Tag Archives: acrylic

Mar 10 – One from the Plein Air Event, Lesson in Oil!

On location with the Plein Air Artists of Riverside, and on Thursday I found myself in front of one of the many bridges that were the focus of this week-long paint out.

Now I don’t necessarily “do” bridges or other architectural renderings–I leave it for the designers to create beautiful structures, and I’ll just enjoy ‘em, not paint ‘em. But this event had us with a focus on local bridges, and who am I to complain? It’s just “stuff”….

So I start out with a toned canvas (12 x 9) and set up just as you see, with the bridge to my left. This way I’m not twisted as I paint, with my arm on the canvas and my head torqued around over that arm. Learned that in life drawing years ago–don’t let your painting arm block your view. Lot of artists don’t know that!

I’ve loosely blocked in the structure and design, knowing that I’m adding a figure later on in the upper left third (smudgy mark). I had a heck of a time with those receding arches. Talk about tough to “get”, but I leave some room for correction later. The day was overcast, and that’s a bummer, but as an artist, I can do a bit of artistic license and add a spot of sunshine if I wish. (And I do wish.) So for the first several images as this one develops, I’m going to stay completely in the cool box!

My workshops in Georgia and Florida are generating a great deal of interest–the excitement about the new recruits and the re-booters for the Color System is felt all the way over here in California! My flights are booked, Sparky has his space, and I’ll be doing the teaching for three weeks in April and May! If you’ve ever wanted the Color Boot Camp experience, please click below for workshop information for your area! Either Kathie or Judi will be happy to add you to the fun groups forming. I especially love it when “rebooters” come back for more “Yellin’ by Elin”.

On another note, I want to thank all of you who wrote in response to yesterday’s posting on Qso’s passing. So many of you have the hearts of animal lovers. It brought me great comfort. Although there’s a hole in my heart, I know that not too much time will pass before another snuggly fur-face will come to fill it. Sparky might need a playmate!

My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Black Arabian


Untitled – black arabian
He’s finished all bar sealing and adding the strings for hanging on the back.� Then it will be off to the East Coast Specatular Arabian show in Sydney next week – for sale on my stand.�
I’m really really happy with how� he has turned out and look forward to create more acrylics on canvas .
24″ x 32″ acrylic on canvas – email me if you are interested in purchasing prior to the show next week.
catherin@animalarthouse.com
Catherin

©Copyright 2009 by Catherin McMillan. See original post here.
To learn more about this artist, visit her website.

‘Running on Air’ equine art horse daily painting By Texas Artist Laurie Pace

‘Running on Air’
18 x 24″ Oil on Canvas

Contact me to purchase by check or paypal. Laurie

© Laurie Justus Pace  Graphics One Design 2010
www.lauriepace.blogspot.com

©Copyright 2009 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

‘Expressions One’ Equine Horse Abstract Art Daily Painting by Texas Artist Laurie Pace

‘Expressions One’ 30 x 40 Acrylic on Canvas
SOLD
Contact me to purchase by check or paypal. Laurie

© Laurie Justus Pace Graphics One Design 2010
www.lauriepace.blogspot.com

©Copyright 2009 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

February pARTy Paintings!

We had a great turnout for our Feburary pARTy. Thanks again to Kim Santini for providing the reference image of the Curly horse! Artists – I have tried my best to include information for everyone with their image, but if yours is missing (or incorrect!), just send me an email or make a comment to the post and I’ll make the changes.

Thanks so much to everyone who took part! Without further ado…your pARTy pARTicipants! (in no particular order!)


Kim Santini, “Up Close(Percy)” 6 x 8 acrylic on board


Catherin McMillan, 5 x 5 acrylic on canvas panel


Catherine Gillespie, “Percy”


Lois Primeau, 5 3/8 x 8 oil on gessoed masonite


Sue Kroll, acrylic

Lisa Ward-Guarino
, pastel


Candy Simchik, “Hello” 5 x 7 acrylic on canvas board

Kate Dardine, “She Really Didn’t Need a Man on Her Back” 6 x 6 oil on canvas


Kathy Roeth, 9 x 7.5 watercolour and gouache on coldpress archival watercolour paper


Linda Martin, “Snow Globe” 4 x 4 watercolour


Marilyn Sadler, “Snow Pony,” 5 x 7 pastel


Linda Massey, “Winter Reflections” 3 x 20 oil on panel


Diana Lancaster, “Wild Dawn” 6 x 6 acrylic


Linda Ward, “Mardi Gras Pony!”


Linda Shantz, “Up Close and Personal with Percy” 10 x 10 oil on gallery wrap canvas

©Copyright 2009 by The Virtual pARTy and participating artists. See original post here.
To learn more about this artist challenge, visit The Virtual pARTy Blog.

‘Full Circle’ Mirada Gallery Colorado Colorful Equine Abstract Horse Oil Daily Painting by Texas Artist Laurie Pace

‘FULL CIRCLE’
24 x 36″ Oil on Canvas

I am not on their website yet, but Mirada Fine Art of Colorado will be representing my work.
I am truly honored to be apart of this fabulous new gallery. Come spring, Terry and I will make a trip to visit and see my work hanging, and hopefully later this year you can visit me at a show of my work at Mirada Fine Art near Denver.  I also want to thank Kimberly Conrad for the fabulous referral to the Gallery.



Contact Steve at Mirada Fine Art, Colorado to purchase this painting.

© Laurie Justus Pace  Graphics One Design 2010

The Painting: This was the piece I worked on during the documentary. As I finished it I knew it needed to be gallery bound, but did not realize I would be hearing from a wonderful gallery just outside of Denver.

Between the catch up days, I will do a few more pieces to send them and hope to visit there in the next few months.

www.lauriepace.blogspot.com

©Copyright 2009 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

Virtual Party Image

Untitled
5″ x 5″ acrylic on canvas board $75.00 includes shipping worldwide
Each month a group of equine artists hold what is called the virtual challenge a photo is posted and each artist interprets the image how they see fit in an alloted time frame.
This month  I decided to challenge myself not only to the party image but to also work small in acrylics it was heaps of fun.

To purchase drop me an email:  catherin@animalarthouse.com
Catherin http://www.animalarthouse.com/

©Copyright 2009 by Catherin McMillan. See original post here.
To learn more about this artist, visit her website.

Feb 11 – Demonstration in OIls for Hemet Valley Art Association Continues

Here’s the 16 x 20 oil demonstration for the Hemet Valley Art Association after about 10 minutes with the brush on the canvas. I’m completely in the Cool Box of the Color System for these lower values, all representing shadows in the composition. I like to start with darks, painting UP to the light as I work.

Most interesting at this stage is the “warm” reflected light on the belly of the third horse–a gray. That’s a “peach” color made by white, alizarin and yellow ocrhe. Great illusion of warm where it is needed. I do admit that the luscious blue-green of the Thalo green and white mix in those shadows gives me shivers of excitement, though! More tomorrow, and I hope you’re enjoying the development of this one as much as I am.

I am not interested in edges or tight control, but more in the masses of value. Like good construction, one ensures that the walls are sturdy before putting in the windows!

Yesterday’s email went out with a video on my martial art in it, and if you were not able to see it, I have it on my blog for yesterday. Worth a look! And I’m looking forward to teaching the Color System workshop this coming weekend, too!

Yes, life is good. Now where did I put my pina colada? Hmmm…. (grin).

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Hammish


Hammish
Meet Hammish he is my latest acrylic commission.  14″ x 18″ on 1″ thick gallery wrapped canvas.  I just loved his 2 different coloured eyes and gentle expression.  Thanks Amy for commissioning me to immortalise Hammish for you.

If you would like to commission a portrait of your own drop me an email: catherin@animalarthouse.com for an obligation free quote.
Catherin http://www.animalarthouse.com/

©Copyright 2009 by Catherin McMillan. See original post here.
To learn more about this artist, visit her website.

Feb 10 – Demoonstration Painting, the Beginning….HVAA


Today I had the pleasure of going back to Hemet and meeting 80 people who had come out to see my demonstration in oils. It was a wonderful afternoon, and everyone seemed to have a good time watching me paint and chatter along about how I do these images. I didn’t quite finish the painting, but did photograph it in stages as I painted it. So here’s the first step. This is a 16 x 20 canvas panel, and comes from source material I took while at the Kentucky Horse Park several years ago. This is the initial drawing of the polo ponies tied and resting beside their trailer, and shows the essential design. The canvas has been toned with a warm “peachy” middle value, and I draw the essential shadow shapes as well, so that the whole design is cohesive and shows the structure. The drawing is done with a brush filled with burnt umber thinned to an ink-like consistency.

The demonstration went well, and I have the wet canvas behind me, and will finish it tomorrow in the quiet of my studio.

Many of you have asked how it is that I do all that I do (in my 60s) and how I can be so positive and caring as I face recent challenges. I offer to you one of the major reasons I am able to live with joy and physical fitness (Believe me when I say I was pudged out and lost 27 pounds doing this!). The more I learn, the more it trains me to handle whatever life throws at me. I’m ending my third year of training now.

Although a true martial art (deadly and effective), it is based upon a philosophy of blending and taking the energy of what comes at you, without “winning” or resisting the attack. Powerful stuff, both on the mat and in my mind.

And now I’m sending this to you before I leave to spend a few days with a close friend in a gorgeously beautiful place, rejuvenating, relaxing and reassessing. Life is very, very good.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

‘Nuzzle’ Equine Art Colorful Abstract Horse Oil Painting by Texas Artist Laurie Pace

‘Nuzzle’
30 x 30 inches  Oil/Acrylic on Canvas

Contact me to purchase by check or paypal. Laurie
�© Laurie Justus Pace   Graphics One Design 2010

The PaintingThis is another new piece in my Earth, Sea and Wind Gallery Series 2010. Using one of my signature styles on canvas, you have the blended underlays and overlays with runs and layering of Oil paints on top of those layers.  Tender emotions and solid play of colors create an world of intimacy.

The Circle of Intimacy

(“in to me see”)
We individually seek acceptance

Longing for moments filled with expressions of love and tenderness.

This is a special time for closeness and life sharing,

Yet we all realize the closer we become

The more vulnerable we become

With a greater risk of exposure and pain.

Our souls take to life in a dance

Connected through the threads of time

Intricately weaving the beautiful colors of each of our souls

In gentle movements

To implicate a union of harmonious spirits.

A circle of friends

To share this journey

Is� a great gift of intimacy.

Growing old and walking side by side

Facing the world together

We are stronger.

We have each other

And are never alone against the wall

Waiting for someone to ask us to dance.

Laurie Justus Pace

Sept 2002

www.lauriepace.blogspot.com

©Copyright 2009 by Laurie Justus Pace. See original post here.
To learn more about this artist, visit her website.

Feb 6 – Finished the Acrylic "Dog Walkers"

Compare this image with my last posting, and you’ll se some VERY important changes, but those changes might not even be noticeable at first glance. That’s the beauty of the artist’s eye–the subtleties that we are aware of because of our training, years of comparing and contrasting what we want versus what is already on that flat surface. The changes just HAD to be done. I still think this one should have gotten into the Art Show at the Dog Show, but when they are “show” people, perhaps they ahve a different outlook on dogs in general My paintings of the shelter cast offs didn’t receive merit there, however YOUR response to that series made my day. So art shows are one good venue for exposure, but ought not be the end-all-be-all for measuring one’s artistic competence.

I’m going to share with you the source material for the second painting (the acrylic) that’s in the new DVD coming out “Misty Light and Overcast Days” in the Colorful Painting Series. Since this one has acrylic paint on it, too, I have had to drop the “Oil” out of the title! It is a composite (roughly assembled in Photoshop) of a 100% wolf that belongs to an acquaintance. Three images of the same wolf makes for an interesting composition, and you can bet I’ll be adding to and changing it for good “painterly” execution. It’s going to be on a 16 x 20 linen canvas.

On other fronts, I’ve shared with you news of moving, my horses and dogs, and many aspects of my life. So perhaps you would like to know the most recent. Tonight (Saturday evening) I’m home solo yet again, which will be an ever-increasing condition due to my spouse’s declaration of having been and needing to love more than one female. While I have been adjusting to these “discoveries”, I realize I am living in a “murky, complex, bizarre chaos” of an artistic life. There is nothing ordinary about the full life of an artist, and I am coming to realize that many choices I have made will never be “ordinary”. Fraught with the magnitude of this side-swipe to my daily existence, I have positioned myself as an observer/bystander as these events unfold while I weigh my options.

Yes, that’s why I was erratic in posting for the last couple months. Even the death of my mother (April 7-8, 2006, blog) didn’t interrupt my painting. This did. Please withhold your comments as my strength comes from standing on a three-point solid base of focus, commitment and optimism. If I think I can lean on folks, I become unbalanced and off that base of strength. Not good, at least not right now. Know that I’m doing well, and continue to cope as things progress.

I am looking forward with great optimism to the workshop next weekend, the painting demonstration for Hemet next Wednesday, and the upcoming workshops in Georgia and Florida this April/May. And my heart swells with real affection I have for people (like you) who have been there for me for these almost FIVE YEARS!!! My goodness, time flies.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

“me & my shadow,” acrylic painting


While at the Southwest Arts Festival, I painted my latest acrylic painting. It is titled “me & my shadow”….. A cute little boy checking out his own shadow, waiting for it to do something….

If you wish to purchase this painting, please contact me. It is 11×4, acrylic on hardboard and can be purchased with or without the frame.

I wish to thank all those who stopped by my booth at the arts festival I loved meeting you and want to especially thank those who purchased paintings and those who want commissions. Wow! What a great experience this arts festival was. Couldn’t ask for nicer people.

©Copyright 2009 by Sue E. Kroll. See original post here.
To learn more about this artist, visit her website.

Jan 29 – Signed but not finished

I signed it, but it isn’t finished yet. However it really has that “feel” I was seeking when I picked up the brushes. Do you see the strong triangular design, with the black lab on the left anchoring that corner? An overlay of this image would show the many diagonals that work to repeat and support the structure of this work.

I really like it at this point, but it truly is not finished. I had pressure on me to use this image for entering the Art Show at the Dog Show, and it was summarily rejected. I entered it more because of what I KNOW it will become, rather than as a finished piece. But judges are arbitrary, subjective and totally in control of the shape of an art show, so I don’t take that rejection personally. Sometimes that’s just where the chips fall.

Below is the image with tension-creating diagonals for you. To me, this angled tension with so many lines sets the stage for excitement in this dog walker composition. Horizontal and verticals are static, lines that lean are tension-filled and exciting. Note the two vertical signposts in the upper left corner, effectively stopping the convergence of the snow lines off the edge of the canvas. “That’s design, baaaybe!”

After I finish up both this one and the backlit Lab (which DID get accepted to the show), I’ll share with you the second painting for the upcoming DVD on misty and overcast lighting–in stages, of course!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE. (Still some slots!!!)
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Jan 25 – The “Dog Walker” Acrylic Continues

Working in acrylics gives the user a lot of latitude in application techniques, and I’ve used a few at this stage. Although still covering the canvas, I’m layering the snow piles behind the walker with heavier applications of pigment, giving some texture to the end result. In the gray pavement, I’m using more transparent layers, allowing the subtle values to work in harmony. I have also begun to put in more and more details on the major “heartbeats” in the painting, but still only roughly.

You see, for me, getting the “gist” of the movement and “feel” of the action taking place is more about the generalized lines of the design at this point. I am not interested AT ALL in the details, although some do manifest at this time, such as the light and shadow, blue and white on the girl’s jacket. Always mindful of the focal point, her coloration on the jacket and the subtle repetition of the blues in the blue-violet of the sidewalk unify the painting, even at this early stage! That’s counterpointed by the yellows in the distant taxis and in the retriever.

Yesterday (Sunday), I went on a hike with a group of fun people, and we ended up at the top of a local mountain in Riverside, Mt. Roubidoux. As you can see, the weather has cleared up from the storm, and most of us ended up in tee shirts, even though there is snow in the distance. Fun!

I hope wherever you are, that you’re dry, warm and enjoying your time with friends and activities.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

January pARTy Paintings – Mares and Foals


Well, here are the paintings from the latest pARTy! We had good participation, and some great work. I always like to see what different artists come up with.

Though are pursuits as artists are often solitary, a recent comment by friend and fine art photographer Juliet Harrison was a good reminder that we don’t, however, create in a vacuum. We can’t help but be influenced by each other, and that’s not a bad thing, as long as we continue to develop and maintain our own style and individuality. These pARTies are a good example of that – even though some of us went with a very similar crop of the reference photo, our styles remain unique.

In the same vein, these pARTies began as a fun challenge of sorts, between myself and Kim Santini, last year. When other artists began to show interest and we opened it up, what developed was not a novel concept. My first exposure to this sort of exercise was on Wet Canvas, with the weekly Weekend Drawing Events. As a result of that, our own Equine Art Guild has done similar projects. And a great blog with a weekly drawing/painting challenge is Karen Jurik’s Different Strokes From Different Folks.

Okay – enough yaking! Here are the paintings.

First, from your pARTy hosts:

Kim Santini, 4 x 16 acrylic on Raymar panel (above, top of post)


Linda Shantz, 6 x 8 oil on Raymar panel

Now, our participants, below. If I have any latecomers, I will edit the post and add them later! Thanks to all who played.


Delia Pacheo, “The Foal” 4 x 6 acrylic


Judy Johnson, 8 x 8 watercolour


Lisa Ward-Guarino, pastel


Linda Snider-Ward, prismacolor on Stonehenge


Linda Massey, “Playground Encounter” 11 x 14 oil on board


Kathy Roeth, 5 x 7 watercolour and gouache on 140lb watercolour paper

©Copyright 2009 by The Virtual pARTy and participating artists. See original post here.
To learn more about this artist challenge, visit The Virtual pARTy Blog.

Jan 21 – Starting an Acrylic entered into Art Show at the Dog Show

Even while working on the oil of the backlit Labrador, I also had the easel occupied with this acrylic, destined for jurying for the Art Show at the Dog Show. It is a 12 x 16 board, and the source material was a dog walker spotted outside of the Metropolitan Museum of Art.

You can see my source material printed and set to the left of the canvas. The lighting is overcast, so of course the first layin and the majority of colors will come from the “Cool Box” (Color System).

I was utterly fascinated by the seemingly indifference of the dog walker and the rambunctious Lab pup on the left side just SO wanting to get away and “do something”. The white standard poodles, the Golden Retriever, the Catahoula Leopard Dog–yes, there is one in there–and the Newfoundland. My goodness, which category can it be submitted for jurying?

Ah well, I hope you’ll enjoy how it unfolds. I’ll finish up the oil this week as well and post the finished canvas for you.

Still a few spots in the Color Boot Camp in February–and a demo coming up for the Hemet Valley Art Association, too!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

Jan 19 – Working through the “Uglies”

MANY changes from the last posting of this “turkey”, and now I no longer call it that… HA! Taking a long, hard look at what came back home with me from the demonstration, I could see easily that I’d lost both the value relationships and the color punch of backlit evening light. So I put myself to and spent a good amount of time working on those aspects of this oil.

It is now to a stage where I’m comfortable signing it, however, I still need to work on the dog’s head. It doesn’t read “Labrador” to me yet.

What I really do like about this piece is the colorful water int he foreground and the spash. Everything but red is in there and it is so joyful, like the dog, who is painted in muted hues of those same yellows and purples.

So don’t give up on the ones that are giving you problems. They can be pulled through to become good paintings. Asking for some advice can provide an independent source of input as well. AS long as the core structure is in place, and the values are moving forward, most paintings can be brought to a finished state without too much work. I hope you enjoyed this one. I’ll publish on my other web sites it when I finish the head details.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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