 1-3 pictures of your work. An artist bio (short for biography) is written to tell people more about the artist. The bio can be written in 1st or 3rd person, though it is often found expressed as a third person view (appearing like a publication review of the artist.) The artist statement can be anything you choose, though most artist statements reflect an artist’s philosophy and vision for his or her work. The flyer does not have to be large or printed in full color. A 1/2 letter size sheet works well, and can be reproduced on home printers. On the back you might list your Awards and Accomplishments. (See sample Bios and Awards List for Pencil Drawings of Horses and Dogs.) You will want to include contact information on this sheet as well. As with the business card, attach one to everything you sell.

If you have enough written copy and pictures, consider a brochure. A 3-panel brochure, even a 1-color version, makes a nice addition to your marketing materials. They are also easy to drop in the mail as they fit in a #10 envelope. Add a greeting letter and a business card and you have a complete marketing package!

©Copyright 2008 by Kelli Swan. See original post here.
To learn more about this artist, visit Kelli Swan’s website.

Favorite Artist – Johannes Vermeer

My favorite artist for today is not one of my contemporaries and, to the best of my knowledge, he never painted horses.

But his work has been a major influence on my work and I have adopted much of his painting techniques to my own use over the last couple of years. He is Dutch artist, Johannes Vermeer.

Vermeer lived from 1632 to 1675. He did not leave very many paintings behind, but the collection of 36 paintings is quite impressive. It includes such well known favorites as The Milkmaid, Girl With a Red Hat, and The Girl With a Pearl Earring.

The Carriage Factory Gallery has a reproduction of The Lacemaker in it’s permanent collection.

I can’t pinpoint a specific painting as a favorite. There is a lot to see and a lot to learn in each and every one of them. The interiors are especially full of delightful detail, but his View of Delft, where he lived, is also a treat for the eyes.

Vermeer’s technique is of great interest. His methods of painting a detailed under painting over which color is glazed is an intricate and challenging technique. Some of it has been adapted to my own subjects and painting styles, with varying degrees of success. It is a never ending challenge!

For more information about Johannes Vermeer, visit the Essential Vermeer web site.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Favorite Artist – Loren Entz

On this Sunday, I want to share an artist whose work I have had the opportunity to study at some length at the Carriage Factory Gallery. Loren Entz.

Loren grew up in Kansas, just a few miles from where I sit typing. His interest in painting was fired by visits to Kansas galleries, but according to Loren, it wasn’t until he spent a summer on a Montana ranch and met a western artist that he began to realize artists could make a living on their talents. He now lives in Billings, Montana, where he has ready access to the land and events he paints most often.

I first met Loren in 2007 when his brother brought him to the gallery for a visit. A featured exhibit followed with a small but wonderful collection of originals (including The Empty Saddle, above), reproductions and a sculpture.

I have always heard artists and art experts comment on the need for paintings to have a narrative quality, but it wasn’t until I stood in front of The Empty Saddle with Loren and heard him tell about the event that inspired the image that I began to understand what storytelling with a painting means. I still don’t have a firm grasp of the idea, but it is taking shape.

Unlike a lot of western artists, Loren tends to paint the more tranquil side of the west and of the lifestyle that goes with it. A lot of his paintings depict close family ties, contemplative moments in the wilderness and even horses in their more peaceful times.

He has been a member of the Cowboy Artists of America since 1992 and is represented by several galleries in the west and southwest.

To see more of his work, including my current favorites, New Grass and The New Colt, take a few minutes to visit his web site.

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

Animal and EquineThemed Gifts and T-shirts

I know everyone gets bombarded by ads so I tenatively point out a couple links on this page so people know what is available. So many times I think I am being obnoxious in marketing my art only to find out there are still people I regularly meet, see, live by who don’t know I am an artist! How can this be? Do they not see the paint all over my clothes and hands or the far away look in my eye when the lighting is just so?? Or my camera that is constantly with me and often making me late?? So I point out the pet portraits, horse and animal gifts and t-shirts and print options in the right side bar on this page to remind people I am a working artist! :) Plus it helps to support my painting habit so I can buy art supplies!

I didn’t get to paint today so I am having withdrawal! I had a nasty migraine and had to deal with service men but still managed to dream about painting whe I layed down to try to get rid of my headache. LOL! Headaches gone, I feel much better and I feel inspired. :) See what art can do?

©Copyright 2008 by Sue Steiner. See original post here.
To learn more about this artist, visit Sue Steiner’s website.

Blue

This spring I rode across the state, almost, and this Norwegian Fjord was one of our riding buddies. He was so well mannered and calm; he seemed almost like a teddy bear sometimes. His owner, Linda, could do anything with him and they helped me get across water and other obstacles that my Arab, Merlin was not so sure about. Linda was a great riding buddy, too!
5×8 watercolor

©Copyright 2008 by Judy Johnson. See original post here.
To learn more about this artist, visit Judy Johnson’s website.

I Tried…Honest!

Well, I did paint yesterday, though it was a bit of a quick one because of a bunch of other stuff I needed to do – but it seemed I had a bit of “what can do wrong will” going on. First, I discovered we had no internet connection! As an apparently dedicated NaBloPoMo’er, I decided I would have to drive to a wireless spot. I live out in the country, so that’s no small decision at nine o’clock at night! As it turned out I didn’t have to go that far to get a connection, but was stopped dead when Blogger wouldn’t load. I tried for a couple of hours, but it wasn’t meant to be – I couldn’t make my post. I posted my sad story on the NaBloPoMo site here, though I don’t know if that “counts” for their purposes, so I guess I may have to admit defeat. I’m still going to continue my painting a day and blog a day…even if technology’s failings have left me out of the NaBlo running!

Today I did an 8 x 10 oil on Raphael linen panel of a friend’s Warmblood filly. I was teaching a workshop for the Credit Valley Artisans in Georgetown and due to my internet troubles last night, I didn’t get the drawing done as I’d hoped. That meant doing it on the spot – I was a little worrid that I might choke under the pressure of an audience! It didn’t go too badly though. So this is Chrystelle, a daughter of Dutch Warmblood Pacific Star STV out of a Thoroughbred mare. She was a baby at her mother’s side here, and as a yearling, she is still just as gorgeous. And available for sale, I believe. If you want more info, let me know and I’ll point you in the right direction! If I didn’t already have a horse of my own standing out there, I think I’d be finding a way to get this filly in my barn.

Hopefully tomorrow will be less eventful than the last couple of days. I know one thing though – with painting number 15 today, I’m officially half way!

©Copyright 2008 by Linda Shantz. See original post here.
To learn more about this artist, visit Linda Shantz’s website.

Change of Pace – Misty

On to another commission. this one is of a German Wire Hair pointer pup, Misty. Like all my other commissions a looming deadline, is needed to boot me to the easel and get to work. Sorely in need of a change, like so many other aspects of my life, this piece was begging to be done in acrylics and not my usual oils. The last acrylic to sit on my easel was Spruce Baby (see sidebar for image) I had forgotten how nice it can be to work in acrylic. the fast drying time, and flexible application techniques is a huge attraction at this point. I cannot afford to be waiting for it to dry between applications not wanting to leave it to the last minute. Christmas IS coming!
This one is on a 12 X 16″ MDF panel gessoed with about 3 coats of Daniel Smith gray gesso. I had forgotten how much I love this surface. Originally I thought the panel was an inch too wide for the drawing, so left the right hand edge blank so a carpenter friend could cut it off for me. after much consideration, it was decided it best to leave it alone, so I painted in the undertones of the grass right to the edge.
I am using matte medium on this one to stabilize the transparent glazes. In the past I used gloss medium. I’m not sure what motivated me to switch to matte, it just seems right this time. Payne’s gray is the colour of choice for the under painting. The plan is to use a very limited grayed down palette of Payne’s gray, burnt sienna, titanium white and raw sienna with some Naples yellow thrown in the mix.

©Copyright 2008 by Michelle Grant. See original post here.
To learn more about this artist, visit Michelle Grant’s website.

The Task at Hand

The Task at Hand
Since starting to work in watercolour again, Ive chosen some challenging subjects. This one was no acception with the checked shirt. The folds of his chaps where wonderful to work on with their folds of leather.

I hope Ive done justice to my subject. My next challenge is a black and white watercolour portrait of a horse and rider. But first I have a beautiful immortal collie dog named Tye to complete.

To purchase this work email me directly catherin@animalarthouse.com

©Copyright 2008 by Catherin McMillan. See original post here.
To learn more about this artist, visit Catherin McMillan’s website.

Nov 13 – Open Acrylics and Defining the Color System

I’ve been asked to “explain” my Color System–Hmmmm. That can be a bit of a challenge, since it requires a minimum of three full days by Color Boot Campers to get an inkling of what it is all about. So I’ll pose the question to all of you who have been through a Color Boot Camp, and have seen the Color Flash Cards:

How would you describe the Color System to someone unfamiliar with it?

Please reply in one of two ways: 1) post a comment to the blog, so it will remain there permanently for others to see, or, 2) reply to this message and I’ll put some at the end of this message once it has gone out. I’ll really enjoy your responses, and hope you’ll do #1 and post them as comments to this blog entry on the blog site. If you reply to the email, you’ll only talk to me. I think there’s much to be offered in how you see the Color System. So can you help me out?

Now, here’s an 8 x 6 evening sky painting done with those Golden Open acrylics, using the Color System. It was a out-of-head sketch done at the very end of the workshop at the Art Expo with Suzanne next to me and Catherine across the tables. We had a great time! This one is available for $175 including shipping as a nice example of the sunset skies and also “open” acrylic handling. Paypal is fine. Fun!

I’ll be starting another large canvas over the weekend for you, and again I’m going to use those Open Acrylics. I think I will also video the process, and consider assembling the various footages I have in the digital editing room into a new DVD–called “Acrylics and Oils with the CS”… or something.

You can post a reply to my blog here.

Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2008 by Elin Pendleton. See original post here.
To learn more about this artist, visit Elin Pendleton’s website.

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