Tag Archives: acrylic painting

Jan 9 – First ten minutes on the Labrador demonstration

January 10th, 2010 | Posted in Elin Pendleton

I’m changing the source material from a late morning time to a backlit sunset, so the challenges to work the Color System are at hand. Looking at an image that can only guide the anatomy and then mentally rearranging the lighting and colors while talking to a group in a live demonstration has to be either very courageous, or totally nuts.

So I start with what is for me caution, only laying in the areas that are not going to be profoundly altered nor need major revisions later. Hey, play it safe! These are all cool box mixes, most notably the yellow ochre/burnt umbers in the dog and distant trees, with the counter point to these “oranges” being the blue and blue violet water reflections of the evening sky.

Last night I painted another dog painting, and captured it in stages as well–deadline to send off the submissions for the Art Show at the Dog Show is today, so this one, entitled “Entangled Relationships” will be my blog posting later this week. Late night in the studio, whew!

Now I can get back to painting the second (acrylic) for the Misty Light DVD this week. Cameras rolling?

I’m hearing positive feedback from the workshop folks on the East Coast–still a few slots at the Georgia Farm, the Carriage Museum in central Florida, and the Maine workshop at Mt. Desert Island/Acadia National Park. Looks like all will be filled, in spite of the economy. Why not take a restful mini-vacation and learn the Color System or plein air? Just email me and I’ll put you in touch with the organizers for one of the few remaining spaces.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Dec 20 – Snow Scene in Acrylics, Part I

December 21st, 2009 | Posted in Elin Pendleton

My “neighborhood” here in New Jersey got up to a foot of snow yesterday, so this morning I took the dogs out for a snowy walk. I realize as an artist it is essential for us to have sensory input to put the “real” in our work. (Unless of course, you are not a realistic painter!) So after the walk, I set up my traveling “light” supplies (see below) and began this 12 x 9 acrylic. I’m using the traditional acrylics, and did NOT tone the canvas. With acrylics, especially the traditionals, one of the great features is the luminosity that is possible with glazing and layering the colors.

This is the stream that runs through Ridgewood, New Jersey, and is near the swimming pond–now covered in a sheet of ice and snow!

My supplies… on the dining room table, as the rest of the relatives went into the city for storefronts and Rockefeller trees. Me, I loved my walk and afternoon painting. The wind is up now, and I imagine the chill factor is HUGE. Glad to be indoors with the doggies!

When we went for a walk, here’s the scenery that greeted my snow-starved eyes. That’s Sparky on the left and Hiroo (“hero”) on the right, the family dog, also a Teddy Roosevelt Terrier. He’s just five months and quite a bundle of energy!

My supplies for the painting are a Bob Ross easel (packs flat, holds all sizes of canvases), about seven brushes, a glass pie plate on which is folded a wet paper towel, on which I have placed a limited palette of burnt sienna, cad red light, cad yellow, titanium white, thalo green, ultramarine blue and burnt umber. Perfect for snow scenes, except I think I might miss my cool red, and a spray bottle of water…. hmmm, holiday shopping anyone? I brought gloss medium/varnish for glazing. Newspapers and the plastic drink cup for water finish out the scene. Yup, it can be done!

You can see my entire blog HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Oct 26 – Misty Light on the New DVD

October 29th, 2009 | Posted in Elin Pendleton

The DVD painting is coming along well, and now the second layer of color has been added over the stronger hued first pass.

No details at this point, and still more to do to reduce the color intensities in various areas (can we say “purple”?), but the basic time of day is now coming across clearly.

The filming is going quite well, although my painting has been slowed down by “life events” of late. I’m hangin’ in there, and can see the light at the end of the tunnel–and it isn’t a train coming! One good thing is the loss of weight–I’m down over 25 pounds and with exercise and good nutrition, continue to find curves and places I forgot I had.

And here’s Onslow sound asleep yet again–ah, to have that ability to just leave all worries behind and go “toes up” for a good night! He’s actually curved around my hip as I sit in my office chair–those are my jeans, and that’s the black arm of the office chair going off the top edge. Comfy, Onnie? Yeah, me too. Fur kids. Gotta love ‘em.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Oct 17 – The New DVD’s First Painting – In Process

October 17th, 2009 | Posted in Elin Pendleton

I have been working on the first painting for the newest DVD, and it is really fun! The canvas is an 18 x 24 inch panel, and is being done in oils. I’m focusing on how to compose a painting, how to paint using the Color System, and in this case, how to specifically create a misty light situation across distance in a landscape.

At this stage, I usually call it “being in the Uglies”, but even now, you can easily see the harmonious colors and related shapes, although the edges and details are long ahead and yet to be found. I’ve done about 40 minutes of filming at this phase, and will be editing for content and quality when I go into the “cave” to work on the master movie files.

However, for this DVD I’m actually doing the editing as I shoot each sequence, which seems to keep me more focused on what I need to convey to you, the watcher. Below is the painting at an earlier stage, showing how I cover the canvas. Of course, the vocal commentary while I paint is continuous. And yup. There are definitely outtakes–such as when the canvas fell off the easel!

So, come with me on the journey as I complete this painting and the next one for this new adventure! I am quite sure that the second painting will be done in acrylics, so both media will be well represented. And the Color System crosses all media, so that’s not going to be an issue, is it?

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Oct 7 – Fun with the Model, Drawing and Painting

October 8th, 2009 | Posted in Elin Pendleton

Last night a great group of artists came to the studio and painted/drew this model. I’m enjoying sharing with you the three (worthy!) images that came off my Conte crayons and acrylics last night. I’m seriously rusty on the 3-minute poses (the drawings) but didn’t do too badly on the 15 minutes acrylic. In these drawings, I used black and sepia Conte and allowed the white of the paper to be the lights.

It was quite enjoyable to have a man smile and laugh with me, as I know this fellow from another “lifetime”. And I’ll be seeing other good friends this week, too. My art is so connected to what’s going on in my life, and sometimes I have to realize that what I am is not determined by others, but only by my own self–and continue to do what I know best–make art that speaks both to me, and hopefully to others.

Here’s the second three-minute pose. Looser, less shapes and more line. I do like that my drawing ability is still available to me when I need it.

And the third, the acrylic, was done with little regard to temperature (the Color System) as it was done in less than 15 minutes.

“Watch your thoughts; they become words. Watch your words; they become actions. Watch your actions; they become habits. Watch your habits; they become character. Character is everything.” – Ralph Waldo Emerson

The wonderful, enriching friendships I have with so many people across the globe reinforces this quote, and I am honored to have you enjoy my art and musings.

You can see my entire blog HERE.
My November workshop schedule for 2009 (some spaces still left) is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Sep 27 – Finished Girl with Chickens and a New Commission

September 28th, 2009 | Posted in Elin Pendleton

The painting is finished, and I’m pleased with it. It tells the story of a friend of mine who recently passed away from cancer, and this was her family’s image. Yet it is all children everywhere interacting with other living things, and the continuity of life from youth to final passing that is a reality for all of us.

I’m getting ready to start the fourth video in the Colorful Oil Painting series, where artists can use good color every time to depict the time of day. This one will feature the soft overcast or misty light and twilight situations, and will have two complete paintings done.

I also have a new commission on my plate, of a lovely Tennessee Walker who has special meaning for her owner. I’ll be starting that one as a lesson for you in the days to come.

And I’m getting the studio cleared up for a life drawing session on the first Tuesdays through my plein air painting group. And that studio will see MORE use in November, as I have only three spots left for immersion into the Color Boot Camp!

You can see my entire blog HERE.
My next workshop for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Sep 19 – Laying in the Mid Values

September 21st, 2009 | Posted in Elin Pendleton

I’ve spent some time laying in the mid-tones on this canvas, and absolutely enjoying the grays I’m making with the Cool Box of the Color System in the shadows and the warm gray-greens in the sunlit areas. I haven’t started any details, except to define and locate the masses of the large shapes. And if course I haven’t painted the focal point!

The upper edge is fogged in with the glare of the sunlight, as this is so very backlit. That creates an interesting ethereal atmosphere, which will be pulled out and developed on the next session. The interesting mid-tones of the chicken nearest the child, with the green lighter midtones is really easy to discern. Controlling the temperatures of the colors I use is ever-so simple with the Color System, and makes painting like this, so easy.

The shadows are an integral part of the design, too, so they are placed without details in their proper areas, too. There are currently no chicken colors in the warm family on any of the birds. Some look warm though, don’t they?

I’ve also taken a close up of the lower left corner of the painting so you can see the large, loose brushwork. It is fun to paint this way, because I don’t have to worry about any details!

This painting is coming off the brushes with an inner strength I had forgotten I had. I’m focusing on the new book, and the next (YES!) DVD on the Color System. I think it is definitely time. The cameras came out today, so I’ll be planning the paintings for “Misty and Challenging Lighting Situations, DVD #4!.

The November workshop is half full already, and I’ll also be contacting the applicants with the information, supplies list, and lodging paperwork this upcoming week.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Aug 31 – Final Painting of my Father

September 1st, 2009 | Posted in Elin Pendleton

This is him, my dad, Pops, Daddy…
Finished now, the last details in place. Oil, 12 x 24 inches, never for sale. It’s been very, very hard to paint this image. When I did my mother (April 1-6, 2006 blog pages) I was deep into the last days with her, and could drop her image off my brush with true oneness. Not so this one. I’ve been truly on artistic emotional roller coaster as I painted this one. Perhaps tonight I can finally get some decent sleep!!

My father was a wonderful dad to me, and eleven years after his death, I see this pose, this facial expression, and it is as if he were right here with me. As I developed the painting, I could feel him coming “on cat feet” to be with me. Now I sit quietly, and feel his presence. Tears come. For we cannot undo the past, we can only accept it and move on. Full of emotion as I give you this gift, I can say that this painting will be one of the cornerstones of my collection. It will hang in my studio with my Mom’s image.

For the fires, we are still not in danger, the mountain we’re on is Box Springs, and as of now, the fires are all quite north of us. But we do prepare, and hope never to have to implement the plan for evacuation. I earmark paintings if we need to be evacuated, and this will be one of them.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE (still not updated, see above for why.)
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Aug 27 -Begin Details of my Dad’s Portrait – and the Response to Healing Cancer

August 27th, 2009 | Posted in Elin Pendleton

Now that the basic values and hues are in place, it is time to cover the canvas and start to pull in some of the details. The long, narrow canvas was intentional, as I wanted to show his long life symbolically, and his position on the far right, looking across that space, is a reminder of the life well lived, and retrospectively enjoyed. When the source material was taken for this image, he had not been diagnosed yet with melanoma, but he had undergone many surgeries to remove skin cancers. His mouth and nose are a bit deformed, and I’m working how I’m going to convey his “selfness” without detailing out too much of that. It will come.

I’ve been overwhelmed with kind responses to my posting the protocols and my husband’s success with it. Yes, it was hard to go raw (but salads are raw, Elin!). I have been able to make some really good recipes and, like anything, it is a conditioned response–what we’re used to. And what is it worth? That steak and fries, or preventing/healing cancer? No-brainer for me. The biggest difference is how one feels using the flax oil/cottage cheese mixture. I had this kind response to yesterday’s email from one person who is fighting her second bout with cancer:

I gave my body a kick start last night. When I got home I put about a cup of CC and mixed it with some of my super reds powder (high anti-oxidant and good for flavor too) and emptied 6 capsules of flax seed oil and stirred it until it was thoroughly incorporated. This is all until I can buy that flax seed oil today after work and a smoothie machine/stirrer or whatever it is you use to make ‘em. Anyway I ate that and you know what, those mild puffy feeling sort of cramps I had yesterday are gone. I feel completely normal like before all this ever happened to me. That never happened before or that quickly. I have been using the herbs like Esiak which is supposed to be the gold standard for cancer, but it never made me feel this good so fast. Can’t wait to get the book. I saw they already shipped it yesterday.

(She ordered Bill’s book, Cancer Free.) When I can know that my knowledge helps people make choices, like hers, I am rewarded beyond belief and feel the overwhelming response that my time here on Earth has meaning. Thank you so much for letting me be a part of your lives.

I’m opening up the workshops for fall for registration. Just a few more tweaks on the pages. There will be two–one in October, and if you can’t get in that one, there will be a SECOND Color Boot Camp in November. No snow here, and I already have a list of emails to send out to let people know the workshops are open. If you’d like to be sent that email, just let me know.

You can see my entire blog HERE.
My workshop schedule for 2009 is not yet updated.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Aug 24 – Portrait of My Father

August 24th, 2009 | Posted in Elin Pendleton

It had to happen. I’m finally ready to paint my father, and I will do so and also share with you some powerfully profound news. But first, the portrait. My dad passed away at age 91 from melanoma. Cancer, in its most insidious form, snuck up and took a man who could play golf and do 18 holes with the goal of “playing his age”–and he did, too, at least in his 80s.

Electrical engineer, ham radio operator, gentle yet strong, dry wit, wonderful provider as a career Naval officer, he tolerated my tom-boyish nature and patted me on the head when I did well.

It has been tough to live up to his expectations, but now I am the artist I need to be to start this 12 x 24 inch oil of him relaxing with an empty glass. “The sun’s over the yardarm” in evening light. This is the initial drawing, over a toned warm ground of Australian Red Gold.

The profound news is that my husband was diagnosed last November with stage four cancer (inoperable). I could not share that with you and carry you on that journey–it would have been far too painful–until now. Today, and as of mid-March, he is cancer free. His success in following NON-TRADITIONAL protocols needs to be shared with the list, the world and hopefully other people will make similar choices to extend their lives and live well. I’ll be sharing what he did, the web links and our story as I unfold this painting of my father. Had I known what I know now, and had my Dad made the choices that my husband has, he might be celebrating his 102nd birthday–he was that healthy before melanoma struck. More tomorrow.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Aug 18 – Bodega Bay and Nicholas Green

August 18th, 2009 | Posted in Elin Pendleton

When I come to Bodega Bay, I manage to end up here on this stretch of open space beside Highway 1 where the community center is located, and I always walk down to the bell tower constructed in memory of Nicholas Green. This young boy was killed by a highway robber in Italy while traveling with his family. He was seven. His death was not in vain, for his folks donated his organs to seven Italians, and thus saved their lives in a gesture of forgiveness, acceptance and connectedness rarely seen nowadays. The bells on the tower are from towns all throughout Italy and offer thanks and a reminder to us to be kind to others when we can. I couldn’t paint that memorial (not yet), so I did this small 8 x6 sketch of the road to the space where the bells sculpture stands. There’s one of those August-blooming Pink Ladies on the left side….

Acrylic, done plein air beside my camper in Bodega Bay. And I’m reminded to be kinder to folks I meet…

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Aug 2 – Dog Painting Taking Shape Now!

August 2nd, 2009 | Posted in Elin Pendleton

As I continue to paint in the large shapes of the upside down sleeping terrier, I am very aware of the values of each of those big shapes. Notice the difference between the left front paw (in light) and the same white rear paw (in shadow). Values matter!

One subscriber asked, “How can you be sure to get accuracy without a drawing in place?” Good question! As I paint, I am judging the relationships among the various shapes. I learned from Richard Schmid while he painted a portrait from a live model in Scottsdale, that he is always doing comparisons from a known measurement. Sometimes he says it is the space between the eyes, or the diameter of one of the lenses of the wearer’s glasses. For me, in this painting, I am measuring the height and length of the dog, and imaginary horizontal and vertical lines across the composition. For example, I’ll imagine a line going across the tip of the leftmost paw, and then see where it intersects the other paws in the source material. I’ll place the paws (as I did with the hind feet in relation to that left paw) either above or below that horizontal. This is a basic drawing skill, and one that can be learned with a good class in drawing.

For me, accuracy isn’t so much about duplicating the source material, as it is about getting the “feel” of the animal and what it is doing. If it is only accuracy, then a photograph with today’s modern digital tools would be “good enough”. I’m an artist first.

Did you enjoy Frank’s illustrations from yesterday? I hadn’t seen the one with the Joker. Heath Ledger would be proud!

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Jul 12 – Revamping the Web Site

July 14th, 2009 | Posted in Elin Pendleton

With the weather so hot and no relief in sight, I thought a nice blue image of Hawai’i might sooth your eyes.

I’m revamping the web sites, page by page, while I stay deep in the cool studio. I’ve found many images that have never been on the web–either I overlooked them, or they slipped by me. Here’s one…

This is an acrylic painting (12 x 9) done on location from the loading docks of Coconut Island, the site of the Hawai’i Institute of Marine Biology in Kaneohe Bay, and the waters there were so clear that the docks seemed to float in the turquoise blues. This painting, “View to the Pali” is available for $225.

I remember that day of plein air painting like it was yesterday–I was a guest of the local art group to this usually-off-limits site, and would love to return another time to paint these glorious blues!

Hawai’i will always be in my heart, because my mom and dad lived there during the 1930s/1940s and knew “old” Hawaii before commercial air travel made it so convenient a tourist destination. My last trip there was to scatter their ashes per their wishes.

Here’s an aerial view of Coconut Island, which used to be the private retreat of Edwin Pauley before it came into the hands of the University of Hawaii. I can see right where I was seated when I painted this!

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Jul 4 – Virtual pARTy Challenge, and a Demo

July 5th, 2009 | Posted in Elin Pendleton

In the workshop this morning, I had to demonstrate morning light, so I picked up on an image from Linda Shantz, who organized a virtual pARTy for artists to do an image from the same source.

This is a 16 x 20 acrylic done for a morning light painting in the Color System, and depicts a very pregnant mare in a pasture. I modified the source material quite a lot and am quite pleased with this painting. Redesigning source material and making it one’s own is the mark of a confident artist, with an arsenal of ability to make source material just the “jumping off point” for the art. I love doing this! And in front of the eleven participants, I finished this up for them in record time.

You can see the source material and some of the other entries here. Mine won’t be there for a while until my registration is cleared.

Congratulations to new collector Louise Sackett from Santee, California, on her purchase of yesterday’s painting of the California Coast in moonlight!

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Jun 21 – Recovering, and the 30 x 24 Still Life

June 21st, 2009 | Posted in Elin Pendleton

The still life is about as finished as it’s going to be, seeing it now. It didn’t take too much fiddle-arting around to get it to this stage with those open acrylics. I finished the “real” color note of that purple plate by breaking the Color System rules to get that luscious of a plate color–using the cools in the light. In man-made objects we can do that, and it creates a wondrous excitement in otherwise follow-the-rules paintings.

I’ve not done still life in a LONG time, and found it different from the old days. I think I need to do more, perhaps some smaller subjects, and revisit the onions and other fruits. It will come. I do love the energy of this painting in the brushwork.

Sorry about not emailing more often–last weekend I crashed the scooter and have been limping around here feeling sorry for myself. The bruises and cuts are nothing serious, except the one on my hip where I hit the pavement. Dang, that asphalt is HARD. I’ve got more colors than the Color System in my left leg! I need to keep it up for a few hours each day. Turns out my aikido training again saved my hide, because it could have been MUCH more serious. As it was, I hit and rolled and did a 360 on my shoulder before coming to rest on my back. I just went with the motion, and didn’t brace, and perhaps saved my 60 year old bones. Scooter’s fine, just some cosmetic damage.

So I’m fine now, and rarin’ to go into the July Color Boot Camp.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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Jun 9 – The Acrylic Still Life Continues

June 10th, 2009 | Posted in Elin Pendleton

Now I’m so much more pleased with this one. It is coming along well, with glazing done with traditional gloss medium and colors from the Open Acrylics, blending and unifying the upper left corner, and defining the green plate. The red grapes went in very fast, and yet are not painted as individual grapes. I’ll still add much more, and have put off adding the lavender leftmost plate. I need to pull the entire composition together before making this bold statement.

I’ve thought about time of day for this painting, and it is definitely morning. I added bits of warm yellow to the whites, and of course there are all sorts of grayed purples in the shadows. Yes, even interiors can reflect the time of day–it just makes a better painting overall, in my opinion.

Every once in a while I like to share with you other artists’ work, someone who has been in a Color Boot Camp. Since my epiphany of being a teacher vs. being an artist first, I want to share this site with you–this is my friend Louise Mellon, of Aiken, South Carolina. She paints what she loves and what is around her–mostly horses and their companions. I’m always pleasured by her courage in her work and her stunning designs. Check her work in progress through her blog: http://louisemellon.blogspot.com/

OK, OK…. if you want to be on the list for the October workshop, I’m going to take names. (Now stop pestering me! Just kidding!) I don’t want to have to go to a lottery system, yet I understand everyone’s frustration about not getting into a Color Boot Camp.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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June 2 – Paintings gone Wrong and Beauty Elsewhere

June 2nd, 2009 | Posted in Elin Pendleton

Uh oh. Some times an artist forgets what they’re doing, and I’m happy to report to you that this painting is becoming a great teaching example of that!

Those lovely grays are gone now, and I caught myself getting so enamored with the small white rose, that I forgot one of the things I stress with students, “Don’t rush the focal point!” So although this painting has some good things going on with it, I have a feeling that it is going to undergo some major surgery shortly.

Hey, this happens to all of us. But most of ‘em arteests aren’t courageous (or stupid) enough to share the ones that aren’t going so well with the general public. I’ve had an epiphany of knowledge that I’m a teacher first and an artist second, so I see the greater good in sharing ALL the issues with painting, and that includes problems. Since I took this last image, I’ve painted OUT the lower 2/3 of the canvas. Gone. “When in doubt, paint it out.” So it goes. See, I, too, have to slap myself up side the head and put myself back on track. The painting will get much better because of it. After all, “it’s just paint”.

On another note, here’s a bit of beauty from my yard… after I took the image of the picket fence, I walked up to the front patio, turned around and took this second image over the koi pond to the rose garden. I love scenes like this… it may end up as a painting, too.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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June 1 – Continuing with the Acrylic Still Life

June 2nd, 2009 | Posted in Elin Pendleton

I’m still covering the canvas using only the cool colors–the whites you see are the canvas itself, which flies in the face of my normal procedure of toning the canvas. But since the source material is so harmonious and subtle in coloration, I wanted to use the whate canvas to “keep the sparkle” as I continue to develop the shapes.

Yes, not a BIT of warm in here yet, and the harmonies of color are really pleasant. I’m using the “Trifecta” of the sky trio with white to create all those areas of gray variations. All you Color Boot Camp Graduates will know those!

On the rest of the canvas, I’m just putting in the general shapes of the things–such as the grapes and the plate shadows. There is a bit of pure on the vase now, in the shadows on the left. Ultramarine and white. It looks so warm and advancing because with the Color System, if you use a cool color solo with just white added, and surround it with other cool mixes that have two or three others combined, there’s an optical illusion created. That illusion makes the purer colors advance, and appear warmer. Can you see it?

On other news, I’m clearing out the workroom for the June COLOR BOOT CAMP here this coming weekend. Twelve people are going to fill their heads and canvases with the time of day system that seems to be revolutionizing painting for people who want good color, every time.

I’m putting in a white picket fence around my rose garden this week–here’s an image of it in process. OK, all the stereotypes about “houses with white picket fences” come to mind, but I’ve always loved pickets and roses, and now I have both right outside my studio windows. Life is good. But then we also have a swarm of bees that came into the back yard this afternoon, so maybe not. A local beekeeper is coming by this evening to take them for his hives. That’s the best for the bees, and they’ll be gone before they can get hungry and testy.

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

©Copyright 2009 by Elin Pendleton. See original post here.
To learn more about this artist, visit her website.

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