Category Archives: Juliet Harrison

Trial by Social Media & A Resolution – Of Sorts

What a week it has been. In the midst of a trip to Ohio to see my husband’s family, I was made aware that an image of mine was illegally entered into an amateur photo contest last year. And it had, in fact placed second and so was posted on the contest sponsors website. I was immediately infuriated. What nerve of someone to not only swipe my photo…but to enter it in an International contest as their own. You have to be pretty ballsy to do something like that.

My first action was to notify the sponsoring company, Dover Saddlery. I sent an email to customer service, as there was no contact info on the actual photo contest page. And then the next day, I called customer service and told them my issue. They immediately put me in touch with the head of PR for the company. I explained the problem. She was quite sympathetic and believed me that it was my image. I was not completely unknown to her through my own dealings with the Ex Arte Equinus art competition that I am the director of. That gave me a bit more credibility I am sure. She said that she would contact the offender.

Meanwhile, since the original notice about this was posted on Facebook….conversation about it became heated. I have never known such wonderful support from my fellow artists, photographers and horse friends. I had to leave the next day for our trip to Ohio, so I expected to hear from the woman at Dover soon via email. By the time we returned, several days later…there was still no word from Dover and my image was still on the website. Still with the wrong attribution.

At this point I was really angry and started planning meetings with lawyers. I could not make a case against the submitter, because I did not have his contact information. I was beholden to Dover to supply that to me. Lots more conversation on Facebook ensued. And the thing went viral, with my supporters posted in Dover’s FB wall and emailling them directly. Soon we discovered more work by other pros that was illegally entered!

I was not sure what my next step would be, but it seemed that my only target would be Dover, since they had not seemed to respond to my concern. Finally, a week after my initial contact with them, Dover changed the attribution of my image on their website at least. But that was not what I wanted. I wanted the image removed, as I would not have entered one of my images in a contest for amateurs. And note in it’s place saying that it had been removed due to investigation of copyright infringement, would have been appropriate.

A day after it was changed, I finally spoke again to the PR person at Dover. She said that she had sent 3 emails to the perpetrator. Two phone calls were made, where she had spoken to his girlfriend. But he still had not responded. Her next step was going to be to send him a certified letter. I told her that I was unhappy that she had not kept me more informed and that the image was still on the site. Truthfully, I don’t think that the people at Dover understood how serious an issue this is and how strongly we photographers would object to seeing our images stolen like this. That, I think was their first mistake. Although they are not responsible for the copyright infringement….they needed to respond immediately to deal with it. And I understand that she was giving him an opportunity to respond to them and to me…But the image should have been removed right away and information shared with me as she went along.

So here is the resolution….

A few hours after she finally got in touch with me…she received an email from Pascal Cantin of Montreal, saying that his sister had entered the image, thinking that she was doing something nice for him, assuming that all the images on his computer were his. And that he did not know. She forwarded to me. Now, let me explain something…he received an email last year telling him that the image won 2nd place and he received a $25.00 gift certificate from Dover. I am assuming that the “sister” used the GC??? And did not tell him that he won??? I don’t believe it for a minute. and what was he doing capturing my image and keeping it in his computer anyway??? So he has apologized to Dover….But Not To Me!

You may wonder why I am not immediately suing the pants off him. Well, he is in Canada and I am here in the US. So we are talking about intellectual property agreements made between the two countries. And for what I might get from suing him…I would have to pay out a whole lot to a lawyer just to investigate the International laws. I will compose and send a nasty email to him. I can do that, because thanks to the wonderfully subtle way she did it….by forwarding his email to me…I now have his contact information! But for now….I am taking a break from the hoopla. And I hope that the people at Dover have learned how important this is and how a speedy response on their part would have saved them a whole lot of social media pressure. This was an amazing test of “Trial By Social Media”.

But if there are any copyright lawyers out there who want to pursue this to a higher level and work with me on some International intellectual property rights and the internet legislation??? Let me know. I am open to talking lots more about this.

Juliet

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Just a Peek….


Here are a few B&W images from Saratoga. Many more proofs to come.

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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2 Weeks Late

I can’t believe I let two weeks go by without a post. I apologize to those of you who tend to hold their breaths, waiting for my next post. Did you give up on me?

I have to admit that this is my busiest time of the year. Mostly because of my son and his Pipeband competitions. Summer is pipeband season. You may remember that Jax is a tenor drummer in the top pipeband in the US, the Oran Mor Pipe Band. And a snare drummer in a youth band. Every weekend in the summer he is either at a competition or at practice. All culminating in competing in the World Pipeband Championships in Glasgow, Scotland in mid August. Which is…looming on the horizon. We leave for Ireland on Thursday. They compete outside of Belfast on Sat. We move on to Glasgow next Wed for them to compete at the World’s the following Sat. So as you can imagine, I am in packing mode.

I always struggle with figuring out what camera to travel with. I will be taking my film body and lenses with lots of B&W film. And I recently got a little Nikon Coolpix which will serve as my color snapshot camera. It also takes video, which will be perfect for the competitions.


In the mean time…I have survived the heat that pounded the Northeast through July. Stayed indoors as much as I could. But least week I went on my yearly visit to Saratoga for the races. This was the 4th year that I have gone up and met with painter and Thoroughbred person, Linda Shantz ( http://www.lindashantz.com/) . We have such a great time when we go. Painter and former pony girl (track term) Sharon Simmons-Passmore joined us this time. We were able to get in and photograph in the the saddling paddock. And for the first time, thanks to Sharon, we got backstretch passes and wandered around with our cameras during the morning activities. Went over to Oklahoma and the yearling sales as well. My film is at the lab so you will have to wait to see what I got. This years trip was culminated with the opening reception at Terry Lindssy’s Equidae Gallery ( http://www.equidae.com/saratoga/index.html). As always…the work there was WONDERFUL. Terry has 8 of my photographs hanging this year. One of the most wonderful things about the reception is the opportunity to meet with the other artists that show up. This year included Sharon Crute, Susan Dorazio, Ann Wolfe, Werner Rentsch and Anthony Alonso.

If I get a chance to scan more of the negatives from the NE Welsh Pony Association show I will post them here before I head over the ocean. If not….I hope you all have a wonderful next two weeks. And I will post again after I get back August 16th.

Cheers!

Juliet

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Donating

Auryn

One more quick note this week….in honor of what we were able to do for Baylie – I have decided to donate $100.00 from every sale of any Limited Edition Silver print from my website to either care for Baylie or to contribute to bail for another horse. It is one more way that I can give back to the horses.

To see the work on my website, including the recently added images in the Fresh From the Darkroom gallery, just click on this link. http://julietrharrison.fineartstudioonline.com/

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Rescuing Horses

photo by Sue Steiner

This is not my normal blog about making art and this past weekend was spent in what is not a normal activity for me. I was part of a horse rescue.

There has been a lot of talk lately about the issue of horse slaughter and the transportation of these horses to the slaughter houses in Mexico and Canada. At this point in time there are no slaughter houses in the US that kill horses. It is a state by state ban at this point and there is a bill before the US Congress to make the ban a Federal law. I really don’t want to get involved in the politics of the issue. You might be surprised by what I might have to say. Suffice to say that we Americans ship quite a large number of horses to these slaughter houses outside the US. And where we have regulations in place for the humane care for the animals that are killed for human consumption here in the US…there are no such controls once the animals leave our borders. And the transportation of the horses within the US is not monitored, so they are shipped days without food or water, crammed into stock trailers where they are frightened, fighting and miserable. Not right for these animals that we have breed merely to serve our whims. And let’s face it, they are not bred or kept as livestock for human consumption. So the USDA regs for beef cattle are not in place. So the horse meat from the US that does eventually end up on the tables of Europe and Asia…is chock full of steroids, anti-inflammatory meds and antibiotics. I wouldn’t want to eat that! But that is all I am going to say on the issue, because for me it is really about our propensity for money grubbing overbreeding and the high cost of humane euthanasia in this climate of extreme financial tragedies. If you would like to read more about these issues, you should read the article Dark Horses in the current issue of Orion Magazine. And take a look at the website for the Unwanted Horses Coalition – http://www.unwantedhorsecoalition.org/

But this story is really about, Baylie. One of the things that I watch on Facebook, is a page for horses that are owned by a kill broker in Pennsylvania. The kill broker is the guy that buys horses for next to nothing at auction and if he is unable to sell them to private groups or rescues within a few days, he trucks them to Mexico and Canada to resell them for $/pound at the slaughter houses. This particular page was put together by a group of horse lovers and rescues that go weekly to this guys barn…they work and video tape there horses there each week. then they post a less than 2 min. video the page, still photos and as much information as they can get on the animal. They try to determine it’s age from the teeth and it’s general use for riding, breeding, working, etc. The information is minimal to say the least. But it is the best they can do with what they have. They also post the cost to get that horse bailed out of the kill pen. And each week, these people have, with herculean efforts, rescued a huge number of horses. What happens is an amazing coordination between those who have room to home the horses, and those with some fund to offer, however minimal, to help raise funds to bail and transport the horses.
So to get to Baylie. Just over two weeks ago, I spotted 4 horses on the broker owned list that I thought were remarkable…they were each good, straight legged, well broke using horses. All of a size and type that I would love. Now, I can in no way take on ownership of another horse. But what I did was to repost their information on my facebook wall so that the friends and fans that I have could see them too. You never know. Very quickly 3 of the 4 were bailed and had new homes offered. The last was a Bay Roan Morgan type horse. 4-5 years old that reported rode nice and drove. I decided that since he was slow to find a home, I would donate $100.00 to his bail and I did so. By the deadline I saw that he was completely bailed and happily thought that all 4 were heading to new homes.
This week, when I started looking at the posting of new horses….I noticed to my horror that this one horse was in the kill pen. What it looks like happened is that a woman offered to purchase 11 horses from his week. She “paid” for them through Paypal. But what she did was use a prepaid credit card, which is not ok with Paypal…so the refunded all the money back to her. To me…it sounds like a new kind of scam. But this time it left 11 horses destined again for the slaughter houses. And one of those the lovely young Bay Roan gelding. I was horrified. I immediately posted about him everywhere I could. Telling everyone I could think of. And up popped my friend and fellow equine artist, Sue Steiner. http://www.suesteiner.com/ Sue had already taken in 4 horses from out of this same kill brokers pen in the past year. and she offered the cost for transport and her home to take the Roan. I decided that, although I sent is $100.00 the previous week, that money was used to bail out another horse since it seemed he had a home then….I would offer another $250.00 towards his perminant bail. but that was only going to take care of less then 1/2 of what we needed. So I again…put out the call on Facebook and twitter to all my friends to see if any could help. I hate doing that. It is not at all my style to fundraise for causes. It is not that I don’t believe in it. It is more that I don’t believe in imposing my concept of what is important on others. We all have places we donate our time and money. doing so is an individual choice. But my uncomfortable efforts paid off. I am honored to say that my friends donated….small amounts that added up and one, Pamela Koo http://twitter.com/thepamkoo went above and beyond in putting us over the top and allowing us to bail him completely.
Baylie, as he is now called (Sue let me name him) arrived at his new home in the middle of last night. He will get to be a horse for a few days before Sue evaluates him for temperament and riding.

I am so proud to have been able to be the impetus for getting this one lovely horse to safety. I am humbled by the response from all my friends and fans. And I am sold on the power of social networking in a way I never expected. We all hope he has a long and happy life. I don’t think I will ever be able to do this again. And I have issues with the whole process from overbreeding in the US to some of the practices of some of the rescue organizations. But for this one horse……my heart is full!

Juliet

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Love Our Local Landscapes at the Gazen Gallery


My Rhapsody in White and Frozen photographs are in the show.

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Mentoring Program – A Testimonial

From photographer Julie Blair

“Being a self taught photographer with no formal training, having Juliet as a mentor was wonderful for me. Juliet encourages you to delve into the art world and see all kinds of art including photography and really study what you see and understand why you like certain works of art and not others. You gain an appreciation of the art world and how it may influence you in your work as a photographer. Her critiques of my work were insightful and she taught me how to improve and make the image stronger. She also gave me insights on how to produce a professional, cohesive set of imagery so that I could approach galleries with my work. Her expertise and experience in the field will help you gain the knowledge to move forward in your work. I highly recommend Juliet to anyone ready to go to the next level with their photography.”

~Julie Blair

www.julieblairphotography.com

Find out more about my mentoring program here – http://julietrharrison.fineartstudioonline.com/other-form and contact me for more information. julietharrison@earthlink.net

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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A Rose…..by any other Name

Remember last weeks concept was taken over by my trials and tribulations trying to get to Ohio? Here is the blog I had intended for then….

Film vs Digital
This blog is not about a value judgment between these two methods of taking photographs. I am not going to tell whether I think one is better than the other. In truth, although I am a film photographer first and foremost, I think making that kind of judgement between methods of creation is wrong. As artists….we are beholden to our muses and what we use to create out work…is less of consequence then the work we create. Although I do acknowledge that there are artists out there whose work is self-reflective of the process that they use. And that is wonderful too.
What I am interested in discussing it the labels we use to identify work once it is produced. And how confusing this is for the beginning collector of photography. When I began my “career” as a photographer, there was no digital photography. Other than polaroids and the more archaic methods of photography like daguerreotypes, solargrams and tintypes, all “Photographs” began as images on film. Negatives and chromes (like slide film). Again, other than those other print forms, all photographic prints were created in a darkroom. So, when you said that you were a photographer, there was no question about what that meant as far as the process that you did to create your work. Most understand that at some point it was a hands on process. And although able to be printed in multiple copies….some variations due to the process made each print somewhat unique. Again, I want to be clear that this is not a value judgement…it just what we did. And for the most part, what I still do.
Sheer Cliff Face – shot on film, Gelatin Silver Print done in darkroom and scanned to computer

Enter the digital revolution! Today, more often than not, what you see when you see a photograph for sale, is a print that was made from a digital process. There are several ways that this can happen. The first and most prevalent, is that the image was shot with a digital camera, downloaded into a computer and either digitally manipulated with a program like PhotoShop or left virtually unchanged from the original shot. This image is then printed directly from the computer on either an inkjet or laser printer, or even mass printed on poster paper.

shot with digital camera and downloaded into computer ready for printing

Another format that is building in interest are images that have been shot on film and scanned into the computer. These are then altered or not and printed the same as those that originated from a digital camera. One more possibility is to scan the traditionally created darkroom print and then to print digitally from those jpegs.

Monument – jpeg image from scanned negative

So, now I ask you…do these different processes of creating photographic print, need to be identified when the image reaches the marketplace? Do we just call them all photographs and be done with it? Does the collector need to be informed about what they are purchasing? I think they do. Does the buyer of a painting want to know if it is oil, acrylic or watercolor? I think they do. Partially because of the care each medium may require, but mostly in deference to understanding the creation of that work better. And perhaps to understand the artist who created it. BUT….if this is the case….then we need to come up with universally agreed upon terms for these prints. Just calling them all “Photographs” is not enough.

Most darkroom prints are identified by the darkroom process or paper that they are printed on. Silver prints (are the same as gelatin silver prints), platinum, palladium, c-prints, cibachromes etc, all of these are darkroom prints. Unfortunately, digital prints are called by too many different names. Sometimes, I feel it seems almost to confuse the buyer into thinking that the digital print and darkroom print are the same thing. But, mostly I think it is because nobody has come up with suitable terminology. I have seen digitally created images called; photographs, archival photographs, inkjet prints, photographic prints, giclees, prints (didn’t these used to be a whole different group of processes?) and many other names.

I call the images that have been printed from scans of my silver prints, digital reproductions. That is what they are. I call the images printed directly from a negative or from a digitally created image, a giclee. Technically, a giclee is an archival image created on an inkjet printer. There are difference qualities of giclees that can be achieved, depending on the printer, ink and paper.
So, when you see a photographic image in a gallery….and the label is confusing. Don’t be afraid to ask how that image was created. Sometimes the galleries don’t even know and I think they need to be reminded that they should! They ARE all photographs. But how they are achieved is important to know. A rose, is a rose and they all beautiful. But if I am buying that rose, I want to know if it is a climber, tea rose, heirloom/vintage or wild. IT DOES MATTER!
I would love to hear your thoughts on this subject too!

Juliet

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Thwarted and Frustrated


I had it all planned. I was going to write an esoteric and overly intellectualized blog on Monday about Film vs/ Digital. Not so much the creation…but the labels. And I was going to add that it was my Birthday on Monday too. And I was going to write it from the road, because we were going to be in Ohio visiting my inlaws. But it seems the “Powers that Be” had other plans for me. Oh, I still had my birthday. Can’t stop that from happening as long as you are still breathing. but we never did make it to Ohio. Instead, I spent yesterday in airports, on airplanes, in baggage claims, in train stations, cabs and on trains. We went from Albany, NY to Kennedy airport, to New York’s Penn Station and home.

We thought we would make this trip to Cleveland easy this time. We would fly instead of the long drive there. So we planned to fly from Albany to Cleveland on Sunday. But when we got to the airport…low and behold….the flight was cancelled. The crew had not had enough rest between flights and so the grounded the plane. No extra crew to be called in to take us out of there. They could not even put us on any other flights…not even the same one the next day. So they put us up in a hotel near the airport and booked us on another airlines to fly out on Monday. the plan was to fly Delta airlines to JFK and from there fly to Cleveland. We would lose a day of our trip, but we resigned ourselves to that and went with it. The hotel room was ok. We had to walk to find food, which when we found it was lousy.

Woke up yesterday…my birthday, and went back to the airport. Hung around a bit. Got on the flight to JFK….a bit delayed. But no problem. Got into JFK….and guess what…the flight to Cleveland was cancelled. And there was nothing they could do but get us out the next day. Now we had gotten all the way to JFK….our trip was planned with a return on Thursday….so what was the point? We told them to get us back to Albany…and they said they could, for over $1000.00!!! Since the cancellation was caused by weather, they were not responsible! We told them to…you know what…took a cab into NYC. Went to Penn Station and got on Amtrak, after another lousy meal….and landed home after another cab from the station.

Now I just have to get back to Albany today to get my truck which is still at the airport. So sorry for the rant…but the high-brow discussion will have to wait for another day. And I want a redo on my Birthday!

I promise to be back on in a few days…my normal perky self. Until then, I want chocolate! Left you two images to look at until then for the film vs digital discussion. Juliet( http://www.julietrharrisonphotography.com)

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Economic Effects of Horse Ownership & Being an Artist – Part 2

SunGod

This post is about how the poor economy affects being an artist. We know that art is a luxury. We know that there have been many periods in history when only the wealthiest could afford to own art. Just like horse ownership, a down economy adds huge stumbling blocks to being an artist.

The most obvious part of this is of course, the lack of enough sales. Galleries are closing all over the country. People are not going to buy art when they are worried about the mortgage and feeding their families. Who can blame them? I certainly understand this. You really only think about filling your world with beauty when your stomach is full and the roof solid over your head.

What is interesting is what this does to the artist. I think that most people understand that artists are driven to create. It is more than a job to us. It is an identity. It is breathing. The crappy reality is that it takes money to buy the materials with which to create art. For those who draw…a pencil and paper are not a huge expense, I suppose. But for those who do what I do, or who sculpt or paint….it takes a huge out lay in money for materials. Many of us see being an artist as our job. And even if we don’t, getting a new job ain’t so easy at age 52 and with little marketable skills. As we all know…the jobs aren’t out there.

This is not meant as a whining blog post. This is really about ingenuity. As the galleries have closed, many of us have taken our fates into our own hands. And what I want to point out is the immense creativity that has come from this. I have mentioned before about the time drain that can be social networking. But I what to publicly cheer for those of us who have started to see the benefit to time spent doing our own “marketing”. Thanks to websites like http://www.fineartstudiosonline.com/ we can create our own websites to showcase our artwork. It is a wonderful thing to control what is said and what is shown. We are using Facebook and Twitter to let the world know about us! We can now look beyond our backyards and our work can touch people thousands of miles from our homes without paying a dime to ship it.

The other bit of creativity has come in the form of offering more ranges of work than ever before. And perhaps some see that as a negative. And maybe we wish we did not have to do this. but I see more and more painters doing periodic series of daily work that they can sell for much less than their larger, more time consuming work. They are using these as sketches…using them to perfect their techniques and at the same time….marketing the work at a price that makes it affordable to more buyers during the down time. Sculptors who are selling sketches and resin work are doing the same. For me it has meant making lower priced giclee prints available to buyers. I am selling prints on Etsy. I am doing spec photo shoots. I might not have ever thought of doing this before. But it is the sale of these giclee prints that are making it possible for me to continue to buy film and go out and shoot more.

And I think we all hope that when things do get better…those who bought our less expensive pieces will again be able to purchase the work that we have been able to continue to produce. We all want to be there…still working, on the other end of this….so we can fill the galleries, homes and museums with beauty still. We are taking all the chances we can to invent ways to hang on. And I, for one…thank you all for being part of this process with me. As I said…it ain’t easy…

My work is a luxury….that is sold to people who are inevitably horse owners…and we know that that is a luxury too. So rather then feel doomed by this all, I have decided to feel it is a challenge and I will do what I can.

So…Who wants to buy a Photograph? I am just about out of film!

Juliet

http://www.julietrharrisonphotography.com
http://www.etsy.com/shop/lechevalthehorse

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Economic Effects of Horse Ownership & Being an Artist – Part 1

The artist and her Tony!

Maybe the better title would be Horse Ownership and Being an Artist during difficult economic times. It ain’t easy. These days every horse owner knows of someone who has had to give up their horses because they can no longer afford the expense. And we have all heard the horror stories of horses neglected, abandoned, set loose and sent to auction. Good horses. Great horses even. Whose owners have been pushed to their limit by the stresses brought on by the economy. Am I allowed to call it a depression? I know the pundits don’t, but as far as I can see…all the symptoms of depression are there.
Good people are facing the question of what to do with horses they can’t keep…and other good people are being pressured into rescuing horses…that they themselves may end up being unable to truly care for. It is a terrible dilemma. I am not going to go into the debate about the horse slaughter bill in the US congress. Other then to say that the issue I believe is as much transport conditions and whether the slaughter houses do their job in a humane fashion. When we banned them in the US, we guaranteed that we would not have control over the process. Much like the meat industry in the US in our earlier years….if we had more control, we could inspect for the treatment of the animals. But I know that that is a bigger debate then I want to get into here. What I want to mention are two things that I think directly contribute to the problem in the US.
During these economic times…it seem wholly irresponsible for breed associations to not stress to their membership the importance of controlling for overbreeding. We can no longer condone the behavior of those individuals who breed with no concern for the later fate of the number of animals coming from their breeding farms. I think the Thoroughbred industry is only the tip of the iceberg. But we know the huge number of T’breds that end up in rescues and auction houses outstrips all other breeds. But the backyard breeder is just as much at fault. People have to be conscious of the the potential fate of that foal they think they want. I believe that it behooves the breed associations to make a point of discussing this at every conference, every event, in every newsletter to their membership. Perhaps an advisable limit on new registrations could be in their bylaws. I don’t know how if can be done, but something has to be done.
And I think it is the obligation of every VET to talk to anyone who contemplates breeding their pretty mare. To advise the gelding of all studs with negative breeding characteristics to reduce the potential for unwanted horses later on.
The second issue we seem to have is the high cost of humane euthanasia. Many of the horses that end up abandoned, neglected and at auction are a result of the owners inability to afford the huge cost of putting the animal down. Older, dangerous, sick and otherwise un-rehomable animals should have the right for a caring and painless end of life. If their owner is struggling with financial tragedy, they are certainly not going to be able to afford the cost of getting a vet to come and euthanize the animal and dispose of the subsequent carcass. We don’t want to think about this, I know…but is there room in the debate over the slaughter of horses, to add a discussion of how we can make this decent choice available to owners? Can we help VETs to bring the cost down? Make some low cost or even pro-bono euthanasia’s available for low income and financially destitute owners?
In these times, keeping even one horse is a luxury fewer and fewer of us are able to afford. I know….it is a stretch each month to find the money to cover board for my one wonderful horse.

Stay tuned for Part 2, Being an Artist during times like these!!
Juliet

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Mr. Peabody and Family


Last week I have the distinct pleasure of visiting with Mark Samu, his lovely wife Lu, their horses and goat! Mark is a wonderful photographer in his own right. His wonderful photographs of my work hanging on the walls of their home are in the post below this one. He is familiar to many of us as @mrpea01 0n Twitter and from his blog and Facebook page “Where’s Mr Peabody”. http://wheresmrpeabody.com/


While I was there visiting I got to turn the day into a bit of a photo shoot as well. The amazing work Mark has done training Mr Peabody (a mostly black paint), Leroy (the red Quarter Horse) and Jerry (the goat) made photographing them a breeze. There is nothing so wonderful as having a horse stand with his front legs on a stump while I walked around him photographing from every angle. The three of them were total gentlemen while I was in their paddock. And their human companions were warm and welcoming. Humor and good conversation abound.



These images are scanned form the negatives. But are available for purchase as either Limited Edition Gelatin Silver Prints from my darkroom on 11×14 paper or as open edition giclee reproduction prints in a multitude of sizes.
.

Juliet

julietharrison@earthlink.net

http://www.julietrharrisonphotography.com/

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Decorating with B&W Photography


Need some ideas on how to use Black and White photography in your decorating scheme? Here are some photos taken of my work in a beautiful residential setting. B&W photography can enhance a Modernist, Traditional, Rustic, or Minimal interior design. (Interior shots by architectural/interior photographer Mark Samu) Have any questions about how B&W Photography might fit in your home? Want to see more of my work? Contact me at julietharrison@earthlink.net

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Bones and Skulls

As some of you might remember…I have been contemplating doing a series of still life photos of animal skulls, bones and horns/antlers. I have collected some great objects to work with. (although always looking for more) I have never really done much with still life photography. I do know that I will work in B&W and with natural light. So I have been trying to envision how I want to do these. I now have two pretty strong ideas about what I want to try…but each entails some advance building. For one…I need to find a place that I can build a large sandbox. My back yard is not big enough. I need to have it so that it is like a beach…large open area with strong sunlight. And I will need to be able to cover it in between photo sessions. For the other I need to build an armature of a clamp type thing on a portable boom arm. So that I can clip the bone and kind of suspend it to be able to photograph just a portion of it floating in front of a backdrop. Maybe a stand like what my son has for his cymbals on his drum set. An adjustable boom arm and duct tape an alligator clip to the end. It has to be able to hold the bones without crushing them. And need one strong enough to hold heavier ones too. Hmm….might need two. I will be shooting these with my 2 1/4 camera I think. Funny how eager I am to get started…but this designing and building thing has me stuck. Life of an artist.

On my way in a few minutes to drop off a giclee print from one of my recent Spec Photo Shoots. (still needs a new name for this) I am very excited that this print turned out so beautifully. It is the first I have had done from my 2 1/4 negatives.

“Legs of a Dancer”

I have another print from the Quarry Hill Farm Arabians spec shoot being done now and should be ready to deliver in the next two weeks.

It seems like this idea is a welcome one. I am headed to Texas in November to visit good friend and colleague Lyne Raff, the publisher/editor of http://www.arthorsemagazine.com . I mentioned it last night on Facebook and now have a bunch of people down there asking about my coming to them to do spec photos of their horses. So if you are in the Dallas, Houston or Beaumont areas…or even farther afield and want me to come…let me know! I have always dreamed of traveling the world photographing horses as I go. Looks like Texas in November will be the start of fulfilling that dream! Don’t hesitate to contact me if you have any interest in my coming to photograph your horse. We can discuss all the possible ways to make this happen.

Tomorrow I am off on a new adventure. I will tell you all about that next week! A good reason to come back! Please feel free to share my blog with your friends who might be interested in the life of a Fine Art Photographer with a love of horses!

Juliet
( http://www.julietrharrisonphotography.com )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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June Memories


June is a month awash in memories for me. It is the month that I was born in 1958. So for a long time…it seemed like “my month”. It would begin in anticipation of my birthday to come at the end of the month. Of course summer would begin in June as the school year ended. Heralding more good times. I always felt that my family was closer to eachother in June than any other time of the year.
The year I turned 30, June became the month of my wedding. Two days, in fact, before my 30th birthday I married my wonderful husband Brent. And then…just before my 36th birthday…I gave birth to my son, Jackson. I could have asked for no more wonderful present than that. Every year in June, to be reminded of the moment when he entered our lives, changing it forever. 16 years ago he became the center of our lives and added dimension to the world! Next June I will not be with him for his 17th birthday, as he is heading to Milan, Italy in September, to spend a year abroad. So this year we will be sure to celebrate together. 9 years ago on the 26th of June, I bought my first horse. Tony was and is the fulfillment of a childhood dream. And having him has enhanced my life immeasurably. I don’t think that I would have focused my work so directly on horses, had it not been for how owning him has brought me more involved with horses than ever before.
3 years ago….just a few days before my 49th birthday, my mother passed away. And June changed a bit. Now it carries a bittersweet taste. Sadness…not overwhelming the happy, but tempering it. Dulling the edge of excitement. This year I intend to make some new happy memories in June.

So in this month of so much…I wish to remind you…that you can read the newest article written about my work in the May/June issue of Rural Heritage Magazine. The feature was written by fellow equine artist, Bethany Caskey. You can purchase a copy of the magazine at your local Tractor Supply or online at http://www.ruralheritage.com/ . Take a look in your local newstand for the June issue of American Art Collector magazine. Inside you will find a wonderful issue featuring equine artwork and there is an ad for Terry Lindsay’s Equidae Gallery that features one of my pieces. There is one more weekend you can see my work at the Maplebrook School in Amenia, NY in the Evoking Spirit art show. As part of the HITS on the Hudson Equine Art Show and Auction, my work Vintage: Cabellero is on exhibit at the Red Onion Restaurant at 1654 Route 212 between Woodstock and Saugerties, NY. It will remain there until the beginning of July when it will move to the Fletcher Gallery in Woodstock, NY before being auctioned off on September 10th to benefit the Family of Woodstock. You can get more information here – http://www.hitsshows.com/EquineArtAuction/EquineArtAuctionIndex.html

July will see more of my work on display. This time at the Gazen Gallery in Rhinebeck, NY during their “Love Our Local Landscape” show. I will know more about what pieces will be there by the end of this week. http://www.gazengallery.com/

And remember…scroll backwards in this blog to find the three posts with images that are selling framed for their unframed prices. Several of these are no longer available at this price, due to them heading for various shows. So if you want to purchase one at this special price….Speak Up asap! So June begins….May it be a beautiful month for all of us! Juliet( julietharrison@earthlink.net )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Monday’s Activities

(Vintage: Cabellero, showing at HITS Equine Art Show and Auction)

I spent the morning catching up from the weekend. Organizing laundry. Reading emails. Getting some prints ready to send out to new owners. It seems that Monday’s have become a good day for this kind of thing. And for planning the rest of the week.

Mid-day I went to the barn to have a nice ride on Tony. We tried out a new bit which seemed to make everything we have worked on fall right into place. He was happily mouthing it, with a beautiful headset and responsive to what I asked of him. Lovely to feel that. We even took a bit of time to walk out onto the farm road for a cool down, after work treat. Although it sure was humid out there and the bugs were bugging us. I need to remember to bring a sponge to the barn so I can wet him down just a touch on days like this. I have a feeling it is going to be much like this the rest of the summer.

Like I mentioned above, a good part of the day was spent planning some future things. I am contemplating entering several Fine Art photography shows and trying my luck again. I may even enter some of the non-equine images from New Mexico. Three of the shows are dedicated to B&W. So I feel I should challenge myself to submit work. I am also thinking of doing the entries a bit different than I usually do. Since 3 of these are virtual shows, I am scanning my negatives to use them for the entries, instead of printing in the darkroom first and then scanning the prints. All the images I am entering, if printed in the darkroom, would be printed as close to the original negative as possible. These are not images that I would alter a great deal when printing. It will be interesting to see if there is any significant difference on how they are received in the judging. Of course…it should not make any difference.

My photograph, Vintage: Cabellero, will be on exhibit starting this weekend for the HITS Equine Art Show and Auction. For the start of the show the works of art will be distributed in varies locations in Saugerties, NY and some even closer to home. I am not sure where mine will be, but I will post it as soon as I know. http://www.hitsshows.com/

I have been invited to contribute work to the “Love Our Local Landscape” show at the Gazen Gallery in Rhinebeck, NY opening on July 17th and running through September 12th. “Contributing artists have selected pieces that feature Local landscapes making this show a highlight of our local Hudson Valley region.” Of course mine will be somewhat non-traditional “Landscapes”. An Equiscape or two!?! http://www.gazengallery.com/index.html

I am hoping to get up to Saratoga Springs this weekend for the annual dressage show at the race track. I have never been there. This is the first year in forever that Jackson does not have a multitude of parades to march in that I need to chauffeur him to. So I am going to take advantage of it and get to see this show. Now let’s hope there is beautiful weather for the weekend.
I am still waiting to see the current copy of Rural Heritage Magazine to see the feature that was done about my work. It should be out on newstands any day now…but the website is still not updated…so I am waiting…..! I hope to have a link to that for you all to see next week.
Don’t forget to scroll down to previous posts to see the Special Pricing on Framed Original Gelatin Silver Print. There are 3 different posts with images and information. Some may be withdrawn soon from this sale if I need them for the show at the Gazen Gallery. So be sure that if you want one, you let me know ASAP, so that we can be sure you get it before I remove it from the blog.
That feels like it for now……Have a great week….although I might be back posting later in the week if something interesting comes up!

Juliet

( julietharrison@earthlink.net)

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Special Pricing on Framed photos – Group 3 White Horses

Boulder – $600.00

Sheer Cliff Face – $600.00

Homage to KC – $600.00

Frozen – $600.00
Raindance – $600.00
Living Granite – $600.00
Rock Drips – $600.00
Pensive – $600.00
Winter Evening White – $600.00
A Gentle Aging – $600.00
White Wall – $600.00
Gentle Slopes – $600.00
L – $600.00
Snow Slope – $600.00
Rhapsody in White – $600.00
Classic: Legacy – $600.00
Symmetry – $600.00
Braids – $600.00

Here is the last group of framed photos in the attic. These are almost all photos that were in the show last fall at the Silo Gallery in New Milford, CT. And they are all from the “White Horses: From the Literal to the Sublime” book, except for Symmetry which should have been included. Some are also part of the Equiscape series. Remember that they are all framed to 16×20″ in archival mats. Signed, numbered and dated on the back.

The reuglar retail price for these in a frame is $800.00. So it is a savings of 25%.

Please contact me if you have any questions on any of the photos for sale in these special pricing posts. Remember that shipping is free in the Continental US. And lay-a-way is available.

Juliet

( julietharrison@earthlink.net )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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Special Pricing on Framed photos – Group 2 Equiscapes

Stars Upon Thars, 1 – $600.00

Galaxy – $600.00

Waterfall – $600.00

WindSwept – $600.00

Hollow – $600.00

Valley – $600.00

Each and every one of the framed photos in my attic will be available for sale at the unframed price. And – shipping in the Continental US will be free. Remember, each and every one of these is framed because it hung in an art show. Some were juried in, some as invitationals.

These are some of my best images. If I don’t sell them this way, I will just pop them out of their frames and store them until they sell at full price. So you would be getting a great deal to buy them now. All of the photos are Gelatin Silver prints from my darkroom. And all are signed and numbered on the back. Most of the frames are simple black ones. A few are simple white. All are franed 16×20″. If you have a question about a frame, feel free to ask!

And lay-a-way is available.

Juliet

( julietharrison@earthlink.net )

©Copyright 2010 by Juliet Harrison. See original post here.
To learn more about this artist, visit her website.

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