Daily Archives: August 11, 2008

Peruvian school teacher, Montana Shepard

Photo of sheep grazing in Montana copyright Donna Ridgway, all rights reserved.

If you think of sheep as passive, humble, or lowly…think again. Their reputation has risen to warrior status as they wage war on weeds that rob livestock and wildlife of much needed pasture. The sheep are a great aide in fire control as they clear out brush and low lying shrubbery that spreads a blaze.

Photograph of sheep grazing in Montana mountains copyright Donna Ridgway, all rights reserved.

As sheep graze, they eat weeds before they eat grass, it’s their nourishment of choice! We saw this band of 1400 ewes and lambs near Lincoln, Montana.

Photo of sheepherder's camp in Montana copyright Donna Ridgway, all rights reserved.

When we spotted the sheep, we hoped there would be a sheepherder near by. We saw the camp trailer in the trees, snuggled up under some shade. The road was a little rough but the Yukon we drive made it into camp just fine.

Photograph of sheepherder and horse in Montana mountains copyright Donna Ridgway, all rights reserved.
Meet Roberto Ninahuanca Tocas! Luckily for us, he was home! I can’t tell you how interesting it was to meet him… His home is in Peru, where he teaches Spanish to the kids. He came to America to herd sheep to make more money for his family.

A couple of months ago, we were coming home from Helena, Mt when we saw a band of perhaps 3 or 4000 sheep and goats headed straight up the mountain… We stopped to wave at the sheepherder that day. Come to find out, that herder is Roberto’s cousin, he also came from Peru to herd sheep in America.

Roberto told us his cousin spends a lot of time alone, as he herds sheep into extremely remote areas. Roberto’s sheep were closer to the highway when we saw them and he said he has more contact with people than his cousin does, although he spends many days alone with the animals.

Roberto has a family in Peru, a wife and two children, a girl and a boy. He said his English isn’t very good, but he tries hard to speak it correctly. We didn’t have any trouble visiting with him at all, we thought his English was great.

He has a laptop computer in his little camper home, and it runs off batteries, but he didn’t have internet. He did have a cell phone, but he didn’t have a signal a lot of the time, as he’s in the mountains. He told us he takes three months off each year. November, December and January are the months he spends with his family.

I asked him if he had trouble with bears, coyotes or wolves. He said a mountain lion killed six lambs a few days ago. He called the government trapper to come in and find the lion but the hunt was unsuccessful.

His sheep have a schedule. He told us they lay down for a nap around noon and rest until about 4 pm. After that, they get up and head up the mountain. Once they’re on top, they spend the night there. Roberto gets up early, and with his horse and his dogs, he heads up the mountain to bring the sheep down for water, salt and mineral.

His dogs respond to whistled commands. They’re lean and fit…not an ounce of fat….all muscle…from climbing the mountain each day to bring the sheep down. Roberto told us much of the time, the dogs work the sheep by noticing which way he or his horse happens to be facing. If he turns his horse to the left, the dogs automatically herd the sheep ahead of him turning toward the left.

His boss brings him supplies as he needs them. He also has two horses, and when the present horse is worn out, the boss brings a fresh one.

We’re going to email pictures of Roberto to his wife. I will never in my life get over how the internet and digital cameras have changed the world. Isn’t it amazing we could meet a teacher from Peru, who’s herding sheep in Montana? And in no time at all, we can email photos of him to his wife and family?

Photograph of sheepherder's sheep dog in Montana mountains copyright Donna Ridgway, all rights reserved.

This is one of the sheep herding dogs who works with Roberto, he was smiling at me.

If you’d like to read more about the way sheep control weeds in Montana, I’ve included a link to an article from the Montana Standard below….

Another article about sheep waging war on weeds.

We hope we see Roberto again!

Donna Ridgway

©Copyright 2008 by Donna Ridgway. See original post here.

To learn more about this artist, visit Donna Ridgway’s website.

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Popping In

Still life painting byCarole Rodrique, copyright 2008, all rights reserved. Window Light
11 x 14 original acrylic

Work in Progress

Yes, my bad. I haven’t been here in over a month, so slap me silly. But it wasn’t all my fault, I swear! The Internet has really been awful in these parts lately and uploading pages was nearly impossible, never mind taking care of my email or trying to blog. So, spending time online was nothing but frustrating, so one tends to give up after a while. Better that than throwing the darned puter out the window, eh!

I must also confess that painting has been a rare occurence this summer. And I can’t blame summer weather because we’re still waiting for summer to get here. I did however complete the above piece recently (Window Light), and have a few on the go. The photo showing the work in progress is but a small part of a larger piece which I’m still working on and hoping to complete this week. If all goes well that is. So, I won’t show the rest because I do so hate to show a work in progress. I’ll share a pic once competed.

I’ve also been working on the sketches for a new piece I’ve been itching to do for a few weeks of a little girl and her father, which I’d photographed at a rodeo. The painting is such a beautiful father/daughter scene, and I’m hoping to eventually have limited edition signed prints made with a portion of profits going to a popular charity which benefits children. I’ll have more details once everything’s finalized, so let’s all hope this piece turns out like what I’m envisioning! In the mean time, I’ll be working on not only the painting, but making contacts and working on details for the fund raiser. Stay tuned for this one.

Also, have you been staying up to date on the development of the Cadeau du Cheval mural? If not, be sure to check out http://www.muralmosaic.com/Cadeau.html to see just how beautifully this mural’s coming along. There are so many wonderful panels which have been added and yours truly’s is on there also. The final unveiling will be at the Masters at Spruce Meadows (AB) in just a few short weeks! Now that’s really, really exciting since we artists don’t even know what the final mural will look like and have to wait along with the rest of you to see the final masterpiece! Neat eh! So I’m really looking forward to seeing it completed. Keep watching its progress!

Gotta go, but I WILL be back soon! Have a great week everyone!

©Copyright 2008 by Carole Rodrigue. See original post here.
To learn more about this artist, visit Carole Rodrigue’s website.

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True Grit

Young rider on a rearing horse. Photography copyright Judy Wood, all rights reserved.

Girl jumping on a gray horse. Photograph copyright Judy Wood, all rights reserved.

Photograph of yearlings in the shade of trees copyright Judy Wood, all rights reserved.

OK, just to catch up from last week’s report, still working off “Hal” the old and possessed computer for these blog posts, but I am making slow but steady progress with starting to understand the new computer and the new Photoshop program, so last week’s sense of despair has receded considerably. Thank goodness.
As usual, a lot has happened since my last post, mostly on the horse front. We’ve just gone through a muggy, hot and windy (sometimes in turn, sometimes all together) three days of horse shows at Ebon. This year the annual Midsummer Masters Horse Show was combined with the Warmblood mare and foal evaluation and riding horse test, which has hitherto been held a few weeks later, in early September. Folding these two shows into one event was a challenge for all concerned, me included, since I was on tap to do photos for a *lot* of clients at both.
When you’re camped out at these shows for most of the day, you see a lot of horses and riders and how they interact, with the many little dramas that accompany these events. Since it was so hot, I spent quite a bit of time doing photos from the judge’s booth in the jumper ring, as it is raised up and can catch whatever breeze is happening, has a good view of the entire ring (well, as the judge’s booth it pretty well has to) and has a roof over it so there is shade. From this vantage point, I observed and photographed a display of grace and courage on the part of one of our young Ebon riders.
This is a girl who has ridden at Ebon for a few years now. Although she is young enough just to be entering high school this year, she is quite a seasoned rider, with a history of good training and the desire and discipline needed for her chosen area of show jumping. Around the barn she is quiet, serious and business-like in her approach to her riding, although I suspect there is a lighter side that we adults don’t get to witness.
Her horse is a quality European bred Dutch Warmblood, who is talented but has a few issues, especially when it comes to jumping. They have worked on this for the past couple of years and when I took my first outdoor shots of them this spring, I was struck by how much this horse had improved in his gaits and his attitude. They were both really clicking in lessons and at the schooling shows, and it was a pleasure to see them working so nicely as a team and achieving success in the ring. Until the “big” show this weekend. Hunter ring with the slower pace and lower jumps didn’t seem to be a problem. Ditto for the flat classes. It was in the jumper ring that the wheels fell off, with the horse suddenly, unexpectedly (to viewers, anyway) and rather violently resisting jumps partway through his course. This happened several times over a couple of days, with his reaction growing more violent each time.
The final blowup was pretty extreme and it was impressive that the rider managed to stay on his back. What was even more impressive to me was the fact that once she got her horse back under control, having been eliminated from the class by his refusal, she proceeded to the judge’s booth to request a “courtesy” fence. This is common in the jump ring so that the rider can end the ride with a positive experience for themself and for the horse, and so that the horse understands that extreme bad manners and misbehavior don’t get you out of the job at hand. It would have been totally understandable if she had just opted to get out of Dodge before her horse finished her off, but not only did she request the extra jump, she actually said “may I have a courtesy fence, please?” I think it was the “please” that most impressed me. This is one well- brought-up kid with a huge amount of fortitude. We could all take a lesson from her self-possession and control in the face of potential disaster.
One of the little tasks I have assigned myself this year is to keep on shooting no matter how wrong things are going in front of me. My natural instinct is to stare aghast at whatever wreck is happening, but often these are the shots that the riders want, and I’ve been schooling myself to keep on shooting no matter what. Since the action came pretty well out of nowhere, it took me a few seconds to get focussed, also it was pretty far away from me so I was at the extreme end of my zoom. Riders note: if you want really good shots of your wrecks, try to have them not too far from the photographer and without a lot of jumps in the way. The first shot is as a result a bit on the blurry side. I was doing a bit better by the second. These are two of a number of shots I was able to get, as he had a couple of go-rounds before he conceded defeat. Shot number three shows a more typical moment of good form and success, which in truth is vastly more typical for these two.
For a change of pace and to allow us to catch our breath, the fourth shot shows the Warmblood yearlings and handlers seeking the coolest available spot in the ring during the evaluation. It was darn hot and breathless for this part of the show and conditions were a trial to horses and humans alike.
A quick update from a previous post. I was interrupted halfway through writing this by the delivery of the Northern Shrike (from the vet college where it was undergoing treatment) that I had rescued from the barn a few weeks back (see post of July 28, Bird Rescue) . It is now fully recovered from its injuries and was ready to be released. I had to hustle right out to the barn to return it to its’ home territory since the sun was getting pretty low in the sky and we were losing light fast. I wanted it to be able to see where it was going when it finally got out of the box. Of course no good deed goes unpunished and I was in such a rush that I forgot my camera. I consoled myself with the thought that the sky was pretty darn grey and boring over the city so it wouldn’t matter, but of course by the time I was driving west and home from releasing the shrike, I was looking at an achingly beautiful sunset that would have been fabulous to capture. Dang. No matter, we had a happy ending with this one, so one more individual of an endangered species has been restored to the wild. I just hope he/she has learned the lesson about barn cats.
PS–I have written about our young rider with her and her parents’ knowledge and consent. I won’t write about identifiable individuals (espeically minors) or use their pictures without their say-so.

©Copyright 2008 by Judy Wood. See original post here.
To learn more about this artist, visit Judy Wood’s website.

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How You Gonna Keep ‘Em Down On The Farm?

Painting in progress by Kathi Peters, copyright 2008, all rights reserved.

I don’t really know where these works are coming from….other than I am feeling a need to document my family’s roots and the folks that came out of the Pennsylvanian farms where my mother grew up and formed her persona. They say we become our mother as we age……….boy, when I look in the mirror these days I see my Mom!
This painting is a 6 x 8″ mixed media…a small step out of my comfort zone as far as media goes. But I must admit I am having fun with this detour and have several other works on the easel that also deal with the family and the farms. I call this painting “How You Gonna Keep ‘Em Down on the Farm?” ….after that same song which asked the question about how they would kept on the farm after they saw Paris! [or "Par-ie"?].
This past weekend we celebrated birthdays on our Morrill farm…some being celebrated a bit late, but better late than never, I always say. I watched our grandchildren playing on our farm……..running through the field and orchard. It is so good that even though our farm is small and not at all self sufficient, that our kids can still have a farm type of environment to experience in this day and age of computers and quick fixes. Nothing quick about mucking stalls and throwing hay bales! There is a gentle rhythm about the days here on Cob Cottage Farm.
That is why I love it.

©Copyright 2008 by Kathi Peters. See original post here.
To learn more about this artist, visit Kathi Peters’s website.

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Landscape Study #17 2008

Landscape painting ACEO by Carrie Lewis. Copyright 2008, all rights reserved.Landscape Study #17 2008 is my landscape painting for the week of August 4, 2008.

It is an original ACEO landscape painting, so it doesn’t qualify as a small format work, but it is a landscape and that was the primary goal for this particular challenge.

It was painted over a toned multiple-gessoed archival mat board card using primarily five colors: Cerulean Blue, Sap Green, Yellow Ochre, Azo Yellow and Titanium White.

In some areas, the toned surface was allowed to show through and in others, the pattern of brush strokes and the use of transparent colors only thinly veils the color beneath.

This original ACEO painting was completed Saturday, August 9 after two days of work.

I also worked on three others during those two days, but they were not ready to call ‘finished’.

During those two days, I did work on the 4×6 small format, end-of-day painting originally intended to be the Landscape painting challenge for the week, but I ended up wiping off most of the paint I put on it and that meant some additional drying time was necessary. Hopefully, this week….

Landscape Study #17 2008
3-1/2 x 2-1/2
Original Oil on gessoed archival mat board
$25 unframed plus shipping

©Copyright 2008 by Carrie Lewis. See original post here.
To learn more about this artist, visit Carrie Lewis’s website.

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